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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC90FACE it is the complementary color #536F05CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC90FACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC90FACE shade: #B190F5CE, #C2A2FFCE, #D3B4FFCE, #E4C6FFCE and #F5D8FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC90FACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC90FACE shade: #AC90FACE, #9B7EE7CE, #8A6CD4CE, #795AC1CE and #6848AECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC90FACE shade: #AB8FFA, #C88FFA, #E58FFA, #FA8FF2 and #FA8FD5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC90FACE shade: #AB8FFA and #8F8FFA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC90FACE shade matches the following richer shades: #AB8FFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC90FACE shade: #AB8FFA, #B098F0, #B4A2E7, #B9ABDD and #BDB5D4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC90FACE shade: #8FADFA, #8F91FA, #AA8FFA, #C68FFA and #E38FFA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC90FACE shade: #7040F6, #8E68F8, #AB8FFA, #C9B6FC and #E6DEFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC90FACE shade: #AC90FA, #FA8FCA and #9FFA8F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC90FACE shade: #AC90FA, #FAAA8F and #8FFAAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC90FACE shade: #AC90FA, #FA8FCA, #DFFA8F and #8FFABF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC90FACE shade: #AC90FA, #FA8FAA, #DFFA8F and #8FFADF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 34 / 0 / 2

HEX #AC90FACE

RGBA 172 144 250 0.81

HSLA 255.85, 0.91%, 0.77%, 0.81

LABA 66.23, 33.07, -49.33, 0.81

 

Complementary color

CMYK 20 / 0 / 77 / 46

HEX #536F05CE

RGBA 83 111 5 0.81

HSLA 75.85, 0.91%, 0.23%, 0.81

LABA 43.09, -24.47, 47.36, 0.81

 

CMYK 22 / 33 / 0 / 3

HEX #B190F5CE

RGBA 177 144 245 0.81

HSLA 259.6, 0.83%, 0.76%, 0.81

LABA 66.43, 33.19, -46.24, 0.81

 

CMYK 19 / 30 / 0 / 0

HEX #C2A2FFCE

RGBA 194 162 255 0.81

HSLA 260.65, 1%, 0.82%, 0.81

LABA 72.58, 30.29, -41.94, 0.81

 

CMYK 14 / 24 / 0 / 0

HEX #D3B4FFCE

RGBA 211 180 255 0.81

HSLA 264.8, 1%, 0.85%, 0.81

LABA 78.29, 25.41, -32.96, 0.81

 

CMYK 9 / 18 / 0 / 0

HEX #E4C6FFCE

RGBA 228 198 255 0.81

HSLA 271.58, 1%, 0.89%, 0.81

LABA 84.02, 20.93, -24.06, 0.81

 

CMYK 3 / 12 / 0 / 0

HEX #F5D8FFCE

RGBA 245 216 255 0.81

HSLA 284.62, 1%, 0.92%, 0.81

LABA 89.74, 16.82, -15.28, 0.81

 

CMYK 25 / 34 / 0 / 2

HEX #AC90FACE

RGBA 172 144 250 0.81

HSLA 255.85, 0.91%, 0.77%, 0.81

LABA 66.23, 33.07, -49.33, 0.81

 

CMYK 27 / 37 / 0 / 8

HEX #9B7EE7CE

RGBA 155 126 231 0.81

HSLA 256.57, 0.69%, 0.7%, 0.81

LABA 59.58, 33.97, -49.46, 0.81

 

CMYK 28 / 40 / 0 / 14

HEX #8A6CD4CE

RGBA 138 108 212 0.81

HSLA 257.31, 0.55%, 0.63%, 0.81

LABA 52.82, 34.97, -49.62, 0.81

 

CMYK 30 / 43 / 0 / 20

HEX #795AC1CE

RGBA 121 90 193 0.81

HSLA 258.06, 0.45%, 0.55%, 0.81

LABA 45.94, 36.07, -49.81, 0.81

 

