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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7A501A it is the complementary color #85AFE5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7A501A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7A501A shade: #7F5015, #906228, #A1743B, #B2864E and #C39861

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7A501A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7A501A shade: #7A501A, #693E07, #582C00, #471A00 and #360800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7A501A shade: #7A501A, #7A361A, #7A1C1A and #7A1A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7A501A shade: #7A501A, #7A6A1A, #707A1A, #567A1A and #3C7A1A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7A501A shade matches the following richer shades: #7A501A, #86510E and #925302

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7A501A shade: #7A501A, #6E4E26, #624D32, #564B3E and #4A4A4A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7A501A shade: #7A1B1A, #7A351A, #7A4F1A, #7A681A and #727A1A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7A501A shade: #36230B, #583A13, #7A501A, #9C6621 and #BE7D28

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7A501A shade: #7A501A, #327A1A and #281A7A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7A501A shade: #7A501A, #1A7A4F and #4F1A7A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7A501A shade: #7A501A, #327A1A, #1A457A and #621A7A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7A501A shade: #7A501A, #1A7A1F, #1A457A and #7A1A75

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 79 / 52

HEX #7A501A

RGB 122 80 26

HSL 33.75, 0.65%, 0.29%

LAB 37.75, 12.57, 37.28

 

Complementary color

CMYK 42 / 24 / 0 / 10

HEX #85AFE5

RGB 133 175 229

HSL 213.75, 0.65%, 0.71%

LAB 70.39, -0.35, -31.55

 

CMYK 0 / 37 / 83 / 50

HEX #7F5015

RGB 127 80 21

HSL 33.4, 0.72%, 0.29%

LAB 38.38, 14.72, 40.31

 

CMYK 0 / 32 / 72 / 44

HEX #906228

RGB 144 98 40

HSL 33.46, 0.57%, 0.36%

LAB 45.38, 12.94, 39.29

 

CMYK 0 / 28 / 63 / 37

HEX #A1743B

RGB 161 116 59

HSL 33.53, 0.46%, 0.43%

LAB 52.27, 11.49, 37.86

 

CMYK 0 / 25 / 56 / 30

HEX #B2864E

RGB 178 134 78

HSL 33.6, 0.39%, 0.5%

LAB 59.03, 10.3, 36.38

 

CMYK 0 / 22 / 50 / 24

HEX #C39861

RGB 195 152 97

HSL 33.67, 0.45%, 0.57%

LAB 65.69, 9.3, 34.95

 

CMYK 0 / 34 / 79 / 52

HEX #7A501A

RGB 122 80 26

HSL 33.75, 0.65%, 0.29%

LAB 37.75, 12.57, 37.28

 

CMYK 0 / 41 / 93 / 59

HEX #693E07

RGB 105 62 7

HSL 33.67, 0.88%, 0.22%

LAB 30.55, 14.62, 37.71

 

CMYK 0 / 50 / 100 / 65

HEX #582C00

RGB 88 44 0

HSL 30, 1%, 0.17%

LAB 23.26, 17.19, 33.11

 

CMYK 0 / 63 / 100 / 72

HEX #471A00

RGB 71 26 0

HSL 21.97, 1%, 0.14%

LAB 15.89, 19.98, 23.9

 

CMYK 0 / 85 / 100 / 79

HEX #360800

RGB 54 8 0

HSL 8.89, 1%, 0.11%

LAB 8.64, 22.17, 13.46

 

CMYK 0 / 34 / 79 / 52

HEX #7A501A

RGB 122 80 26

HSL 33.75, 0.65%, 0.29%

LAB 37.75, 12.57, 37.28

 

CMYK 0 / 56 / 79 / 52

HEX #7A361A

RGB 122 54 26

HSL 17.5, 0.65%, 0.29%

LAB 31.46, 27.71, 30.91

 

