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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC99EC3F it is the complementary color #5366133F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC99EC3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC99EC3F shade: #B199E73F, #C2ABFA3F, #D3BDFF3F, #E4CFFF3F and #F5E1FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC99EC3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC99EC3F shade: #AC99EC3F, #9B87D93F, #8A75C63F, #7963B33F and #6851A03F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC99EC3F shade: #AB98EC, #C298EC, #D898EC, #EC98E9 and #EC98D2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC99EC3F shade: #AB98EC and #9898EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC99EC3F shade matches the following richer shades: #AB98EC and #A68EF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC99EC3F shade: #AB98EC, #B0A1E2, #B6ABD8, #BBB5CE and #C0BFC4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC99EC3F shade: #98B2EC, #989CEC, #AA98EC, #C098EC and #D798EC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC99EC3F shade: #7252DF, #8F75E6, #AB98EC, #C7BAF2 and #E4DDF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC99EC3F shade: #AC99EC, #EC98C9 and #A7EC98

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC99EC3F shade: #AC99EC, #ECAA98 and #98ECAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC99EC3F shade: #AC99EC, #EC98C9, #DAEC98 and #98ECBB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC99EC3F shade: #AC99EC, #EC98B0, #DAEC98 and #98ECD4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 9 / 0 / 2

HEX #AC99EC3F

RGBA 172 153 236 0.25

HSLA 253.73, 0.69%, 0.76%, 0.25

LABA 67.73, 24.54, -39.3, 0.25

 

Complementary color

CMYK 5 / 0 / 20 / 15

HEX #5366133F

RGBA 83 102 19 0.25

HSLA 73.73, 0.69%, 0.24%, 0.25

LABA 40.23, -19.33, 41.1, 0.25

 

CMYK 6 / 8 / 0 / 2

HEX #B199E73F

RGBA 177 153 231 0.25

HSLA 258.46, 0.62%, 0.75%, 0.25

LABA 67.95, 24.8, -36.19, 0.25

 

CMYK 6 / 8 / 0 / 0

HEX #C2ABFA3F

RGBA 194 171 250 0.25

HSLA 257.47, 0.89%, 0.83%, 0.25

LABA 74.51, 24.17, -36.24, 0.25

 

CMYK 4 / 6 / 0 / 0

HEX #D3BDFF3F

RGBA 211 189 255 0.25

HSLA 260, 1%, 0.87%, 0.25

LABA 80.44, 20.52, -29.66, 0.25

 

CMYK 3 / 5 / 0 / 0

HEX #E4CFFF3F

RGBA 228 207 255 0.25

HSLA 266.25, 1%, 0.91%, 0.25

LABA 86.18, 16.13, -20.79, 0.25

 

CMYK 1 / 3 / 0 / 0

HEX #F5E1FF3F

RGBA 245 225 255 0.25

HSLA 280, 1%, 0.94%, 0.25

LABA 91.9, 12.11, -12.05, 0.25

 

CMYK 7 / 9 / 0 / 2

HEX #AC99EC3F

RGBA 172 153 236 0.25

HSLA 253.73, 0.69%, 0.76%, 0.25

LABA 67.73, 24.54, -39.3, 0.25

 

CMYK 7 / 9 / 0 / 4

HEX #9B87D93F

RGBA 155 135 217 0.25

HSLA 254.63, 0.52%, 0.69%, 0.25

LABA 61.05, 25.26, -39.33, 0.25

 

CMYK 8 / 10 / 0 / 6

HEX #8A75C63F

RGBA 138 117 198 0.25

HSLA 255.56, 0.42%, 0.62%, 0.25

LABA 54.24, 26.06, -39.41, 0.25

 

CMYK 8 / 11 / 0 / 7

HEX #7963B33F

RGBA 121 99 179 0.25

HSLA 256.5, 0.34%, 0.55%, 0.25

LABA 47.29, 26.96, -39.52, 0.25

 

