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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD355E it is the complementary color #52CAA1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD355E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #AD355E: #B23559, #C3476C, #D4597F, #E56B92 and #F67DA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD355E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #AD355E: #AD355E, #9C234B, #8B1138, #7A0025 and #690012

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 46 / 32

HEX #AD355E

RGB 173 53 94

HSL 339.5, 0.53%, 0.44%

LAB 41.59, 51.74, 3.76

 

Complementary color

CMYK 59 / 0 / 20 / 21

HEX #52CAA1

RGB 82 202 161

HSL 159.5, 0.53%, 0.56%

LAB 73.94, -43.37, 10.55

 

CMYK 0 / 70 / 50 / 30

HEX #B23559

RGB 178 53 89

HSL 342.72, 0.54%, 0.45%

LAB 42.36, 52.81, 8.1

 

CMYK 0 / 64 / 45 / 24

HEX #C3476C

RGB 195 71 108

HSL 342.1, 0.51%, 0.52%

LAB 48.5, 52.54, 5.54

 

CMYK 0 / 58 / 40 / 17

HEX #D4597F

RGB 212 89 127

HSL 341.46, 0.59%, 0.59%

LAB 54.74, 51.96, 3.48

 

CMYK 0 / 53 / 36 / 10

HEX #E56B92

RGB 229 107 146

HSL 340.82, 0.7%, 0.66%

LAB 61, 51.22, 1.78

 

CMYK 0 / 49 / 33 / 4

HEX #F67DA5

RGB 246 125 165

HSL 340.17, 0.87%, 0.73%

LAB 67.26, 50.41, 0.33

 

CMYK 0 / 69 / 46 / 32

HEX #AD355E

RGB 173 53 94

HSL 339.5, 0.53%, 0.44%

LAB 41.59, 51.74, 3.76

 

CMYK 0 / 78 / 52 / 39

HEX #9C234B

RGB 156 35 75

HSL 340.17, 0.63%, 0.37%

LAB 35.55, 51.44, 6.79

 

CMYK 0 / 88 / 60 / 45

HEX #8B1138

RGB 139 17 56

HSL 340.82, 0.78%, 0.31%

LAB 29.85, 50.11, 10.82

 

CMYK 0 / 100 / 70 / 52

HEX #7A0025

RGB 122 0 37

HSL 341.8, 1%, 0.24%

LAB 24.55, 47.58, 15.99

 

CMYK 0 / 100 / 83 / 59

HEX #690012

RGB 105 0 18

HSL 349.71, 1%, 0.21%

LAB 20.23, 42.2, 22.76

 

CMYK 0 / 69 / 46 / 32

HEX #AD355E

RGB 173 53 94

HSL 339.5, 0.53%, 0.44%

LAB 41.59, 51.74, 3.76

 

CMYK 0 / 70 / 57 / 33

HEX #AB344A

RGB 171 52 74

HSL 348.91, 0.53%, 0.44%

LAB 40.59, 49.77, 14.84

 

CMYK 0 / 70 / 68 / 33

HEX #AB3436

RGB 171 52 54

HSL 358.99, 0.53%, 0.44%

LAB 40.21, 48.45, 26.75

 

CMYK 0 / 59 / 70 / 33

HEX #AB4634

RGB 171 70 52

HSL 9.08, 0.53%, 0.44%

LAB 43.19, 40.29, 31.5

 

CMYK 0 / 47 / 70 / 33

HEX #AB5A34

RGB 171 90 52

HSL 19.16, 0.53%, 0.44%

LAB 47.26, 29.94, 36.19

 

CMYK 0 / 69 / 46 / 32

HEX #AD355E

RGB 173 53 94

HSL 339.5, 0.53%, 0.44%

LAB 41.59, 51.74, 3.76

 

CMYK 0 / 69 / 46 / 12

HEX #E0457A

RGB 224 69 122

HSL 339.48, 0.71%, 0.57%

LAB 53.5, 63.46, 4.93

 

CMYK 0 / 70 / 45 / 92

HEX #14060B

RGB 20 6 11

HSL 338.57, 0.54%, 0.05%

LAB 2.74, 5.16, -0.33

 

CMYK 0 / 69 / 45 / 72

HEX #471627

RGB 71 22 39

HSL 339.18, 0.53%, 0.18%

LAB 15.8, 25.25, 0.8

 

CMYK 0 / 70 / 46 / 52

HEX #7A2542

RGB 122 37 66

HSL 339.53, 0.53%, 0.31%

LAB 29.04, 39.28, 2.52

 

CMYK 0 / 69 / 46 / 32

HEX #AD355E

RGB 173 53 94

HSL 339.5, 0.53%, 0.44%

LAB 41.59, 51.74, 3.76

 

CMYK 0 / 11 / 70 / 33

HEX #AB9934

RGB 171 153 52

HSL 50.92, 0.53%, 0.44%

LAB 63.08, -5.03, 53.12

 

CMYK 70 / 18 / 0 / 33

HEX #348DAB

RGB 52 141 171

HSL 195.13, 0.53%, 0.44%

LAB 54.78, -16.42, -23.49

 

CMYK 0 / 69 / 46 / 32

HEX #AD355E

RGB 173 53 94

HSL 339.5, 0.53%, 0.44%

LAB 41.59, 51.74, 3.76

 

CMYK 45 / 0 / 70 / 33

HEX #5EAB34

RGB 94 171 52

HSL 98.82, 0.53%, 0.44%

LAB 63.14, -44.72, 51.53

 

CMYK 70 / 45 / 0 / 33

HEX #345EAB

RGB 52 94 171

HSL 218.82, 0.53%, 0.44%

LAB 40.7, 11.7, -45.62

 

CMYK 0 / 69 / 46 / 32

HEX #AD355E

RGB 173 53 94

HSL 339.5, 0.53%, 0.44%

LAB 41.59, 51.74, 3.76

 

CMYK 0 / 11 / 70 / 33

HEX #AB9934

RGB 171 153 52

HSL 50.92, 0.53%, 0.44%

LAB 63.08, -5.03, 53.12

 

CMYK 70 / 0 / 24 / 33

HEX #34AB82

RGB 52 171 130

HSL 159.33, 0.53%, 0.44%

LAB 62.9, -42.65, 11.74

 

CMYK 70 / 59 / 0 / 33

HEX #3446AB

RGB 52 70 171

HSL 230.92, 0.53%, 0.44%

LAB 34.09, 27.45, -56.29

 

CMYK 0 / 69 / 46 / 32

HEX #AD355E

RGB 173 53 94

HSL 339.5, 0.53%, 0.44%

LAB 41.59, 51.74, 3.76

 

CMYK 11 / 0 / 70 / 33

HEX #99AB34

RGB 153 171 52

HSL 69.08, 0.53%, 0.44%

LAB 66.63, -22.22, 56.22

 

CMYK 70 / 0 / 24 / 33

HEX #34AB82

RGB 52 171 130

HSL 159.33, 0.53%, 0.44%

LAB 62.9, -42.65, 11.74

 

CMYK 59 / 70 / 0 / 33

HEX #4634AB

RGB 70 52 171

HSL 249.08, 0.53%, 0.44%

LAB 31.11, 41.37, -61.1

 

Description

Color code: HEX #AD355E | qconv.com Color code: HEX #AD355E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 53 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 53 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 46 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 46% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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