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Color name
HEX #AC6912

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC6912 it is the complementary color #5396ED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC6912. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC6912 shade: #B1690D, #C27B20, #D38D33, #E49F46 and #F5B159

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC6912. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC6912 shade: #AC6912, #9B5700, #8A4500, #793300 and #682100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC6912 shade: #AB6812, #AB3F12, #AB1612 and #AB1212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC6912 shade: #AB6812, #AB9212, #9BAB12, #72AB12 and #48AB12

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC6912 shade matches the following richer shades: #AB6812 and #BA6A03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC6912 shade: #AB6812, #9C6621, #8C6430, #7D6240 and #6E604F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC6912 shade: #AB1412, #AB3D12, #AB6612, #AB8F12 and #9EAB12

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC6912 shade: #603B0A, #85510E, #AB6812, #D07F16 and #E89427

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC6912 shade: #AC6912, #38AB12 and #2912AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC6912 shade: #AC6912, #12AB66 and #6612AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC6912 shade: #AC6912, #38AB12, #1257AB and #8512AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC6912 shade: #AC6912, #12AB1A, #1257AB and #AB12A3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 90 / 33

HEX #AC6912

RGB 172 105 18

HSL 33.9, 0.81%, 0.37%

LAB 50.59, 20.77, 54.04

 

Complementary color

CMYK 65 / 37 / 0 / 7

HEX #5396ED

RGB 83 150 237

HSL 213.9, 0.81%, 0.63%

LAB 61.45, 5.68, -50.11

 

CMYK 0 / 41 / 93 / 31

HEX #B1690D

RGB 177 105 13

HSL 33.66, 0.86%, 0.37%

LAB 51.24, 22.89, 56.11

 

CMYK 0 / 37 / 84 / 24

HEX #C27B20

RGB 194 123 32

HSL 33.7, 0.72%, 0.44%

LAB 57.79, 20.83, 56.69

 

CMYK 0 / 33 / 76 / 17

HEX #D38D33

RGB 211 141 51

HSL 33.75, 0.65%, 0.51%

LAB 64.27, 19.04, 56.13

 

CMYK 0 / 30 / 69 / 11

HEX #E49F46

RGB 228 159 70

HSL 33.8, 0.75%, 0.58%

LAB 70.69, 17.48, 55.05

 

CMYK 0 / 28 / 64 / 4

HEX #F5B159

RGB 245 177 89

HSL 33.85, 0.89%, 0.65%

LAB 77.03, 16.13, 53.77

 

CMYK 0 / 39 / 90 / 33

HEX #AC6912

RGB 172 105 18

HSL 33.9, 0.81%, 0.37%

LAB 50.59, 20.77, 54.04

 

CMYK 0 / 44 / 100 / 39

HEX #9B5700

RGB 155 87 0

HSL 33.68, 1%, 0.3%

LAB 43.92, 23.01, 52.66

 

CMYK 0 / 50 / 100 / 46

HEX #8A4500

RGB 138 69 0

HSL 30, 1%, 0.27%

LAB 37.22, 25.59, 47.26

 

CMYK 0 / 58 / 100 / 53

HEX #793300

RGB 121 51 0

HSL 25.29, 1%, 0.24%

LAB 30.48, 28.14, 41.63

 

CMYK 0 / 68 / 100 / 59

HEX #682100

RGB 104 33 0

HSL 19.04, 1%, 0.2%

LAB 23.77, 30.41, 34.57

 

CMYK 0 / 39 / 89 / 33

HEX #AB6812

RGB 171 104 18

HSL 33.73, 0.81%, 0.37%

LAB 50.22, 20.89, 53.69

 

CMYK 0 / 63 / 89 / 33

HEX #AB3F12

RGB 171 63 18

HSL 17.65, 0.81%, 0.37%

LAB 41.62, 42.34, 46.99

 

CMYK 0 / 87 / 89 / 33

HEX #AB1612

RGB 171 22 18

HSL 1.57, 0.81%, 0.37%

LAB 36.51, 56.43, 43.06

 

CMYK 0 / 89 / 89 / 33

HEX #AB1212

RGB 171 18 18

HSL 0, 0.81%, 0.37%

LAB 36.24, 57.2, 42.85

 

CMYK 0 / 39 / 89 / 33

HEX #AB6812

RGB 171 104 18

HSL 33.73, 0.81%, 0.37%

LAB 50.22, 20.89, 53.69

 

CMYK 0 / 15 / 89 / 33

HEX #AB9212

RGB 171 146 18

HSL 50.2, 0.81%, 0.37%

LAB 61.01, -2.52, 62.19

 

CMYK 9 / 0 / 89 / 33

HEX #9BAB12

RGB 155 171 18

HSL 66.27, 0.81%, 0.37%

LAB 66.63, -22.7, 66.09

 

CMYK 33 / 0 / 89 / 33

HEX #72AB12

RGB 114 171 18

HSL 82.35, 0.81%, 0.37%

LAB 63.96, -39.46, 62.8

 

CMYK 58 / 0 / 89 / 33

HEX #48AB12

RGB 72 171 18

HSL 98.82, 0.81%, 0.37%

LAB 62.12, -53.14, 60.52

 

CMYK 0 / 39 / 89 / 33

HEX #AB6812

RGB 171 104 18

HSL 33.73, 0.81%, 0.37%

LAB 50.22, 20.89, 53.69

 

CMYK 0 / 43 / 98 / 27

HEX #BA6A03

RGB 186 106 3

HSL 33.77, 0.97%, 0.37%

LAB 52.68, 26.11, 59.72

 

CMYK 0 / 39 / 89 / 33

HEX #AB6812

RGB 171 104 18

HSL 33.73, 0.81%, 0.37%

LAB 50.22, 20.89, 53.69

 

