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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A1AD58 it is the complementary color #5E52A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A1AD58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A1AD58 shade: #A6AD53, #B7BF66, #C8D179, #D9E38C and #EAF59F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A1AD58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A1AD58 shade: #A1AD58, #909B45, #7F8932, #6E771F and #5D650C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A1AD58 shade: #A1AD58, #ADA258, #AD8B58, #AD7458 and #AD5D58

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A1AD58 shade: #A1AD58, #8AAD58, #73AD58, #5CAD58 and #58AD6A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A1AD58 shade matches the following richer shades: #A1AD58, #AFC143, #BED52F, #CCE91B and #DBFD07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A1AD58 shade: #A1AD58, #92986C, #848480, #757094 and #675CA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A1AD58 shade: #AD8B58, #ADA158, #A1AD58, #8BAD58 and #74AD58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A1AD58 shade: #6E773B, #889348, #A1AD58, #B0BA73 and #C0C88F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A1AD58 shade: #A1AD58, #58AD74 and #9658AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A1AD58 shade: #A1AD58, #58A1AD and #AD58A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A1AD58 shade: #A1AD58, #58AD74, #6358AD and #AD5890

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A1AD58 shade: #A1AD58, #58AD8D, #6358AD and #AD5877

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 49 / 32

HEX #A1AD58

RGB 161 173 88

HSL 68.47, 0.34%, 0.51%

LAB 68.14, -17.03, 41.91

 

Complementary color

CMYK 44 / 51 / 0 / 35

HEX #5E52A7

RGB 94 82 167

HSL 248.47, 0.34%, 0.49%

LAB 39.92, 26.78, -44.33

 

CMYK 4 / 0 / 52 / 32

HEX #A6AD53

RGB 166 173 83

HSL 64.67, 0.35%, 0.5%

LAB 68.47, -15.44, 44.85

 

CMYK 4 / 0 / 47 / 25

HEX #B7BF66

RGB 183 191 102

HSL 65.39, 0.41%, 0.57%

LAB 75.01, -15.84, 43.69

 

CMYK 4 / 0 / 42 / 18

HEX #C8D179

RGB 200 209 121

HSL 66.14, 0.49%, 0.65%

LAB 81.43, -16.16, 42.51

 

CMYK 4 / 0 / 38 / 11

HEX #D9E38C

RGB 217 227 140

HSL 66.9, 0.61%, 0.72%

LAB 87.77, -16.42, 41.36

 

CMYK 4 / 0 / 35 / 4

HEX #EAF59F

RGB 234 245 159

HSL 67.67, 0.81%, 0.79%

LAB 94.01, -16.63, 40.23

 

CMYK 7 / 0 / 49 / 32

HEX #A1AD58

RGB 161 173 88

HSL 68.47, 0.34%, 0.51%

LAB 68.14, -17.03, 41.91

 

CMYK 7 / 0 / 55 / 39

HEX #909B45

RGB 144 155 69

HSL 67.67, 0.38%, 0.44%

LAB 61.48, -16.65, 43.05

 

CMYK 7 / 0 / 64 / 46

HEX #7F8932

RGB 127 137 50

HSL 66.9, 0.47%, 0.37%

LAB 54.69, -16.13, 44.03

 

CMYK 8 / 0 / 74 / 53

HEX #6E771F

RGB 110 119 31

HSL 66.14, 0.59%, 0.29%

LAB 47.76, -15.42, 44.56

 

CMYK 8 / 0 / 88 / 60

HEX #5D650C

RGB 93 101 12

HSL 65.39, 0.79%, 0.22%

LAB 40.67, -14.42, 43.97

 

CMYK 7 / 0 / 49 / 32

HEX #A1AD58

RGB 161 173 88

HSL 68.47, 0.34%, 0.51%

LAB 68.14, -17.03, 41.91

 

CMYK 0 / 6 / 49 / 32

HEX #ADA258

RGB 173 162 88

HSL 52.24, 0.34%, 0.51%

LAB 66.08, -6.27, 39.65

 

CMYK 0 / 20 / 49 / 32

HEX #AD8B58

RGB 173 139 88

HSL 36, 0.34%, 0.51%

LAB 59.94, 6.27, 32.04

 

