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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC75343F it is the complementary color #538ACB3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC75343F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC75343F shade: #B1752F3F, #C287423F, #D399553F, #E4AB683F and #F5BD7B3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC75343F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC75343F shade: #AC75343F, #9B63213F, #8A510E3F, #793F003F and #682D003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC75343F shade: #AD7534, #AD5534 and #AD3434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC75343F shade: #AD7534, #AD9634, #A3AD34, #82AD34 and #62AD34

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC75343F shade matches the following richer shades: #AD7534, #BF7721 and #D1780F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC75343F shade: #AD7534, #9B7446, #887258, #76716A and #646F7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC75343F shade: #AD3434, #AD5434, #AD7434, #AD9534 and #A5AD34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC75343F shade: #6D4A21, #8D602A, #AD7534, #C78A43 and #D09E63

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC75343F shade: #AC7534, #54AD34 and #4434AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC75343F shade: #AC7534, #34AD74 and #7434AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC75343F shade: #AC7534, #54AD34, #346CAD and #8C34AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC75343F shade: #AC7534, #34AD38, #346CAD and #AD34A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 17 / 8

HEX #AC75343F

RGBA 172 117 52 0.25

HSLA 32.5, 0.54%, 0.44%, 0.25

LABA 53.75, 15.35, 43.4, 0.25

 

Complementary color

CMYK 15 / 8 / 0 / 5

HEX #538ACB3F

RGBA 83 138 203 0.25

HSLA 212.5, 0.54%, 0.56%, 0.25

LABA 56.41, 1.4, -39.08, 0.25

 

CMYK 0 / 8 / 18 / 8

HEX #B1752F3F

RGBA 177 117 47 0.25

HSLA 32.31, 0.58%, 0.44%, 0.25

LABA 54.32, 17.29, 46.55, 0.25

 

CMYK 0 / 8 / 16 / 6

HEX #C287423F

RGBA 194 135 66 0.25

HSLA 32.34, 0.51%, 0.51%, 0.25

LABA 60.95, 15.78, 45.2, 0.25

 

CMYK 0 / 7 / 15 / 4

HEX #D399553F

RGBA 211 153 85 0.25

HSLA 32.38, 0.59%, 0.58%, 0.25

LABA 67.49, 14.49, 43.76, 0.25

 

CMYK 0 / 6 / 14 / 3

HEX #E4AB683F

RGBA 228 171 104 0.25

HSLA 32.42, 0.7%, 0.65%, 0.25

LABA 73.95, 13.38, 42.33, 0.25

 

CMYK 0 / 6 / 12 / 1

HEX #F5BD7B3F

RGBA 245 189 123 0.25

HSLA 32.46, 0.86%, 0.72%, 0.25

LABA 80.31, 12.41, 40.94, 0.25

 

CMYK 0 / 8 / 17 / 8

HEX #AC75343F

RGBA 172 117 52 0.25

HSLA 32.5, 0.54%, 0.44%, 0.25

LABA 53.75, 15.35, 43.4, 0.25

 

CMYK 0 / 9 / 20 / 10

HEX #9B63213F

RGBA 155 99 33 0.25

HSLA 32.46, 0.65%, 0.37%, 0.25

LABA 46.98, 17.02, 44.6, 0.25

 

CMYK 0 / 10 / 22 / 11

HEX #8A510E3F

RGBA 138 81 14 0.25

HSLA 32.42, 0.82%, 0.3%, 0.25

LABA 40.11, 19.02, 44.98, 0.25

 

CMYK 0 / 12 / 25 / 13

HEX #793F003F

RGBA 121 63 0 0.25

HSLA 31.24, 1%, 0.24%, 0.25

LABA 33.18, 21.38, 43.45, 0.25

 

CMYK 0 / 14 / 25 / 15

HEX #682D003F

RGBA 104 45 0 0.25

HSLA 25.96, 1%, 0.2%, 0.25

LABA 26.22, 24.04, 36.9, 0.25

 