CMYK 33 / 47 / 0 / 26

HEX #6848AECE

RGBA 104 72 174 0.81

HSLA 258.82, 0.41%, 0.48%, 0.81

LABA 38.96, 37.26, -49.99, 0.81

 

CMYK 32 / 43 / 0 / 2

HEX #AB8FFA

RGB 171 143 250

HSL 255.7, 0.91%, 0.77%

LAB 65.91, 33.36, -49.84

 

CMYK 20 / 43 / 0 / 2

HEX #C88FFA

RGB 200 143 250

HSL 271.96, 0.91%, 0.77%

LAB 68.63, 41.26, -45.38

 

CMYK 8 / 43 / 0 / 2

HEX #E58FFA

RGB 229 143 250

HSL 288.22, 0.91%, 0.77%

LAB 71.69, 49.47, -40.35

 

CMYK 0 / 43 / 3 / 2

HEX #FA8FF2

RGB 250 143 242

HSL 304.49, 0.91%, 0.77%

LAB 73.79, 54.1, -32.55

 

CMYK 0 / 43 / 15 / 2

HEX #FA8FD5

RGB 250 143 213

HSL 320.75, 0.91%, 0.77%

LAB 72.74, 49.38, -18.26

 

CMYK 32 / 43 / 0 / 2

HEX #AB8FFA

RGB 171 143 250

HSL 255.7, 0.91%, 0.77%

LAB 65.91, 33.36, -49.84

 

CMYK 43 / 43 / 0 / 2

HEX #8F8FFA

RGB 143 143 250

HSL 240, 0.91%, 0.77%

LAB 63.66, 26.28, -53.54

 

CMYK 32 / 43 / 0 / 2

HEX #AB8FFA

RGB 171 143 250

HSL 255.7, 0.91%, 0.77%

LAB 65.91, 33.36, -49.84

 

CMYK 32 / 43 / 0 / 2

HEX #AB8FFA

RGB 171 143 250

HSL 255.7, 0.91%, 0.77%

LAB 65.91, 33.36, -49.84

 

CMYK 27 / 37 / 0 / 6

HEX #B098F0

RGB 176 152 240

HSL 256.36, 0.75%, 0.77%

LAB 68, 27.21, -41.04

 

CMYK 22 / 30 / 0 / 9

HEX #B4A2E7

RGB 180 162 231

HSL 255.65, 0.59%, 0.77%

LAB 70.39, 20.64, -32.37

 

CMYK 16 / 23 / 0 / 13

HEX #B9ABDD

RGB 185 171 221

HSL 256.8, 0.42%, 0.77%

LAB 72.67, 14.93, -23.37

 

CMYK 11 / 15 / 0 / 17

HEX #BDB5D4

RGB 189 181 212

HSL 255.48, 0.26%, 0.77%

LAB 75.21, 8.82, -14.58

 

CMYK 43 / 31 / 0 / 2

HEX #8FADFA

RGB 143 173 250

HSL 223.18, 0.91%, 0.77%

LAB 71.3, 9.09, -41.51

 

CMYK 43 / 42 / 0 / 2

HEX #8F91FA

RGB 143 145 250

HSL 238.88, 0.91%, 0.77%

LAB 64.15, 25.12, -52.76

 

CMYK 32 / 43 / 0 / 2

HEX #AA8FFA

RGB 170 143 250

HSL 255.14, 0.91%, 0.77%

LAB 65.82, 33.1, -49.98

 

CMYK 21 / 43 / 0 / 2

HEX #C68FFA

RGB 198 143 250

HSL 270.84, 0.91%, 0.77%

LAB 68.43, 40.71, -45.7

 

CMYK 9 / 43 / 0 / 2

HEX #E38FFA

RGB 227 143 250

HSL 287.1, 0.91%, 0.77%

LAB 71.47, 48.9, -40.71

 

