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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD844E it is the complementary color #527BB1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD844E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD844E shade: #B28449, #C3965C, #D4A86F, #E5BA82 and #F6CC95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD844E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD844E shade: #AD844E, #9C723B, #8B6028, #7A4E15 and #693C02

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD844E shade: #AC834D, #AC6A4D, #AC504D and #AC4D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD844E shade: #AC834D, #AC9D4D, #A2AC4D, #89AC4D and #6FAC4D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD844E shade matches the following richer shades: #AC834D, #C18639, #D58925 and #E98C11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD844E shade: #AC834D, #988162, #847E76, #707B8A and #5C789E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD844E shade: #AC514D, #AC6A4D, #AC834D, #AC9D4D and #A3AC4D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD844E shade: #735834, #906E41, #AC834D, #BB9768 and #C8AB84

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD844E shade: #AD844E, #64AC4D and #5D4DAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD844E shade: #AD844E, #4DAC83 and #834DAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD844E shade: #AD844E, #64AC4D, #4D77AC and #964DAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD844E shade: #AD844E, #4DAC54, #4D77AC and #AC4DA6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 55 / 32

HEX #AD844E

RGB 173 132 78

HSL 34.11, 0.38%, 0.49%

LAB 57.98, 9.25, 34.97

 

Complementary color

CMYK 54 / 31 / 0 / 31

HEX #527BB1

RGB 82 123 177

HSL 214.11, 0.38%, 0.51%

LAB 50.84, 1.64, -32.97

 

CMYK 0 / 26 / 59 / 30

HEX #B28449

RGB 178 132 73

HSL 33.71, 0.42%, 0.49%

LAB 58.46, 11, 38.32

 

CMYK 0 / 23 / 53 / 24

HEX #C3965C

RGB 195 150 92

HSL 33.79, 0.46%, 0.56%

LAB 65.11, 9.93, 36.87

 

CMYK 0 / 21 / 48 / 17

HEX #D4A86F

RGB 212 168 111

HSL 33.86, 0.54%, 0.63%

LAB 71.66, 9.03, 35.49

 

CMYK 0 / 19 / 43 / 10

HEX #E5BA82

RGB 229 186 130

HSL 33.94, 0.66%, 0.7%

LAB 78.1, 8.25, 34.19

 

CMYK 0 / 17 / 39 / 4

HEX #F6CC95

RGB 246 204 149

HSL 34.02, 0.84%, 0.77%

LAB 84.46, 7.56, 32.96

 

CMYK 0 / 24 / 55 / 32

HEX #AD844E

RGB 173 132 78

HSL 34.11, 0.38%, 0.49%

LAB 57.98, 9.25, 34.97

 

CMYK 0 / 27 / 62 / 39

HEX #9C723B

RGB 156 114 59

HSL 34.02, 0.45%, 0.42%

LAB 51.17, 10.4, 36.45

 

CMYK 0 / 31 / 71 / 45

HEX #8B6028

RGB 139 96 40

HSL 33.94, 0.55%, 0.35%

LAB 44.24, 11.8, 37.89

 

CMYK 0 / 36 / 83 / 52

HEX #7A4E15

RGB 122 78 21

HSL 33.86, 0.71%, 0.28%

LAB 37.19, 13.55, 38.97

 

CMYK 0 / 43 / 98 / 59

HEX #693C02

RGB 105 60 2

HSL 33.79, 0.96%, 0.21%

LAB 30.01, 15.69, 39.31

 

CMYK 0 / 24 / 55 / 33

HEX #AC834D

RGB 172 131 77

HSL 34.11, 0.38%, 0.49%

LAB 57.6, 9.29, 35.01

 

CMYK 0 / 38 / 55 / 33

HEX #AC6A4D

RGB 172 106 77

HSL 18.32, 0.38%, 0.49%

LAB 51.4, 23.34, 27.29

 

CMYK 0 / 53 / 55 / 33

HEX #AC504D

RGB 172 80 77

HSL 1.89, 0.38%, 0.49%

LAB 45.69, 37.41, 19.88

 

