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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACE2D2 it is the complementary color #531D2D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACE2D2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACE2D2 shade: #B1E2CD, #C2F4E0, #D3FFF3, #E4FFFF and #F5FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACE2D2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACE2D2 shade: #ACE2D2, #9BD0BF, #8ABEAC, #79AC99 and #689A86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACE2D2 shade: #ACE2D2, #ACE2C3, #ACE2B5, #B2E2AC and #C0E2AC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACE2D2 shade: #ACE2D2, #ACE2E0, #ACD5E2, #ACC6E2 and #ACB8E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACE2D2 shade matches the following richer shades: #ACE2D2, #A3EBD6, #9AF4D9 and #91FDDD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACE2D2 shade: #ACE2D2, #B5D9CE, #BED0CA, #C7C7C7 and #D0BEC3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACE2D2 shade: #ACE2B5, #ACE2C3, #ACE2D2, #ACE2E0 and #ACD5E2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACE2D2 shade: #6FCCB1, #8DD7C1, #ACE2D2, #CBEDE2 and #E9F7F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACE2D2 shade: #ACE2D2, #ACB1E2 and #E2BCAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACE2D2 shade: #ACE2D2, #D2ACE2 and #E2D2AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACE2D2 shade: #ACE2D2, #ACB1E2, #E2ACBC and #E2DCAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACE2D2 shade: #ACE2D2, #B7ACE2, #E2ACBC and #D7E2AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 7 / 11

HEX #ACE2D2

RGB 172 226 210

HSL 162.22, 0.48%, 0.78%

LAB 85.91, -20.51, 2.19

 

Complementary color

CMYK 0 / 65 / 46 / 67

HEX #531D2D

RGB 83 29 45

HSL 342.22, 0.48%, 0.22%

LAB 19.67, 26.87, 2.41

 

CMYK 22 / 0 / 9 / 11

HEX #B1E2CD

RGB 177 226 205

HSL 154.29, 0.46%, 0.79%

LAB 86.08, -19.97, 5.1

 

CMYK 20 / 0 / 8 / 4

HEX #C2F4E0

RGB 194 244 224

HSL 156, 0.69%, 0.86%

LAB 92.38, -19.83, 4.4

 

CMYK 17 / 0 / 5 / 0

HEX #D3FFF3

RGB 211 255 243

HSL 163.64, 1%, 0.91%

LAB 96.75, -16.3, 1.06

 

CMYK 11 / 0 / 0 / 0

HEX #E4FFFF

RGB 228 255 255

HSL 180, 1%, 0.95%

LAB 98.13, -8.69, -2.97

 

CMYK 4 / 0 / 0 / 0

HEX #F5FFFF

RGB 245 255 255

HSL 180, 1%, 0.98%

LAB 99.28, -3.26, -1.15

 

CMYK 24 / 0 / 7 / 11

HEX #ACE2D2

RGB 172 226 210

HSL 162.22, 0.48%, 0.78%

LAB 85.91, -20.51, 2.19

 

CMYK 25 / 0 / 8 / 18

HEX #9BD0BF

RGB 155 208 191

HSL 160.75, 0.36%, 0.71%

LAB 79.52, -20.67, 2.88

 

CMYK 27 / 0 / 9 / 25

HEX #8ABEAC

RGB 138 190 172

HSL 159.23, 0.29%, 0.64%

LAB 73.03, -20.84, 3.6

 

CMYK 30 / 0 / 11 / 33

HEX #79AC99

RGB 121 172 153

HSL 157.65, 0.24%, 0.57%

LAB 66.42, -21.04, 4.37

 

CMYK 32 / 0 / 13 / 40

HEX #689A86

RGB 104 154 134

HSL 156, 0.2%, 0.51%

LAB 59.69, -21.26, 5.19

 

CMYK 24 / 0 / 7 / 11

HEX #ACE2D2

RGB 172 226 210

HSL 162.22, 0.48%, 0.78%

LAB 85.91, -20.51, 2.19

 

CMYK 24 / 0 / 14 / 11

HEX #ACE2C3

RGB 172 226 195

HSL 145.56, 0.48%, 0.78%

LAB 85.56, -23.47, 9.56

 

