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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #85510E it is the complementary color #7AAEF1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #85510E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #85510E shade: #8A5109, #9B631C, #AC752F, #BD8742 and #CE9955

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #85510E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #85510E shade: #85510E, #743F00, #632D00, #521B00 and #410900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #85510E shade: #86510E, #86310E, #86110E and #860E0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #85510E shade: #86510E, #86720E, #7A860E, #59860E and #39860E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #85510E shade matches the following richer shades: #86510E and #925302

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #85510E shade: #86510E, #7A501A, #6E4E26, #624D32 and #564B3E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #85510E shade: #86100E, #86300E, #86500E, #86700E and #7C860E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #85510E shade: #3B2406, #613B0A, #86510E, #AB6812 and #D17F16

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #85510E shade: #85510E, #2C860E and #200E86

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #85510E shade: #85510E, #0E8650 and #500E86

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #85510E shade: #85510E, #2C860E, #0E4486 and #680E86

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #85510E shade: #85510E, #0E8614, #0E4486 and #860E80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 89 / 48

HEX #85510E

RGB 133 81 14

HSL 33.78, 0.81%, 0.29%

LAB 39.42, 16.72, 44.12

 

Complementary color

CMYK 49 / 28 / 0 / 5

HEX #7AAEF1

RGB 122 174 241

HSL 213.78, 0.81%, 0.71%

LAB 70.01, 0.95, -38.73

 

CMYK 0 / 41 / 93 / 46

HEX #8A5109

RGB 138 81 9

HSL 33.49, 0.88%, 0.29%

LAB 40.09, 18.92, 46.43

 

CMYK 0 / 36 / 82 / 39

HEX #9B631C

RGB 155 99 28

HSL 33.54, 0.69%, 0.36%

LAB 46.94, 16.83, 46.65

 

CMYK 0 / 32 / 73 / 33

HEX #AC752F

RGB 172 117 47

HSL 33.6, 0.57%, 0.43%

LAB 53.71, 15.08, 45.72

 

CMYK 0 / 29 / 65 / 26

HEX #BD8742

RGB 189 135 66

HSL 33.66, 0.48%, 0.5%

LAB 60.37, 13.62, 44.4

 

CMYK 0 / 26 / 59 / 19

HEX #CE9955

RGB 206 153 85

HSL 33.72, 0.55%, 0.57%

LAB 66.95, 12.38, 42.98

 

CMYK 0 / 39 / 89 / 48

HEX #85510E

RGB 133 81 14

HSL 33.78, 0.81%, 0.29%

LAB 39.42, 16.72, 44.12

 

CMYK 0 / 46 / 100 / 55

HEX #743F00

RGB 116 63 0

HSL 32.59, 1%, 0.23%

LAB 32.41, 19.07, 42.58

 

CMYK 0 / 55 / 100 / 61

HEX #632D00

RGB 99 45 0

HSL 27.27, 1%, 0.19%

LAB 25.35, 21.78, 35.79

 

CMYK 0 / 67 / 100 / 68

HEX #521B00

RGB 82 27 0

HSL 19.76, 1%, 0.16%

LAB 18.27, 24.34, 27.3

 

CMYK 0 / 86 / 100 / 75

HEX #410900

RGB 65 9 0

HSL 8.31, 1%, 0.13%

LAB 11.41, 26.01, 17.75

 

CMYK 0 / 40 / 90 / 47

HEX #86510E

RGB 134 81 14

HSL 33.5, 0.81%, 0.29%

LAB 39.56, 17.18, 44.29

 

CMYK 0 / 63 / 90 / 47

HEX #86310E

RGB 134 49 14

HSL 17.5, 0.81%, 0.29%

LAB 32.47, 34.79, 38.53

 

CMYK 0 / 87 / 90 / 47

HEX #86110E

RGB 134 17 14

HSL 1.5, 0.81%, 0.29%

LAB 28.12, 46.76, 34.97

 

CMYK 0 / 90 / 90 / 47

HEX #860E0E

RGB 134 14 14

HSL 0, 0.81%, 0.29%

LAB 27.88, 47.42, 34.77

 

CMYK 0 / 40 / 90 / 47

HEX #86510E

RGB 134 81 14

HSL 33.5, 0.81%, 0.29%

LAB 39.56, 17.18, 44.29

 

CMYK 0 / 15 / 90 / 47

HEX #86720E

RGB 134 114 14

HSL 50, 0.81%, 0.29%

LAB 48.43, -2.05, 51.47

 

CMYK 9 / 0 / 90 / 47

HEX #7A860E

RGB 122 134 14

HSL 66, 0.81%, 0.29%

LAB 53.19, -18.57, 54.89

 

CMYK 34 / 0 / 90 / 47

HEX #59860E

RGB 89 134 14

HSL 82.5, 0.81%, 0.29%

LAB 50.93, -32.7, 52.09

 

CMYK 57 / 0 / 90 / 47

HEX #39860E

RGB 57 134 14

HSL 98.5, 0.81%, 0.29%

LAB 49.44, -43.74, 50.23

 

CMYK 0 / 40 / 90 / 47

HEX #86510E

RGB 134 81 14

HSL 33.5, 0.81%, 0.29%

LAB 39.56, 17.18, 44.29

 

CMYK 0 / 43 / 99 / 43

HEX #925302

RGB 146 83 2

HSL 33.75, 0.97%, 0.29%

LAB 41.69, 21.28, 50.04

 

CMYK 0 / 40 / 90 / 47

HEX #86510E

RGB 134 81 14

HSL 33.5, 0.81%, 0.29%

LAB 39.56, 17.18, 44.29

 

