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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC9AF8 it is the complementary color #536507. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC9AF8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #AC9AF8: #B19AF3, #C2ACFF, #D3BEFF, #E4D0FF and #F5E2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC9AF8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #AC9AF8: #AC9AF8, #9B88E5, #8A76D2, #7964BF and #6852AC

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 38 / 0 / 3

HEX #AC9AF8

RGB 172 154 248

HSL 251.49, 0.87%, 0.79%

LAB 68.5, 26.93, -44.65

 

Complementary color

CMYK 18 / 0 / 93 / 60

HEX #536507

RGB 83 101 7

HSL 71.49, 0.87%, 0.21%

LAB 39.85, -19.27, 44.24

 

CMYK 27 / 37 / 0 / 5

HEX #B19AF3

RGB 177 154 243

HSL 255.51, 0.79%, 0.78%

LAB 68.7, 27.09, -41.59

 

CMYK 24 / 33 / 0 / 0

HEX #C2ACFF

RGB 194 172 255

HSL 255.9, 1%, 0.84%

LAB 74.95, 24.77, -38.25

 

CMYK 17 / 25 / 0 / 0

HEX #D3BEFF

RGB 211 190 255

HSL 259.38, 1%, 0.87%

LAB 80.68, 19.98, -29.29

 

CMYK 11 / 18 / 0 / 0

HEX #E4D0FF

RGB 228 208 255

HSL 265.53, 1%, 0.91%

LAB 86.42, 15.6, -20.42

 

CMYK 4 / 11 / 0 / 0

HEX #F5E2FF

RGB 245 226 255

HSL 279.31, 1%, 0.94%

LAB 92.14, 11.59, -11.69

 

CMYK 31 / 38 / 0 / 3

HEX #AC9AF8

RGB 172 154 248

HSL 251.49, 0.87%, 0.79%

LAB 68.5, 26.93, -44.65

 

CMYK 32 / 41 / 0 / 10

HEX #9B88E5

RGB 155 136 229

HSL 252.26, 0.64%, 0.72%

LAB 61.86, 27.73, -44.75

 

CMYK 34 / 44 / 0 / 18

HEX #8A76D2

RGB 138 118 210

HSL 253.04, 0.51%, 0.64%

LAB 55.09, 28.62, -44.89

 

CMYK 37 / 48 / 0 / 25

HEX #7964BF

RGB 121 100 191

HSL 253.85, 0.42%, 0.57%

LAB 48.19, 29.62, -45.07

 

CMYK 40 / 52 / 0 / 33

HEX #6852AC

RGB 104 82 172

HSL 254.67, 0.35%, 0.5%

LAB 41.15, 30.75, -45.29

 

CMYK 31 / 38 / 0 / 3

HEX #AC9AF8

RGB 172 154 248

HSL 251.49, 0.87%, 0.79%

LAB 68.5, 26.93, -44.65

 

CMYK 25 / 38 / 0 / 3

HEX #BB9AF8

RGB 187 154 248

HSL 261.06, 0.87%, 0.79%

LAB 69.79, 31.11, -42.54

 

CMYK 18 / 38 / 0 / 3

HEX #CB9AF8

RGB 203 154 248

HSL 271.28, 0.87%, 0.79%

LAB 71.27, 35.7, -40.12

 

CMYK 12 / 38 / 0 / 3

HEX #DA9AF8

RGB 218 154 248

HSL 280.85, 0.87%, 0.79%

LAB 72.76, 40.09, -37.7

 

CMYK 6 / 38 / 0 / 3

HEX #EA9AF8

RGB 234 154 248

HSL 291.06, 0.87%, 0.79%

LAB 74.43, 44.84, -34.96

 

CMYK 31 / 38 / 0 / 3

HEX #AC9AF8

RGB 172 154 248

HSL 251.49, 0.87%, 0.79%

LAB 68.5, 26.93, -44.65

 

CMYK 30 / 39 / 0 / 83

HEX #1F1B2C

RGB 31 27 44

HSL 254.12, 0.24%, 0.14%

LAB 10.97, 6.65, -10.73

 

CMYK 31 / 38 / 0 / 63

HEX #423B5F

RGB 66 59 95

HSL 251.67, 0.23%, 0.3%

LAB 27.05, 12.14, -20.32

 

CMYK 31 / 38 / 0 / 43

HEX #655B92

RGB 101 91 146

HSL 250.91, 0.23%, 0.46%

LAB 41.73, 17.09, -28.88

 

CMYK 30 / 38 / 0 / 23

HEX #897AC5

RGB 137 122 197

HSL 252, 0.39%, 0.63%

LAB 55.35, 22.58, -37.11

 

CMYK 31 / 38 / 0 / 3

HEX #AC9AF8

RGB 172 154 248

HSL 251.49, 0.87%, 0.79%

LAB 68.5, 26.93, -44.65

 

CMYK 0 / 38 / 15 / 3

HEX #F89AD4

RGB 248 154 212

HSL 322.98, 0.87%, 0.79%

LAB 74.71, 42.98, -14.76

 

CMYK 29 / 0 / 38 / 3

HEX #AFF89A

RGB 175 248 154

HSL 106.6, 0.87%, 0.79%

LAB 91.04, -39.56, 38.13

 

CMYK 31 / 38 / 0 / 3

HEX #AC9AF8

RGB 172 154 248

HSL 251.49, 0.87%, 0.79%

LAB 68.5, 26.93, -44.65

 

CMYK 0 / 31 / 38 / 3

HEX #F8AB9A

RGB 248 171 154

HSL 10.85, 0.87%, 0.79%

LAB 76.93, 26.22, 20.18

 

CMYK 38 / 0 / 31 / 3

HEX #9AF8AB

RGB 154 248 171

HSL 130.85, 0.87%, 0.79%

LAB 90.3, -43.43, 28.44

 

CMYK 31 / 38 / 0 / 3

HEX #AC9AF8

RGB 172 154 248

HSL 251.49, 0.87%, 0.79%

LAB 68.5, 26.93, -44.65

 

CMYK 0 / 38 / 15 / 3

HEX #F89AD4

RGB 248 154 212

HSL 322.98, 0.87%, 0.79%

LAB 74.71, 42.98, -14.76

 

CMYK 7 / 0 / 38 / 3

HEX #E6F89A

RGB 230 248 154

HSL 71.49, 0.87%, 0.79%

LAB 94.44, -20.16, 43.18

 

CMYK 38 / 0 / 23 / 3

HEX #9AF8BE

RGB 154 248 190

HSL 142.98, 0.87%, 0.79%

LAB 90.65, -40.08, 19.23

 

CMYK 31 / 38 / 0 / 3

HEX #AC9AF8

RGB 172 154 248

HSL 251.49, 0.87%, 0.79%

LAB 68.5, 26.93, -44.65

 

CMYK 0 / 38 / 26 / 3

HEX #F89AB8

RGB 248 154 184

HSL 340.85, 0.87%, 0.79%

LAB 73.89, 38.88, -0.57

 

CMYK 7 / 0 / 38 / 3

HEX #E6F89A

RGB 230 248 154

HSL 71.49, 0.87%, 0.79%

LAB 94.44, -20.16, 43.18

 

CMYK 38 / 0 / 12 / 3

HEX #9AF8DA

RGB 154 248 218

HSL 160.85, 0.87%, 0.79%

LAB 91.26, -34.51, 5.64

 

Description

Color code: HEX #AC9AF8 | qconv.com Color code: HEX #AC9AF8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 154 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 154 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 38 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 38% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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