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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #52D3C7 it is the complementary color #AD2C38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #52D3C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #52D3C7 shade: #57D3C2, #68E5D5, #79F7E8, #8AFFFB and #9BFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #52D3C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #52D3C7 shade: #52D3C7, #41C1B4, #30AFA1, #1F9D8E and #0E8B7B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #52D3C7 shade: #51D2C6, #51D2A3, #51D280, #51D25D and #67D251

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #52D3C7 shade: #51D2C6, #51BBD2, #5198D2, #5175D2 and #5153D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #52D3C7 shade matches the following richer shades: #51D2C6, #3FE4D4 and #2DF6E3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #52D3C7 shade: #51D2C6, #62C0B8, #74AFA9, #869D9B and #988B8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #52D3C7 shade: #51D280, #51D2A3, #51D2C5, #51BCD2 and #519AD2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #52D3C7 shade: #2BA69A, #33C6B9, #51D2C6, #71DBD1 and #92E3DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #52D3C7 shade: #52D3C7, #5E51D2 and #D29151

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #52D3C7 shade: #52D3C7, #C551D2 and #D2C551

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #52D3C7 shade: #52D3C7, #5E51D2, #D2515E and #C5D251

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #52D3C7 shade: #52D3C7, #8451D2, #D2515E and #9ED251

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 6 / 17

HEX #52D3C7

RGB 82 211 199

HSL 174.42, 0.59%, 0.57%

LAB 77.58, -38.02, -4.61

 

Complementary color

CMYK 0 / 75 / 68 / 32

HEX #AD2C38

RGB 173 44 56

HSL 354.42, 0.59%, 0.43%

LAB 39.53, 52.21, 24.77

 

CMYK 59 / 0 / 8 / 17

HEX #57D3C2

RGB 87 211 194

HSL 171.77, 0.58%, 0.58%

LAB 77.58, -38.42, -1.91

 

CMYK 55 / 0 / 7 / 10

HEX #68E5D5

RGB 104 229 213

HSL 172.32, 0.71%, 0.65%

LAB 83.85, -38.59, -2.76

 

CMYK 51 / 0 / 6 / 3

HEX #79F7E8

RGB 121 247 232

HSL 172.86, 0.89%, 0.72%

LAB 90.05, -38.67, -3.56

 

CMYK 46 / 0 / 2 / 0

HEX #8AFFFB

RGB 138 255 251

HSL 177.95, 1%, 0.77%

LAB 93.4, -34.11, -8.41

 

CMYK 39 / 0 / 0 / 0

HEX #9BFFFF

RGB 155 255 255

HSL 180, 1%, 0.8%

LAB 94.19, -29.23, -9.23

 

CMYK 61 / 0 / 6 / 17

HEX #52D3C7

RGB 82 211 199

HSL 174.42, 0.59%, 0.57%

LAB 77.58, -38.02, -4.61

 

CMYK 66 / 0 / 7 / 24

HEX #41C1B4

RGB 65 193 180

HSL 173.91, 0.51%, 0.51%

LAB 71.25, -37.61, -3.7

 

CMYK 73 / 0 / 8 / 31

HEX #30AFA1

RGB 48 175 161

HSL 173.39, 0.57%, 0.44%

LAB 64.85, -37.01, -2.69

 

CMYK 80 / 0 / 10 / 38

HEX #1F9D8E

RGB 31 157 142

HSL 172.86, 0.67%, 0.37%

LAB 58.38, -36.11, -1.55

 

CMYK 90 / 0 / 12 / 45

HEX #0E8B7B

RGB 14 139 123

HSL 172.32, 0.82%, 0.3%

LAB 51.82, -34.8, -0.26

 

CMYK 61 / 0 / 6 / 18

HEX #51D2C6

RGB 81 210 198

HSL 174.42, 0.59%, 0.57%

LAB 77.23, -37.99, -4.59

 

CMYK 61 / 0 / 22 / 18

HEX #51D2A3

RGB 81 210 163

HSL 158.14, 0.59%, 0.57%

LAB 76.37, -46.53, 12.91

 

