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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC937B it is the complementary color #536C84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC937B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC937B shade: #B19376, #C2A589, #D3B79C, #E4C9AF and #F5DBC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC937B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC937B shade: #AC937B, #9B8168, #8A6F55, #795D42 and #684B2F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC937B shade: #AD937B, #AD867B and #AD7B7B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC937B shade: #AD937B, #ADA17B, #ABAD7B, #9EAD7B and #91AD7B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC937B shade matches the following richer shades: #AD937B, #BE936A, #CF9359, #E19247 and #F29236

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC937B shade: #AD937B, #9B948D, #8A949E, #7994AF and #6795C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC937B shade: #AD7B7E, #AD867B, #AD937B, #ADA07B and #ACAD7B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC937B shade: #836A52, #9D7F62, #AD937B, #BCA895 and #CCBDAE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC937B shade: #AC937B, #8BAD7B and #7F7BAD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC937B shade: #AC937B, #7BAD93 and #937BAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC937B shade: #AC937B, #8BAD7B, #7B95AD and #9D7BAD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC937B shade: #AC937B, #7CAD7B, #7B95AD and #AC7BAD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 28 / 33

HEX #AC937B

RGB 172 147 123

HSL 29.39, 0.23%, 0.58%

LAB 62.57, 5.61, 16.17

 

Complementary color

CMYK 37 / 18 / 0 / 48

HEX #536C84

RGB 83 108 132

HSL 209.39, 0.23%, 0.42%

LAB 44.56, -2.8, -16.21

 

CMYK 0 / 17 / 33 / 31

HEX #B19376

RGB 177 147 118

HSL 29.49, 0.27%, 0.58%

LAB 62.95, 6.95, 19.57

 

CMYK 0 / 15 / 29 / 24

HEX #C2A589

RGB 194 165 137

HSL 29.47, 0.32%, 0.65%

LAB 69.6, 6.4, 18.46

 

CMYK 0 / 13 / 26 / 17

HEX #D3B79C

RGB 211 183 156

HSL 29.45, 0.38%, 0.72%

LAB 76.14, 5.93, 17.44

 

CMYK 0 / 12 / 23 / 11

HEX #E4C9AF

RGB 228 201 175

HSL 29.43, 0.5%, 0.79%

LAB 82.57, 5.5, 16.47

 

CMYK 0 / 11 / 21 / 4

HEX #F5DBC2

RGB 245 219 194

HSL 29.41, 0.72%, 0.86%

LAB 88.91, 5.13, 15.57

 

CMYK 0 / 15 / 28 / 33

HEX #AC937B

RGB 172 147 123

HSL 29.39, 0.23%, 0.58%

LAB 62.57, 5.61, 16.17

 

CMYK 0 / 17 / 33 / 39

HEX #9B8168

RGB 155 129 104

HSL 29.41, 0.2%, 0.51%

LAB 55.75, 6.16, 17.29

 

CMYK 0 / 20 / 38 / 46

HEX #8A6F55

RGB 138 111 85

HSL 29.43, 0.24%, 0.44%

LAB 48.79, 6.8, 18.51

 

CMYK 0 / 23 / 45 / 53

HEX #795D42

RGB 121 93 66

HSL 29.45, 0.29%, 0.37%

LAB 41.67, 7.6, 19.88

 

CMYK 0 / 28 / 55 / 59

HEX #684B2F

RGB 104 75 47

HSL 29.47, 0.38%, 0.3%

LAB 34.36, 8.61, 21.42

 

CMYK 0 / 15 / 29 / 32

HEX #AD937B

RGB 173 147 123

HSL 28.8, 0.23%, 0.58%

LAB 62.66, 6.01, 16.32

 

CMYK 0 / 23 / 29 / 32

HEX #AD867B

RGB 173 134 123

HSL 13.2, 0.23%, 0.58%

LAB 59.31, 13.28, 11.65

 

