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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACA7E6 it is the complementary color #535819. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACA7E6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACA7E6 shade: #B1A7E1, #C2B9F4, #D3CBFF, #E4DDFF and #F5EFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACA7E6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACA7E6 shade: #ACA7E6, #9B95D3, #8A83C0, #7971AD and #685F9A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACA7E6 shade: #ACA7E6, #BDA7E6, #CEA7E6, #DFA7E6 and #E6A7DC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACA7E6 shade: #ACA7E6 and #A7A7E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACA7E6 shade matches the following richer shades: #ACA7E6, #A49EEF and #9D95F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACA7E6 shade: #ACA7E6, #B4B0DD, #BBB9D4, #C3C2CB and #CBCBC2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACA7E6 shade: #A7C4E6, #A7B4E6, #ABA7E6, #BCA7E6 and #CDA7E6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACA7E6 shade: #6F67D4, #8E87DD, #ACA7E6, #CAC7EF and #E9E7F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACA7E6 shade: #ACA7E6, #E6A7D5 and #BCE6A7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACA7E6 shade: #ACA7E6, #E6ABA7 and #A7E6AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACA7E6 shade: #ACA7E6, #E6A7D5, #E2E6A7 and #A7E6B8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACA7E6 shade: #ACA7E6, #E6A7C2, #E2E6A7 and #A7E6CB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 27 / 0 / 10

HEX #ACA7E6

RGB 172 167 230

HSL 244.76, 0.56%, 0.78%

LAB 70.95, 15.23, -31.01

 

Complementary color

CMYK 6 / 0 / 72 / 65

HEX #535819

RGB 83 88 25

HSL 64.76, 0.56%, 0.22%

LAB 35.77, -11.26, 34.34

 

CMYK 21 / 26 / 0 / 12

HEX #B1A7E1

RGB 177 167 225

HSL 250.34, 0.49%, 0.77%

LAB 71.16, 15.56, -27.93

 

CMYK 20 / 24 / 0 / 4

HEX #C2B9F4

RGB 194 185 244

HSL 249.15, 0.73%, 0.84%

LAB 77.7, 15.12, -28.09

 

CMYK 17 / 20 / 0 / 0

HEX #D3CBFF

RGB 211 203 255

HSL 249.23, 1%, 0.9%

LAB 83.85, 12.97, -24.44

 

CMYK 11 / 13 / 0 / 0

HEX #E4DDFF

RGB 228 221 255

HSL 252.35, 1%, 0.93%

LAB 89.59, 8.74, -15.64

 

CMYK 4 / 6 / 0 / 0

HEX #F5EFFF

RGB 245 239 255

HSL 262.5, 1%, 0.97%

LAB 95.31, 4.87, -6.98

 

CMYK 25 / 27 / 0 / 10

HEX #ACA7E6

RGB 172 167 230

HSL 244.76, 0.56%, 0.78%

LAB 70.95, 15.23, -31.01

 

CMYK 27 / 29 / 0 / 17

HEX #9B95D3

RGB 155 149 211

HSL 245.81, 0.41%, 0.71%

LAB 64.3, 15.74, -30.93

 

CMYK 28 / 32 / 0 / 25

HEX #8A83C0

RGB 138 131 192

HSL 246.89, 0.33%, 0.63%

LAB 57.5, 16.31, -30.89

 

CMYK 30 / 35 / 0 / 32

HEX #7971AD

RGB 121 113 173

HSL 248, 0.27%, 0.56%

LAB 50.56, 16.96, -30.89

 

CMYK 32 / 38 / 0 / 40

HEX #685F9A

RGB 104 95 154

HSL 249.15, 0.24%, 0.49%

LAB 43.45, 17.71, -30.95

 

CMYK 25 / 27 / 0 / 10

HEX #ACA7E6

RGB 172 167 230

HSL 244.76, 0.56%, 0.78%

LAB 70.95, 15.23, -31.01

 