CMYK 24 / 0 / 20 / 11

HEX #ACE2B5

RGB 172 226 181

HSL 130, 0.48%, 0.78%

LAB 85.25, -26.05, 16.47

 

CMYK 21 / 0 / 24 / 11

HEX #B2E2AC

RGB 178 226 172

HSL 113.33, 0.48%, 0.78%

LAB 85.42, -25.61, 21.46

 

CMYK 15 / 0 / 24 / 11

HEX #C0E2AC

RGB 192 226 172

HSL 97.78, 0.48%, 0.78%

LAB 86.29, -20.81, 22.8

 

CMYK 24 / 0 / 7 / 11

HEX #ACE2D2

RGB 172 226 210

HSL 162.22, 0.48%, 0.78%

LAB 85.91, -20.51, 2.19

 

CMYK 24 / 0 / 1 / 11

HEX #ACE2E0

RGB 172 226 224

HSL 177.78, 0.48%, 0.78%

LAB 86.28, -17.58, -4.66

 

CMYK 24 / 6 / 0 / 11

HEX #ACD5E2

RGB 172 213 226

HSL 194.44, 0.48%, 0.78%

LAB 82.83, -10.53, -10.83

 

CMYK 24 / 12 / 0 / 11

HEX #ACC6E2

RGB 172 198 226

HSL 211.11, 0.48%, 0.78%

LAB 78.84, -2.66, -16.82

 

CMYK 24 / 19 / 0 / 11

HEX #ACB8E2

RGB 172 184 226

HSL 226.67, 0.48%, 0.78%

LAB 75.17, 4.89, -22.38

 

CMYK 24 / 0 / 7 / 11

HEX #ACE2D2

RGB 172 226 210

HSL 162.22, 0.48%, 0.78%

LAB 85.91, -20.51, 2.19

 

CMYK 31 / 0 / 9 / 8

HEX #A3EBD6

RGB 163 235 214

HSL 162.5, 0.64%, 0.78%

LAB 88, -26.74, 3.05

 

CMYK 37 / 0 / 11 / 4

HEX #9AF4D9

RGB 154 244 217

HSL 162, 0.8%, 0.78%

LAB 90.13, -32.86, 4.52

 

CMYK 43 / 0 / 13 / 1

HEX #91FDDD

RGB 145 253 221

HSL 162.22, 0.96%, 0.78%

LAB 92.35, -38.46, 5.6

 

CMYK 24 / 0 / 7 / 11

HEX #ACE2D2

RGB 172 226 210

HSL 162.22, 0.48%, 0.78%

LAB 85.91, -20.51, 2.19

 

CMYK 17 / 0 / 5 / 15

HEX #B5D9CE

RGB 181 217 206

HSL 161.67, 0.32%, 0.78%

LAB 83.92, -13.99, 1.46

 

CMYK 9 / 0 / 3 / 18

HEX #BED0CA

RGB 190 208 202

HSL 160, 0.16%, 0.78%

LAB 82.01, -7.2, 0.89

 

CMYK 0 / 0 / 0 / 22

HEX #C7C7C7

RGB 199 199 199

HSL 0, 0%, 0.78%

LAB 80.24, 0, -0.01

 

CMYK 0 / 9 / 6 / 18

HEX #D0BEC3

RGB 208 190 195

HSL 343.33, 0.16%, 0.78%

LAB 78.56, 7.21, -0.22

 

CMYK 24 / 0 / 20 / 11

HEX #ACE2B5

RGB 172 226 181

HSL 130, 0.48%, 0.78%

LAB 85.25, -26.05, 16.47

 

CMYK 24 / 0 / 14 / 11

HEX #ACE2C3

RGB 172 226 195

HSL 145.56, 0.48%, 0.78%

LAB 85.56, -23.47, 9.56

 

CMYK 24 / 0 / 7 / 11

HEX #ACE2D2

RGB 172 226 210

HSL 162.22, 0.48%, 0.78%

LAB 85.91, -20.51, 2.19

 

CMYK 24 / 0 / 1 / 11

HEX #ACE2E0

RGB 172 226 224

HSL 177.78, 0.48%, 0.78%

LAB 86.28, -17.58, -4.66

 