CMYK 0 / 29 / 29 / 32

HEX #AD7B7B

RGB 173 123 123

HSL 0, 0.23%, 0.58%

LAB 56.57, 19.48, 7.76

 

CMYK 0 / 15 / 29 / 32

HEX #AD937B

RGB 173 147 123

HSL 28.8, 0.23%, 0.58%

LAB 62.66, 6.01, 16.32

 

CMYK 0 / 7 / 29 / 32

HEX #ADA17B

RGB 173 161 123

HSL 45.6, 0.23%, 0.58%

LAB 66.37, -1.67, 21.4

 

CMYK 1 / 0 / 29 / 32

HEX #ABAD7B

RGB 171 173 123

HSL 62.4, 0.23%, 0.58%

LAB 69.45, -8.88, 25.53

 

CMYK 9 / 0 / 29 / 32

HEX #9EAD7B

RGB 158 173 123

HSL 78, 0.23%, 0.58%

LAB 68.45, -13.95, 24.01

 

CMYK 16 / 0 / 29 / 32

HEX #91AD7B

RGB 145 173 123

HSL 93.6, 0.23%, 0.58%

LAB 67.53, -18.87, 22.61

 

CMYK 0 / 15 / 29 / 32

HEX #AD937B

RGB 173 147 123

HSL 28.8, 0.23%, 0.58%

LAB 62.66, 6.01, 16.32

 

CMYK 0 / 23 / 44 / 25

HEX #BE936A

RGB 190 147 106

HSL 29.29, 0.39%, 0.58%

LAB 64.04, 10.86, 27.89

 

CMYK 0 / 29 / 57 / 19

HEX #CF9359

RGB 207 147 89

HSL 29.49, 0.55%, 0.58%

LAB 65.63, 16.37, 39.38

 

CMYK 0 / 35 / 68 / 12

HEX #E19247

RGB 225 146 71

HSL 29.22, 0.72%, 0.58%

LAB 67.29, 23.23, 50.83

 

CMYK 0 / 40 / 78 / 5

HEX #F29236

RGB 242 146 54

HSL 29.36, 0.88%, 0.58%

LAB 69.26, 29.48, 61.03

 

CMYK 0 / 15 / 29 / 32

HEX #AD937B

RGB 173 147 123

HSL 28.8, 0.23%, 0.58%

LAB 62.66, 6.01, 16.32

 

CMYK 0 / 5 / 9 / 39

HEX #9B948D

RGB 155 148 141

HSL 30, 0.07%, 0.58%

LAB 61.72, 1.3, 4.61

 

CMYK 13 / 6 / 0 / 38

HEX #8A949E

RGB 138 148 158

HSL 210, 0.09%, 0.58%

LAB 60.83, -1.49, -6.5

 

CMYK 31 / 15 / 0 / 31

HEX #7994AF

RGB 121 148 175

HSL 210, 0.25%, 0.58%

LAB 60.19, -2.97, -17.21

 

CMYK 47 / 23 / 0 / 24

HEX #6795C1

RGB 103 149 193

HSL 209.33, 0.42%, 0.58%

LAB 60.09, -3.56, -27.63

 

CMYK 0 / 29 / 27 / 32

HEX #AD7B7E

RGB 173 123 126

HSL 356.4, 0.23%, 0.58%

LAB 56.64, 19.91, 6.13

 

CMYK 0 / 23 / 29 / 32

HEX #AD867B

RGB 173 134 123

HSL 13.2, 0.23%, 0.58%

LAB 59.31, 13.28, 11.65

 

CMYK 0 / 15 / 29 / 32

HEX #AD937B

RGB 173 147 123

HSL 28.8, 0.23%, 0.58%

LAB 62.66, 6.01, 16.32

 

CMYK 0 / 8 / 29 / 32

HEX #ADA07B

RGB 173 160 123

HSL 44.4, 0.23%, 0.58%

LAB 66.1, -1.12, 21.04

 

CMYK 1 / 0 / 29 / 32

HEX #ACAD7B

RGB 172 173 123

HSL 61.2, 0.23%, 0.58%

LAB 69.53, -8.48, 25.65

 

