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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 17 / 40 / 0 / 0 it is the complementary color CMYK 58 / 0 / 100 / 60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 17 / 40 / 0 / 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 17 / 40 / 0 / 0: CMYK 13 / 39 / 0 / 2, CMYK 8 / 33 / 0 / 0, CMYK 2 / 26 / 0 / 0, CMYK 0 / 19 / 0 / 0 and CMYK 0 / 12 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 17 / 40 / 0 / 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 17 / 40 / 0 / 0: CMYK 17 / 40 / 0 / 0, CMYK 17 / 43 / 0 / 7, CMYK 18 / 46 / 0 / 15, CMYK 19 / 50 / 0 / 22 and CMYK 20 / 55 / 0 / 30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 40 / 0 / 0

HEX #D499FF

RGB 212 153 255

HSL 274.71, 1%, 0.8%

LAB 72.23, 40.35, -42.36

 

Complementary color

CMYK 58 / 0 / 100 / 60

HEX #2B6600

RGB 43 102 0

HSL 94.71, 1%, 0.2%

LAB 37.87, -35.95, 43.59

 

CMYK 13 / 39 / 0 / 2

HEX #D999FA

RGB 217 153 250

HSL 279.59, 0.91%, 0.79%

LAB 72.52, 40.74, -39.16

 

CMYK 8 / 33 / 0 / 0

HEX #EAABFF

RGB 234 171 255

HSL 285, 1%, 0.84%

LAB 78.37, 37.22, -32.67

 

CMYK 2 / 26 / 0 / 0

HEX #FBBDFF

RGB 251 189 255

HSL 296.36, 1%, 0.87%

LAB 84.03, 32.98, -23.85

 

CMYK 0 / 19 / 0 / 0

HEX #FFCFFF

RGB 255 207 255

HSL 300, 1%, 0.91%

LAB 88.5, 24.79, -17.06

 

CMYK 0 / 12 / 0 / 0

HEX #FFE1FF

RGB 255 225 255

HSL 300, 1%, 0.94%

LAB 92.72, 15.38, -10.74

 

CMYK 17 / 40 / 0 / 0

HEX #D499FF

RGB 212 153 255

HSL 274.71, 1%, 0.8%

LAB 72.23, 40.35, -42.36

 

CMYK 17 / 43 / 0 / 7

HEX #C387EC

RGB 195 135 236

HSL 275.64, 0.73%, 0.73%

LAB 65.74, 41.12, -42.26

 

CMYK 18 / 46 / 0 / 15

HEX #B275D9

RGB 178 117 217

HSL 276.6, 0.57%, 0.65%

LAB 59.16, 41.94, -42.15

 

CMYK 19 / 50 / 0 / 22

HEX #A163C6

RGB 161 99 198

HSL 277.58, 0.46%, 0.58%

LAB 52.48, 42.77, -42.02

 

CMYK 20 / 55 / 0 / 30

HEX #9051B3

RGB 144 81 179

HSL 278.57, 0.39%, 0.51%

LAB 45.73, 43.6, -41.84

 

CMYK 17 / 40 / 0 / 0

HEX #D499FF

RGB 212 153 255

HSL 274.71, 1%, 0.8%

LAB 72.23, 40.35, -42.36

 

CMYK 11 / 40 / 0 / 0

HEX #E399FF

RGB 227 153 255

HSL 283.53, 1%, 0.8%

LAB 73.76, 44.67, -39.86

 

CMYK 4 / 40 / 0 / 0

HEX #F499FF

RGB 244 153 255

HSL 293.53, 1%, 0.8%

LAB 75.6, 49.62, -36.86

 

CMYK 0 / 40 / 3 / 0

HEX #FF99F8

RGB 255 153 248

HSL 304.12, 1%, 0.8%

LAB 76.57, 51.61, -31.47

 

CMYK 0 / 40 / 9 / 0

HEX #FF99E7

RGB 255 153 231

HSL 314.12, 1%, 0.8%

LAB 75.95, 48.76, -23.19

 