CMYK 24 / 6 / 0 / 11

HEX #ACD5E2

RGB 172 213 226

HSL 194.44, 0.48%, 0.78%

LAB 82.83, -10.53, -10.83

 

CMYK 46 / 0 / 13 / 20

HEX #6FCCB1

RGB 111 204 177

HSL 162.58, 0.48%, 0.62%

LAB 75.91, -34.11, 4.89

 

CMYK 34 / 0 / 10 / 16

HEX #8DD7C1

RGB 141 215 193

HSL 162.16, 0.48%, 0.7%

LAB 80.8, -27.81, 3.57

 

CMYK 24 / 0 / 7 / 11

HEX #ACE2D2

RGB 172 226 210

HSL 162.22, 0.48%, 0.78%

LAB 85.91, -20.51, 2.19

 

CMYK 14 / 0 / 5 / 7

HEX #CBEDE2

RGB 203 237 226

HSL 160.59, 0.49%, 0.86%

LAB 91.12, -13.15, 1.61

 

CMYK 6 / 0 / 2 / 3

HEX #E9F7F3

RGB 233 247 243

HSL 162.86, 0.47%, 0.94%

LAB 96.13, -5.31, 0.32

 

CMYK 24 / 0 / 7 / 11

HEX #ACE2D2

RGB 172 226 210

HSL 162.22, 0.48%, 0.78%

LAB 85.91, -20.51, 2.19

 

CMYK 24 / 22 / 0 / 11

HEX #ACB1E2

RGB 172 177 226

HSL 234.44, 0.48%, 0.78%

LAB 73.35, 8.73, -25.14

 

CMYK 0 / 17 / 24 / 11

HEX #E2BCAC

RGB 226 188 172

HSL 17.78, 0.48%, 0.78%

LAB 79.11, 11.19, 13.18

 

CMYK 24 / 0 / 7 / 11

HEX #ACE2D2

RGB 172 226 210

HSL 162.22, 0.48%, 0.78%

LAB 85.91, -20.51, 2.19

 

CMYK 7 / 24 / 0 / 11

HEX #D2ACE2

RGB 210 172 226

HSL 282.22, 0.48%, 0.78%

LAB 75.26, 23.43, -21.95

 

CMYK 0 / 7 / 24 / 11

HEX #E2D2AC

RGB 226 210 172

HSL 42.22, 0.48%, 0.78%

LAB 84.61, -0.35, 20.86

 

CMYK 24 / 0 / 7 / 11

HEX #ACE2D2

RGB 172 226 210

HSL 162.22, 0.48%, 0.78%

LAB 85.91, -20.51, 2.19

 

CMYK 24 / 22 / 0 / 11

HEX #ACB1E2

RGB 172 177 226

HSL 234.44, 0.48%, 0.78%

LAB 73.35, 8.73, -25.14

 

CMYK 0 / 24 / 17 / 11

HEX #E2ACBC

RGB 226 172 188

HSL 342.22, 0.48%, 0.78%

LAB 75.64, 22.14, -0.49

 

CMYK 0 / 3 / 24 / 11

HEX #E2DCAC

RGB 226 220 172

HSL 53.33, 0.48%, 0.78%

LAB 87.16, -5.49, 24.38

 

CMYK 24 / 0 / 7 / 11

HEX #ACE2D2

RGB 172 226 210

HSL 162.22, 0.48%, 0.78%

LAB 85.91, -20.51, 2.19

 

CMYK 19 / 24 / 0 / 11

HEX #B7ACE2

RGB 183 172 226

HSL 252.22, 0.48%, 0.78%

LAB 72.93, 14.86, -25.71

 

CMYK 0 / 24 / 17 / 11

HEX #E2ACBC

RGB 226 172 188

HSL 342.22, 0.48%, 0.78%

LAB 75.64, 22.14, -0.49

 

CMYK 5 / 0 / 24 / 11

HEX #D7E2AC

RGB 215 226 172

HSL 72.22, 0.48%, 0.78%

LAB 87.88, -12.58, 25.23

 

Description

Color code: HEX #ACE2D2 | qconv.com Color code: HEX #ACE2D2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 226 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 226 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 7 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 7% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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