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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD75E2 it is the complementary color #528A1D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD75E2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD75E2 shade: #B275DD, #C387F0, #D499FF, #E5ABFF and #F6BDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD75E2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD75E2 shade: #AD75E2, #9C63CF, #8B51BC, #7A3FA9 and #692D96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD75E2 shade: #AC74E2, #CA74E2, #E274DC, #E274BE and #E274A1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD75E2 shade: #AC74E2, #8F74E2 and #7474E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD75E2 shade matches the following richer shades: #AC74E2, #AD67EF and #AD59FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD75E2 shade: #AC74E2, #AC82D4, #AC8FC6, #AB9DB9 and #ABABAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD75E2 shade: #7478E2, #8E74E2, #AB74E2, #C874E2 and #E274DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD75E2 shade: #8430D3, #9852DA, #AC74E2, #C196E9 and #D5B8F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD75E2 shade: #AD75E2, #E27495 and #74E27F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD75E2 shade: #AD75E2, #E2AB74 and #74E2AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD75E2 shade: #AD75E2, #E27495, #ABE274 and #74E2C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD75E2 shade: #AD75E2, #E27474, #ABE274 and #74E2E2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 48 / 0 / 11

HEX #AD75E2

RGB 173 117 226

HSL 270.83, 0.65%, 0.67%

LAB 59.06, 42.58, -47.38

 

Complementary color

CMYK 41 / 0 / 79 / 46

HEX #528A1D

RGB 82 138 29

HSL 90.83, 0.65%, 0.33%

LAB 51.9, -36.47, 48.65

 

CMYK 19 / 47 / 0 / 13

HEX #B275DD

RGB 178 117 221

HSL 275.19, 0.6%, 0.66%

LAB 59.35, 42.82, -44.09

 

CMYK 19 / 44 / 0 / 6

HEX #C387F0

RGB 195 135 240

HSL 274.29, 0.78%, 0.74%

LAB 65.92, 41.99, -44.18

 

CMYK 17 / 40 / 0 / 0

HEX #D499FF

RGB 212 153 255

HSL 274.71, 1%, 0.8%

LAB 72.23, 40.35, -42.36

 

CMYK 10 / 33 / 0 / 0

HEX #E5ABFF

RGB 229 171 255

HSL 281.43, 1%, 0.84%

LAB 77.88, 35.71, -33.46

 

CMYK 4 / 26 / 0 / 0

HEX #F6BDFF

RGB 246 189 255

HSL 291.82, 1%, 0.87%

LAB 83.55, 31.4, -24.62

 

CMYK 23 / 48 / 0 / 11

HEX #AD75E2

RGB 173 117 226

HSL 270.83, 0.65%, 0.67%

LAB 59.06, 42.58, -47.38

 

CMYK 25 / 52 / 0 / 19

HEX #9C63CF

RGB 156 99 207

HSL 271.67, 0.53%, 0.6%

LAB 52.39, 43.48, -47.35

 

CMYK 26 / 57 / 0 / 26

HEX #8B51BC

RGB 139 81 188

HSL 272.52, 0.44%, 0.53%

LAB 45.64, 44.37, -47.28

 

CMYK 28 / 63 / 0 / 34

HEX #7A3FA9

RGB 122 63 169

HSL 273.4, 0.46%, 0.45%

LAB 38.82, 45.21, -47.12

 

CMYK 30 / 70 / 0 / 41

HEX #692D96

RGB 105 45 150

HSL 274.29, 0.54%, 0.38%

LAB 31.99, 45.83, -46.78

 

CMYK 24 / 49 / 0 / 11

HEX #AC74E2

RGB 172 116 226

HSL 270.55, 0.65%, 0.67%

LAB 58.74, 42.86, -47.89

 

CMYK 11 / 49 / 0 / 11

HEX #CA74E2

RGB 202 116 226

HSL 286.91, 0.65%, 0.67%

LAB 62.12, 51.05, -42.35

 

CMYK 0 / 49 / 3 / 11

HEX #E274DC

RGB 226 116 220

HSL 303.27, 0.65%, 0.67%

LAB 64.82, 56.66, -34.55

 

CMYK 0 / 49 / 16 / 11

HEX #E274BE

RGB 226 116 190

HSL 319.64, 0.65%, 0.67%

LAB 63.65, 51.78, -19.49

 

CMYK 0 / 49 / 29 / 11

HEX #E274A1

RGB 226 116 161

HSL 335.45, 0.65%, 0.67%

LAB 62.7, 47.67, -4.4

 

CMYK 24 / 49 / 0 / 11

HEX #AC74E2

RGB 172 116 226

HSL 270.55, 0.65%, 0.67%

LAB 58.74, 42.86, -47.89

 

CMYK 37 / 49 / 0 / 11

HEX #8F74E2

RGB 143 116 226

HSL 254.73, 0.65%, 0.67%

LAB 55.91, 35.33, -52.57

 

CMYK 49 / 49 / 0 / 11

HEX #7474E2

RGB 116 116 226

HSL 240, 0.65%, 0.67%

LAB 53.7, 28.96, -56.22

 

CMYK 24 / 49 / 0 / 11

HEX #AC74E2

RGB 172 116 226

HSL 270.55, 0.65%, 0.67%

LAB 58.74, 42.86, -47.89

 

CMYK 28 / 57 / 0 / 6

HEX #AD67EF

RGB 173 103 239

HSL 270.88, 0.81%, 0.67%

LAB 56.9, 53.04, -58.09

 

CMYK 32 / 65 / 0 / 1

HEX #AD59FD

RGB 173 89 253

HSL 270.73, 0.98%, 0.67%

LAB 55.2, 63.18, -68.6

 