CMYK 17 / 40 / 0 / 0

HEX #D499FF

RGB 212 153 255

HSL 274.71, 1%, 0.8%

LAB 72.23, 40.35, -42.36

 

CMYK 18 / 39 / 0 / 80

HEX #2A1F33

RGB 42 31 51

HSL 273, 0.24%, 0.16%

LAB 13.89, 10.16, -11.16

 

CMYK 17 / 40 / 0 / 60

HEX #553D66

RGB 85 61 102

HSL 275.12, 0.25%, 0.32%

LAB 29.98, 19.21, -20.11

 

CMYK 17 / 40 / 0 / 40

HEX #7F5C99

RGB 127 92 153

HSL 274.43, 0.25%, 0.48%

LAB 44.89, 26.4, -27.93

 

CMYK 17 / 40 / 0 / 20

HEX #AA7ACC

RGB 170 122 204

HSL 275.12, 0.45%, 0.64%

LAB 58.81, 33.98, -35.43

 

CMYK 17 / 40 / 0 / 0

HEX #D499FF

RGB 212 153 255

HSL 274.71, 1%, 0.8%

LAB 72.23, 40.35, -42.36

 

CMYK 0 / 40 / 31 / 0

HEX #FF99B0

RGB 255 153 176

HSL 346.47, 1%, 0.8%

LAB 74.3, 40.79, 4.55

 

CMYK 40 / 0 / 33 / 0

HEX #99FFAA

RGB 153 255 170

HSL 130, 1%, 0.8%

LAB 92.22, -46.91, 31.52

 

CMYK 17 / 40 / 0 / 0

HEX #D499FF

RGB 212 153 255

HSL 274.71, 1%, 0.8%

LAB 72.23, 40.35, -42.36

 

CMYK 0 / 18 / 40 / 0

HEX #FFD299

RGB 255 210 153

HSL 33.53, 1%, 0.8%

LAB 86.83, 8.39, 34.18

 

CMYK 40 / 0 / 18 / 0

HEX #99FFD2

RGB 153 255 210

HSL 153.53, 1%, 0.8%

LAB 92.99, -39.61, 12.24

 

CMYK 17 / 40 / 0 / 0

HEX #D499FF

RGB 212 153 255

HSL 274.71, 1%, 0.8%

LAB 72.23, 40.35, -42.36

 

CMYK 0 / 40 / 31 / 0

HEX #FF99B0

RGB 255 153 176

HSL 346.47, 1%, 0.8%

LAB 74.3, 40.79, 4.55

 

CMYK 23 / 0 / 40 / 0

HEX #C5FF99

RGB 197 255 153

HSL 94.12, 1%, 0.8%

LAB 94.18, -35.45, 42.92

 

CMYK 40 / 0 / 9 / 0

HEX #99FFE7

RGB 153 255 231

HSL 165.88, 1%, 0.8%

LAB 93.48, -35.2, 2.11

 

CMYK 17 / 40 / 0 / 0

HEX #D499FF

RGB 212 153 255

HSL 274.71, 1%, 0.8%

LAB 72.23, 40.35, -42.36

 

CMYK 0 / 38 / 40 / 0

HEX #FF9F99

RGB 255 159 153

HSL 3.53, 1%, 0.8%

LAB 75.05, 35, 18.25

 

CMYK 23 / 0 / 40 / 0

HEX #C5FF99

RGB 197 255 153

HSL 94.12, 1%, 0.8%

LAB 94.18, -35.45, 42.92

 

CMYK 40 / 3 / 0 / 0

HEX #99F8FF

RGB 153 248 255

HSL 184.12, 1%, 0.8%

LAB 92.19, -26.37, -12.22

 

Description

Color code: CMYK 17 / 40 / 0 / 0 | qconv.com Color code: CMYK 17 / 40 / 0 / 0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 153 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 153 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 40 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 40% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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