CMYK 61 / 0 / 39 / 18

HEX #51D280

RGB 81 210 128

HSL 141.86, 0.59%, 0.57%

LAB 75.7, -53.56, 30.38

 

CMYK 61 / 0 / 56 / 18

HEX #51D25D

RGB 81 210 93

HSL 125.58, 0.59%, 0.57%

LAB 75.22, -58.87, 47.02

 

CMYK 51 / 0 / 61 / 18

HEX #67D251

RGB 103 210 81

HSL 109.77, 0.59%, 0.57%

LAB 75.81, -54.81, 53.26

 

CMYK 61 / 0 / 6 / 18

HEX #51D2C6

RGB 81 210 198

HSL 174.42, 0.59%, 0.57%

LAB 77.23, -37.99, -4.59

 

CMYK 61 / 11 / 0 / 18

HEX #51BBD2

RGB 81 187 210

HSL 190.7, 0.59%, 0.57%

LAB 70.83, -23.58, -20.69

 

CMYK 61 / 28 / 0 / 18

HEX #5198D2

RGB 81 152 210

HSL 206.98, 0.59%, 0.57%

LAB 60.66, -4.79, -36.37

 

CMYK 61 / 44 / 0 / 18

HEX #5175D2

RGB 81 117 210

HSL 223.26, 0.59%, 0.57%

LAB 50.83, 16.05, -51.9

 

CMYK 61 / 60 / 0 / 18

HEX #5153D2

RGB 81 83 210

HSL 239.07, 0.59%, 0.57%

LAB 42.14, 37.17, -65.93

 

CMYK 61 / 0 / 6 / 18

HEX #51D2C6

RGB 81 210 198

HSL 174.42, 0.59%, 0.57%

LAB 77.23, -37.99, -4.59

 

CMYK 72 / 0 / 7 / 11

HEX #3FE4D4

RGB 63 228 212

HSL 174.18, 0.75%, 0.57%

LAB 82.54, -44.87, -4.29

 

CMYK 82 / 0 / 8 / 4

HEX #2DF6E3

RGB 45 246 227

HSL 174.33, 0.92%, 0.57%

LAB 87.98, -50.27, -4.2

 

CMYK 61 / 0 / 6 / 18

HEX #51D2C6

RGB 81 210 198

HSL 174.42, 0.59%, 0.57%

LAB 77.23, -37.99, -4.59

 

CMYK 49 / 0 / 4 / 25

HEX #62C0B8

RGB 98 192 184

HSL 174.89, 0.43%, 0.57%

LAB 72.07, -29.82, -4.57

 

CMYK 34 / 0 / 3 / 31

HEX #74AFA9

RGB 116 175 169

HSL 173.9, 0.27%, 0.57%

LAB 67.45, -20.45, -3.03

 

CMYK 15 / 0 / 1 / 38

HEX #869D9B

RGB 134 157 155

HSL 174.78, 0.11%, 0.57%

LAB 62.97, -8.46, -1.67

 

CMYK 0 / 9 / 8 / 40

HEX #988B8C

RGB 152 139 140

HSL 355.38, 0.06%, 0.57%

LAB 59.01, 5.04, 1.22

 

CMYK 61 / 0 / 39 / 18

HEX #51D280

RGB 81 210 128

HSL 141.86, 0.59%, 0.57%

LAB 75.7, -53.56, 30.38

 

CMYK 61 / 0 / 22 / 18

HEX #51D2A3

RGB 81 210 163

HSL 158.14, 0.59%, 0.57%

LAB 76.37, -46.53, 12.91

 

CMYK 61 / 0 / 6 / 18

HEX #51D2C5

RGB 81 210 197

HSL 173.95, 0.59%, 0.57%

LAB 77.21, -38.26, -4.1

 

CMYK 61 / 10 / 0 / 18

HEX #51BCD2

RGB 81 188 210

HSL 190.23, 0.59%, 0.57%

LAB 71.12, -24.08, -20.24

 