CMYK 18 / 27 / 0 / 10

HEX #BDA7E6

RGB 189 167 230

HSL 260.95, 0.56%, 0.78%

LAB 72.34, 20.38, -28.76

 

CMYK 10 / 27 / 0 / 10

HEX #CEA7E6

RGB 206 167 230

HSL 277.14, 0.56%, 0.78%

LAB 73.85, 25.69, -26.31

 

CMYK 3 / 27 / 0 / 10

HEX #DFA7E6

RGB 223 167 230

HSL 293.33, 0.56%, 0.78%

LAB 75.48, 31.1, -23.68

 

CMYK 0 / 27 / 4 / 10

HEX #E6A7DC

RGB 230 167 220

HSL 309.52, 0.56%, 0.78%

LAB 75.84, 31.55, -17.62

 

CMYK 25 / 27 / 0 / 10

HEX #ACA7E6

RGB 172 167 230

HSL 244.76, 0.56%, 0.78%

LAB 70.95, 15.23, -31.01

 

CMYK 27 / 27 / 0 / 10

HEX #A7A7E6

RGB 167 167 230

HSL 240, 0.56%, 0.78%

LAB 70.57, 13.75, -31.63

 

CMYK 25 / 27 / 0 / 10

HEX #ACA7E6

RGB 172 167 230

HSL 244.76, 0.56%, 0.78%

LAB 70.95, 15.23, -31.01

 

CMYK 31 / 34 / 0 / 6

HEX #A49EEF

RGB 164 158 239

HSL 244.44, 0.72%, 0.78%

LAB 68.44, 20.2, -39.88

 

CMYK 37 / 40 / 0 / 3

HEX #9D95F8

RGB 157 149 248

HSL 244.85, 0.88%, 0.78%

LAB 66.09, 25.77, -48.53

 

CMYK 25 / 27 / 0 / 10

HEX #ACA7E6

RGB 172 167 230

HSL 244.76, 0.56%, 0.78%

LAB 70.95, 15.23, -31.01

 

CMYK 19 / 20 / 0 / 13

HEX #B4B0DD

RGB 180 176 221

HSL 245.33, 0.4%, 0.78%

LAB 73.53, 10.6, -22.1

 

CMYK 12 / 13 / 0 / 17

HEX #BBB9D4

RGB 187 185 212

HSL 244.44, 0.24%, 0.78%

LAB 76.08, 6, -13.3

 

CMYK 4 / 4 / 0 / 20

HEX #C3C2CB

RGB 195 194 203

HSL 246.67, 0.08%, 0.78%

LAB 78.75, 2.04, -4.39

 

CMYK 0 / 0 / 4 / 20

HEX #CBCBC2

RGB 203 203 194

HSL 60, 0.08%, 0.78%

LAB 81.46, -1.61, 4.47

 

CMYK 27 / 15 / 0 / 10

HEX #A7C4E6

RGB 167 196 230

HSL 212.38, 0.56%, 0.78%

LAB 78.12, -2.15, -20.09

 

CMYK 27 / 22 / 0 / 10

HEX #A7B4E6

RGB 167 180 230

HSL 227.62, 0.56%, 0.78%

LAB 73.91, 6.53, -26.49

 

CMYK 26 / 27 / 0 / 10

HEX #ABA7E6

RGB 171 167 230

HSL 243.81, 0.56%, 0.78%

LAB 70.88, 14.93, -31.14

 

CMYK 18 / 27 / 0 / 10

HEX #BCA7E6

RGB 188 167 230

HSL 260, 0.56%, 0.78%

LAB 72.26, 20.07, -28.9

 

CMYK 11 / 27 / 0 / 10

HEX #CDA7E6

RGB 205 167 230

HSL 276.19, 0.56%, 0.78%

LAB 73.76, 25.37, -26.46

 

