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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #64AC4D it is the complementary color #9B53B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #64AC4D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #64AC4D shade: #69AC48, #7ABE5B, #8BD06E, #9CE281 and #ADF494

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #64AC4D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #64AC4D shade: #64AC4D, #539A3A, #428827, #317614 and #206401

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #64AC4D shade: #64AC4D, #7EAC4D, #98AC4D, #ACA84D and #AC8E4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #64AC4D shade: #64AC4D, #4DAC50, #4DAC6A, #4DAC83 and #4DAC9D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #64AC4D shade matches the following richer shades: #64AC4D, #5AC139, #50D525 and #45E911

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #64AC4D shade: #64AC4D, #6F9862, #798476, #84708A and #8E5C9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #64AC4D shade: #98AC4D, #7FAC4D, #65AC4D, #4DAC4F and #4DAC68

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #64AC4D shade: #437334, #549041, #64AC4D, #7CBB68 and #95C884

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #64AC4D shade: #64AC4D, #4DACA8 and #AC4D8B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #64AC4D shade: #64AC4D, #4D65AC and #AC4D65

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #64AC4D shade: #64AC4D, #4DACA8, #954DAC and #AC4D52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #64AC4D shade: #64AC4D, #4D95AC, #954DAC and #AC654D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 55 / 33

HEX #64AC4D

RGB 100 172 77

HSL 105.47, 0.38%, 0.49%

LAB 63.96, -40.72, 41.39

 

Complementary color

CMYK 13 / 53 / 0 / 30

HEX #9B53B2

RGB 155 83 178

HSL 285.47, 0.38%, 0.51%

LAB 47.46, 45.33, -38.44

 

CMYK 39 / 0 / 58 / 33

HEX #69AC48

RGB 105 172 72

HSL 100.2, 0.41%, 0.48%

LAB 64.14, -39.62, 44.05

 

CMYK 36 / 0 / 52 / 25

HEX #7ABE5B

RGB 122 190 91

HSL 101.21, 0.43%, 0.55%

LAB 70.68, -39.62, 42.91

 

CMYK 33 / 0 / 47 / 18

HEX #8BD06E

RGB 139 208 110

HSL 102.24, 0.51%, 0.62%

LAB 77.12, -39.54, 41.72

 

CMYK 31 / 0 / 43 / 11

HEX #9CE281

RGB 156 226 129

HSL 103.3, 0.63%, 0.7%

LAB 83.47, -39.41, 40.53

 

CMYK 29 / 0 / 39 / 4

HEX #ADF494

RGB 173 244 148

HSL 104.38, 0.81%, 0.77%

LAB 89.73, -39.26, 39.37

 

CMYK 42 / 0 / 55 / 33

HEX #64AC4D

RGB 100 172 77

HSL 105.47, 0.38%, 0.49%

LAB 63.96, -40.72, 41.39

 

CMYK 46 / 0 / 62 / 40

HEX #539A3A

RGB 83 154 58

HSL 104.38, 0.45%, 0.42%

LAB 57.32, -40.63, 42.51

 

CMYK 51 / 0 / 71 / 47

HEX #428827

RGB 66 136 39

HSL 103.3, 0.55%, 0.34%

LAB 50.59, -40.3, 43.33

 

CMYK 58 / 0 / 83 / 54

HEX #317614

RGB 49 118 20

HSL 102.24, 0.71%, 0.27%

LAB 43.74, -39.57, 43.39

 

CMYK 68 / 0 / 99 / 61

HEX #206401

RGB 32 100 1

HSL 101.21, 0.98%, 0.2%

LAB 36.79, -38.23, 42.27

 

CMYK 42 / 0 / 55 / 33

HEX #64AC4D

RGB 100 172 77

HSL 105.47, 0.38%, 0.49%

LAB 63.96, -40.72, 41.39

 

CMYK 27 / 0 / 55 / 33

HEX #7EAC4D

RGB 126 172 77

HSL 89.05, 0.38%, 0.49%

LAB 65.34, -31.54, 43.36

 

