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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD2C38 it is the complementary color #52D3C7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD2C38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD2C38 shade: #B22C33, #C33E46, #D45059, #E5626C and #F6747F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD2C38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD2C38 shade: #AD2C38, #9C1A25, #8B0812, #7A0000 and #690000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD2C38 shade: #AE2D39 and #AE2D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD2C38 shade: #AE2D39, #AE2D5C, #AE2D7F, #AE2DA2 and #982DAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD2C38 shade matches the following richer shades: #AE2D39, #C01B2B and #D2091C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD2C38 shade: #AE2D39, #9D3F47, #8B5056, #796264 and #677473

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD2C38 shade: #AE2D7F, #AE2D5C, #AE2D3A, #AE432D and #AE652D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD2C38 shade: #6D1C24, #8E242E, #AE2D39, #CC3946 and #D45965

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD2C38 shade: #AD2C38, #A1AE2D and #2D6EAE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD2C38 shade: #AD2C38, #3AAE2D and #2D3AAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD2C38 shade: #AD2C38, #A1AE2D, #2DAEA1 and #3A2DAE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD2C38 shade: #AD2C38, #7BAE2D, #2DAEA1 and #612DAE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 68 / 32

HEX #AD2C38

RGB 173 44 56

HSL 354.42, 0.59%, 0.43%

LAB 39.53, 52.21, 24.77

 

Complementary color

CMYK 61 / 0 / 6 / 17

HEX #52D3C7

RGB 82 211 199

HSL 174.42, 0.59%, 0.57%

LAB 77.58, -38.02, -4.61

 

CMYK 0 / 75 / 71 / 30

HEX #B22C33

RGB 178 44 51

HSL 356.87, 0.6%, 0.44%

LAB 40.42, 53.51, 29.13

 

CMYK 0 / 68 / 64 / 24

HEX #C33E46

RGB 195 62 70

HSL 356.39, 0.53%, 0.5%

LAB 46.3, 53.25, 25.61

 

CMYK 0 / 62 / 58 / 17

HEX #D45059

RGB 212 80 89

HSL 355.91, 0.61%, 0.57%

LAB 52.35, 52.59, 22.7

 

CMYK 0 / 57 / 53 / 10

HEX #E5626C

RGB 229 98 108

HSL 355.42, 0.72%, 0.64%

LAB 58.49, 51.71, 20.26

 

CMYK 0 / 53 / 48 / 4

HEX #F6747F

RGB 246 116 127

HSL 354.92, 0.88%, 0.71%

LAB 64.66, 50.74, 18.19

 

CMYK 0 / 75 / 68 / 32

HEX #AD2C38

RGB 173 44 56

HSL 354.42, 0.59%, 0.43%

LAB 39.53, 52.21, 24.77

 

CMYK 0 / 83 / 76 / 39

HEX #9C1A25

RGB 156 26 37

HSL 354.92, 0.71%, 0.36%

LAB 33.86, 51.73, 28.94

 

CMYK 0 / 94 / 87 / 45

HEX #8B0812

RGB 139 8 18

HSL 355.42, 0.89%, 0.29%

LAB 28.66, 50, 33.73

 

CMYK 0 / 100 / 100 / 52

HEX #7A0000

RGB 122 0 0

HSL 0, 1%, 0.24%

LAB 24.12, 46.42, 36.22

 

CMYK 0 / 100 / 100 / 59

HEX #690000

RGB 105 0 0

HSL 0, 1%, 0.21%

LAB 20.06, 41.72, 30.68

 

CMYK 0 / 74 / 67 / 32

HEX #AE2D39

RGB 174 45 57

HSL 354.42, 0.59%, 0.43%

LAB 39.87, 52.23, 24.61

 

CMYK 0 / 74 / 74 / 32

HEX #AE2D2D

RGB 174 45 45

HSL 0, 0.59%, 0.43%

LAB 39.69, 51.63, 31.68

 

CMYK 0 / 74 / 67 / 32

HEX #AE2D39

RGB 174 45 57

HSL 354.42, 0.59%, 0.43%

LAB 39.87, 52.23, 24.61

 

CMYK 0 / 74 / 47 / 32

HEX #AE2D5C

RGB 174 45 92

HSL 338.14, 0.59%, 0.43%

LAB 40.65, 54.81, 3.68

 

CMYK 0 / 74 / 27 / 32

HEX #AE2D7F

RGB 174 45 127

HSL 321.86, 0.59%, 0.43%

LAB 41.86, 58.65, -16.35

 

CMYK 0 / 74 / 7 / 32

HEX #AE2DA2

RGB 174 45 162

HSL 305.58, 0.59%, 0.43%

LAB 43.48, 63.6, -35.06

 

CMYK 13 / 74 / 0 / 32

HEX #982DAE

RGB 152 45 174

HSL 289.77, 0.59%, 0.43%

LAB 40.59, 60.87, -47.04

 

CMYK 0 / 74 / 67 / 32

HEX #AE2D39

RGB 174 45 57

HSL 354.42, 0.59%, 0.43%

LAB 39.87, 52.23, 24.61

 

CMYK 0 / 86 / 78 / 25

HEX #C01B2B

RGB 192 27 43

HSL 354.18, 0.75%, 0.43%

LAB 41.48, 61.86, 35.85

 

CMYK 0 / 96 / 87 / 18

HEX #D2091C

RGB 210 9 28

HSL 354.33, 0.92%, 0.43%

LAB 44.21, 68.71, 47.88

 

CMYK 0 / 74 / 67 / 32

HEX #AE2D39

RGB 174 45 57

HSL 354.42, 0.59%, 0.43%

LAB 39.87, 52.23, 24.61

 