CMYK 0 / 35 / 79 / 39

HEX #9C6621

RGB 156 102 33

HSL 33.66, 0.65%, 0.37%

LAB 47.85, 15.76, 45.48

 

CMYK 0 / 29 / 66 / 45

HEX #8C6430

RGB 140 100 48

HSL 33.91, 0.49%, 0.37%

LAB 45.5, 10.44, 35.22

 

CMYK 0 / 22 / 49 / 51

HEX #7D6240

RGB 125 98 64

HSL 33.44, 0.32%, 0.37%

LAB 43.46, 6.2, 23.45

 

CMYK 0 / 13 / 28 / 57

HEX #6E604F

RGB 110 96 79

HSL 32.9, 0.16%, 0.37%

LAB 41.6, 2.71, 11.79

 

CMYK 0 / 88 / 89 / 33

HEX #AB1412

RGB 171 20 18

HSL 0.78, 0.81%, 0.37%

LAB 36.37, 56.83, 42.95

 

CMYK 0 / 64 / 89 / 33

HEX #AB3D12

RGB 171 61 18

HSL 16.86, 0.81%, 0.37%

LAB 41.28, 43.26, 46.72

 

CMYK 0 / 40 / 89 / 33

HEX #AB6612

RGB 171 102 18

HSL 32.94, 0.81%, 0.37%

LAB 49.74, 22.01, 53.32

 

CMYK 0 / 16 / 89 / 33

HEX #AB8F12

RGB 171 143 18

HSL 49.02, 0.81%, 0.37%

LAB 60.2, -0.88, 61.55

 

CMYK 8 / 0 / 89 / 33

HEX #9EAB12

RGB 158 171 18

HSL 65.1, 0.81%, 0.37%

LAB 66.85, -21.4, 66.37

 

CMYK 0 / 39 / 90 / 62

HEX #603B0A

RGB 96 59 10

HSL 34.19, 0.81%, 0.21%

LAB 28.48, 12.16, 34.31

 

CMYK 0 / 39 / 89 / 48

HEX #85510E

RGB 133 81 14

HSL 33.78, 0.81%, 0.29%

LAB 39.42, 16.72, 44.12

 

CMYK 0 / 39 / 89 / 33

HEX #AB6812

RGB 171 104 18

HSL 33.73, 0.81%, 0.37%

LAB 50.22, 20.89, 53.69

 

CMYK 0 / 39 / 89 / 18

HEX #D07F16

RGB 208 127 22

HSL 33.87, 0.81%, 0.45%

LAB 60.47, 24.45, 62.64

 

CMYK 0 / 36 / 83 / 9

HEX #E89427

RGB 232 148 39

HSL 33.89, 0.81%, 0.53%

LAB 68.37, 23.79, 65.29

 

CMYK 0 / 39 / 90 / 33

HEX #AC6912

RGB 172 105 18

HSL 33.9, 0.81%, 0.37%

LAB 50.59, 20.77, 54.04

 

CMYK 67 / 0 / 89 / 33

HEX #38AB12

RGB 56 171 18

HSL 105.1, 0.81%, 0.37%

LAB 61.66, -56.95, 59.95

 

CMYK 76 / 89 / 0 / 33

HEX #2912AB

RGB 41 18 171

HSL 249.02, 0.81%, 0.37%

LAB 23.15, 54.68, -74.32

 

CMYK 0 / 39 / 90 / 33

HEX #AC6912

RGB 172 105 18

HSL 33.9, 0.81%, 0.37%

LAB 50.59, 20.77, 54.04

 

CMYK 89 / 0 / 40 / 33

HEX #12AB66

RGB 18 171 102

HSL 152.94, 0.81%, 0.37%

LAB 61.84, -52.64, 25.47

 

CMYK 40 / 89 / 0 / 33

HEX #6612AB

RGB 102 18 171

HSL 272.94, 0.81%, 0.37%

LAB 29.91, 60.05, -62.93

 

CMYK 0 / 39 / 90 / 33

HEX #AC6912

RGB 172 105 18

HSL 33.9, 0.81%, 0.37%

LAB 50.59, 20.77, 54.04

 

CMYK 67 / 0 / 89 / 33

HEX #38AB12

RGB 56 171 18

HSL 105.1, 0.81%, 0.37%

LAB 61.66, -56.95, 59.95

 

CMYK 89 / 49 / 0 / 33

HEX #1257AB

RGB 18 87 171

HSL 212.94, 0.81%, 0.37%

LAB 37.64, 12.54, -50.59

 

CMYK 22 / 89 / 0 / 33

HEX #8512AB

RGB 133 18 171

HSL 285.1, 0.81%, 0.37%

LAB 34.72, 64.41, -54.87

 

CMYK 0 / 39 / 90 / 33

HEX #AC6912

RGB 172 105 18

HSL 33.9, 0.81%, 0.37%

LAB 50.59, 20.77, 54.04

 

CMYK 89 / 0 / 85 / 33

HEX #12AB1A

RGB 18 171 26

HSL 123.14, 0.81%, 0.37%

LAB 61.07, -62.01, 57.42

 

CMYK 89 / 49 / 0 / 33

HEX #1257AB

RGB 18 87 171

HSL 212.94, 0.81%, 0.37%

LAB 37.64, 12.54, -50.59

 

CMYK 0 / 89 / 5 / 33

HEX #AB12A3

RGB 171 18 163

HSL 303.14, 0.81%, 0.37%

LAB 40.79, 69.57, -39.96

 

Description

Color code: HEX #AC6912 | qconv.com Color code: HEX #AC6912 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 105 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 105 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 90 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 90% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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