CMYK 61 / 27 / 0 / 18

HEX #519AD2

RGB 81 154 210

HSL 206.05, 0.59%, 0.57%

LAB 61.23, -5.92, -35.47

 

CMYK 74 / 0 / 7 / 35

HEX #2BA69A

RGB 43 166 154

HSL 174.15, 0.59%, 0.41%

LAB 61.76, -35.48, -3.34

 

CMYK 74 / 0 / 7 / 22

HEX #33C6B9

RGB 51 198 185

HSL 174.69, 0.59%, 0.49%

LAB 72.62, -40.38, -4.44

 

CMYK 61 / 0 / 6 / 18

HEX #51D2C6

RGB 81 210 198

HSL 174.42, 0.59%, 0.57%

LAB 77.23, -37.99, -4.59

 

CMYK 48 / 0 / 5 / 14

HEX #71DBD1

RGB 113 219 209

HSL 174.34, 0.6%, 0.65%

LAB 81.17, -33.07, -4.56

 

CMYK 36 / 0 / 4 / 11

HEX #92E3DB

RGB 146 227 219

HSL 174.07, 0.59%, 0.73%

LAB 85.08, -26.46, -3.94

 

CMYK 61 / 0 / 6 / 17

HEX #52D3C7

RGB 82 211 199

HSL 174.42, 0.59%, 0.57%

LAB 77.58, -38.02, -4.61

 

CMYK 55 / 61 / 0 / 18

HEX #5E51D2

RGB 94 81 210

HSL 246.05, 0.59%, 0.57%

LAB 42.64, 40.58, -65.07

 

CMYK 0 / 31 / 61 / 18

HEX #D29151

RGB 210 145 81

HSL 29.77, 0.59%, 0.57%

LAB 65.39, 18.12, 43.29

 

CMYK 61 / 0 / 6 / 17

HEX #52D3C7

RGB 82 211 199

HSL 174.42, 0.59%, 0.57%

LAB 77.58, -38.02, -4.61

 

CMYK 6 / 61 / 0 / 18

HEX #C551D2

RGB 197 81 210

HSL 293.95, 0.59%, 0.57%

LAB 54.46, 63.35, -45.46

 

CMYK 0 / 6 / 61 / 18

HEX #D2C551

RGB 210 197 81

HSL 53.95, 0.59%, 0.57%

LAB 78.59, -9.48, 58.17

 

CMYK 61 / 0 / 6 / 17

HEX #52D3C7

RGB 82 211 199

HSL 174.42, 0.59%, 0.57%

LAB 77.58, -38.02, -4.61

 

CMYK 55 / 61 / 0 / 18

HEX #5E51D2

RGB 94 81 210

HSL 246.05, 0.59%, 0.57%

LAB 42.64, 40.58, -65.07

 

CMYK 0 / 61 / 55 / 18

HEX #D2515E

RGB 210 81 94

HSL 353.95, 0.59%, 0.57%

LAB 52.28, 51.85, 19.59

 

CMYK 6 / 0 / 61 / 18

HEX #C5D251

RGB 197 210 81

HSL 66.05, 0.59%, 0.57%

LAB 81.05, -21.36, 60.52

 

CMYK 61 / 0 / 6 / 17

HEX #52D3C7

RGB 82 211 199

HSL 174.42, 0.59%, 0.57%

LAB 77.58, -38.02, -4.61

 

CMYK 37 / 61 / 0 / 18

HEX #8451D2

RGB 132 81 210

HSL 263.72, 0.59%, 0.57%

LAB 46.24, 48.17, -59.07

 

CMYK 0 / 61 / 55 / 18

HEX #D2515E

RGB 210 81 94

HSL 353.95, 0.59%, 0.57%

LAB 52.28, 51.85, 19.59

 

CMYK 25 / 0 / 61 / 18

HEX #9ED251

RGB 158 210 81

HSL 84.19, 0.59%, 0.57%

LAB 78.44, -36.68, 56.92

 

Description

Color code: HEX #52D3C7 | qconv.com Color code: HEX #52D3C7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 211 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 211 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 6 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 6% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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