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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC5661 it is the complementary color #53A99E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC5661. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #AC5661: #B1565C, #C2686F, #D37A82, #E48C95 and #F59EA8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC5661. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #AC5661: #AC5661, #9B444E, #8A323B, #792028 and #680E15

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 44 / 33

HEX #AC5661

RGB 172 86 97

HSL 352.33, 0.34%, 0.51%

LAB 47.35, 36.23, 10.07

 

Complementary color

CMYK 51 / 0 / 7 / 34

HEX #53A99E

RGB 83 169 158

HSL 172.33, 0.34%, 0.49%

LAB 63.9, -28.71, -2.3

 

CMYK 0 / 51 / 48 / 31

HEX #B1565C

RGB 177 86 92

HSL 356.04, 0.37%, 0.52%

LAB 47.98, 37.58, 14.07

 

CMYK 0 / 46 / 43 / 24

HEX #C2686F

RGB 194 104 111

HSL 355.33, 0.42%, 0.58%

LAB 54.57, 36.5, 12.32

 

CMYK 0 / 42 / 38 / 17

HEX #D37A82

RGB 211 122 130

HSL 354.61, 0.5%, 0.65%

LAB 61.12, 35.47, 10.82

 

CMYK 0 / 39 / 35 / 11

HEX #E48C95

RGB 228 140 149

HSL 353.86, 0.62%, 0.72%

LAB 67.59, 34.51, 9.52

 

CMYK 0 / 36 / 31 / 4

HEX #F59EA8

RGB 245 158 168

HSL 353.1, 0.81%, 0.79%

LAB 73.99, 33.62, 8.36

 

CMYK 0 / 50 / 44 / 33

HEX #AC5661

RGB 172 86 97

HSL 352.33, 0.34%, 0.51%

LAB 47.35, 36.23, 10.07

 

CMYK 0 / 56 / 50 / 39

HEX #9B444E

RGB 155 68 78

HSL 353.1, 0.39%, 0.44%

LAB 40.66, 37.27, 12

 

CMYK 0 / 64 / 57 / 46

HEX #8A323B

RGB 138 50 59

HSL 353.86, 0.47%, 0.37%

LAB 33.98, 38.22, 14.43

 

CMYK 0 / 74 / 67 / 53

HEX #792028

RGB 121 32 40

HSL 354.61, 0.58%, 0.3%

LAB 27.44, 38.83, 17.61

 

CMYK 0 / 87 / 80 / 59

HEX #680E15

RGB 104 14 21

HSL 355.33, 0.76%, 0.23%

LAB 21.25, 38.54, 21.89

 

CMYK 0 / 50 / 44 / 33

HEX #AC5661

RGB 172 86 97

HSL 352.33, 0.34%, 0.51%

LAB 47.35, 36.23, 10.07

 

CMYK 0 / 48 / 49 / 33

HEX #AC5A57

RGB 172 90 87

HSL 2.12, 0.34%, 0.51%

LAB 47.97, 33.06, 16.94

 

CMYK 0 / 40 / 49 / 33

HEX #AC6857

RGB 172 104 87

HSL 12, 0.34%, 0.51%

LAB 51.11, 25.39, 21.15

 

CMYK 0 / 31 / 49 / 33

HEX #AC7657

RGB 172 118 87

HSL 21.88, 0.34%, 0.51%

LAB 54.47, 17.53, 25.56

 

CMYK 0 / 23 / 49 / 33

HEX #AC8457

RGB 172 132 87

HSL 31.76, 0.34%, 0.51%

LAB 58, 9.66, 30.11

 

CMYK 0 / 50 / 44 / 33

HEX #AC5661

RGB 172 86 97

HSL 352.33, 0.34%, 0.51%

LAB 47.35, 36.23, 10.07

 

CMYK 0 / 50 / 43 / 13

HEX #DF707E

RGB 223 112 126

HSL 352.43, 0.63%, 0.66%

LAB 60.59, 44.54, 12.62

 

CMYK 0 / 47 / 42 / 93

HEX #130A0B

RGB 19 10 11

HSL 353.33, 0.31%, 0.06%

LAB 3.43, 3.14, 0.67

 

CMYK 0 / 50 / 44 / 73

HEX #462327

RGB 70 35 39

HSL 353.14, 0.33%, 0.21%

LAB 18.59, 17.16, 4.77

 

CMYK 0 / 50 / 44 / 53

HEX #793D44

RGB 121 61 68

HSL 353, 0.33%, 0.36%

LAB 33.6, 26.84, 7.68

 

CMYK 0 / 50 / 44 / 33

HEX #AC5661

RGB 172 86 97

HSL 352.33, 0.34%, 0.51%

LAB 47.35, 36.23, 10.07

 

CMYK 3 / 0 / 49 / 33

HEX #A6AC57

RGB 166 172 87

HSL 64.24, 0.34%, 0.51%

LAB 68.24, -14.55, 42.61

 

CMYK 49 / 23 / 0 / 33

HEX #5784AC

RGB 87 132 172

HSL 208.24, 0.34%, 0.51%

LAB 53.5, -4.03, -25.93

 

CMYK 0 / 50 / 44 / 33

HEX #AC5661

RGB 172 86 97

HSL 352.33, 0.34%, 0.51%

LAB 47.35, 36.23, 10.07

 

CMYK 43 / 0 / 49 / 33

HEX #62AC57

RGB 98 172 87

HSL 112.24, 0.34%, 0.51%

LAB 63.99, -40.09, 36.46

 

CMYK 49 / 43 / 0 / 33

HEX #5762AC

RGB 87 98 172

HSL 232.24, 0.34%, 0.51%

LAB 43.86, 16.59, -41.05

 

CMYK 0 / 50 / 44 / 33

HEX #AC5661

RGB 172 86 97

HSL 352.33, 0.34%, 0.51%

LAB 47.35, 36.23, 10.07

 

CMYK 3 / 0 / 49 / 33

HEX #A6AC57

RGB 166 172 87

HSL 64.24, 0.34%, 0.51%

LAB 68.24, -14.55, 42.61

 

CMYK 49 / 0 / 6 / 33

HEX #57ACA1

RGB 87 172 161

HSL 172.24, 0.34%, 0.51%

LAB 65.05, -28.48, -2.27

 

CMYK 46 / 49 / 0 / 33

HEX #5D57AC

RGB 93 87 172

HSL 244.24, 0.34%, 0.51%

LAB 41.41, 24.94, -44.92

 

CMYK 0 / 50 / 44 / 33

HEX #AC5661

RGB 172 86 97

HSL 352.33, 0.34%, 0.51%

LAB 47.35, 36.23, 10.07

 

CMYK 18 / 0 / 49 / 33

HEX #8DAC57

RGB 141 172 87

HSL 81.88, 0.34%, 0.51%

LAB 66.41, -24.68, 39.97

 

CMYK 49 / 0 / 6 / 33

HEX #57ACA1

RGB 87 172 161

HSL 172.24, 0.34%, 0.51%

LAB 65.05, -28.48, -2.27

 

CMYK 31 / 49 / 0 / 33

HEX #7657AC

RGB 118 87 172

HSL 261.88, 0.34%, 0.51%

LAB 43.72, 31.43, -41.1

 

Description

Color code: HEX #AC5661 | qconv.com Color code: HEX #AC5661 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 86 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 86 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 44 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 44% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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