CMYK 0 / 55 / 55 / 33

HEX #AC4D4D

RGB 172 77 77

HSL 0, 0.38%, 0.49%

LAB 45.1, 38.94, 19.09

 

CMYK 0 / 24 / 55 / 33

HEX #AC834D

RGB 172 131 77

HSL 34.11, 0.38%, 0.49%

LAB 57.6, 9.29, 35.01

 

CMYK 0 / 9 / 55 / 33

HEX #AC9D4D

RGB 172 157 77

HSL 50.53, 0.38%, 0.49%

LAB 64.5, -5.01, 43.25

 

CMYK 6 / 0 / 55 / 33

HEX #A2AC4D

RGB 162 172 77

HSL 66.32, 0.38%, 0.49%

LAB 67.82, -17.13, 46.87

 

CMYK 20 / 0 / 55 / 33

HEX #89AC4D

RGB 137 172 77

HSL 82.11, 0.38%, 0.49%

LAB 66.03, -27.3, 44.34

 

CMYK 35 / 0 / 55 / 33

HEX #6FAC4D

RGB 111 172 77

HSL 98.53, 0.38%, 0.49%

LAB 64.5, -37, 42.17

 

CMYK 0 / 24 / 55 / 33

HEX #AC834D

RGB 172 131 77

HSL 34.11, 0.38%, 0.49%

LAB 57.6, 9.29, 35.01

 

CMYK 0 / 31 / 70 / 24

HEX #C18639

RGB 193 134 57

HSL 33.97, 0.54%, 0.49%

LAB 60.5, 15.37, 48.98

 

CMYK 0 / 36 / 83 / 16

HEX #D58925

RGB 213 137 37

HSL 34.09, 0.7%, 0.49%

LAB 63.48, 21.56, 60.83

 

CMYK 0 / 40 / 93 / 9

HEX #E98C11

RGB 233 140 17

HSL 34.17, 0.86%, 0.49%

LAB 66.61, 28, 69.73

 

CMYK 0 / 24 / 55 / 33

HEX #AC834D

RGB 172 131 77

HSL 34.11, 0.38%, 0.49%

LAB 57.6, 9.29, 35.01

 

CMYK 0 / 15 / 36 / 40

HEX #988162

RGB 152 129 98

HSL 34.44, 0.22%, 0.49%

LAB 55.34, 4.11, 20.09

 

CMYK 0 / 5 / 11 / 48

HEX #847E76

RGB 132 126 118

HSL 34.29, 0.06%, 0.49%

LAB 53.1, 0.78, 5.16

 

CMYK 19 / 11 / 0 / 46

HEX #707B8A

RGB 112 123 138

HSL 214.62, 0.1%, 0.49%

LAB 51.2, -0.68, -9.52

 

CMYK 42 / 24 / 0 / 38

HEX #5C789E

RGB 92 120 158

HSL 214.55, 0.26%, 0.49%

LAB 49.71, 0.14, -23.64

 

CMYK 0 / 53 / 55 / 33

HEX #AC514D

RGB 172 81 77

HSL 2.53, 0.38%, 0.49%

LAB 45.9, 36.89, 20.14

 

CMYK 0 / 38 / 55 / 33

HEX #AC6A4D

RGB 172 106 77

HSL 18.32, 0.38%, 0.49%

LAB 51.4, 23.34, 27.29

 

CMYK 0 / 24 / 55 / 33

HEX #AC834D

RGB 172 131 77

HSL 34.11, 0.38%, 0.49%

LAB 57.6, 9.29, 35.01

 

CMYK 0 / 9 / 55 / 33

HEX #AC9D4D

RGB 172 157 77

HSL 50.53, 0.38%, 0.49%

LAB 64.5, -5.01, 43.25

 

CMYK 5 / 0 / 55 / 33

HEX #A3AC4D

RGB 163 172 77

HSL 65.68, 0.38%, 0.49%

LAB 67.89, -16.71, 46.98

 