CMYK 0 / 32 / 70 / 32

HEX #AD7534

RGB 173 117 52

HSL 32.23, 0.54%, 0.44%

LAB 53.87, 15.79, 43.56

 

CMYK 0 / 51 / 70 / 32

HEX #AD5534

RGB 173 85 52

HSL 16.36, 0.54%, 0.44%

LAB 46.48, 33.43, 35.39

 

CMYK 0 / 70 / 70 / 32

HEX #AD3434

RGB 173 52 52

HSL 0, 0.54%, 0.44%

LAB 40.55, 49, 28.46

 

CMYK 0 / 32 / 70 / 32

HEX #AD7534

RGB 173 117 52

HSL 32.23, 0.54%, 0.44%

LAB 53.87, 15.79, 43.56

 

CMYK 0 / 13 / 70 / 32

HEX #AD9634

RGB 173 150 52

HSL 48.6, 0.54%, 0.44%

LAB 62.46, -2.52, 52.55

 

CMYK 6 / 0 / 70 / 32

HEX #A3AD34

RGB 163 173 52

HSL 64.96, 0.54%, 0.44%

LAB 67.96, -18.97, 57.8

 

CMYK 25 / 0 / 70 / 32

HEX #82AD34

RGB 130 173 52

HSL 81.32, 0.54%, 0.44%

LAB 65.66, -32.59, 54.72

 

CMYK 43 / 0 / 70 / 32

HEX #62AD34

RGB 98 173 52

HSL 97.19, 0.54%, 0.44%

LAB 63.94, -44.24, 52.42

 

CMYK 0 / 32 / 70 / 32

HEX #AD7534

RGB 173 117 52

HSL 32.23, 0.54%, 0.44%

LAB 53.87, 15.79, 43.56

 

CMYK 0 / 38 / 83 / 25

HEX #BF7721

RGB 191 119 33

HSL 32.66, 0.71%, 0.44%

LAB 56.47, 21.75, 55.03

 

CMYK 0 / 43 / 93 / 18

HEX #D1780F

RGB 209 120 15

HSL 32.47, 0.87%, 0.44%

LAB 59, 28.51, 63.24

 

CMYK 0 / 32 / 70 / 32

HEX #AD7534

RGB 173 117 52

HSL 32.23, 0.54%, 0.44%

LAB 53.87, 15.79, 43.56

 

CMYK 0 / 25 / 55 / 39

HEX #9B7446

RGB 155 116 70

HSL 32.47, 0.38%, 0.44%

LAB 51.73, 9.72, 31.17

 

CMYK 0 / 16 / 35 / 47

HEX #887258

RGB 136 114 88

HSL 32.5, 0.21%, 0.44%

LAB 49.46, 4.6, 17.63

 

CMYK 0 / 4 / 10 / 54

HEX #76716A

RGB 118 113 106

HSL 35, 0.05%, 0.44%

LAB 47.88, 0.59, 4.56

 

CMYK 19 / 10 / 0 / 51

HEX #646F7C

RGB 100 111 124

HSL 212.5, 0.11%, 0.44%

LAB 46.36, -1.13, -8.59

 

CMYK 0 / 70 / 70 / 32

HEX #AD3434

RGB 173 52 52

HSL 0, 0.54%, 0.44%

LAB 40.55, 49, 28.46

 

CMYK 0 / 51 / 70 / 32

HEX #AD5434

RGB 173 84 52

HSL 15.87, 0.54%, 0.44%

LAB 46.28, 33.96, 35.15

 

CMYK 0 / 33 / 70 / 32

HEX #AD7434

RGB 173 116 52

HSL 31.74, 0.54%, 0.44%

LAB 53.62, 16.36, 43.3

 

CMYK 0 / 14 / 70 / 32

HEX #AD9534

RGB 173 149 52

HSL 48.1, 0.54%, 0.44%

LAB 62.19, -1.98, 52.28

 

