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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD5E59 it is the complementary color #52A1A6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD5E59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD5E59 shade: #B25E54, #C37067, #D4827A, #E5948D and #F6A6A0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD5E59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD5E59 shade: #AD5E59, #9C4C46, #8B3A33, #7A2820 and #69160D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD5E59 shade: #AC5C57 and #AC5757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD5E59 shade: #AC5C57, #AC7357, #AC8A57, #ACA157 and #A0AC57

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD5E59 shade matches the following richer shades: #AC5C57, #C04A43, #D4392F, #E9271A and #FD1506

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD5E59 shade: #AC5C57, #986E6B, #848080, #6F9294 and #5BA3A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD5E59 shade: #AC5780, #AC5769, #AC5B57, #AC7257 and #AC8957

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD5E59 shade: #763E3A, #924C48, #AC5C57, #BA7773 and #C7928E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD5E59 shade: #AD5E59, #97AC57 and #5775AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD5E59 shade: #AD5E59, #57AC5B and #5B57AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD5E59 shade: #AD5E59, #97AC57, #57A8AC and #6C57AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD5E59 shade: #AD5E59, #7DAC57, #57A8AC and #8657AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 49 / 32

HEX #AD5E59

RGB 173 94 89

HSL 3.57, 0.34%, 0.51%

LAB 49.02, 31.49, 17.19

 

Complementary color

CMYK 51 / 3 / 0 / 35

HEX #52A1A6

RGB 82 161 166

HSL 183.57, 0.34%, 0.49%

LAB 61.69, -22.79, -10.08

 

CMYK 0 / 47 / 53 / 30

HEX #B25E54

RGB 178 94 84

HSL 6.38, 0.38%, 0.51%

LAB 49.63, 32.98, 21.09

 

CMYK 0 / 43 / 47 / 24

HEX #C37067

RGB 195 112 103

HSL 5.87, 0.43%, 0.58%

LAB 56.26, 31.78, 19.31

 

CMYK 0 / 39 / 42 / 17

HEX #D4827A

RGB 212 130 122

HSL 5.33, 0.51%, 0.65%

LAB 62.82, 30.69, 17.77

 

CMYK 0 / 35 / 38 / 10

HEX #E5948D

RGB 229 148 141

HSL 4.77, 0.63%, 0.73%

LAB 69.3, 29.7, 16.41

 

CMYK 0 / 33 / 35 / 4

HEX #F6A6A0

RGB 246 166 160

HSL 4.19, 0.83%, 0.8%

LAB 75.7, 28.8, 15.18

 

CMYK 0 / 46 / 49 / 32

HEX #AD5E59

RGB 173 94 89

HSL 3.57, 0.34%, 0.51%

LAB 49.02, 31.49, 17.19

 

CMYK 0 / 51 / 55 / 39

HEX #9C4C46

RGB 156 76 70

HSL 4.19, 0.38%, 0.44%

LAB 42.28, 32.72, 19.14

 

CMYK 0 / 58 / 63 / 45

HEX #8B3A33

RGB 139 58 51

HSL 4.77, 0.46%, 0.37%

LAB 35.51, 34, 21.5

 

CMYK 0 / 67 / 74 / 52

HEX #7A2820

RGB 122 40 32

HSL 5.33, 0.58%, 0.3%

LAB 28.8, 35.19, 24.45

 

CMYK 0 / 79 / 88 / 59

HEX #69160D

RGB 105 22 13

HSL 5.87, 0.78%, 0.23%

LAB 22.32, 35.92, 27.75

 

CMYK 0 / 47 / 49 / 33

HEX #AC5C57

RGB 172 92 87

HSL 3.53, 0.34%, 0.51%

LAB 48.4, 31.99, 17.52

 

CMYK 0 / 49 / 49 / 33

HEX #AC5757

RGB 172 87 87

HSL 0, 0.34%, 0.51%

LAB 47.33, 34.66, 16.07

 