CMYK 0 / 23 / 55 / 55

HEX #735834

RGB 115 88 52

HSL 34.29, 0.38%, 0.33%

LAB 39.36, 6.34, 25.01

 

CMYK 0 / 24 / 55 / 44

HEX #906E41

RGB 144 110 65

HSL 34.18, 0.38%, 0.41%

LAB 48.84, 7.83, 30.09

 

CMYK 0 / 24 / 55 / 33

HEX #AC834D

RGB 172 131 77

HSL 34.11, 0.38%, 0.49%

LAB 57.6, 9.29, 35.01

 

CMYK 0 / 19 / 44 / 27

HEX #BB9768

RGB 187 151 104

HSL 33.98, 0.38%, 0.57%

LAB 64.72, 7.2, 29.81

 

CMYK 0 / 15 / 34 / 22

HEX #C8AB84

RGB 200 171 132

HSL 34.41, 0.38%, 0.65%

LAB 71.6, 4.88, 24.01

 

CMYK 0 / 24 / 55 / 32

HEX #AD844E

RGB 173 132 78

HSL 34.11, 0.38%, 0.49%

LAB 57.98, 9.25, 34.97

 

CMYK 42 / 0 / 55 / 33

HEX #64AC4D

RGB 100 172 77

HSL 105.47, 0.38%, 0.49%

LAB 63.96, -40.72, 41.39

 

CMYK 46 / 55 / 0 / 33

HEX #5D4DAC

RGB 93 77 172

HSL 250.11, 0.38%, 0.49%

LAB 38.92, 31.14, -48.91

 

CMYK 0 / 24 / 55 / 32

HEX #AD844E

RGB 173 132 78

HSL 34.11, 0.38%, 0.49%

LAB 57.98, 9.25, 34.97

 

CMYK 55 / 0 / 24 / 33

HEX #4DAC83

RGB 77 172 131

HSL 154.11, 0.38%, 0.49%

LAB 63.93, -37.97, 12.74

 

CMYK 24 / 55 / 0 / 33

HEX #834DAC

RGB 131 77 172

HSL 274.11, 0.38%, 0.49%

LAB 42.93, 40.68, -42.27

 

CMYK 0 / 24 / 55 / 32

HEX #AD844E

RGB 173 132 78

HSL 34.11, 0.38%, 0.49%

LAB 57.98, 9.25, 34.97

 

CMYK 42 / 0 / 55 / 33

HEX #64AC4D

RGB 100 172 77

HSL 105.47, 0.38%, 0.49%

LAB 63.96, -40.72, 41.39

 

CMYK 55 / 31 / 0 / 33

HEX #4D77AC

RGB 77 119 172

HSL 213.47, 0.38%, 0.49%

LAB 49.19, 1.29, -32.67

 

CMYK 13 / 55 / 0 / 33

HEX #964DAC

RGB 150 77 172

HSL 286.11, 0.38%, 0.49%

LAB 45.32, 45.81, -38.33

 

CMYK 0 / 24 / 55 / 32

HEX #AD844E

RGB 173 132 78

HSL 34.11, 0.38%, 0.49%

LAB 57.98, 9.25, 34.97

 

CMYK 55 / 0 / 51 / 33

HEX #4DAC54

RGB 77 172 84

HSL 124.42, 0.38%, 0.49%

LAB 63.11, -46.55, 36.7

 

CMYK 55 / 31 / 0 / 33

HEX #4D77AC

RGB 77 119 172

HSL 213.47, 0.38%, 0.49%

LAB 49.19, 1.29, -32.67

 

CMYK 0 / 55 / 3 / 33

HEX #AC4DA6

RGB 172 77 166

HSL 303.79, 0.38%, 0.49%

LAB 48.05, 50.78, -30.29

 

Description

Color code: HEX #AD844E | qconv.com Color code: HEX #AD844E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 132 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 132 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 55 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 55% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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