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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC569A it is the complementary color #53A965. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC569A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC569A shade: #B15695, #C268A8, #D37ABB, #E48CCE and #F59EE1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC569A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC569A shade: #AC569A, #9B4487, #8A3274, #792061 and #680E4E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC569A shade: #AD589B, #AD5884, #AD586D and #AD5858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC569A shade: #AD589B, #A758AD, #9058AD, #7A58AD and #6358AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC569A shade matches the following richer shades: #AD589B, #C143A6, #D52FB2, #E91BBE and #FD07CA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC569A shade: #AD589B, #986C8F, #848083, #709477 and #5CA86C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC569A shade: #9058AD, #A758AD, #AD589C, #AD5885 and #AD586E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC569A shade: #773B6A, #934883, #AD589B, #BA73AB and #C88FBC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC569A shade: #AC569A, #AD7A58 and #58AD9C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC569A shade: #AC569A, #9CAD58 and #589CAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC569A shade: #AC569A, #AD7A58, #58AD69 and #588BAD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC569A shade: #AC569A, #AD9358, #58AD69 and #5871AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 10 / 33

HEX #AC569A

RGB 172 86 154

HSL 312.56, 0.34%, 0.51%

LAB 49.2, 44.25, -21.41

 

Complementary color

CMYK 51 / 0 / 40 / 34

HEX #53A965

RGB 83 169 101

HSL 132.56, 0.34%, 0.49%

LAB 62.64, -41.05, 27.33

 

CMYK 0 / 51 / 16 / 31

HEX #B15695

RGB 177 86 149

HSL 318.46, 0.37%, 0.52%

LAB 49.7, 45, -17.61

 

CMYK 0 / 46 / 13 / 24

HEX #C268A8

RGB 194 104 168

HSL 317.33, 0.42%, 0.58%

LAB 56.28, 44.29, -18.5

 

CMYK 0 / 42 / 11 / 17

HEX #D37ABB

RGB 211 122 187

HSL 316.18, 0.5%, 0.65%

LAB 62.81, 43.54, -19.26

 

CMYK 0 / 39 / 10 / 11

HEX #E48CCE

RGB 228 140 206

HSL 315, 0.62%, 0.72%

LAB 69.26, 42.78, -19.91

 

CMYK 0 / 36 / 8 / 4

HEX #F59EE1

RGB 245 158 225

HSL 313.79, 0.81%, 0.79%

LAB 75.64, 42.04, -20.5

 

CMYK 0 / 50 / 10 / 33

HEX #AC569A

RGB 172 86 154

HSL 312.56, 0.34%, 0.51%

LAB 49.2, 44.25, -21.41

 

CMYK 0 / 56 / 13 / 39

HEX #9B4487

RGB 155 68 135

HSL 313.79, 0.39%, 0.44%

LAB 42.54, 44.86, -20.47

 

CMYK 0 / 64 / 16 / 46

HEX #8A3274

RGB 138 50 116

HSL 315, 0.47%, 0.37%

LAB 35.88, 45.22, -19.23

 

CMYK 0 / 74 / 20 / 53

HEX #792061

RGB 121 32 97

HSL 316.18, 0.58%, 0.3%

LAB 29.31, 45.05, -17.5

 

CMYK 0 / 87 / 25 / 59

HEX #680E4E

RGB 104 14 78

HSL 317.33, 0.76%, 0.23%

LAB 23.02, 43.76, -14.92

 

CMYK 0 / 49 / 10 / 32

HEX #AD589B

RGB 173 88 155

HSL 312.71, 0.34%, 0.51%

LAB 49.77, 43.71, -21.11

 

CMYK 0 / 49 / 24 / 32

HEX #AD5884

RGB 173 88 132

HSL 328.94, 0.34%, 0.51%

LAB 48.92, 40.05, -8.72

 

CMYK 0 / 49 / 37 / 32

HEX #AD586D

RGB 173 88 109

HSL 345.18, 0.34%, 0.51%

LAB 48.22, 36.94, 4.08

 

