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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD7434 it is the complementary color #528BCB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD7434. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD7434 shade: #B2742F, #C38642, #D49855, #E5AA68 and #F6BC7B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD7434. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD7434 shade: #AD7434, #9C6221, #8B500E, #7A3E00 and #692C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD7434 shade: #AD7434, #AD5334 and #AD3434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD7434 shade: #AD7434, #AD9434, #A5AD34, #84AD34 and #63AD34

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD7434 shade matches the following richer shades: #AD7434, #BF7521 and #D1760F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD7434 shade: #AD7434, #9B7346, #887258, #76716A and #64707C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD7434 shade: #AD3436, #AD5234, #AD7234, #AD9334 and #A7AD34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD7434 shade: #6D4921, #8D5E2A, #AD7434, #C78943 and #D09D63

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD7434 shade: #AD7434, #56AD34 and #4234AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD7434 shade: #AD7434, #34AD72 and #7234AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD7434 shade: #AD7434, #56AD34, #346EAD and #8A34AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD7434 shade: #AD7434, #34AD36, #346EAD and #AD34AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 70 / 32

HEX #AD7434

RGB 173 116 52

HSL 31.74, 0.54%, 0.44%

LAB 53.62, 16.36, 43.3

 

Complementary color

CMYK 60 / 32 / 0 / 20

HEX #528BCB

RGB 82 139 203

HSL 211.74, 0.54%, 0.56%

LAB 56.65, 0.62, -38.71

 

CMYK 0 / 35 / 74 / 30

HEX #B2742F

RGB 178 116 47

HSL 31.6, 0.58%, 0.44%

LAB 54.2, 18.29, 46.46

 

CMYK 0 / 31 / 66 / 24

HEX #C38642

RGB 195 134 66

HSL 31.63, 0.52%, 0.51%

LAB 60.82, 16.76, 45.09

 

CMYK 0 / 28 / 60 / 17

HEX #D49855

RGB 212 152 85

HSL 31.65, 0.6%, 0.58%

LAB 67.36, 15.45, 43.63

 

CMYK 0 / 26 / 55 / 10

HEX #E5AA68

RGB 229 170 104

HSL 31.68, 0.71%, 0.65%

LAB 73.81, 14.32, 42.18

 

CMYK 0 / 24 / 50 / 4

HEX #F6BC7B

RGB 246 188 123

HSL 31.71, 0.87%, 0.72%

LAB 80.17, 13.34, 40.79

 

CMYK 0 / 33 / 70 / 32

HEX #AD7434

RGB 173 116 52

HSL 31.74, 0.54%, 0.44%

LAB 53.62, 16.36, 43.3

 

CMYK 0 / 37 / 79 / 39

HEX #9C6221

RGB 156 98 33

HSL 31.71, 0.65%, 0.37%

LAB 46.86, 18.04, 44.53

 

CMYK 0 / 42 / 90 / 45

HEX #8B500E

RGB 139 80 14

HSL 31.68, 0.82%, 0.3%

LAB 40.01, 20.06, 44.95

 

CMYK 0 / 49 / 100 / 52

HEX #7A3E00

RGB 122 62 0

HSL 30.49, 1%, 0.24%

LAB 33.1, 22.42, 43.48

 

CMYK 0 / 58 / 100 / 59

HEX #692C00

RGB 105 44 0

HSL 25.14, 1%, 0.21%

LAB 26.17, 25.05, 36.93

 

CMYK 0 / 33 / 70 / 32

HEX #AD7434

RGB 173 116 52

HSL 31.74, 0.54%, 0.44%

LAB 53.62, 16.36, 43.3

 

CMYK 0 / 52 / 70 / 32

HEX #AD5334

RGB 173 83 52

HSL 15.37, 0.54%, 0.44%

LAB 46.07, 34.48, 34.91

 

CMYK 0 / 70 / 70 / 32

HEX #AD3434

RGB 173 52 52

HSL 0, 0.54%, 0.44%

LAB 40.55, 49, 28.46

 

CMYK 0 / 33 / 70 / 32

HEX #AD7434

RGB 173 116 52

HSL 31.74, 0.54%, 0.44%

LAB 53.62, 16.36, 43.3

 

CMYK 0 / 14 / 70 / 32

HEX #AD9434

RGB 173 148 52

HSL 47.6, 0.54%, 0.44%

LAB 61.92, -1.43, 52

 

CMYK 5 / 0 / 70 / 32

HEX #A5AD34

RGB 165 173 52

HSL 63.97, 0.54%, 0.44%

LAB 68.12, -18.11, 58

 

CMYK 24 / 0 / 70 / 32

HEX #84AD34

RGB 132 173 52

HSL 80.33, 0.54%, 0.44%

LAB 65.78, -31.8, 54.89

 

CMYK 43 / 0 / 70 / 32

HEX #63AD34

RGB 99 173 52

HSL 96.69, 0.54%, 0.44%

LAB 63.99, -43.91, 52.48

 

CMYK 0 / 33 / 70 / 32

HEX #AD7434

RGB 173 116 52

HSL 31.74, 0.54%, 0.44%

LAB 53.62, 16.36, 43.3

 

CMYK 0 / 39 / 83 / 25

HEX #BF7521

RGB 191 117 33

HSL 31.9, 0.71%, 0.44%

LAB 56, 22.84, 54.62

 

CMYK 0 / 44 / 93 / 18

HEX #D1760F

RGB 209 118 15

HSL 31.86, 0.87%, 0.44%

LAB 58.55, 29.57, 62.93

 

CMYK 0 / 33 / 70 / 32

HEX #AD7434

RGB 173 116 52

HSL 31.74, 0.54%, 0.44%

LAB 53.62, 16.36, 43.3

 

