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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD4659 it is the complementary color #52B9A6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD4659. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #AD4659: #B24654, #C35867, #D46A7A, #E57C8D and #F68EA0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD4659. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #AD4659: #AD4659, #9C3446, #8B2233, #7A1020 and #69000D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 49 / 32

HEX #AD4659

RGB 173 70 89

HSL 348.93, 0.42%, 0.48%

LAB 44.21, 43.82, 10.58

 

Complementary color

CMYK 56 / 0 / 10 / 27

HEX #52B9A6

RGB 82 185 166

HSL 168.93, 0.42%, 0.52%

LAB 68.93, -34.52, 0.62

 

CMYK 0 / 61 / 53 / 30

HEX #B24654

RGB 178 70 84

HSL 352.22, 0.44%, 0.49%

LAB 44.92, 45.1, 14.75

 

CMYK 0 / 55 / 47 / 24

HEX #C35867

RGB 195 88 103

HSL 351.59, 0.47%, 0.55%

LAB 51.34, 44.19, 12.56

 

CMYK 0 / 50 / 42 / 17

HEX #D46A7A

RGB 212 106 122

HSL 350.94, 0.55%, 0.62%

LAB 57.76, 43.22, 10.73

 

CMYK 0 / 46 / 38 / 10

HEX #E57C8D

RGB 229 124 141

HSL 350.29, 0.67%, 0.69%

LAB 64.16, 42.24, 9.18

 

CMYK 0 / 42 / 35 / 4

HEX #F68EA0

RGB 246 142 160

HSL 349.62, 0.85%, 0.76%

LAB 70.51, 41.3, 7.83

 

CMYK 0 / 60 / 49 / 32

HEX #AD4659

RGB 173 70 89

HSL 348.93, 0.42%, 0.48%

LAB 44.21, 43.82, 10.58

 

CMYK 0 / 67 / 55 / 39

HEX #9C3446

RGB 156 52 70

HSL 349.62, 0.5%, 0.41%

LAB 37.78, 44.51, 13.1

 

CMYK 0 / 76 / 63 / 45

HEX #8B2233

RGB 139 34 51

HSL 350.29, 0.61%, 0.34%

LAB 31.51, 44.75, 16.36

 

CMYK 0 / 87 / 74 / 52

HEX #7A1020

RGB 122 16 32

HSL 350.94, 0.77%, 0.27%

LAB 25.6, 44.04, 20.68

 

CMYK 0 / 100 / 88 / 59

HEX #69000D

RGB 105 0 13

HSL 352.57, 1%, 0.21%

LAB 20.17, 42.04, 25.41

 

CMYK 0 / 60 / 49 / 32

HEX #AD4659

RGB 173 70 89

HSL 348.93, 0.42%, 0.48%

LAB 44.21, 43.82, 10.58

 

CMYK 0 / 60 / 57 / 32

HEX #AD464A

RGB 173 70 74

HSL 357.67, 0.42%, 0.48%

LAB 43.89, 42.5, 19.33

 

CMYK 0 / 51 / 60 / 32

HEX #AD5446

RGB 173 84 70

HSL 8.16, 0.42%, 0.48%

LAB 46.53, 35.15, 25.17

 

CMYK 0 / 42 / 60 / 32

HEX #AD6546

RGB 173 101 70

HSL 18.06, 0.42%, 0.48%

LAB 50.26, 25.96, 29.85

 

CMYK 0 / 32 / 60 / 32

HEX #AD7646

RGB 173 118 70

HSL 27.96, 0.42%, 0.48%

LAB 54.33, 16.45, 34.82

 

CMYK 0 / 60 / 49 / 32

HEX #AD4659

RGB 173 70 89

HSL 348.93, 0.42%, 0.48%

LAB 44.21, 43.82, 10.58

 

CMYK 0 / 59 / 49 / 12

HEX #E05B73

RGB 224 91 115

HSL 349.17, 0.68%, 0.62%

LAB 56.65, 53.82, 13.54

 

CMYK 0 / 60 / 50 / 92

HEX #14080A

RGB 20 8 10

HSL 350, 0.43%, 0.05%

LAB 3.11, 4.21, 0.63

 

CMYK 0 / 59 / 48 / 72

HEX #471D25

RGB 71 29 37

HSL 348.57, 0.42%, 0.2%

LAB 17.24, 21.04, 4.3

 

CMYK 0 / 60 / 48 / 52

HEX #7A313F

RGB 122 49 63

HSL 348.49, 0.43%, 0.34%

LAB 31.1, 33.2, 7.42

 

CMYK 0 / 60 / 49 / 32

HEX #AD4659

RGB 173 70 89

HSL 348.93, 0.42%, 0.48%

LAB 44.21, 43.82, 10.58

 

CMYK 0 / 0 / 60 / 32

HEX #ADAD46

RGB 173 173 70

HSL 60, 0.42%, 0.48%

LAB 68.91, -13.55, 51.55

 

CMYK 60 / 24 / 0 / 32

HEX #4684AD

RGB 70 132 173

HSL 203.88, 0.42%, 0.48%

LAB 52.75, -7.53, -27.72

 

CMYK 0 / 60 / 49 / 32

HEX #AD4659

RGB 173 70 89

HSL 348.93, 0.42%, 0.48%

LAB 44.21, 43.82, 10.58

 

CMYK 47 / 0 / 60 / 32

HEX #5BAD46

RGB 91 173 70

HSL 107.77, 0.42%, 0.48%

LAB 63.8, -44.77, 44.42

 

CMYK 60 / 47 / 0 / 32

HEX #465BAD

RGB 70 91 173

HSL 227.77, 0.42%, 0.48%

LAB 40.9, 17.6, -46.42

 

CMYK 0 / 60 / 49 / 32

HEX #AD4659

RGB 173 70 89

HSL 348.93, 0.42%, 0.48%

LAB 44.21, 43.82, 10.58

 

CMYK 0 / 0 / 60 / 32

HEX #ADAD46

RGB 173 173 70

HSL 60, 0.42%, 0.48%

LAB 68.91, -13.55, 51.55

 

CMYK 60 / 0 / 12 / 32

HEX #46AD99

RGB 70 173 153

HSL 168.35, 0.42%, 0.48%

LAB 64.56, -34.66, 1.39

 

CMYK 60 / 60 / 0 / 32

HEX #4646AD

RGB 70 70 173

HSL 240, 0.42%, 0.48%

LAB 35.4, 31.07, -55.3

 

CMYK 0 / 60 / 49 / 32

HEX #AD4659

RGB 173 70 89

HSL 348.93, 0.42%, 0.48%

LAB 44.21, 43.82, 10.58

 

CMYK 18 / 0 / 60 / 32

HEX #8EAD46

RGB 142 173 70

HSL 78.06, 0.42%, 0.48%

LAB 66.58, -26.44, 48.33

 

CMYK 60 / 0 / 12 / 32

HEX #46AD99

RGB 70 173 153

HSL 168.35, 0.42%, 0.48%

LAB 64.56, -34.66, 1.39

 

CMYK 42 / 60 / 0 / 32

HEX #6546AD

RGB 101 70 173

HSL 258.06, 0.42%, 0.48%

LAB 38.14, 37.46, -50.73

 

Description

Color code: HEX #AD4659 | qconv.com Color code: HEX #AD4659 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 70 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 70 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 49 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 49% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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