CMYK 9 / 12 / 0 / 9

HEX #6851A03F

RGBA 104 81 160 0.25

HSLA 257.47, 0.33%, 0.47%, 0.25

LABA 40.19, 27.98, -39.68, 0.25

 

CMYK 28 / 36 / 0 / 7

HEX #AB98EC

RGB 171 152 236

HSL 253.57, 0.69%, 0.76%

LAB 67.4, 24.82, -39.81

 

CMYK 18 / 36 / 0 / 7

HEX #C298EC

RGB 194 152 236

HSL 270, 0.69%, 0.76%

LAB 69.46, 31.52, -36.46

 

CMYK 8 / 36 / 0 / 7

HEX #D898EC

RGB 216 152 236

HSL 285.71, 0.69%, 0.76%

LAB 71.63, 38.15, -32.92

 

CMYK 0 / 36 / 1 / 7

HEX #EC98E9

RGB 236 152 233

HSL 302.14, 0.69%, 0.76%

LAB 73.66, 43.72, -27.98

 

CMYK 0 / 36 / 11 / 7

HEX #EC98D2

RGB 236 152 210

HSL 318.57, 0.69%, 0.76%

LAB 72.85, 39.77, -16.59

 

CMYK 28 / 36 / 0 / 7

HEX #AB98EC

RGB 171 152 236

HSL 253.57, 0.69%, 0.76%

LAB 67.4, 24.82, -39.81

 

CMYK 36 / 36 / 0 / 7

HEX #9898EC

RGB 152 152 236

HSL 240, 0.69%, 0.76%

LAB 65.89, 19.56, -42.29

 

CMYK 28 / 36 / 0 / 7

HEX #AB98EC

RGB 171 152 236

HSL 253.57, 0.69%, 0.76%

LAB 67.4, 24.82, -39.81

 

CMYK 33 / 42 / 0 / 4

HEX #A68EF6

RGB 166 142 246

HSL 253.85, 0.85%, 0.76%

LAB 65.05, 31.6, -49.04

 

CMYK 28 / 36 / 0 / 7

HEX #AB98EC

RGB 171 152 236

HSL 253.57, 0.69%, 0.76%

LAB 67.4, 24.82, -39.81

 

CMYK 22 / 29 / 0 / 11

HEX #B0A1E2

RGB 176 161 226

HSL 253.85, 0.53%, 0.76%

LAB 69.62, 18.84, -30.85

 

CMYK 16 / 21 / 0 / 15

HEX #B6ABD8

RGB 182 171 216

HSL 254.67, 0.37%, 0.76%

LAB 72.25, 12.89, -21.3

 

CMYK 9 / 12 / 0 / 19

HEX #BBB5CE

RGB 187 181 206

HSL 254.4, 0.2%, 0.76%

LAB 74.87, 6.93, -11.85

 

CMYK 2 / 3 / 0 / 23

HEX #C0BFC4

RGB 192 191 196

HSL 252, 0.04%, 0.76%

LAB 77.55, 1.28, -2.4

 

CMYK 36 / 25 / 0 / 7

HEX #98B2EC

RGB 152 178 236

HSL 221.43, 0.69%, 0.76%

LAB 72.61, 4.88, -31.84

 

CMYK 36 / 34 / 0 / 7

HEX #989CEC

RGB 152 156 236

HSL 237.14, 0.69%, 0.76%

LAB 66.91, 17.27, -40.7

 

CMYK 28 / 36 / 0 / 7

HEX #AA98EC

RGB 170 152 236

HSL 252.86, 0.69%, 0.76%

LAB 67.32, 24.53, -39.95

 

CMYK 19 / 36 / 0 / 7

HEX #C098EC

RGB 192 152 236

HSL 268.57, 0.69%, 0.76%

LAB 69.27, 30.93, -36.77

 

CMYK 9 / 36 / 0 / 7

HEX #D798EC

RGB 215 152 236

HSL 285, 0.69%, 0.76%

LAB 71.53, 37.84, -33.09

 