CMYK 12 / 0 / 55 / 33

HEX #98AC4D

RGB 152 172 77

HSL 72.63, 0.38%, 0.49%

LAB 67.06, -21.27, 45.81

 

CMYK 0 / 2 / 55 / 33

HEX #ACA84D

RGB 172 168 77

HSL 57.47, 0.38%, 0.49%

LAB 67.51, -10.84, 46.73

 

CMYK 0 / 17 / 55 / 33

HEX #AC8E4D

RGB 172 142 77

HSL 41.05, 0.38%, 0.49%

LAB 60.47, 3.17, 38.49

 

CMYK 42 / 0 / 55 / 33

HEX #64AC4D

RGB 100 172 77

HSL 105.47, 0.38%, 0.49%

LAB 63.96, -40.72, 41.39

 

CMYK 55 / 0 / 53 / 33

HEX #4DAC50

RGB 77 172 80

HSL 121.89, 0.38%, 0.49%

LAB 63.06, -47.1, 38.63

 

CMYK 55 / 0 / 38 / 33

HEX #4DAC6A

RGB 77 172 106

HSL 138.32, 0.38%, 0.49%

LAB 63.44, -43, 25.68

 

CMYK 55 / 0 / 24 / 33

HEX #4DAC83

RGB 77 172 131

HSL 154.11, 0.38%, 0.49%

LAB 63.93, -37.97, 12.74

 

CMYK 55 / 0 / 9 / 33

HEX #4DAC9D

RGB 77 172 157

HSL 170.53, 0.38%, 0.49%

LAB 64.58, -31.73, -0.77

 

CMYK 42 / 0 / 55 / 33

HEX #64AC4D

RGB 100 172 77

HSL 105.47, 0.38%, 0.49%

LAB 63.96, -40.72, 41.39

 

CMYK 53 / 0 / 70 / 24

HEX #5AC139

RGB 90 193 57

HSL 105.44, 0.54%, 0.49%

LAB 69.9, -54.12, 56.56

 

CMYK 62 / 0 / 83 / 16

HEX #50D525

RGB 80 213 37

HSL 105.34, 0.7%, 0.49%

LAB 75.72, -64.88, 68.37

 

CMYK 70 / 0 / 93 / 9

HEX #45E911

RGB 69 233 17

HSL 105.56, 0.86%, 0.49%

LAB 81.61, -74.01, 76.99

 

CMYK 42 / 0 / 55 / 33

HEX #64AC4D

RGB 100 172 77

HSL 105.47, 0.38%, 0.49%

LAB 63.96, -40.72, 41.39

 

CMYK 27 / 0 / 36 / 40

HEX #6F9862

RGB 111 152 98

HSL 105.56, 0.22%, 0.49%

LAB 58.71, -24.7, 24.03

 

CMYK 8 / 0 / 11 / 48

HEX #798476

RGB 121 132 118

HSL 107.14, 0.06%, 0.49%

LAB 53.89, -6.85, 6.18

 

CMYK 4 / 19 / 0 / 46

HEX #84708A

RGB 132 112 138

HSL 286.15, 0.1%, 0.49%

LAB 49.89, 12.87, -11.32

 

CMYK 10 / 42 / 0 / 38

HEX #8E5C9E

RGB 142 92 158

HSL 285.45, 0.26%, 0.49%

LAB 46.81, 32.28, -27.79

 

CMYK 12 / 0 / 55 / 33

HEX #98AC4D

RGB 152 172 77

HSL 72.63, 0.38%, 0.49%

LAB 67.06, -21.27, 45.81

 

CMYK 26 / 0 / 55 / 33

HEX #7FAC4D

RGB 127 172 77

HSL 88.42, 0.38%, 0.49%

LAB 65.4, -31.16, 43.45

 

CMYK 41 / 0 / 55 / 33

HEX #65AC4D

RGB 101 172 77

HSL 104.84, 0.38%, 0.49%

LAB 64, -40.39, 41.46

 

CMYK 55 / 0 / 54 / 33

HEX #4DAC4F

RGB 77 172 79

HSL 121.26, 0.38%, 0.49%

LAB 63.05, -47.23, 39.11

 