CMYK 0 / 47 / 49 / 33

HEX #AC5C57

RGB 172 92 87

HSL 3.53, 0.34%, 0.51%

LAB 48.4, 31.99, 17.52

 

CMYK 0 / 33 / 49 / 33

HEX #AC7357

RGB 172 115 87

HSL 19.76, 0.34%, 0.51%

LAB 53.73, 19.22, 24.6

 

CMYK 0 / 20 / 49 / 33

HEX #AC8A57

RGB 172 138 87

HSL 36, 0.34%, 0.51%

LAB 59.56, 6.3, 32.08

 

CMYK 0 / 6 / 49 / 33

HEX #ACA157

RGB 172 161 87

HSL 52.24, 0.34%, 0.51%

LAB 65.71, -6.26, 39.68

 

CMYK 7 / 0 / 49 / 33

HEX #A0AC57

RGB 160 172 87

HSL 68.47, 0.34%, 0.51%

LAB 67.77, -17.03, 41.94

 

CMYK 0 / 47 / 49 / 33

HEX #AC5C57

RGB 172 92 87

HSL 3.53, 0.34%, 0.51%

LAB 48.4, 31.99, 17.52

 

CMYK 0 / 61 / 65 / 25

HEX #C04A43

RGB 192 74 67

HSL 3.36, 0.5%, 0.51%

LAB 47.64, 46.92, 28.96

 

CMYK 0 / 73 / 78 / 17

HEX #D4392F

RGB 212 57 47

HSL 3.64, 0.66%, 0.51%

LAB 48.42, 59.42, 42.13

 

CMYK 0 / 83 / 89 / 9

HEX #E9271A

RGB 233 39 26

HSL 3.77, 0.82%, 0.51%

LAB 50.51, 70.04, 55.67

 

CMYK 0 / 92 / 98 / 1

HEX #FD1506

RGB 253 21 6

HSL 3.64, 0.98%, 0.51%

LAB 53.42, 77.98, 65.56

 

CMYK 0 / 47 / 49 / 33

HEX #AC5C57

RGB 172 92 87

HSL 3.53, 0.34%, 0.51%

LAB 48.4, 31.99, 17.52

 

CMYK 0 / 28 / 30 / 40

HEX #986E6B

RGB 152 110 107

HSL 4, 0.18%, 0.51%

LAB 50.56, 16.24, 8.26

 

CMYK 0 / 3 / 3 / 48

HEX #848080

RGB 132 128 128

HSL 0, 0.02%, 0.51%

LAB 53.92, 1.51, 0.53

 

CMYK 25 / 1 / 0 / 42

HEX #6F9294

RGB 111 146 148

HSL 183.24, 0.15%, 0.51%

LAB 58.11, -11.6, -5.03

 

CMYK 46 / 3 / 0 / 34

HEX #5BA3A8

RGB 91 163 168

HSL 183.9, 0.31%, 0.51%

LAB 62.71, -21.17, -9.63

 

CMYK 0 / 49 / 26 / 33

HEX #AC5780

RGB 172 87 128

HSL 331.06, 0.34%, 0.51%

LAB 48.44, 39.65, -7.05

 

CMYK 0 / 49 / 39 / 33

HEX #AC5769

RGB 172 87 105

HSL 347.29, 0.34%, 0.51%

LAB 47.76, 36.62, 5.82

 

CMYK 0 / 47 / 49 / 33

HEX #AC5B57

RGB 172 91 87

HSL 2.82, 0.34%, 0.51%

LAB 48.19, 32.53, 17.23

 

CMYK 0 / 34 / 49 / 33

HEX #AC7257

RGB 172 114 87

HSL 19.06, 0.34%, 0.51%

LAB 53.49, 19.79, 24.28

 

CMYK 0 / 20 / 49 / 33

HEX #AC8957

RGB 172 137 87

HSL 35.29, 0.34%, 0.51%

LAB 59.3, 6.86, 31.75

 