CMYK 5 / 0 / 70 / 32

HEX #A5AD34

RGB 165 173 52

HSL 63.97, 0.54%, 0.44%

LAB 68.12, -18.11, 58

 

CMYK 0 / 32 / 70 / 57

HEX #6D4A21

RGB 109 74 33

HSL 32.37, 0.54%, 0.28%

LAB 34.52, 10.41, 29.82

 

CMYK 0 / 32 / 70 / 45

HEX #8D602A

RGB 141 96 42

HSL 32.73, 0.54%, 0.36%

LAB 44.51, 12.84, 37.25

 

CMYK 0 / 32 / 70 / 32

HEX #AD7534

RGB 173 117 52

HSL 32.23, 0.54%, 0.44%

LAB 53.87, 15.79, 43.56

 

CMYK 0 / 31 / 66 / 22

HEX #C78A43

RGB 199 138 67

HSL 32.27, 0.54%, 0.52%

LAB 62.27, 16.34, 46.35

 

CMYK 0 / 24 / 52 / 18

HEX #D09E63

RGB 208 158 99

HSL 32.48, 0.54%, 0.6%

LAB 68.58, 11.65, 37.81

 

CMYK 0 / 32 / 70 / 33

HEX #AC7534

RGB 172 117 52

HSL 32.5, 0.54%, 0.44%

LAB 53.75, 15.35, 43.4

 

CMYK 51 / 0 / 70 / 32

HEX #54AD34

RGB 84 173 52

HSL 104.13, 0.54%, 0.44%

LAB 63.36, -48.59, 51.63

 

CMYK 61 / 70 / 0 / 32

HEX #4434AD

RGB 68 52 173

HSL 247.93, 0.54%, 0.44%

LAB 31.12, 41.7, -62.29

 

CMYK 0 / 32 / 70 / 33

HEX #AC7534

RGB 172 117 52

HSL 32.5, 0.54%, 0.44%

LAB 53.75, 15.35, 43.4

 

CMYK 70 / 0 / 33 / 32

HEX #34AD74

RGB 52 173 116

HSL 151.74, 0.54%, 0.44%

LAB 63.24, -46.6, 19.89

 

CMYK 33 / 70 / 0 / 32

HEX #7434AD

RGB 116 52 173

HSL 271.74, 0.54%, 0.44%

LAB 36.34, 50.32, -53.55

 

CMYK 0 / 32 / 70 / 33

HEX #AC7534

RGB 172 117 52

HSL 32.5, 0.54%, 0.44%

LAB 53.75, 15.35, 43.4

 

CMYK 51 / 0 / 70 / 32

HEX #54AD34

RGB 84 173 52

HSL 104.13, 0.54%, 0.44%

LAB 63.36, -48.59, 51.63

 

CMYK 70 / 38 / 0 / 32

HEX #346CAD

RGB 52 108 173

HSL 212.23, 0.54%, 0.44%

LAB 44.9, 3.55, -40.09

 

CMYK 19 / 70 / 0 / 32

HEX #8C34AD

RGB 140 52 173

HSL 283.64, 0.54%, 0.44%

LAB 39.66, 55.41, -48.02

 

CMYK 0 / 32 / 70 / 33

HEX #AC7534

RGB 172 117 52

HSL 32.5, 0.54%, 0.44%

LAB 53.75, 15.35, 43.4

 

CMYK 70 / 0 / 68 / 32

HEX #34AD38

RGB 52 173 56

HSL 121.98, 0.54%, 0.44%

LAB 62.43, -55.92, 48.72

 

CMYK 70 / 38 / 0 / 32

HEX #346CAD

RGB 52 108 173

HSL 212.23, 0.54%, 0.44%

LAB 44.9, 3.55, -40.09

 

CMYK 0 / 70 / 2 / 32

HEX #AD34A9

RGB 173 52 169

HSL 301.98, 0.54%, 0.44%

LAB 44.53, 62.11, -37.59

 

Description

Color code: HEX #AC75343F | qconv.com Color code: HEX #AC75343F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 117 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 117 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 17 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 17% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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