CMYK 0 / 33 / 49 / 32

HEX #AD7458

RGB 173 116 88

HSL 19.76, 0.34%, 0.51%

LAB 54.11, 19.18, 24.56

 

CMYK 0 / 46 / 49 / 32

HEX #AD5D58

RGB 173 93 88

HSL 3.53, 0.34%, 0.51%

LAB 48.78, 31.94, 17.46

 

CMYK 7 / 0 / 49 / 32

HEX #A1AD58

RGB 161 173 88

HSL 68.47, 0.34%, 0.51%

LAB 68.14, -17.03, 41.91

 

CMYK 20 / 0 / 49 / 32

HEX #8AAD58

RGB 138 173 88

HSL 84.71, 0.34%, 0.51%

LAB 66.52, -26.23, 39.56

 

CMYK 34 / 0 / 49 / 32

HEX #73AD58

RGB 115 173 88

HSL 100.94, 0.34%, 0.51%

LAB 65.15, -34.74, 37.58

 

CMYK 47 / 0 / 49 / 32

HEX #5CAD58

RGB 92 173 88

HSL 117.18, 0.34%, 0.51%

LAB 64.05, -42.22, 35.98

 

CMYK 49 / 0 / 39 / 32

HEX #58AD6A

RGB 88 173 106

HSL 132.71, 0.34%, 0.51%

LAB 64.16, -40.55, 26.71

 

CMYK 7 / 0 / 49 / 32

HEX #A1AD58

RGB 161 173 88

HSL 68.47, 0.34%, 0.51%

LAB 68.14, -17.03, 41.91

 

CMYK 9 / 0 / 65 / 24

HEX #AFC143

RGB 175 193 67

HSL 68.57, 0.5%, 0.51%

LAB 74.61, -22.99, 58.97

 

CMYK 11 / 0 / 78 / 16

HEX #BED52F

RGB 190 213 47

HSL 68.31, 0.66%, 0.51%

LAB 81.15, -27.49, 72.61

 

CMYK 12 / 0 / 88 / 9

HEX #CCE91B

RGB 204 233 27

HSL 68.45, 0.82%, 0.51%

LAB 87.58, -31.74, 82.91

 

CMYK 13 / 0 / 97 / 1

HEX #DBFD07

RGB 219 253 7

HSL 68.29, 0.98%, 0.51%

LAB 94.02, -35.13, 90.52

 

CMYK 7 / 0 / 49 / 32

HEX #A1AD58

RGB 161 173 88

HSL 68.47, 0.34%, 0.51%

LAB 68.14, -17.03, 41.91

 

CMYK 4 / 0 / 29 / 40

HEX #92986C

RGB 146 152 108

HSL 68.18, 0.18%, 0.51%

LAB 61.35, -9.72, 22.49

 

CMYK 0 / 0 / 3 / 48

HEX #848480

RGB 132 132 128

HSL 60, 0.02%, 0.51%

LAB 55.04, -0.78, 2.15

 

CMYK 21 / 24 / 0 / 42

HEX #757094

RGB 117 112 148

HSL 248.33, 0.14%, 0.51%

LAB 48.89, 9.92, -18.86

 

CMYK 39 / 45 / 0 / 34

HEX #675CA8

RGB 103 92 168

HSL 248.68, 0.3%, 0.51%

LAB 43.31, 23.22, -39.48

 

CMYK 0 / 20 / 49 / 32

HEX #AD8B58

RGB 173 139 88

HSL 36, 0.34%, 0.51%

LAB 59.94, 6.27, 32.04

 

CMYK 0 / 7 / 49 / 32

HEX #ADA158

RGB 173 161 88

HSL 51.53, 0.34%, 0.51%

LAB 65.81, -5.74, 39.32

 

CMYK 7 / 0 / 49 / 32

HEX #A1AD58

RGB 161 173 88

HSL 68.47, 0.34%, 0.51%

LAB 68.14, -17.03, 41.91

 

CMYK 20 / 0 / 49 / 32

HEX #8BAD58

RGB 139 173 88

HSL 84, 0.34%, 0.51%

LAB 66.58, -25.85, 39.65

 

