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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD586D it is the complementary color #52A792. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD586D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD586D shade: #B25868, #C36A7B, #D47C8E, #E58EA1 and #F6A0B4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD586D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD586D shade: #AD586D, #9C465A, #8B3447, #7A2234 and #691021

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD586D shade: #AD586D and #AD5858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD586D shade: #AD586D, #AD5883, #AD589A, #A858AD and #9158AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD586D shade matches the following richer shades: #AD586D, #C14362, #D52F58, #E91B4E and #FD0744

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD586D shade: #AD586D, #986C77, #848081, #70948B and #5CA895

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD586D shade: #AD589A, #AD5883, #AD586D, #AD5958 and #AD7058

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD586D shade: #773B4A, #93485B, #AD586D, #BA7385 and #C88F9D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD586D shade: #AD586D, #ADA858 and #588FAD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD586D shade: #AD586D, #6DAD58 and #586DAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD586D shade: #AD586D, #ADA858, #58AD97 and #585CAD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD586D shade: #AD586D, #97AD58, #58AD97 and #6D58AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 37 / 32

HEX #AD586D

RGB 173 88 109

HSL 345.18, 0.34%, 0.51%

LAB 48.22, 36.94, 4.08

 

Complementary color

CMYK 51 / 0 / 13 / 35

HEX #52A792

RGB 82 167 146

HSL 165.18, 0.34%, 0.49%

LAB 62.93, -30.99, 2.99

 

CMYK 0 / 51 / 42 / 30

HEX #B25868

RGB 178 88 104

HSL 349.33, 0.37%, 0.52%

LAB 48.81, 38.18, 8.04

 

CMYK 0 / 46 / 37 / 24

HEX #C36A7B

RGB 195 106 123

HSL 348.54, 0.43%, 0.59%

LAB 55.42, 37.19, 6.5

 

CMYK 0 / 42 / 33 / 17

HEX #D47C8E

RGB 212 124 142

HSL 347.73, 0.51%, 0.66%

LAB 61.97, 36.24, 5.18

 

CMYK 0 / 38 / 30 / 10

HEX #E58EA1

RGB 229 142 161

HSL 346.9, 0.63%, 0.73%

LAB 68.44, 35.35, 4.03

 

CMYK 0 / 35 / 27 / 4

HEX #F6A0B4

RGB 246 160 180

HSL 346.05, 0.83%, 0.8%

LAB 74.84, 34.51, 3

 

CMYK 0 / 49 / 37 / 32

HEX #AD586D

RGB 173 88 109

HSL 345.18, 0.34%, 0.51%

LAB 48.22, 36.94, 4.08

 

CMYK 0 / 55 / 42 / 39

HEX #9C465A

RGB 156 70 90

HSL 346.05, 0.38%, 0.44%

LAB 41.51, 37.88, 5.76

 

CMYK 0 / 63 / 49 / 45

HEX #8B3447

RGB 139 52 71

HSL 346.9, 0.46%, 0.37%

LAB 34.8, 38.72, 7.87

 

CMYK 0 / 72 / 57 / 52

HEX #7A2234

RGB 122 34 52

HSL 347.73, 0.56%, 0.31%

LAB 28.19, 39.23, 10.66

 

CMYK 0 / 85 / 69 / 59

HEX #691021

RGB 105 16 33

HSL 348.54, 0.74%, 0.24%

LAB 21.89, 38.9, 14.56

 

CMYK 0 / 49 / 37 / 32

HEX #AD586D

RGB 173 88 109

HSL 345.18, 0.34%, 0.51%

LAB 48.22, 36.94, 4.08

 

CMYK 0 / 49 / 49 / 32

HEX #AD5858

RGB 173 88 88

HSL 0, 0.34%, 0.51%

LAB 47.71, 34.62, 16.01

 

CMYK 0 / 49 / 37 / 32

HEX #AD586D

RGB 173 88 109

HSL 345.18, 0.34%, 0.51%

LAB 48.22, 36.94, 4.08

 

CMYK 0 / 49 / 24 / 32

HEX #AD5883

RGB 173 88 131

HSL 329.65, 0.34%, 0.51%

LAB 48.89, 39.9, -8.17

 

CMYK 0 / 49 / 11 / 32

HEX #AD589A

RGB 173 88 154

HSL 313.41, 0.34%, 0.51%

LAB 49.73, 43.54, -20.58

 

CMYK 3 / 49 / 0 / 32

HEX #A858AD

RGB 168 88 173

HSL 296.47, 0.34%, 0.51%

LAB 49.88, 45.44, -31.58

 

CMYK 16 / 49 / 0 / 32

HEX #9158AD

RGB 145 88 173

HSL 280.24, 0.34%, 0.51%

LAB 47, 38.73, -36.31

 

CMYK 0 / 49 / 37 / 32

HEX #AD586D

RGB 173 88 109

HSL 345.18, 0.34%, 0.51%

LAB 48.22, 36.94, 4.08

 

CMYK 0 / 65 / 49 / 24

HEX #C14362

RGB 193 67 98

HSL 345.24, 0.5%, 0.51%

LAB 47.28, 52.67, 9.85

 

CMYK 0 / 78 / 59 / 16

HEX #D52F58

RGB 213 47 88

HSL 345.18, 0.66%, 0.51%

LAB 48.11, 64.91, 17.68

 

CMYK 0 / 88 / 67 / 9

HEX #E91B4E

RGB 233 27 78

HSL 345.15, 0.82%, 0.51%

LAB 50.28, 73.94, 27.34

 

CMYK 0 / 97 / 73 / 1

HEX #FD0744

RGB 253 7 68

HSL 345.12, 0.98%, 0.51%

LAB 53.44, 80.4, 38.05

 