CMYK 55 / 0 / 40 / 33

HEX #4DAC68

RGB 77 172 104

HSL 137.05, 0.38%, 0.49%

LAB 63.41, -43.36, 26.71

 

CMYK 42 / 0 / 55 / 55

HEX #437334

RGB 67 115 52

HSL 105.71, 0.38%, 0.33%

LAB 43.8, -29.33, 29.56

 

CMYK 42 / 0 / 55 / 44

HEX #549041

RGB 84 144 65

HSL 105.57, 0.38%, 0.41%

LAB 54.25, -35.13, 35.58

 

CMYK 42 / 0 / 55 / 33

HEX #64AC4D

RGB 100 172 77

HSL 105.47, 0.38%, 0.49%

LAB 63.96, -40.72, 41.39

 

CMYK 34 / 0 / 44 / 27

HEX #7CBB68

RGB 124 187 104

HSL 105.54, 0.38%, 0.57%

LAB 70.05, -35.94, 35.69

 

CMYK 26 / 0 / 34 / 22

HEX #95C884

RGB 149 200 132

HSL 105, 0.38%, 0.65%

LAB 75.68, -29.38, 28.8

 

CMYK 42 / 0 / 55 / 33

HEX #64AC4D

RGB 100 172 77

HSL 105.47, 0.38%, 0.49%

LAB 63.96, -40.72, 41.39

 

CMYK 55 / 0 / 2 / 33

HEX #4DACA8

RGB 77 172 168

HSL 177.47, 0.38%, 0.49%

LAB 64.89, -28.82, -6.44

 

CMYK 0 / 55 / 19 / 33

HEX #AC4D8B

RGB 172 77 139

HSL 320.84, 0.38%, 0.49%

LAB 46.9, 46.34, -15.98

 

CMYK 42 / 0 / 55 / 33

HEX #64AC4D

RGB 100 172 77

HSL 105.47, 0.38%, 0.49%

LAB 63.96, -40.72, 41.39

 

CMYK 55 / 41 / 0 / 33

HEX #4D65AC

RGB 77 101 172

HSL 224.84, 0.38%, 0.49%

LAB 44.04, 12.38, -40.8

 

CMYK 0 / 55 / 41 / 33

HEX #AC4D65

RGB 172 77 101

HSL 344.84, 0.38%, 0.49%

LAB 45.66, 41.3, 5.24

 

CMYK 42 / 0 / 55 / 33

HEX #64AC4D

RGB 100 172 77

HSL 105.47, 0.38%, 0.49%

LAB 63.96, -40.72, 41.39

 

CMYK 55 / 0 / 2 / 33

HEX #4DACA8

RGB 77 172 168

HSL 177.47, 0.38%, 0.49%

LAB 64.89, -28.82, -6.44

 

CMYK 13 / 55 / 0 / 33

HEX #954DAC

RGB 149 77 172

HSL 285.47, 0.38%, 0.49%

LAB 45.19, 45.54, -38.55

 

CMYK 0 / 55 / 52 / 33

HEX #AC4D52

RGB 172 77 82

HSL 356.84, 0.38%, 0.49%

LAB 45.2, 39.37, 16.2

 

CMYK 42 / 0 / 55 / 33

HEX #64AC4D

RGB 100 172 77

HSL 105.47, 0.38%, 0.49%

LAB 63.96, -40.72, 41.39

 

CMYK 55 / 13 / 0 / 33

HEX #4D95AC

RGB 77 149 172

HSL 194.53, 0.38%, 0.49%

LAB 58.09, -15.85, -18.93

 

CMYK 13 / 55 / 0 / 33

HEX #954DAC

RGB 149 77 172

HSL 285.47, 0.38%, 0.49%

LAB 45.19, 45.54, -38.55

 

CMYK 0 / 41 / 55 / 33

HEX #AC654D

RGB 172 101 77

HSL 15.16, 0.38%, 0.49%

LAB 50.23, 26.12, 25.8

 

Description

Color code: HEX #64AC4D | qconv.com Color code: HEX #64AC4D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 172 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 172 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 55 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 55% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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