CMYK 0 / 49 / 49 / 32

HEX #AD5858

RGB 173 88 88

HSL 0, 0.34%, 0.51%

LAB 47.71, 34.62, 16.01

 

CMYK 0 / 49 / 10 / 32

HEX #AD589B

RGB 173 88 155

HSL 312.71, 0.34%, 0.51%

LAB 49.77, 43.71, -21.11

 

CMYK 3 / 49 / 0 / 32

HEX #A758AD

RGB 167 88 173

HSL 295.76, 0.34%, 0.51%

LAB 49.75, 45.14, -31.79

 

CMYK 17 / 49 / 0 / 32

HEX #9058AD

RGB 144 88 173

HSL 279.53, 0.34%, 0.51%

LAB 46.88, 38.44, -36.51

 

CMYK 29 / 49 / 0 / 32

HEX #7A58AD

RGB 122 88 173

HSL 264, 0.34%, 0.51%

LAB 44.42, 32.2, -40.55

 

CMYK 43 / 49 / 0 / 32

HEX #6358AD

RGB 99 88 173

HSL 247.76, 0.34%, 0.51%

LAB 42.23, 26.11, -44.17

 

CMYK 0 / 49 / 10 / 32

HEX #AD589B

RGB 173 88 155

HSL 312.71, 0.34%, 0.51%

LAB 49.77, 43.71, -21.11

 

CMYK 0 / 65 / 14 / 24

HEX #C143A6

RGB 193 67 166

HSL 312.86, 0.5%, 0.51%

LAB 49.62, 60.88, -27.6

 

CMYK 0 / 78 / 16 / 16

HEX #D52FB2

RGB 213 47 178

HSL 312.65, 0.66%, 0.51%

LAB 51.14, 73.99, -32.03

 

CMYK 0 / 88 / 18 / 9

HEX #E91BBE

RGB 233 27 190

HSL 312.52, 0.82%, 0.51%

LAB 53.84, 83.66, -34.55

 

CMYK 0 / 97 / 20 / 1

HEX #FD07CA

RGB 253 7 202

HSL 312.44, 0.98%, 0.51%

LAB 57.37, 90.72, -35.69

 

CMYK 0 / 49 / 10 / 32

HEX #AD589B

RGB 173 88 155

HSL 312.71, 0.34%, 0.51%

LAB 49.77, 43.71, -21.11

 

CMYK 0 / 29 / 6 / 40

HEX #986C8F

RGB 152 108 143

HSL 312.27, 0.18%, 0.51%

LAB 51.13, 23.42, -12.19

 

CMYK 0 / 3 / 1 / 48

HEX #848083

RGB 132 128 131

HSL 315, 0.02%, 0.51%

LAB 54.01, 2.09, -1.09

 

CMYK 24 / 0 / 20 / 42

HEX #709477

RGB 112 148 119

HSL 131.67, 0.14%, 0.51%

LAB 58, -18.6, 11.34

 

CMYK 45 / 0 / 36 / 34

HEX #5CA86C

RGB 92 168 108

HSL 132.63, 0.3%, 0.51%

LAB 62.81, -36.85, 23.87

 

CMYK 17 / 49 / 0 / 32

HEX #9058AD

RGB 144 88 173

HSL 279.53, 0.34%, 0.51%

LAB 46.88, 38.44, -36.51

 

CMYK 3 / 49 / 0 / 32

HEX #A758AD

RGB 167 88 173

HSL 295.76, 0.34%, 0.51%

LAB 49.75, 45.14, -31.79

 

CMYK 0 / 49 / 10 / 32

HEX #AD589C

RGB 173 88 156

HSL 312, 0.34%, 0.51%

LAB 49.81, 43.88, -21.64

 

CMYK 0 / 49 / 23 / 32

HEX #AD5885

RGB 173 88 133

HSL 328.24, 0.34%, 0.51%

LAB 48.95, 40.2, -9.26

 

