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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC73DB it is the complementary color #538C24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC73DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #AC73DB: #B173D6, #C285E9, #D397FC, #E4A9FF and #F5BBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC73DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #AC73DB: #AC73DB, #9B61C8, #8A4FB5, #793DA2 and #682B8F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 47 / 0 / 14

HEX #AC73DB

RGB 172 115 219

HSL 272.88, 0.59%, 0.65%

LAB 58.18, 41.81, -44.86

 

Complementary color

CMYK 41 / 0 / 74 / 45

HEX #538C24

RGB 83 140 36

HSL 92.88, 0.59%, 0.35%

LAB 52.64, -36.54, 46.88

 

CMYK 17 / 46 / 0 / 16

HEX #B173D6

RGB 177 115 214

HSL 277.58, 0.55%, 0.65%

LAB 58.47, 42.09, -41.54

 

CMYK 17 / 43 / 0 / 9

HEX #C285E9

RGB 194 133 233

HSL 276.6, 0.69%, 0.72%

LAB 65.06, 41.27, -41.67

 

CMYK 16 / 40 / 0 / 1

HEX #D397FC

RGB 211 151 252

HSL 275.64, 0.94%, 0.79%

LAB 71.56, 40.5, -41.78

 

CMYK 11 / 34 / 0 / 0

HEX #E4A9FF

RGB 228 169 255

HSL 281.16, 1%, 0.83%

LAB 77.33, 36.47, -34.31

 

CMYK 4 / 27 / 0 / 0

HEX #F5BBFF

RGB 245 187 255

HSL 291.18, 1%, 0.87%

LAB 83.01, 32.14, -25.46

 

CMYK 21 / 47 / 0 / 14

HEX #AC73DB

RGB 172 115 219

HSL 272.88, 0.59%, 0.65%

LAB 58.18, 41.81, -44.86

 

CMYK 23 / 52 / 0 / 22

HEX #9B61C8

RGB 155 97 200

HSL 273.79, 0.48%, 0.58%

LAB 51.48, 42.68, -44.8

 

CMYK 24 / 56 / 0 / 29

HEX #8A4FB5

RGB 138 79 181

HSL 274.71, 0.41%, 0.51%

LAB 44.7, 43.55, -44.69

 

CMYK 25 / 62 / 0 / 36

HEX #793DA2

RGB 121 61 162

HSL 275.64, 0.45%, 0.44%

LAB 37.86, 44.35, -44.49

 

CMYK 27 / 70 / 0 / 44

HEX #682B8F

RGB 104 43 143

HSL 276.6, 0.54%, 0.36%

LAB 31.01, 44.91, -44.08

 

CMYK 21 / 47 / 0 / 14

HEX #AC73DB

RGB 172 115 219

HSL 272.88, 0.59%, 0.65%

LAB 58.18, 41.81, -44.86

 

CMYK 15 / 48 / 0 / 15

HEX #BA71DA

RGB 186 113 218

HSL 281.71, 0.59%, 0.65%

LAB 59.26, 46.54, -42.49

 

CMYK 6 / 48 / 0 / 15

HEX #CC71DA

RGB 204 113 218

HSL 292, 0.59%, 0.65%

LAB 61.4, 51.57, -38.97

 

CMYK 0 / 48 / 2 / 15

HEX #DA71D6

RGB 218 113 214

HSL 302.29, 0.59%, 0.65%

LAB 62.99, 54.81, -34.13

 

CMYK 0 / 48 / 10 / 15

HEX #DA71C5

RGB 218 113 197

HSL 312, 0.59%, 0.65%

LAB 62.29, 51.93, -25.62

 

CMYK 21 / 47 / 0 / 14

HEX #AC73DB

RGB 172 115 219

HSL 272.88, 0.59%, 0.65%

LAB 58.18, 41.81, -44.86

 

CMYK 20 / 47 / 0 / 94

HEX #0C080F

RGB 12 8 15

HSL 274.29, 0.3%, 0.05%

LAB 2.59, 2.15, -2.55

 

CMYK 21 / 47 / 0 / 74

HEX #342342

RGB 52 35 66

HSL 272.9, 0.31%, 0.2%

LAB 17.11, 15.31, -16.6

 

CMYK 21 / 48 / 0 / 54

HEX #5C3D75

RGB 92 61 117

HSL 273.21, 0.31%, 0.35%

LAB 31.57, 25.3, -27.07

 

CMYK 21 / 48 / 0 / 34

HEX #8458A8

RGB 132 88 168

HSL 273, 0.31%, 0.5%

LAB 45.24, 33.8, -36.24

 

CMYK 21 / 47 / 0 / 14

HEX #AC73DB

RGB 172 115 219

HSL 272.88, 0.59%, 0.65%

LAB 58.18, 41.81, -44.86

 

CMYK 0 / 48 / 35 / 15

HEX #DA718D

RGB 218 113 141

HSL 344, 0.59%, 0.65%

LAB 60.46, 43.95, 3.69

 

CMYK 48 / 0 / 42 / 15

HEX #71DA7F

RGB 113 218 127

HSL 128, 0.59%, 0.65%

LAB 79.15, -49.32, 35.59

 

CMYK 21 / 47 / 0 / 14

HEX #AC73DB

RGB 172 115 219

HSL 272.88, 0.59%, 0.65%

LAB 58.18, 41.81, -44.86

 

CMYK 0 / 22 / 48 / 15

HEX #DAA971

RGB 218 169 113

HSL 32, 0.59%, 0.65%

LAB 72.54, 11.14, 35.7

 

CMYK 48 / 0 / 22 / 15

HEX #71DAA9

RGB 113 218 169

HSL 152, 0.59%, 0.65%

LAB 79.91, -41.71, 14.87

 

CMYK 21 / 47 / 0 / 14

HEX #AC73DB

RGB 172 115 219

HSL 272.88, 0.59%, 0.65%

LAB 58.18, 41.81, -44.86

 

CMYK 0 / 48 / 35 / 15

HEX #DA718D

RGB 218 113 141

HSL 344, 0.59%, 0.65%

LAB 60.46, 43.95, 3.69

 

CMYK 26 / 0 / 48 / 15

HEX #A2DA71

RGB 162 218 113

HSL 92, 0.59%, 0.65%

LAB 81.3, -35.7, 45.7

 

CMYK 48 / 0 / 13 / 15

HEX #71DABE

RGB 113 218 190

HSL 164, 0.59%, 0.65%

LAB 80.39, -37.14, 4.42

 

CMYK 21 / 47 / 0 / 14

HEX #AC73DB

RGB 172 115 219

HSL 272.88, 0.59%, 0.65%

LAB 58.18, 41.81, -44.86

 

CMYK 0 / 47 / 48 / 15

HEX #DA7471

RGB 218 116 113

HSL 1.71, 0.59%, 0.65%

LAB 60.42, 39.41, 19.74

 

CMYK 26 / 0 / 48 / 15

HEX #A2DA71

RGB 162 218 113

HSL 92, 0.59%, 0.65%

LAB 81.3, -35.7, 45.7

 

CMYK 48 / 2 / 0 / 15

HEX #71D6DA

RGB 113 214 218

HSL 182.29, 0.59%, 0.65%

LAB 79.99, -28.4, -11.11

 

Description

Color code: HEX #AC73DB | qconv.com Color code: HEX #AC73DB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 115 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 115 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 47 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 47% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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