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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 29 / 0 / 15 / 32 it is the complementary color CMYK 0 / 38 / 18 / 48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 29 / 0 / 15 / 32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 29 / 0 / 15 / 32: CMYK 26 / 0 / 18 / 32, CMYK 24 / 0 / 16 / 25, CMYK 22 / 0 / 14 / 18, CMYK 21 / 0 / 12 / 11 and CMYK 20 / 0 / 11 / 4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 29 / 0 / 15 / 32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 29 / 0 / 15 / 32: CMYK 29 / 0 / 15 / 32, CMYK 32 / 0 / 17 / 39, CMYK 35 / 0 / 20 / 46, CMYK 39 / 0 / 24 / 53 and CMYK 46 / 0 / 30 / 60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 15 / 32

HEX #7BAD93

RGB 123 173 147

HSL 148.8, 0.23%, 0.58%

LAB 66.68, -22.18, 8.07

 

Complementary color

CMYK 0 / 38 / 18 / 48

HEX #84526C

RGB 132 82 108

HSL 328.8, 0.23%, 0.42%

LAB 41.25, 24.86, -6.18

 

CMYK 26 / 0 / 18 / 32

HEX #80AD8E

RGB 128 173 142

HSL 138.67, 0.22%, 0.59%

LAB 66.85, -21.55, 11.11

 

CMYK 24 / 0 / 16 / 25

HEX #91BFA1

RGB 145 191 161

HSL 140.87, 0.26%, 0.66%

LAB 73.45, -21.34, 10.24

 

CMYK 22 / 0 / 14 / 18

HEX #A2D1B4

RGB 162 209 180

HSL 142.98, 0.34%, 0.73%

LAB 79.94, -21.15, 9.41

 

CMYK 21 / 0 / 12 / 11

HEX #B3E3C7

RGB 179 227 199

HSL 145, 0.46%, 0.8%

LAB 86.33, -20.99, 8.62

 

CMYK 20 / 0 / 11 / 4

HEX #C4F5DA

RGB 196 245 218

HSL 146.94, 0.71%, 0.86%

LAB 92.62, -20.84, 7.87

 

CMYK 29 / 0 / 15 / 32

HEX #7BAD93

RGB 123 173 147

HSL 148.8, 0.23%, 0.58%

LAB 66.68, -22.18, 8.07

 

CMYK 32 / 0 / 17 / 39

HEX #6A9B80

RGB 106 155 128

HSL 146.94, 0.2%, 0.51%

LAB 59.95, -22.42, 8.96

 

CMYK 35 / 0 / 20 / 46

HEX #59896D

RGB 89 137 109

HSL 145, 0.21%, 0.44%

LAB 53.08, -22.69, 9.93

 

CMYK 39 / 0 / 24 / 53

HEX #48775A

RGB 72 119 90

HSL 142.98, 0.25%, 0.37%

LAB 46.06, -22.97, 10.99

 

CMYK 46 / 0 / 30 / 60

HEX #376547

RGB 55 101 71

HSL 140.87, 0.29%, 0.31%

LAB 38.85, -23.26, 12.18

 

CMYK 29 / 0 / 15 / 32

HEX #7BAD93

RGB 123 173 147

HSL 148.8, 0.23%, 0.58%

LAB 66.68, -22.18, 8.07

 

CMYK 28 / 0 / 10 / 33

HEX #7BAC9A

RGB 123 172 154

HSL 157.96, 0.23%, 0.58%

LAB 66.56, -20.2, 4.03

 

CMYK 28 / 0 / 6 / 33

HEX #7BACA2

RGB 123 172 162

HSL 167.76, 0.23%, 0.58%

LAB 66.77, -18.44, -0.11

 

CMYK 28 / 0 / 1 / 33

HEX #7BACAA

RGB 123 172 170

HSL 177.55, 0.23%, 0.58%

LAB 66.99, -16.61, -4.22

 

CMYK 28 / 4 / 0 / 33

HEX #7BA5AC

RGB 123 165 172

HSL 188.57, 0.23%, 0.58%

LAB 65.04, -12.44, -8.23

 