CMYK 54 / 74 / 0 / 4

HEX #7040F6

RGB 112 64 246

HSL 255.82, 0.91%, 0.61%

LAB 43.89, 62.83, -83.4

 

CMYK 43 / 58 / 0 / 3

HEX #8E68F8

RGB 142 104 248

HSL 255.83, 0.91%, 0.69%

LAB 54.48, 47.81, -67.15

 

CMYK 32 / 43 / 0 / 2

HEX #AB8FFA

RGB 171 143 250

HSL 255.7, 0.91%, 0.77%

LAB 65.91, 33.36, -49.84

 

CMYK 20 / 28 / 0 / 1

HEX #C9B6FC

RGB 201 182 252

HSL 256.29, 0.92%, 0.85%

LAB 77.82, 20.65, -32.15

 

CMYK 9 / 12 / 0 / 1

HEX #E6DEFD

RGB 230 222 253

HSL 255.48, 0.89%, 0.93%

LAB 89.93, 8.46, -14.07

 

CMYK 31 / 42 / 0 / 2

HEX #AC90FA

RGB 172 144 250

HSL 255.85, 0.91%, 0.77%

LAB 66.23, 33.07, -49.33

 

CMYK 0 / 43 / 19 / 2

HEX #FA8FCA

RGB 250 143 202

HSL 326.92, 0.91%, 0.77%

LAB 72.38, 47.73, -12.72

 

CMYK 36 / 0 / 43 / 2

HEX #9FFA8F

RGB 159 250 143

HSL 111.03, 0.91%, 0.77%

LAB 90.65, -47.03, 42.86

 

CMYK 31 / 42 / 0 / 2

HEX #AC90FA

RGB 172 144 250

HSL 255.85, 0.91%, 0.77%

LAB 66.23, 33.07, -49.33

 

CMYK 0 / 32 / 43 / 2

HEX #FAAA8F

RGB 250 170 143

HSL 15.14, 0.91%, 0.77%

LAB 76.71, 26.31, 25.85

 

CMYK 43 / 0 / 32 / 2

HEX #8FFAAA

RGB 143 250 170

HSL 135.14, 0.91%, 0.77%

LAB 90.37, -47.56, 28.97

 

CMYK 31 / 42 / 0 / 2

HEX #AC90FA

RGB 172 144 250

HSL 255.85, 0.91%, 0.77%

LAB 66.23, 33.07, -49.33

 

CMYK 0 / 43 / 19 / 2

HEX #FA8FCA

RGB 250 143 202

HSL 326.92, 0.91%, 0.77%

LAB 72.38, 47.73, -12.72

 

CMYK 11 / 0 / 43 / 2

HEX #DFFA8F

RGB 223 250 143

HSL 75.14, 0.91%, 0.77%

LAB 94.33, -24.94, 48.28

 

CMYK 43 / 0 / 24 / 2

HEX #8FFABF

RGB 143 250 191

HSL 146.92, 0.91%, 0.77%

LAB 90.77, -43.76, 18.81

 

CMYK 31 / 42 / 0 / 2

HEX #AC90FA

RGB 172 144 250

HSL 255.85, 0.91%, 0.77%

LAB 66.23, 33.07, -49.33

 

CMYK 0 / 43 / 32 / 2

HEX #FA8FAA

RGB 250 143 170

HSL 344.86, 0.91%, 0.77%

LAB 71.47, 43.4, 3.7

 

CMYK 11 / 0 / 43 / 2

HEX #DFFA8F

RGB 223 250 143

HSL 75.14, 0.91%, 0.77%

LAB 94.33, -24.94, 48.28

 

CMYK 43 / 0 / 11 / 2

HEX #8FFADF

RGB 143 250 223

HSL 164.86, 0.91%, 0.77%

LAB 91.48, -37.15, 3.3

 

Description

Color code: HEX #AC90FACE | qconv.com Color code: HEX #AC90FACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 144 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 144 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 34 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 34% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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