CMYK 0 / 47 / 51 / 54

HEX #763E3A

RGB 118 62 58

HSL 4, 0.34%, 0.35%

LAB 33.14, 23.9, 13.37

 

CMYK 0 / 48 / 51 / 43

HEX #924C48

RGB 146 76 72

HSL 3.24, 0.34%, 0.43%

LAB 40.81, 28.92, 15.69

 

CMYK 0 / 47 / 49 / 33

HEX #AC5C57

RGB 172 92 87

HSL 3.53, 0.34%, 0.51%

LAB 48.4, 31.99, 17.52

 

CMYK 0 / 36 / 38 / 27

HEX #BA7773

RGB 186 119 115

HSL 3.38, 0.34%, 0.59%

LAB 56.95, 25.77, 13.15

 

CMYK 0 / 27 / 29 / 22

HEX #C7928E

RGB 199 146 142

HSL 4.21, 0.34%, 0.67%

LAB 65.48, 19.44, 9.99

 

CMYK 0 / 46 / 49 / 32

HEX #AD5E59

RGB 173 94 89

HSL 3.57, 0.34%, 0.51%

LAB 49.02, 31.49, 17.19

 

CMYK 12 / 0 / 49 / 33

HEX #97AC57

RGB 151 172 87

HSL 74.82, 0.34%, 0.51%

LAB 67.11, -20.7, 40.98

 

CMYK 49 / 32 / 0 / 33

HEX #5775AC

RGB 87 117 172

HSL 218.82, 0.34%, 0.51%

LAB 49.16, 4.85, -32.68

 

CMYK 0 / 46 / 49 / 32

HEX #AD5E59

RGB 173 94 89

HSL 3.57, 0.34%, 0.51%

LAB 49.02, 31.49, 17.19

 

CMYK 49 / 0 / 47 / 33

HEX #57AC5B

RGB 87 172 91

HSL 122.82, 0.34%, 0.51%

LAB 63.58, -42.81, 33.81

 

CMYK 47 / 49 / 0 / 33

HEX #5B57AC

RGB 91 87 172

HSL 242.82, 0.34%, 0.51%

LAB 41.25, 24.46, -45.19

 

CMYK 0 / 46 / 49 / 32

HEX #AD5E59

RGB 173 94 89

HSL 3.57, 0.34%, 0.51%

LAB 49.02, 31.49, 17.19

 

CMYK 12 / 0 / 49 / 33

HEX #97AC57

RGB 151 172 87

HSL 74.82, 0.34%, 0.51%

LAB 67.11, -20.7, 40.98

 

CMYK 49 / 2 / 0 / 33

HEX #57A8AC

RGB 87 168 172

HSL 182.82, 0.34%, 0.51%

LAB 64.17, -23.58, -9.71

 

CMYK 37 / 49 / 0 / 33

HEX #6C57AC

RGB 108 87 172

HSL 254.82, 0.34%, 0.51%

LAB 42.74, 28.75, -42.72

 

CMYK 0 / 46 / 49 / 32

HEX #AD5E59

RGB 173 94 89

HSL 3.57, 0.34%, 0.51%

LAB 49.02, 31.49, 17.19

 

CMYK 27 / 0 / 49 / 33

HEX #7DAC57

RGB 125 172 87

HSL 93.18, 0.34%, 0.51%

LAB 65.4, -30.8, 38.51

 

CMYK 49 / 2 / 0 / 33

HEX #57A8AC

RGB 87 168 172

HSL 182.82, 0.34%, 0.51%

LAB 64.17, -23.58, -9.71

 

CMYK 22 / 49 / 0 / 33

HEX #8657AC

RGB 134 87 172

HSL 273.18, 0.34%, 0.51%

LAB 45.45, 35.9, -38.26

 

Description

Color code: HEX #AD5E59 | qconv.com Color code: HEX #AD5E59 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 94 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 94 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 49 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 49% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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