CMYK 49 / 63 / 0 / 13

HEX #7252DF

RGB 114 82 223

HSL 253.62, 0.69%, 0.6%

LAB 45.55, 47.51, -67.69

 

CMYK 38 / 49 / 0 / 10

HEX #8F75E6

RGB 143 117 230

HSL 253.81, 0.69%, 0.68%

LAB 56.36, 35.83, -54.09

 

CMYK 28 / 36 / 0 / 7

HEX #AB98EC

RGB 171 152 236

HSL 253.57, 0.69%, 0.76%

LAB 67.4, 24.82, -39.81

 

CMYK 18 / 23 / 0 / 5

HEX #C7BAF2

RGB 199 186 242

HSL 253.93, 0.68%, 0.84%

LAB 78.27, 15.66, -26.1

 

CMYK 8 / 11 / 0 / 2

HEX #E4DDF9

RGB 228 221 249

HSL 255, 0.7%, 0.92%

LAB 89.41, 7.56, -12.76

 

CMYK 27 / 35 / 0 / 7

HEX #AC99EC

RGB 172 153 236

HSL 253.73, 0.69%, 0.76%

LAB 67.73, 24.54, -39.3

 

CMYK 0 / 36 / 15 / 7

HEX #EC98C9

RGB 236 152 201

HSL 325, 0.69%, 0.76%

LAB 72.57, 38.32, -12.07

 

CMYK 29 / 0 / 36 / 7

HEX #A7EC98

RGB 167 236 152

HSL 109.29, 0.69%, 0.76%

LAB 87.23, -37.06, 34.04

 

CMYK 27 / 35 / 0 / 7

HEX #AC99EC

RGB 172 153 236

HSL 253.73, 0.69%, 0.76%

LAB 67.73, 24.54, -39.3

 

CMYK 0 / 28 / 36 / 7

HEX #ECAA98

RGB 236 170 152

HSL 12.86, 0.69%, 0.76%

LAB 75.36, 21.95, 18.89

 

CMYK 36 / 0 / 28 / 7

HEX #98ECAA

RGB 152 236 170

HSL 132.86, 0.69%, 0.76%

LAB 86.78, -38.87, 24.15

 

CMYK 27 / 35 / 0 / 7

HEX #AC99EC

RGB 172 153 236

HSL 253.73, 0.69%, 0.76%

LAB 67.73, 24.54, -39.3

 

CMYK 0 / 36 / 15 / 7

HEX #EC98C9

RGB 236 152 201

HSL 325, 0.69%, 0.76%

LAB 72.57, 38.32, -12.07

 

CMYK 8 / 0 / 36 / 7

HEX #DAEC98

RGB 218 236 152

HSL 72.86, 0.69%, 0.76%

LAB 90.4, -19.05, 38.79

 

CMYK 36 / 0 / 21 / 7

HEX #98ECBB

RGB 152 236 187

HSL 145, 0.69%, 0.76%

LAB 87.12, -35.78, 15.82

 

CMYK 27 / 35 / 0 / 7

HEX #AC99EC

RGB 172 153 236

HSL 253.73, 0.69%, 0.76%

LAB 67.73, 24.54, -39.3

 

CMYK 0 / 36 / 25 / 7

HEX #EC98B0

RGB 236 152 176

HSL 342.86, 0.69%, 0.76%

LAB 71.84, 34.61, 0.7

 

CMYK 8 / 0 / 36 / 7

HEX #DAEC98

RGB 218 236 152

HSL 72.86, 0.69%, 0.76%

LAB 90.4, -19.05, 38.79

 

CMYK 36 / 0 / 10 / 7

HEX #98ECD4

RGB 152 236 212

HSL 162.86, 0.69%, 0.76%

LAB 87.69, -30.71, 3.58

 

Description

Color code: HEX #AC99EC3F | qconv.com Color code: HEX #AC99EC3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 153 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 153 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 9 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 9% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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