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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #989CEC it is the complementary color #676313. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #989CEC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #989CEC: #9D9CE7, #AEAEFA, #BFC0FF, #D0D2FF and #E1E4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #989CEC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #989CEC: #989CEC, #878AD9, #7678C6, #6566B3 and #5454A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 34 / 0 / 7

HEX #989CEC

RGB 152 156 236

HSL 237.14, 0.69%, 0.76%

LAB 66.91, 17.27, -40.7

 

Complementary color

CMYK 0 / 4 / 82 / 60

HEX #676313

RGB 103 99 19

HSL 57.14, 0.69%, 0.24%

LAB 40.98, -8.22, 42.42

 

CMYK 32 / 32 / 0 / 9

HEX #9D9CE7

RGB 157 156 231

HSL 240.8, 0.61%, 0.76%

LAB 67.06, 17.34, -37.69

 

CMYK 30 / 30 / 0 / 2

HEX #AEAEFA

RGB 174 174 250

HSL 240, 0.88%, 0.83%

LAB 73.66, 16.76, -37.68

 

CMYK 25 / 25 / 0 / 0

HEX #BFC0FF

RGB 191 192 255

HSL 239.06, 1%, 0.87%

LAB 79.61, 12.92, -31.06

 

CMYK 18 / 18 / 0 / 0

HEX #D0D2FF

RGB 208 210 255

HSL 237.45, 1%, 0.91%

LAB 85.36, 8.32, -22.17

 

CMYK 12 / 11 / 0 / 0

HEX #E1E4FF

RGB 225 228 255

HSL 234, 1%, 0.94%

LAB 91.1, 4.14, -13.4

 

CMYK 36 / 34 / 0 / 7

HEX #989CEC

RGB 152 156 236

HSL 237.14, 0.69%, 0.76%

LAB 66.91, 17.27, -40.7

 

CMYK 38 / 36 / 0 / 15

HEX #878AD9

RGB 135 138 217

HSL 237.8, 0.52%, 0.69%

LAB 60.19, 17.98, -40.79

 

CMYK 40 / 39 / 0 / 22

HEX #7678C6

RGB 118 120 198

HSL 238.5, 0.41%, 0.62%

LAB 53.34, 18.8, -40.94

 

CMYK 44 / 43 / 0 / 30

HEX #6566B3

RGB 101 102 179

HSL 239.23, 0.34%, 0.55%

LAB 46.34, 19.76, -41.13

 

CMYK 48 / 48 / 0 / 37

HEX #5454A0

RGB 84 84 160

HSL 240, 0.31%, 0.48%

LAB 39.18, 20.9, -41.4

 

CMYK 36 / 34 / 0 / 7

HEX #989CEC

RGB 152 156 236

HSL 237.14, 0.69%, 0.76%

LAB 66.91, 17.27, -40.7

 

CMYK 32 / 36 / 0 / 7

HEX #A197EC

RGB 161 151 236

HSL 247.06, 0.69%, 0.76%

LAB 66.34, 22.58, -41.54

 

CMYK 26 / 36 / 0 / 7

HEX #AF97EC

RGB 175 151 236

HSL 256.94, 0.69%, 0.76%

LAB 67.5, 26.52, -39.63

 

CMYK 20 / 36 / 0 / 7

HEX #BD97EC

RGB 189 151 236

HSL 266.82, 0.69%, 0.76%

LAB 68.76, 30.6, -37.59

 

CMYK 14 / 36 / 0 / 7

HEX #CB97EC

RGB 203 151 236

HSL 276.71, 0.69%, 0.76%

LAB 70.1, 34.76, -35.4

 

CMYK 36 / 34 / 0 / 7

HEX #989CEC

RGB 152 156 236

HSL 237.14, 0.69%, 0.76%

LAB 66.91, 17.27, -40.7

 

CMYK 34 / 34 / 0 / 87

HEX #151520

RGB 21 21 32

HSL 240, 0.21%, 0.1%

LAB 7.23, 3.18, -7.65

 

CMYK 36 / 34 / 0 / 67

HEX #353753

RGB 53 55 83

HSL 236, 0.22%, 0.27%

LAB 24.04, 6.87, -17.25

 

CMYK 36 / 34 / 0 / 47

HEX #565986

RGB 86 89 134

HSL 236.25, 0.22%, 0.43%

LAB 39.32, 10.38, -25.49

 

CMYK 36 / 34 / 0 / 27

HEX #777AB9

RGB 119 122 185

HSL 237.27, 0.32%, 0.6%

LAB 53.32, 14.23, -33.52

 

CMYK 36 / 34 / 0 / 7

HEX #989CEC

RGB 152 156 236

HSL 237.14, 0.69%, 0.76%

LAB 66.91, 17.27, -40.7

 

CMYK 0 / 36 / 6 / 7

HEX #EC97DF

RGB 236 151 223

HSL 309.18, 0.69%, 0.76%

LAB 73.08, 42.48, -23.38

 

CMYK 20 / 0 / 36 / 7

HEX #BDEC97

RGB 189 236 151

HSL 93.18, 0.69%, 0.76%

LAB 88.47, -29.72, 36.41

 

CMYK 36 / 34 / 0 / 7

HEX #989CEC

RGB 152 156 236

HSL 237.14, 0.69%, 0.76%

LAB 66.91, 17.27, -40.7

 

CMYK 0 / 36 / 34 / 7

HEX #EC979B

RGB 236 151 155

HSL 357.18, 0.69%, 0.76%

LAB 71.1, 32.39, 11.29

 

CMYK 34 / 0 / 36 / 7

HEX #9BEC97

RGB 155 236 151

HSL 117.18, 0.69%, 0.76%

LAB 86.6, -41.05, 33.6

 

CMYK 36 / 34 / 0 / 7

HEX #989CEC

RGB 152 156 236

HSL 237.14, 0.69%, 0.76%

LAB 66.91, 17.27, -40.7

 

CMYK 0 / 36 / 6 / 7

HEX #EC97DF

RGB 236 151 223

HSL 309.18, 0.69%, 0.76%

LAB 73.08, 42.48, -23.38

 

CMYK 0 / 2 / 36 / 7

HEX #ECE797

RGB 236 231 151

HSL 56.47, 0.69%, 0.76%

LAB 90.42, -9.88, 39.58

 

CMYK 36 / 0 / 31 / 7

HEX #97ECA4

RGB 151 236 164

HSL 129.18, 0.69%, 0.76%

LAB 86.63, -40.2, 27

 

CMYK 36 / 34 / 0 / 7

HEX #989CEC

RGB 152 156 236

HSL 237.14, 0.69%, 0.76%

LAB 66.91, 17.27, -40.7

 

CMYK 0 / 36 / 16 / 7

HEX #EC97C6

RGB 236 151 198

HSL 326.82, 0.69%, 0.76%

LAB 72.26, 38.38, -10.87

 

CMYK 0 / 2 / 36 / 7

HEX #ECE797

RGB 236 231 151

HSL 56.47, 0.69%, 0.76%

LAB 90.42, -9.88, 39.58

 

CMYK 36 / 0 / 20 / 7

HEX #97ECBD

RGB 151 236 189

HSL 146.82, 0.69%, 0.76%

LAB 87.12, -35.68, 14.77

 

Description

Color code: HEX #989CEC | qconv.com Color code: HEX #989CEC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 156 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 156 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 34 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 34% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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