CMYK 0 / 34 / 79 / 52

HEX #7A501A

RGB 122 80 26

HSL 33.75, 0.65%, 0.29%

LAB 37.75, 12.57, 37.28

 

CMYK 0 / 29 / 65 / 57

HEX #6E4E26

RGB 110 78 38

HSL 33.33, 0.49%, 0.29%

LAB 35.8, 8.81, 28.56

 

CMYK 0 / 21 / 49 / 62

HEX #624D32

RGB 98 77 50

HSL 33.75, 0.32%, 0.29%

LAB 34.26, 4.88, 19.34

 

CMYK 0 / 13 / 28 / 66

HEX #564B3E

RGB 86 75 62

HSL 32.5, 0.16%, 0.29%

LAB 32.61, 2.27, 9.45

 

CMYK 0 / 88 / 90 / 47

HEX #86100E

RGB 134 16 14

HSL 1, 0.81%, 0.29%

LAB 28.04, 46.99, 34.9

 

CMYK 0 / 64 / 90 / 47

HEX #86300E

RGB 134 48 14

HSL 17, 0.81%, 0.29%

LAB 32.29, 35.28, 38.38

 

CMYK 0 / 40 / 90 / 47

HEX #86500E

RGB 134 80 14

HSL 33, 0.81%, 0.29%

LAB 39.31, 17.77, 44.09

 

CMYK 0 / 16 / 90 / 47

HEX #86700E

RGB 134 112 14

HSL 49, 0.81%, 0.29%

LAB 47.86, -0.91, 51.02

 

CMYK 7 / 0 / 90 / 47

HEX #7C860E

RGB 124 134 14

HSL 65, 0.81%, 0.29%

LAB 53.35, -17.67, 55.09

 

CMYK 0 / 39 / 90 / 77

HEX #3B2406

RGB 59 36 6

HSL 33.96, 0.82%, 0.13%

LAB 16.53, 7.85, 21.8

 

CMYK 0 / 39 / 90 / 62

HEX #613B0A

RGB 97 59 10

HSL 33.79, 0.81%, 0.21%

LAB 28.62, 12.65, 34.49

 

CMYK 0 / 40 / 90 / 47

HEX #86510E

RGB 134 81 14

HSL 33.5, 0.81%, 0.29%

LAB 39.56, 17.18, 44.29

 

CMYK 0 / 39 / 89 / 33

HEX #AB6812

RGB 171 104 18

HSL 33.73, 0.81%, 0.37%

LAB 50.22, 20.89, 53.69

 

CMYK 0 / 39 / 89 / 18

HEX #D17F16

RGB 209 127 22

HSL 33.69, 0.81%, 0.45%

LAB 60.6, 24.87, 62.8

 

CMYK 0 / 39 / 89 / 48

HEX #85510E

RGB 133 81 14

HSL 33.78, 0.81%, 0.29%

LAB 39.42, 16.72, 44.12

 

CMYK 67 / 0 / 90 / 47

HEX #2C860E

RGB 44 134 14

HSL 105, 0.81%, 0.29%

LAB 49.03, -47.1, 49.71

 

CMYK 76 / 90 / 0 / 47

HEX #200E86

RGB 32 14 134

HSL 249, 0.81%, 0.29%

LAB 17.19, 44.98, -61.44

 

CMYK 0 / 39 / 89 / 48

HEX #85510E

RGB 133 81 14

HSL 33.78, 0.81%, 0.29%

LAB 39.42, 16.72, 44.12

 

CMYK 90 / 0 / 40 / 47

HEX #0E8650

RGB 14 134 80

HSL 153, 0.81%, 0.29%

LAB 49.16, -43.6, 20.7

 

CMYK 40 / 90 / 0 / 47

HEX #500E86

RGB 80 14 134

HSL 273, 0.81%, 0.29%

LAB 22.8, 49.77, -51.99

 

CMYK 0 / 39 / 89 / 48

HEX #85510E

RGB 133 81 14

HSL 33.78, 0.81%, 0.29%

LAB 39.42, 16.72, 44.12

 

CMYK 67 / 0 / 90 / 47

HEX #2C860E

RGB 44 134 14

HSL 105, 0.81%, 0.29%

LAB 49.03, -47.1, 49.71

 

CMYK 90 / 49 / 0 / 47

HEX #0E4486

RGB 14 68 134

HSL 213, 0.81%, 0.29%

LAB 29.28, 9.82, -41.65

 

CMYK 22 / 90 / 0 / 47

HEX #680E86

RGB 104 14 134

HSL 285, 0.81%, 0.29%

LAB 26.67, 53.43, -45.5

 

CMYK 0 / 39 / 89 / 48

HEX #85510E

RGB 133 81 14

HSL 33.78, 0.81%, 0.29%

LAB 39.42, 16.72, 44.12

 

CMYK 90 / 0 / 85 / 47

HEX #0E8614

RGB 14 134 20

HSL 123, 0.81%, 0.29%

LAB 48.5, -51.56, 47.53

 

CMYK 90 / 49 / 0 / 47

HEX #0E4486

RGB 14 68 134

HSL 213, 0.81%, 0.29%

LAB 29.28, 9.82, -41.65

 

CMYK 0 / 90 / 4 / 47

HEX #860E80

RGB 134 14 128

HSL 303, 0.81%, 0.29%

LAB 31.67, 57.85, -33.42

 

Description

Color code: HEX #85510E | qconv.com Color code: HEX #85510E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 81 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 81 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 89 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 89% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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