CMYK 0 / 77 / 79 / 52

HEX #7A1C1A

RGB 122 28 26

HSL 1.25, 0.65%, 0.29%

LAB 26.86, 39.99, 25.99

 

CMYK 0 / 79 / 79 / 52

HEX #7A1A1A

RGB 122 26 26

HSL 0, 0.65%, 0.29%

LAB 26.59, 40.71, 25.7

 

CMYK 0 / 34 / 79 / 52

HEX #7A501A

RGB 122 80 26

HSL 33.75, 0.65%, 0.29%

LAB 37.75, 12.57, 37.28

 

CMYK 0 / 13 / 79 / 52

HEX #7A6A1A

RGB 122 106 26

HSL 50, 0.65%, 0.29%

LAB 44.97, -2.79, 44.21

 

CMYK 8 / 0 / 79 / 52

HEX #707A1A

RGB 112 122 26

HSL 66.25, 0.65%, 0.29%

LAB 48.81, -16.37, 47.46

 

CMYK 30 / 0 / 79 / 52

HEX #567A1A

RGB 86 122 26

HSL 82.5, 0.65%, 0.29%

LAB 46.94, -27.74, 45.04

 

CMYK 51 / 0 / 79 / 52

HEX #3C7A1A

RGB 60 122 26

HSL 98.75, 0.65%, 0.29%

LAB 45.57, -37.42, 43.25

 

CMYK 0 / 34 / 79 / 52

HEX #7A501A

RGB 122 80 26

HSL 33.75, 0.65%, 0.29%

LAB 37.75, 12.57, 37.28

 

CMYK 0 / 40 / 90 / 47

HEX #86510E

RGB 134 81 14

HSL 33.5, 0.81%, 0.29%

LAB 39.56, 17.18, 44.29

 

CMYK 0 / 43 / 99 / 43

HEX #925302

RGB 146 83 2

HSL 33.75, 0.97%, 0.29%

LAB 41.69, 21.28, 50.04

 

CMYK 0 / 34 / 79 / 52

HEX #7A501A

RGB 122 80 26

HSL 33.75, 0.65%, 0.29%

LAB 37.75, 12.57, 37.28

 

CMYK 0 / 29 / 65 / 57

HEX #6E4E26

RGB 110 78 38

HSL 33.33, 0.49%, 0.29%

LAB 35.8, 8.81, 28.56

 

CMYK 0 / 21 / 49 / 62

HEX #624D32

RGB 98 77 50

HSL 33.75, 0.32%, 0.29%

LAB 34.26, 4.88, 19.34

 

CMYK 0 / 13 / 28 / 66

HEX #564B3E

RGB 86 75 62

HSL 32.5, 0.16%, 0.29%

LAB 32.61, 2.27, 9.45

 

CMYK 0 / 0 / 0 / 71

HEX #4A4A4A

RGB 74 74 74

HSL 0, 0%, 0.29%

LAB 31.46, 0, -0

 

CMYK 0 / 78 / 79 / 52

HEX #7A1B1A

RGB 122 27 26

HSL 0.63, 0.65%, 0.29%

LAB 26.72, 40.35, 25.84

 

CMYK 0 / 57 / 79 / 52

HEX #7A351A

RGB 122 53 26

HSL 16.88, 0.65%, 0.29%

LAB 31.25, 28.26, 30.69

 

CMYK 0 / 35 / 79 / 52

HEX #7A4F1A

RGB 122 79 26

HSL 33.13, 0.65%, 0.29%

LAB 37.49, 13.17, 37.02

 

CMYK 0 / 15 / 79 / 52

HEX #7A681A

RGB 122 104 26

HSL 48.75, 0.65%, 0.29%

LAB 44.39, -1.63, 43.67

 

CMYK 7 / 0 / 79 / 52

HEX #727A1A

RGB 114 122 26

HSL 65, 0.65%, 0.29%

LAB 48.97, -15.46, 47.67

 