CMYK 0 / 19 / 37 / 49

HEX #836A52

RGB 131 106 82

HSL 29.39, 0.23%, 0.42%

LAB 46.63, 6.31, 17.23

 

CMYK 0 / 19 / 38 / 38

HEX #9D7F62

RGB 157 127 98

HSL 29.49, 0.23%, 0.5%

LAB 55.31, 7.34, 20.13

 

CMYK 0 / 15 / 29 / 32

HEX #AD937B

RGB 173 147 123

HSL 28.8, 0.23%, 0.58%

LAB 62.66, 6.01, 16.32

 

CMYK 0 / 11 / 21 / 26

HEX #BCA895

RGB 188 168 149

HSL 29.23, 0.23%, 0.66%

LAB 70.08, 4.17, 12.46

 

CMYK 0 / 7 / 15 / 20

HEX #CCBDAE

RGB 204 189 174

HSL 30, 0.23%, 0.74%

LAB 77.45, 2.79, 9.48

 

CMYK 0 / 15 / 28 / 33

HEX #AC937B

RGB 172 147 123

HSL 29.39, 0.23%, 0.58%

LAB 62.57, 5.61, 16.17

 

CMYK 20 / 0 / 29 / 32

HEX #8BAD7B

RGB 139 173 123

HSL 100.8, 0.23%, 0.58%

LAB 67.13, -21.08, 22.01

 

CMYK 27 / 29 / 0 / 32

HEX #7F7BAD

RGB 127 123 173

HSL 244.8, 0.23%, 0.58%

LAB 53.7, 12.84, -25.98

 

CMYK 0 / 15 / 28 / 33

HEX #AC937B

RGB 172 147 123

HSL 29.39, 0.23%, 0.58%

LAB 62.57, 5.61, 16.17

 

CMYK 29 / 0 / 15 / 32

HEX #7BAD93

RGB 123 173 147

HSL 148.8, 0.23%, 0.58%

LAB 66.68, -22.18, 8.07

 

CMYK 15 / 29 / 0 / 32

HEX #937BAD

RGB 147 123 173

HSL 268.8, 0.23%, 0.58%

LAB 55.47, 19.24, -23.11

 

CMYK 0 / 15 / 28 / 33

HEX #AC937B

RGB 172 147 123

HSL 29.39, 0.23%, 0.58%

LAB 62.57, 5.61, 16.17

 

CMYK 20 / 0 / 29 / 32

HEX #8BAD7B

RGB 139 173 123

HSL 100.8, 0.23%, 0.58%

LAB 67.13, -21.08, 22.01

 

CMYK 29 / 14 / 0 / 32

HEX #7B95AD

RGB 123 149 173

HSL 208.8, 0.23%, 0.58%

LAB 60.54, -3.43, -15.55

 

CMYK 9 / 29 / 0 / 32

HEX #9D7BAD

RGB 157 123 173

HSL 280.8, 0.23%, 0.58%

LAB 56.44, 22.55, -21.54

 

CMYK 0 / 15 / 28 / 33

HEX #AC937B

RGB 172 147 123

HSL 29.39, 0.23%, 0.58%

LAB 62.57, 5.61, 16.17

 

CMYK 28 / 0 / 29 / 32

HEX #7CAD7B

RGB 124 173 123

HSL 118.8, 0.23%, 0.58%

LAB 66.21, -26.38, 20.61

 

CMYK 29 / 14 / 0 / 32

HEX #7B95AD

RGB 123 149 173

HSL 208.8, 0.23%, 0.58%

LAB 60.54, -3.43, -15.55

 

CMYK 1 / 29 / 0 / 32

HEX #AC7BAD

RGB 172 123 173

HSL 298.8, 0.23%, 0.58%

LAB 57.99, 27.59, -19.02

 

Description

Color code: HEX #AC937B | qconv.com Color code: HEX #AC937B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 147 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 147 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 28 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 28% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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