CMYK 0 / 49 / 37 / 32

HEX #AD586D

RGB 173 88 109

HSL 345.18, 0.34%, 0.51%

LAB 48.22, 36.94, 4.08

 

CMYK 0 / 29 / 22 / 40

HEX #986C77

RGB 152 108 119

HSL 345, 0.18%, 0.51%

LAB 50.37, 19.23, 0.88

 

CMYK 0 / 3 / 2 / 48

HEX #848081

RGB 132 128 129

HSL 345, 0.02%, 0.51%

LAB 53.95, 1.7, -0.01

 

CMYK 24 / 0 / 6 / 42

HEX #70948B

RGB 112 148 139

HSL 165, 0.14%, 0.51%

LAB 58.5, -14.43, 0.68

 

CMYK 45 / 0 / 11 / 34

HEX #5CA895

RGB 92 168 149

HSL 165, 0.3%, 0.51%

LAB 63.71, -28.26, 2.5

 

CMYK 0 / 49 / 11 / 32

HEX #AD589A

RGB 173 88 154

HSL 313.41, 0.34%, 0.51%

LAB 49.73, 43.54, -20.58

 

CMYK 0 / 49 / 24 / 32

HEX #AD5883

RGB 173 88 131

HSL 329.65, 0.34%, 0.51%

LAB 48.89, 39.9, -8.17

 

CMYK 0 / 49 / 37 / 32

HEX #AD586D

RGB 173 88 109

HSL 345.18, 0.34%, 0.51%

LAB 48.22, 36.94, 4.08

 

CMYK 0 / 49 / 49 / 32

HEX #AD5958

RGB 173 89 88

HSL 0.71, 0.34%, 0.51%

LAB 47.92, 34.08, 16.3

 

CMYK 0 / 35 / 49 / 32

HEX #AD7058

RGB 173 112 88

HSL 16.94, 0.34%, 0.51%

LAB 53.14, 21.43, 23.29

 

CMYK 0 / 50 / 38 / 53

HEX #773B4A

RGB 119 59 74

HSL 345, 0.34%, 0.35%

LAB 33.02, 27.94, 2.94

 

CMYK 0 / 51 / 38 / 42

HEX #93485B

RGB 147 72 91

HSL 344.8, 0.34%, 0.43%

LAB 40.56, 33.64, 3.59

 

CMYK 0 / 49 / 37 / 32

HEX #AD586D

RGB 173 88 109

HSL 345.18, 0.34%, 0.51%

LAB 48.22, 36.94, 4.08

 

CMYK 0 / 38 / 28 / 27

HEX #BA7385

RGB 186 115 133

HSL 344.79, 0.34%, 0.59%

LAB 56.48, 30.33, 2.03

 

CMYK 0 / 29 / 22 / 22

HEX #C88F9D

RGB 200 143 157

HSL 345.26, 0.34%, 0.67%

LAB 65.25, 23.64, 1.23

 

CMYK 0 / 49 / 37 / 32

HEX #AD586D

RGB 173 88 109

HSL 345.18, 0.34%, 0.51%

LAB 48.22, 36.94, 4.08

 

CMYK 0 / 3 / 49 / 32

HEX #ADA858

RGB 173 168 88

HSL 56.47, 0.34%, 0.51%

LAB 67.72, -9.45, 41.63

 

CMYK 49 / 17 / 0 / 32

HEX #588FAD

RGB 88 143 173

HSL 201.18, 0.34%, 0.51%

LAB 56.82, -9.74, -21.39

 

CMYK 0 / 49 / 37 / 32

HEX #AD586D

RGB 173 88 109

HSL 345.18, 0.34%, 0.51%

LAB 48.22, 36.94, 4.08

 

CMYK 37 / 0 / 49 / 32

HEX #6DAD58

RGB 109 173 88

HSL 105.18, 0.34%, 0.51%

LAB 64.84, -36.81, 37.12

 

CMYK 49 / 37 / 0 / 32

HEX #586DAD

RGB 88 109 173

HSL 225.18, 0.34%, 0.51%

LAB 47.01, 10.31, -36.63

 

CMYK 0 / 49 / 37 / 32

HEX #AD586D

RGB 173 88 109

HSL 345.18, 0.34%, 0.51%

LAB 48.22, 36.94, 4.08

 

CMYK 0 / 3 / 49 / 32

HEX #ADA858

RGB 173 168 88

HSL 56.47, 0.34%, 0.51%

LAB 67.72, -9.45, 41.63

 

CMYK 49 / 0 / 13 / 32

HEX #58AD97

RGB 88 173 151

HSL 164.47, 0.34%, 0.51%

LAB 65.12, -31.2, 3.4

 

CMYK 49 / 47 / 0 / 32

HEX #585CAD

RGB 88 92 173

HSL 237.18, 0.34%, 0.51%

LAB 42.38, 20.92, -43.99

 

CMYK 0 / 49 / 37 / 32

HEX #AD586D

RGB 173 88 109

HSL 345.18, 0.34%, 0.51%

LAB 48.22, 36.94, 4.08

 

CMYK 13 / 0 / 49 / 32

HEX #97AD58

RGB 151 173 88

HSL 75.53, 0.34%, 0.51%

LAB 67.41, -21.1, 40.84

 

CMYK 49 / 0 / 13 / 32

HEX #58AD97

RGB 88 173 151

HSL 164.47, 0.34%, 0.51%

LAB 65.12, -31.2, 3.4

 

CMYK 37 / 49 / 0 / 32

HEX #6D58AD

RGB 109 88 173

HSL 254.82, 0.34%, 0.51%

LAB 43.13, 28.69, -42.68

 

Description

Color code: HEX #AD586D | qconv.com Color code: HEX #AD586D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 88 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 88 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 37 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 37% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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