CMYK 0 / 35 / 80 / 79

HEX #36230B

RGB 54 35 11

HSL 33.49, 0.66%, 0.13%

LAB 15.54, 6.16, 18.36

 

CMYK 0 / 34 / 78 / 65

HEX #583A13

RGB 88 58 19

HSL 33.91, 0.64%, 0.21%

LAB 27.15, 9.2, 28.55

 

CMYK 0 / 34 / 79 / 52

HEX #7A501A

RGB 122 80 26

HSL 33.75, 0.65%, 0.29%

LAB 37.75, 12.57, 37.28

 

CMYK 0 / 35 / 79 / 39

HEX #9C6621

RGB 156 102 33

HSL 33.66, 0.65%, 0.37%

LAB 47.85, 15.76, 45.48

 

CMYK 0 / 34 / 79 / 25

HEX #BE7D28

RGB 190 125 40

HSL 34, 0.65%, 0.45%

LAB 57.82, 18.25, 53.54

 

CMYK 0 / 34 / 79 / 52

HEX #7A501A

RGB 122 80 26

HSL 33.75, 0.65%, 0.29%

LAB 37.75, 12.57, 37.28

 

CMYK 59 / 0 / 79 / 52

HEX #327A1A

RGB 50 122 26

HSL 105, 0.65%, 0.29%

LAB 45.18, -40.46, 42.73

 

CMYK 67 / 79 / 0 / 52

HEX #281A7A

RGB 40 26 122

HSL 248.75, 0.65%, 0.29%

LAB 18.34, 36.24, -51.88

 

CMYK 0 / 34 / 79 / 52

HEX #7A501A

RGB 122 80 26

HSL 33.75, 0.65%, 0.29%

LAB 37.75, 12.57, 37.28

 

CMYK 79 / 0 / 35 / 52

HEX #1A7A4F

RGB 26 122 79

HSL 153.13, 0.65%, 0.29%

LAB 45.22, -37.73, 16.02

 

CMYK 35 / 79 / 0 / 52

HEX #4F1A7A

RGB 79 26 122

HSL 273.13, 0.65%, 0.29%

LAB 23.02, 42.45, -44.04

 

CMYK 0 / 34 / 79 / 52

HEX #7A501A

RGB 122 80 26

HSL 33.75, 0.65%, 0.29%

LAB 37.75, 12.57, 37.28

 

CMYK 59 / 0 / 79 / 52

HEX #327A1A

RGB 50 122 26

HSL 105, 0.65%, 0.29%

LAB 45.18, -40.46, 42.73

 

CMYK 79 / 43 / 0 / 52

HEX #1A457A

RGB 26 69 122

HSL 213.13, 0.65%, 0.29%

LAB 29.11, 5.38, -34.43

 

CMYK 20 / 79 / 0 / 52

HEX #621A7A

RGB 98 26 122

HSL 285, 0.65%, 0.29%

LAB 25.98, 46.25, -39.1

 

CMYK 0 / 34 / 79 / 52

HEX #7A501A

RGB 122 80 26

HSL 33.75, 0.65%, 0.29%

LAB 37.75, 12.57, 37.28

 

CMYK 79 / 0 / 75 / 52

HEX #1A7A1F

RGB 26 122 31

HSL 123.13, 0.65%, 0.29%

LAB 44.57, -45.37, 39.99

 

CMYK 79 / 43 / 0 / 52

HEX #1A457A

RGB 26 69 122

HSL 213.13, 0.65%, 0.29%

LAB 29.11, 5.38, -34.43

 

CMYK 0 / 79 / 4 / 52

HEX #7A1A75

RGB 122 26 117

HSL 303.13, 0.65%, 0.29%

LAB 29.81, 50.58, -29.56

 

Description

Color code: HEX #7A501A | qconv.com Color code: HEX #7A501A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 80 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 80 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 79 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 79% 52% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

42% - Nucita Venezolana, C...
Link: http://nucitavenezolana.com.ve

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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