CMYK 24 / 49 / 0 / 11

HEX #AC74E2

RGB 172 116 226

HSL 270.55, 0.65%, 0.67%

LAB 58.74, 42.86, -47.89

 

CMYK 19 / 39 / 0 / 17

HEX #AC82D4

RGB 172 130 212

HSL 270.73, 0.49%, 0.67%

LAB 61.21, 31.88, -36.17

 

CMYK 13 / 28 / 0 / 22

HEX #AC8FC6

RGB 172 143 198

HSL 271.64, 0.33%, 0.67%

LAB 63.75, 21.44, -24.39

 

CMYK 8 / 15 / 0 / 27

HEX #AB9DB9

RGB 171 157 185

HSL 270, 0.17%, 0.67%

LAB 66.73, 10.48, -12.6

 

CMYK 0 / 0 / 0 / 33

HEX #ABABAB

RGB 171 171 171

HSL 0, 0%, 0.67%

LAB 69.98, 0, -0.01

 

CMYK 49 / 47 / 0 / 11

HEX #7478E2

RGB 116 120 226

HSL 237.82, 0.65%, 0.67%

LAB 54.7, 26.56, -54.63

 

CMYK 37 / 49 / 0 / 11

HEX #8E74E2

RGB 142 116 226

HSL 254.18, 0.65%, 0.67%

LAB 55.82, 35.08, -52.72

 

CMYK 24 / 49 / 0 / 11

HEX #AB74E2

RGB 171 116 226

HSL 270, 0.65%, 0.67%

LAB 58.64, 42.59, -48.06

 

CMYK 12 / 49 / 0 / 11

HEX #C874E2

RGB 200 116 226

HSL 285.82, 0.65%, 0.67%

LAB 61.88, 50.5, -42.74

 

CMYK 0 / 49 / 2 / 11

HEX #E274DE

RGB 226 116 222

HSL 302.18, 0.65%, 0.67%

LAB 64.91, 57, -35.53

 

CMYK 37 / 77 / 0 / 17

HEX #8430D3

RGB 132 48 211

HSL 270.92, 0.65%, 0.51%

LAB 40.77, 63.82, -68.52

 

CMYK 30 / 62 / 0 / 15

HEX #9852DA

RGB 152 82 218

HSL 270.88, 0.65%, 0.59%

LAB 49.22, 54.02, -58.72

 

CMYK 24 / 49 / 0 / 11

HEX #AC74E2

RGB 172 116 226

HSL 270.55, 0.65%, 0.67%

LAB 58.74, 42.86, -47.89

 

CMYK 17 / 36 / 0 / 9

HEX #C196E9

RGB 193 150 233

HSL 271.08, 0.65%, 0.75%

LAB 68.78, 31.67, -35.88

 

CMYK 11 / 23 / 0 / 6

HEX #D5B8F0

RGB 213 184 240

HSL 271.07, 0.65%, 0.83%

LAB 78.88, 20.69, -23.99

 

CMYK 23 / 48 / 0 / 11

HEX #AD75E2

RGB 173 117 226

HSL 270.83, 0.65%, 0.67%

LAB 59.06, 42.58, -47.38

 

CMYK 0 / 49 / 34 / 11

HEX #E27495

RGB 226 116 149

HSL 342, 0.65%, 0.67%

LAB 62.36, 46.17, 1.98

 

CMYK 49 / 0 / 44 / 11

HEX #74E27F

RGB 116 226 127

HSL 126, 0.65%, 0.67%

LAB 81.64, -51.78, 38.82

 

CMYK 23 / 48 / 0 / 11

HEX #AD75E2

RGB 173 117 226

HSL 270.83, 0.65%, 0.67%

LAB 59.06, 42.58, -47.38

 

CMYK 0 / 24 / 49 / 11

HEX #E2AB74

RGB 226 171 116

HSL 30, 0.65%, 0.67%

LAB 73.9, 13.61, 36.03

 

CMYK 49 / 0 / 24 / 11

HEX #74E2AB

RGB 116 226 171

HSL 150, 0.65%, 0.67%

LAB 82.4, -44.07, 17.33

 

CMYK 23 / 48 / 0 / 11

HEX #AD75E2

RGB 173 117 226

HSL 270.83, 0.65%, 0.67%

LAB 59.06, 42.58, -47.38

 

CMYK 0 / 49 / 34 / 11

HEX #E27495

RGB 226 116 149

HSL 342, 0.65%, 0.67%

LAB 62.36, 46.17, 1.98

 

CMYK 24 / 0 / 49 / 11

HEX #ABE274

RGB 171 226 116

HSL 90, 0.65%, 0.67%

LAB 84.13, -35.8, 47.84

 

CMYK 49 / 0 / 15 / 11

HEX #74E2C1

RGB 116 226 193

HSL 162, 0.65%, 0.67%

LAB 82.89, -39.39, 6.45

 

CMYK 23 / 48 / 0 / 11

HEX #AD75E2

RGB 173 117 226

HSL 270.83, 0.65%, 0.67%

LAB 59.06, 42.58, -47.38

 

CMYK 0 / 49 / 49 / 11

HEX #E27474

RGB 226 116 116

HSL 0, 0.65%, 0.67%

LAB 61.59, 42.64, 19.8

 

CMYK 24 / 0 / 49 / 11

HEX #ABE274

RGB 171 226 116

HSL 90, 0.65%, 0.67%

LAB 84.13, -35.8, 47.84

 

CMYK 49 / 0 / 0 / 11

HEX #74E2E2

RGB 116 226 226

HSL 180, 0.65%, 0.67%

LAB 83.76, -31.46, -9.74

 

Description

Color code: HEX #AD75E2 | qconv.com Color code: HEX #AD75E2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 117 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 117 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 48 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 48% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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