CMYK 0 / 26 / 55 / 39

HEX #9B7346

RGB 155 115 70

HSL 31.76, 0.38%, 0.44%

LAB 51.46, 10.29, 30.85

 

CMYK 0 / 16 / 35 / 47

HEX #887258

RGB 136 114 88

HSL 32.5, 0.21%, 0.44%

LAB 49.46, 4.6, 17.63

 

CMYK 0 / 4 / 10 / 54

HEX #76716A

RGB 118 113 106

HSL 35, 0.05%, 0.44%

LAB 47.88, 0.59, 4.56

 

CMYK 19 / 10 / 0 / 51

HEX #64707C

RGB 100 112 124

HSL 210, 0.11%, 0.44%

LAB 46.65, -1.72, -8.15

 

CMYK 0 / 70 / 69 / 32

HEX #AD3436

RGB 173 52 54

HSL 359.01, 0.54%, 0.44%

LAB 40.58, 49.11, 27.29

 

CMYK 0 / 53 / 70 / 32

HEX #AD5234

RGB 173 82 52

HSL 14.88, 0.54%, 0.44%

LAB 45.86, 35, 34.68

 

CMYK 0 / 34 / 70 / 32

HEX #AD7234

RGB 173 114 52

HSL 30.74, 0.54%, 0.44%

LAB 53.13, 17.48, 42.76

 

CMYK 0 / 15 / 70 / 32

HEX #AD9334

RGB 173 147 52

HSL 47.11, 0.54%, 0.44%

LAB 61.65, -0.89, 51.73

 

CMYK 3 / 0 / 70 / 32

HEX #A7AD34

RGB 167 173 52

HSL 62.98, 0.54%, 0.44%

LAB 68.28, -17.25, 58.22

 

CMYK 0 / 33 / 70 / 57

HEX #6D4921

RGB 109 73 33

HSL 31.58, 0.54%, 0.28%

LAB 34.24, 11.02, 29.52

 

CMYK 0 / 33 / 70 / 45

HEX #8D5E2A

RGB 141 94 42

HSL 31.52, 0.54%, 0.36%

LAB 44, 14.01, 36.68

 

CMYK 0 / 33 / 70 / 32

HEX #AD7434

RGB 173 116 52

HSL 31.74, 0.54%, 0.44%

LAB 53.62, 16.36, 43.3

 

CMYK 0 / 31 / 66 / 22

HEX #C78943

RGB 199 137 67

HSL 31.82, 0.54%, 0.52%

LAB 62.03, 16.89, 46.08

 

CMYK 0 / 25 / 52 / 18

HEX #D09D63

RGB 208 157 99

HSL 31.93, 0.54%, 0.6%

LAB 68.33, 12.19, 37.5

 

CMYK 0 / 33 / 70 / 32

HEX #AD7434

RGB 173 116 52

HSL 31.74, 0.54%, 0.44%

LAB 53.62, 16.36, 43.3

 

CMYK 50 / 0 / 70 / 32

HEX #56AD34

RGB 86 173 52

HSL 103.14, 0.54%, 0.44%

LAB 63.44, -48, 51.74

 

CMYK 62 / 70 / 0 / 32

HEX #4234AD

RGB 66 52 173

HSL 246.94, 0.54%, 0.44%

LAB 30.95, 41.41, -62.57

 

CMYK 0 / 33 / 70 / 32

HEX #AD7434

RGB 173 116 52

HSL 31.74, 0.54%, 0.44%

LAB 53.62, 16.36, 43.3

 

CMYK 70 / 0 / 34 / 32

HEX #34AD72

RGB 52 173 114

HSL 150.74, 0.54%, 0.44%

LAB 63.2, -47.02, 20.93

 

CMYK 34 / 70 / 0 / 32

HEX #7234AD

RGB 114 52 173

HSL 270.74, 0.54%, 0.44%

LAB 36.08, 49.91, -53.98

 

CMYK 0 / 33 / 70 / 32

HEX #AD7434

RGB 173 116 52

HSL 31.74, 0.54%, 0.44%

LAB 53.62, 16.36, 43.3

 

CMYK 50 / 0 / 70 / 32

HEX #56AD34

RGB 86 173 52

HSL 103.14, 0.54%, 0.44%

LAB 63.44, -48, 51.74

 

CMYK 70 / 36 / 0 / 32

HEX #346EAD

RGB 52 110 173

HSL 211.24, 0.54%, 0.44%

LAB 45.5, 2.31, -39.15

 

CMYK 20 / 70 / 0 / 32

HEX #8A34AD

RGB 138 52 173

HSL 282.64, 0.54%, 0.44%

LAB 39.37, 54.97, -48.51

 

CMYK 0 / 33 / 70 / 32

HEX #AD7434

RGB 173 116 52

HSL 31.74, 0.54%, 0.44%

LAB 53.62, 16.36, 43.3

 

CMYK 70 / 0 / 69 / 32

HEX #34AD36

RGB 52 173 54

HSL 120.99, 0.54%, 0.44%

LAB 62.41, -56.12, 49.53

 

CMYK 70 / 36 / 0 / 32

HEX #346EAD

RGB 52 110 173

HSL 211.24, 0.54%, 0.44%

LAB 45.5, 2.31, -39.15

 

CMYK 0 / 70 / 1 / 32

HEX #AD34AB

RGB 173 52 171

HSL 300.99, 0.54%, 0.44%

LAB 44.63, 62.44, -38.61

 

Description

Color code: HEX #AD7434 | qconv.com Color code: HEX #AD7434 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 116 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 116 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 70 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 70% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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