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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC4B56 it is the complementary color #53B4A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC4B56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #AC4B56: #B14B51, #C25D64, #D36F77, #E4818A and #F5939D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC4B56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #AC4B56: #AC4B56, #9B3943, #8A2730, #79151D and #68030A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 50 / 33

HEX #AC4B56

RGB 172 75 86

HSL 353.2, 0.39%, 0.48%

LAB 44.91, 40.74, 13.35

 

Complementary color

CMYK 54 / 0 / 6 / 29

HEX #53B4A9

RGB 83 180 169

HSL 173.2, 0.39%, 0.52%

LAB 67.54, -31.18, -3.07

 

CMYK 0 / 58 / 54 / 31

HEX #B14B51

RGB 177 75 81

HSL 356.47, 0.4%, 0.49%

LAB 45.6, 42.1, 17.47

 

CMYK 0 / 52 / 48 / 24

HEX #C25D64

RGB 194 93 100

HSL 355.84, 0.45%, 0.56%

LAB 52.08, 41.05, 15.35

 

CMYK 0 / 47 / 44 / 17

HEX #D36F77

RGB 211 111 119

HSL 355.2, 0.53%, 0.63%

LAB 58.56, 40, 13.57

 

CMYK 0 / 43 / 39 / 11

HEX #E4818A

RGB 228 129 138

HSL 354.55, 0.65%, 0.7%

LAB 64.99, 38.98, 12.04

 

CMYK 0 / 40 / 36 / 4

HEX #F5939D

RGB 245 147 157

HSL 353.88, 0.83%, 0.77%

LAB 71.36, 38.01, 10.7

 

CMYK 0 / 56 / 50 / 33

HEX #AC4B56

RGB 172 75 86

HSL 353.2, 0.39%, 0.48%

LAB 44.91, 40.74, 13.35

 

CMYK 0 / 63 / 57 / 39

HEX #9B3943

RGB 155 57 67

HSL 353.88, 0.46%, 0.42%

LAB 38.38, 41.66, 15.77

 

CMYK 0 / 72 / 65 / 46

HEX #8A2730

RGB 138 39 48

HSL 354.55, 0.56%, 0.35%

LAB 31.96, 42.28, 18.85

 

CMYK 0 / 83 / 76 / 53

HEX #79151D

RGB 121 21 29

HSL 355.2, 0.7%, 0.28%

LAB 25.83, 42.18, 22.87

 

CMYK 0 / 97 / 90 / 59

HEX #68030A

RGB 104 3 10

HSL 355.84, 0.94%, 0.21%

LAB 20.16, 40.93, 26.66

 

CMYK 0 / 56 / 50 / 33

HEX #AC4B56

RGB 172 75 86

HSL 353.2, 0.39%, 0.48%

LAB 44.91, 40.74, 13.35

 

CMYK 0 / 54 / 56 / 33

HEX #AA4F4A

RGB 170 79 74

HSL 3.13, 0.39%, 0.48%

LAB 45.13, 36.91, 20.87

 

CMYK 0 / 44 / 56 / 33

HEX #AA5F4A

RGB 170 95 74

HSL 13.13, 0.39%, 0.48%

LAB 48.54, 28.36, 25.31

 

CMYK 0 / 35 / 56 / 33

HEX #AA6F4A

RGB 170 111 74

HSL 23.13, 0.39%, 0.48%

LAB 52.3, 19.43, 30.06

 

CMYK 0 / 25 / 56 / 33

HEX #AA7F4A

RGB 170 127 74

HSL 33.13, 0.39%, 0.48%

LAB 56.31, 10.4, 34.99

 

CMYK 0 / 56 / 50 / 33

HEX #AC4B56

RGB 172 75 86

HSL 353.2, 0.39%, 0.48%

LAB 44.91, 40.74, 13.35

 

CMYK 0 / 57 / 50 / 13

HEX #DF6170

RGB 223 97 112

HSL 352.86, 0.66%, 0.63%

LAB 57.47, 50.46, 16.4

 

CMYK 0 / 58 / 47 / 93

HEX #13080A

RGB 19 8 10

HSL 349.09, 0.41%, 0.05%

LAB 3.02, 3.8, 0.48

 

CMYK 0 / 56 / 50 / 73

HEX #461F23

RGB 70 31 35

HSL 353.85, 0.39%, 0.2%

LAB 17.48, 19.14, 6.03

 

CMYK 0 / 56 / 50 / 53

HEX #79353D

RGB 121 53 61

HSL 352.94, 0.39%, 0.34%

LAB 31.69, 30.49, 9.52

 

CMYK 0 / 56 / 50 / 33

HEX #AC4B56

RGB 172 75 86

HSL 353.2, 0.39%, 0.48%

LAB 44.91, 40.74, 13.35

 

CMYK 5 / 0 / 56 / 33

HEX #A2AA4A

RGB 162 170 74

HSL 65, 0.39%, 0.48%

LAB 67.22, -16.36, 47.6

 

CMYK 56 / 28 / 0 / 33

HEX #4A7BAA

RGB 74 123 170

HSL 209.38, 0.39%, 0.48%

LAB 50.13, -2.42, -30.06

 

CMYK 0 / 56 / 50 / 33

HEX #AC4B56

RGB 172 75 86

HSL 353.2, 0.39%, 0.48%

LAB 44.91, 40.74, 13.35

 

CMYK 50 / 0 / 56 / 33

HEX #55AA4A

RGB 85 170 74

HSL 113.13, 0.39%, 0.48%

LAB 62.66, -44.86, 41.14

 

CMYK 56 / 50 / 0 / 33

HEX #4A55AA

RGB 74 85 170

HSL 233.13, 0.39%, 0.48%

LAB 39.34, 21.25, -47.14

 

CMYK 0 / 56 / 50 / 33

HEX #AC4B56

RGB 172 75 86

HSL 353.2, 0.39%, 0.48%

LAB 44.91, 40.74, 13.35

 

CMYK 5 / 0 / 56 / 33

HEX #A2AA4A

RGB 162 170 74

HSL 65, 0.39%, 0.48%

LAB 67.22, -16.36, 47.6

 

CMYK 56 / 0 / 7 / 33

HEX #4AAA9E

RGB 74 170 158

HSL 172.5, 0.39%, 0.48%

LAB 63.9, -31.14, -2.34

 

CMYK 52 / 56 / 0 / 33

HEX #524AAA

RGB 82 74 170

HSL 245, 0.39%, 0.48%

LAB 37.1, 29.93, -50.71

 

CMYK 0 / 56 / 50 / 33

HEX #AC4B56

RGB 172 75 86

HSL 353.2, 0.39%, 0.48%

LAB 44.91, 40.74, 13.35

 

CMYK 22 / 0 / 56 / 33

HEX #85AA4A

RGB 133 170 74

HSL 83.13, 0.39%, 0.48%

LAB 65.15, -28.2, 44.68

 

CMYK 56 / 0 / 7 / 33

HEX #4AAA9E

RGB 74 170 158

HSL 172.5, 0.39%, 0.48%

LAB 63.9, -31.14, -2.34

 

CMYK 35 / 56 / 0 / 33

HEX #6F4AAA

RGB 111 74 170

HSL 263.13, 0.39%, 0.48%

LAB 39.88, 36.7, -46.09

 

Description

Color code: HEX #AC4B56 | qconv.com Color code: HEX #AC4B56 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 75 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 75 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 50 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 50% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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