CMYK 29 / 0 / 15 / 32

HEX #7BAD93

RGB 123 173 147

HSL 148.8, 0.23%, 0.58%

LAB 66.68, -22.18, 8.07

 

CMYK 29 / 0 / 15 / 12

HEX #9FE0BE

RGB 159 224 190

HSL 148.62, 0.51%, 0.75%

LAB 84.17, -27.49, 10.13

 

CMYK 30 / 0 / 15 / 92

HEX #0E1411

RGB 14 20 17

HSL 150, 0.18%, 0.07%

LAB 5.73, -2.88, 0.94

 

CMYK 30 / 0 / 15 / 72

HEX #32473C

RGB 50 71 60

HSL 148.57, 0.17%, 0.24%

LAB 28.14, -10.96, 3.98

 

CMYK 29 / 0 / 15 / 52

HEX #577A68

RGB 87 122 104

HSL 149.14, 0.17%, 0.41%

LAB 48.19, -16.52, 5.88

 

CMYK 29 / 0 / 15 / 32

HEX #7BAD93

RGB 123 173 147

HSL 148.8, 0.23%, 0.58%

LAB 66.68, -22.18, 8.07

 

CMYK 28 / 19 / 0 / 33

HEX #7B8BAC

RGB 123 139 172

HSL 220.41, 0.23%, 0.58%

LAB 57.71, 2, -19.28

 

CMYK 0 / 27 / 28 / 33

HEX #AC7E7B

RGB 172 126 123

HSL 3.67, 0.23%, 0.58%

LAB 57.19, 17.39, 8.64

 

CMYK 29 / 0 / 15 / 32

HEX #7BAD93

RGB 123 173 147

HSL 148.8, 0.23%, 0.58%

LAB 66.68, -22.18, 8.07

 

CMYK 15 / 28 / 0 / 33

HEX #927BAC

RGB 146 123 172

HSL 268.16, 0.23%, 0.58%

LAB 55.33, 18.69, -22.75

 

CMYK 0 / 15 / 28 / 33

HEX #AC927B

RGB 172 146 123

HSL 28.16, 0.23%, 0.58%

LAB 62.3, 6.17, 15.81

 

CMYK 29 / 0 / 15 / 32

HEX #7BAD93

RGB 123 173 147

HSL 148.8, 0.23%, 0.58%

LAB 66.68, -22.18, 8.07

 

CMYK 28 / 19 / 0 / 33

HEX #7B8BAC

RGB 123 139 172

HSL 220.41, 0.23%, 0.58%

LAB 57.71, 2, -19.28

 

CMYK 0 / 28 / 13 / 33

HEX #AC7B95

RGB 172 123 149

HSL 328.16, 0.23%, 0.58%

LAB 57.18, 23.18, -6.42

 

CMYK 0 / 9 / 28 / 33

HEX #AC9C7B

RGB 172 156 123

HSL 40.41, 0.23%, 0.58%

LAB 64.94, 0.65, 19.45

 

CMYK 29 / 0 / 15 / 32

HEX #7BAD93

RGB 123 173 147

HSL 148.8, 0.23%, 0.58%

LAB 66.68, -22.18, 8.07

 

CMYK 28 / 28 / 0 / 33

HEX #7B7CAC

RGB 123 124 172

HSL 238.78, 0.23%, 0.58%

LAB 53.61, 10.75, -25.58

 

CMYK 0 / 28 / 13 / 33

HEX #AC7B95

RGB 172 123 149

HSL 328.16, 0.23%, 0.58%

LAB 57.18, 23.18, -6.42

 

CMYK 0 / 1 / 28 / 33

HEX #ACAA7B

RGB 172 170 123

HSL 57.55, 0.23%, 0.58%

LAB 68.72, -6.9, 24.56

 

Description

Color code: CMYK 29 / 0 / 15 / 32 | qconv.com Color code: CMYK 29 / 0 / 15 / 32 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 173 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 173 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 15 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 15% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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