CMYK 0 / 49 / 36 / 32

HEX #AD586E

RGB 173 88 110

HSL 344.47, 0.34%, 0.51%

LAB 48.25, 37.06, 3.52

 

CMYK 0 / 50 / 11 / 53

HEX #773B6A

RGB 119 59 106

HSL 313, 0.34%, 0.35%

LAB 34.17, 32.99, -15.81

 

CMYK 0 / 51 / 11 / 42

HEX #934883

RGB 147 72 131

HSL 312.8, 0.34%, 0.43%

LAB 41.96, 39.64, -19.02

 

CMYK 0 / 49 / 10 / 32

HEX #AD589B

RGB 173 88 155

HSL 312.71, 0.34%, 0.51%

LAB 49.77, 43.71, -21.11

 

CMYK 0 / 38 / 8 / 27

HEX #BA73AB

RGB 186 115 171

HSL 312.68, 0.34%, 0.59%

LAB 57.69, 36.35, -18.18

 

CMYK 0 / 29 / 6 / 22

HEX #C88FBC

RGB 200 143 188

HSL 312.63, 0.34%, 0.67%

LAB 66.18, 28.78, -14.83

 

CMYK 0 / 50 / 10 / 33

HEX #AC569A

RGB 172 86 154

HSL 312.56, 0.34%, 0.51%

LAB 49.2, 44.25, -21.41

 

CMYK 0 / 29 / 49 / 32

HEX #AD7A58

RGB 173 122 88

HSL 24, 0.34%, 0.51%

LAB 55.59, 15.8, 26.49

 

CMYK 49 / 0 / 10 / 32

HEX #58AD9C

RGB 88 173 156

HSL 168, 0.34%, 0.51%

LAB 65.25, -29.99, 0.81

 

CMYK 0 / 50 / 10 / 33

HEX #AC569A

RGB 172 86 154

HSL 312.56, 0.34%, 0.51%

LAB 49.2, 44.25, -21.41

 

CMYK 10 / 0 / 49 / 32

HEX #9CAD58

RGB 156 173 88

HSL 72, 0.34%, 0.51%

LAB 67.77, -19.08, 41.37

 

CMYK 49 / 10 / 0 / 32

HEX #589CAD

RGB 88 156 173

HSL 192, 0.34%, 0.51%

LAB 60.67, -16.83, -15.54

 

CMYK 0 / 50 / 10 / 33

HEX #AC569A

RGB 172 86 154

HSL 312.56, 0.34%, 0.51%

LAB 49.2, 44.25, -21.41

 

CMYK 0 / 29 / 49 / 32

HEX #AD7A58

RGB 173 122 88

HSL 24, 0.34%, 0.51%

LAB 55.59, 15.8, 26.49

 

CMYK 49 / 0 / 39 / 32

HEX #58AD69

RGB 88 173 105

HSL 132, 0.34%, 0.51%

LAB 64.15, -40.72, 27.22

 

CMYK 49 / 20 / 0 / 32

HEX #588BAD

RGB 88 139 173

HSL 204, 0.34%, 0.51%

LAB 55.64, -7.49, -23.2

 

CMYK 0 / 50 / 10 / 33

HEX #AC569A

RGB 172 86 154

HSL 312.56, 0.34%, 0.51%

LAB 49.2, 44.25, -21.41

 

CMYK 0 / 15 / 49 / 32

HEX #AD9358

RGB 173 147 88

HSL 41.65, 0.34%, 0.51%

LAB 62.05, 1.85, 34.69

 

CMYK 49 / 0 / 39 / 32

HEX #58AD69

RGB 88 173 105

HSL 132, 0.34%, 0.51%

LAB 64.15, -40.72, 27.22

 

CMYK 49 / 35 / 0 / 32

HEX #5871AD

RGB 88 113 173

HSL 222.35, 0.34%, 0.51%

LAB 48.14, 7.85, -34.87

 

Description

Color code: HEX #AC569A | qconv.com Color code: HEX #AC569A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 86 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 86 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 10 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 10% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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