CMYK 48 / 51 / 0 / 17

HEX #6F67D4

RGB 111 103 212

HSL 244.4, 0.56%, 0.62%

LAB 49.29, 31.44, -55.4

 

CMYK 36 / 39 / 0 / 13

HEX #8E87DD

RGB 142 135 221

HSL 244.88, 0.56%, 0.7%

LAB 60.16, 22.69, -43.05

 

CMYK 25 / 27 / 0 / 10

HEX #ACA7E6

RGB 172 167 230

HSL 244.76, 0.56%, 0.78%

LAB 70.95, 15.23, -31.01

 

CMYK 15 / 17 / 0 / 6

HEX #CAC7EF

RGB 202 199 239

HSL 244.5, 0.56%, 0.86%

LAB 81.64, 8.92, -19.35

 

CMYK 6 / 7 / 0 / 3

HEX #E9E7F8

RGB 233 231 248

HSL 247.06, 0.55%, 0.94%

LAB 92.24, 3.79, -7.99

 

CMYK 25 / 27 / 0 / 10

HEX #ACA7E6

RGB 172 167 230

HSL 244.76, 0.56%, 0.78%

LAB 70.95, 15.23, -31.01

 

CMYK 0 / 27 / 7 / 10

HEX #E6A7D5

RGB 230 167 213

HSL 316.19, 0.56%, 0.78%

LAB 75.62, 30.33, -14.14

 

CMYK 18 / 0 / 27 / 10

HEX #BCE6A7

RGB 188 230 167

HSL 100, 0.56%, 0.78%

LAB 87.03, -24.92, 26.35

 

CMYK 25 / 27 / 0 / 10

HEX #ACA7E6

RGB 172 167 230

HSL 244.76, 0.56%, 0.78%

LAB 70.95, 15.23, -31.01

 

CMYK 0 / 26 / 27 / 10

HEX #E6ABA7

RGB 230 171 167

HSL 3.81, 0.56%, 0.78%

LAB 75.29, 21.07, 10.53

 

CMYK 27 / 0 / 26 / 10

HEX #A7E6AB

RGB 167 230 171

HSL 123.81, 0.56%, 0.78%

LAB 85.88, -31.3, 22.51

 

CMYK 25 / 27 / 0 / 10

HEX #ACA7E6

RGB 172 167 230

HSL 244.76, 0.56%, 0.78%

LAB 70.95, 15.23, -31.01

 

CMYK 0 / 27 / 7 / 10

HEX #E6A7D5

RGB 230 167 213

HSL 316.19, 0.56%, 0.78%

LAB 75.62, 30.33, -14.14

 

CMYK 2 / 0 / 27 / 10

HEX #E2E6A7

RGB 226 230 167

HSL 63.81, 0.56%, 0.78%

LAB 89.65, -11.21, 30.33

 

CMYK 27 / 0 / 20 / 10

HEX #A7E6B8

RGB 167 230 184

HSL 136.19, 0.56%, 0.78%

LAB 86.14, -29.02, 16.12

 

CMYK 25 / 27 / 0 / 10

HEX #ACA7E6

RGB 172 167 230

HSL 244.76, 0.56%, 0.78%

LAB 70.95, 15.23, -31.01

 

CMYK 0 / 27 / 16 / 10

HEX #E6A7C2

RGB 230 167 194

HSL 334.29, 0.56%, 0.78%

LAB 75.05, 27.19, -4.59

 

CMYK 2 / 0 / 27 / 10

HEX #E2E6A7

RGB 226 230 167

HSL 63.81, 0.56%, 0.78%

LAB 89.65, -11.21, 30.33

 

CMYK 27 / 0 / 12 / 10

HEX #A7E6CB

RGB 167 230 203

HSL 154.29, 0.56%, 0.78%

LAB 86.56, -25.4, 6.77

 

Description

Color code: HEX #ACA7E6 | qconv.com Color code: HEX #ACA7E6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 167 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 167 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 27 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 27% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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