CMYK 33 / 0 / 49 / 32

HEX #74AD58

RGB 116 173 88

HSL 100.24, 0.34%, 0.51%

LAB 65.2, -34.39, 37.65

 

CMYK 8 / 0 / 50 / 53

HEX #6E773B

RGB 110 119 59

HSL 69, 0.34%, 0.35%

LAB 48.04, -13.13, 31.62

 

CMYK 7 / 0 / 51 / 42

HEX #889348

RGB 136 147 72

HSL 68.8, 0.34%, 0.43%

LAB 58.57, -15.58, 38

 

CMYK 7 / 0 / 49 / 32

HEX #A1AD58

RGB 161 173 88

HSL 68.47, 0.34%, 0.51%

LAB 68.14, -17.03, 41.91

 

CMYK 5 / 0 / 38 / 27

HEX #B0BA73

RGB 176 186 115

HSL 68.45, 0.34%, 0.59%

LAB 73.28, -14.67, 34.84

 

CMYK 4 / 0 / 29 / 22

HEX #C0C88F

RGB 192 200 143

HSL 68.42, 0.34%, 0.67%

LAB 78.75, -12.04, 27.66

 

CMYK 7 / 0 / 49 / 32

HEX #A1AD58

RGB 161 173 88

HSL 68.47, 0.34%, 0.51%

LAB 68.14, -17.03, 41.91

 

CMYK 49 / 0 / 33 / 32

HEX #58AD74

RGB 88 173 116

HSL 139.76, 0.34%, 0.51%

LAB 64.34, -38.74, 21.57

 

CMYK 13 / 49 / 0 / 32

HEX #9658AD

RGB 150 88 173

HSL 283.76, 0.34%, 0.51%

LAB 47.6, 40.18, -35.32

 

CMYK 7 / 0 / 49 / 32

HEX #A1AD58

RGB 161 173 88

HSL 68.47, 0.34%, 0.51%

LAB 68.14, -17.03, 41.91

 

CMYK 49 / 7 / 0 / 32

HEX #58A1AD

RGB 88 161 173

HSL 188.47, 0.34%, 0.51%

LAB 62.15, -19.47, -13.29

 

CMYK 0 / 49 / 7 / 32

HEX #AD58A1

RGB 173 88 161

HSL 308.47, 0.34%, 0.51%

LAB 50.02, 44.74, -24.27

 

CMYK 7 / 0 / 49 / 32

HEX #A1AD58

RGB 161 173 88

HSL 68.47, 0.34%, 0.51%

LAB 68.14, -17.03, 41.91

 

CMYK 49 / 0 / 33 / 32

HEX #58AD74

RGB 88 173 116

HSL 139.76, 0.34%, 0.51%

LAB 64.34, -38.74, 21.57

 

CMYK 43 / 49 / 0 / 32

HEX #6358AD

RGB 99 88 173

HSL 247.76, 0.34%, 0.51%

LAB 42.23, 26.11, -44.17

 

CMYK 0 / 49 / 17 / 32

HEX #AD5890

RGB 173 88 144

HSL 320.47, 0.34%, 0.51%

LAB 49.35, 41.89, -15.24

 

CMYK 7 / 0 / 49 / 32

HEX #A1AD58

RGB 161 173 88

HSL 68.47, 0.34%, 0.51%

LAB 68.14, -17.03, 41.91

 

CMYK 49 / 0 / 18 / 32

HEX #58AD8D

RGB 88 173 141

HSL 157.41, 0.34%, 0.51%

LAB 64.87, -33.54, 8.59

 

CMYK 43 / 49 / 0 / 32

HEX #6358AD

RGB 99 88 173

HSL 247.76, 0.34%, 0.51%

LAB 42.23, 26.11, -44.17

 

CMYK 0 / 49 / 31 / 32

HEX #AD5877

RGB 173 88 119

HSL 338.12, 0.34%, 0.51%

LAB 48.51, 38.22, -1.53

 

Description

Color code: HEX #A1AD58 | qconv.com Color code: HEX #A1AD58 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 173 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 173 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 49 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 49% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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