CMYK 0 / 60 / 55 / 38

HEX #9D3F47

RGB 157 63 71

HSL 354.89, 0.43%, 0.43%

LAB 39.88, 39.86, 15.35

 

CMYK 0 / 42 / 38 / 45

HEX #8B5056

RGB 139 80 86

HSL 353.9, 0.27%, 0.43%

LAB 41.05, 25.45, 7.24

 

CMYK 0 / 19 / 17 / 53

HEX #796264

RGB 121 98 100

HSL 354.78, 0.11%, 0.43%

LAB 43.83, 9.61, 2.36

 

CMYK 11 / 0 / 1 / 55

HEX #677473

RGB 103 116 115

HSL 175.38, 0.06%, 0.43%

LAB 47.77, -5.06, -1.11

 

CMYK 0 / 74 / 27 / 32

HEX #AE2D7F

RGB 174 45 127

HSL 321.86, 0.59%, 0.43%

LAB 41.86, 58.65, -16.35

 

CMYK 0 / 74 / 47 / 32

HEX #AE2D5C

RGB 174 45 92

HSL 338.14, 0.59%, 0.43%

LAB 40.65, 54.81, 3.68

 

CMYK 0 / 74 / 67 / 32

HEX #AE2D3A

RGB 174 45 58

HSL 353.95, 0.59%, 0.43%

LAB 39.88, 52.28, 24.02

 

CMYK 0 / 61 / 74 / 32

HEX #AE432D

RGB 174 67 45

HSL 10.23, 0.59%, 0.43%

LAB 43.07, 42.48, 35.46

 

CMYK 0 / 42 / 74 / 32

HEX #AE652D

RGB 174 101 45

HSL 26.05, 0.59%, 0.43%

LAB 50.09, 24.8, 42.99

 

CMYK 0 / 74 / 67 / 57

HEX #6D1C24

RGB 109 28 36

HSL 354.07, 0.59%, 0.27%

LAB 24.35, 36.06, 15.85

 

CMYK 0 / 75 / 68 / 44

HEX #8E242E

RGB 142 36 46

HSL 354.34, 0.6%, 0.35%

LAB 32.28, 44.66, 20.7

 

CMYK 0 / 74 / 67 / 32

HEX #AE2D39

RGB 174 45 57

HSL 354.42, 0.59%, 0.43%

LAB 39.87, 52.23, 24.61

 

CMYK 0 / 72 / 66 / 20

HEX #CC3946

RGB 204 57 70

HSL 354.69, 0.59%, 0.51%

LAB 47.24, 57.98, 27.15

 

CMYK 0 / 58 / 52 / 17

HEX #D45965

RGB 212 89 101

HSL 354.15, 0.59%, 0.59%

LAB 54.11, 49.47, 17.98

 

CMYK 0 / 75 / 68 / 32

HEX #AD2C38

RGB 173 44 56

HSL 354.42, 0.59%, 0.43%

LAB 39.53, 52.21, 24.77

 

CMYK 7 / 0 / 74 / 32

HEX #A1AE2D

RGB 161 174 45

HSL 66.05, 0.59%, 0.43%

LAB 68.05, -20.69, 60.36

 

CMYK 74 / 37 / 0 / 32

HEX #2D6EAE

RGB 45 110 174

HSL 209.77, 0.59%, 0.43%

LAB 45.31, 1.64, -40.04

 

CMYK 0 / 75 / 68 / 32

HEX #AD2C38

RGB 173 44 56

HSL 354.42, 0.59%, 0.43%

LAB 39.53, 52.21, 24.77

 

CMYK 67 / 0 / 74 / 32

HEX #3AAE2D

RGB 58 174 45

HSL 113.95, 0.59%, 0.43%

LAB 62.81, -56.05, 53.46

 

CMYK 74 / 67 / 0 / 32

HEX #2D3AAE

RGB 45 58 174

HSL 233.95, 0.59%, 0.43%

LAB 30.97, 35.41, -63.18

 

CMYK 0 / 75 / 68 / 32

HEX #AD2C38

RGB 173 44 56

HSL 354.42, 0.59%, 0.43%

LAB 39.53, 52.21, 24.77

 

CMYK 7 / 0 / 74 / 32

HEX #A1AE2D

RGB 161 174 45

HSL 66.05, 0.59%, 0.43%

LAB 68.05, -20.69, 60.36

 

CMYK 74 / 0 / 7 / 32

HEX #2DAEA1

RGB 45 174 161

HSL 173.95, 0.59%, 0.43%

LAB 64.49, -36.93, -3.23

 

CMYK 67 / 74 / 0 / 32

HEX #3A2DAE

RGB 58 45 174

HSL 246.05, 0.59%, 0.43%

LAB 28.99, 44.66, -66.42

 

CMYK 0 / 75 / 68 / 32

HEX #AD2C38

RGB 173 44 56

HSL 354.42, 0.59%, 0.43%

LAB 39.53, 52.21, 24.77

 

CMYK 29 / 0 / 74 / 32

HEX #7BAE2D

RGB 123 174 45

HSL 83.72, 0.59%, 0.43%

LAB 65.49, -36.21, 57.01

 

CMYK 74 / 0 / 7 / 32

HEX #2DAEA1

RGB 45 174 161

HSL 173.95, 0.59%, 0.43%

LAB 64.49, -36.93, -3.23

 

CMYK 44 / 74 / 0 / 32

HEX #612DAE

RGB 97 45 174

HSL 264.19, 0.59%, 0.43%

LAB 32.86, 50.31, -59.91

 

Description

Color code: HEX #AD2C38 | qconv.com Color code: HEX #AD2C38 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 44 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 44 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 68 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 68% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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