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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC356B it is the complementary color #53CA94. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC356B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC356B shade: #B13566, #C24779, #D3598C, #E46B9F and #F57DB2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC356B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC356B shade: #AC356B, #9B2358, #8A1145, #790032 and #68001F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC356B shade: #AC356B, #AC354B and #AC3535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC356B shade: #AC356B, #AC358B, #AC35AB, #8C35AC and #6C35AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC356B shade matches the following richer shades: #AC356B, #BE2369 and #D01067

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC356B shade: #AC356B, #9A476C, #87596E, #756B70 and #637D71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC356B shade: #AC35AC, #AC358C, #AC356C, #AC354D and #AC3D35

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC356B shade: #6D2143, #8C2B57, #AC356B, #C6447F and #CF6494

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC356B shade: #AC356B, #AC8C35 and #359CAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC356B shade: #AC356B, #6CAC35 and #356CAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC356B shade: #AC356B, #AC8C35, #35AC74 and #3554AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC356B shade: #AC356B, #A8AC35, #35AC74 and #3935AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 38 / 33

HEX #AC356B

RGB 172 53 107

HSL 332.77, 0.53%, 0.44%

LAB 41.81, 52.8, -4.07

 

Complementary color

CMYK 59 / 0 / 27 / 21

HEX #53CA94

RGB 83 202 148

HSL 152.77, 0.53%, 0.56%

LAB 73.69, -46.02, 17.17

 

CMYK 0 / 70 / 42 / 31

HEX #B13566

RGB 177 53 102

HSL 336.29, 0.54%, 0.45%

LAB 42.54, 53.75, 0.22

 

CMYK 0 / 63 / 38 / 24

HEX #C24779

RGB 194 71 121

HSL 335.61, 0.5%, 0.52%

LAB 48.71, 53.6, -2.06

 

CMYK 0 / 58 / 34 / 17

HEX #D3598C

RGB 211 89 140

HSL 334.92, 0.58%, 0.59%

LAB 54.96, 53.12, -3.89

 

CMYK 0 / 53 / 30 / 11

HEX #E46B9F

RGB 228 107 159

HSL 334.21, 0.69%, 0.66%

LAB 61.23, 52.46, -5.4

 

CMYK 0 / 49 / 27 / 4

HEX #F57DB2

RGB 245 125 178

HSL 333.5, 0.86%, 0.73%

LAB 67.5, 51.71, -6.68

 

CMYK 0 / 69 / 38 / 33

HEX #AC356B

RGB 172 53 107

HSL 332.77, 0.53%, 0.44%

LAB 41.81, 52.8, -4.07

 

CMYK 0 / 77 / 43 / 39

HEX #9B2358

RGB 155 35 88

HSL 333.5, 0.63%, 0.37%

LAB 35.74, 52.36, -1.35

 

CMYK 0 / 88 / 50 / 46

HEX #8A1145

RGB 138 17 69

HSL 334.21, 0.78%, 0.3%

LAB 29.99, 50.87, 2.3

 

CMYK 0 / 100 / 59 / 53

HEX #790032

RGB 121 0 50

HSL 335.21, 1%, 0.24%

LAB 24.62, 48.15, 7.06

 

CMYK 0 / 100 / 70 / 59

HEX #68001F

RGB 104 0 31

HSL 342.12, 1%, 0.2%

LAB 20.21, 42.52, 13.76

 

CMYK 0 / 69 / 38 / 33

HEX #AC356B

RGB 172 53 107

HSL 332.77, 0.53%, 0.44%

LAB 41.81, 52.8, -4.07

 

CMYK 0 / 69 / 56 / 33

HEX #AC354B

RGB 172 53 75

HSL 348.91, 0.53%, 0.44%

LAB 40.94, 49.76, 14.72

 

CMYK 0 / 69 / 69 / 33

HEX #AC3535

RGB 172 53 53

HSL 0, 0.53%, 0.44%

LAB 40.53, 48.32, 27.79

 

CMYK 0 / 69 / 38 / 33

HEX #AC356B

RGB 172 53 107

HSL 332.77, 0.53%, 0.44%

LAB 41.81, 52.8, -4.07

 

CMYK 0 / 69 / 19 / 33

HEX #AC358B

RGB 172 53 139

HSL 316.64, 0.53%, 0.44%

LAB 43.03, 56.88, -21.91

 

CMYK 0 / 69 / 1 / 33

HEX #AC35AB

RGB 172 53 171

HSL 300.5, 0.53%, 0.44%

LAB 44.6, 61.85, -38.67

 

CMYK 19 / 69 / 0 / 33

HEX #8C35AC

RGB 140 53 172

HSL 283.87, 0.53%, 0.44%

LAB 39.75, 54.77, -47.29

 

CMYK 37 / 69 / 0 / 33

HEX #6C35AC

RGB 108 53 172

HSL 267.73, 0.53%, 0.44%

LAB 35.43, 47.96, -54.49

 

CMYK 0 / 69 / 38 / 33

HEX #AC356B

RGB 172 53 107

HSL 332.77, 0.53%, 0.44%

LAB 41.81, 52.8, -4.07

 

CMYK 0 / 82 / 45 / 25

HEX #BE2369

RGB 190 35 105

HSL 332.9, 0.69%, 0.44%

LAB 43.02, 63.33, -0.66

 

CMYK 0 / 92 / 50 / 18

HEX #D01067

RGB 208 16 103

HSL 332.81, 0.86%, 0.44%

LAB 45.3, 70.99, 4.34

 

CMYK 0 / 69 / 38 / 33

HEX #AC356B

RGB 172 53 107

HSL 332.77, 0.53%, 0.44%

LAB 41.81, 52.8, -4.07

 

CMYK 0 / 54 / 30 / 40

HEX #9A476C

RGB 154 71 108

HSL 333.25, 0.37%, 0.44%

LAB 41.94, 38.92, -4.83

 

CMYK 0 / 34 / 19 / 47

HEX #87596E

RGB 135 89 110

HSL 332.61, 0.21%, 0.44%

LAB 43.39, 22.24, -4.18

 

CMYK 0 / 9 / 4 / 54

HEX #756B70

RGB 117 107 112

HSL 330, 0.04%, 0.44%

LAB 46.27, 4.88, -1.38

 

CMYK 21 / 0 / 10 / 51

HEX #637D71

RGB 99 125 113

HSL 152.31, 0.12%, 0.44%

LAB 50.11, -12.03, 3.45

 

CMYK 0 / 69 / 0 / 33

HEX #AC35AC

RGB 172 53 172

HSL 300, 0.53%, 0.44%

LAB 44.65, 62.02, -39.18

 

CMYK 0 / 69 / 19 / 33

HEX #AC358C

RGB 172 53 140

HSL 316.13, 0.53%, 0.44%

LAB 43.08, 57.02, -22.45

 

CMYK 0 / 69 / 37 / 33

HEX #AC356C

RGB 172 53 108

HSL 332.27, 0.53%, 0.44%

LAB 41.84, 52.91, -4.64

 

CMYK 0 / 69 / 55 / 33

HEX #AC354D

RGB 172 53 77

HSL 347.9, 0.53%, 0.44%

LAB 40.98, 49.92, 13.53

 

CMYK 0 / 65 / 69 / 33

HEX #AC3D35

RGB 172 61 53

HSL 4.03, 0.53%, 0.44%

LAB 41.79, 44.91, 29.3

 

CMYK 0 / 70 / 39 / 57

HEX #6D2143

RGB 109 33 67

HSL 333.16, 0.54%, 0.28%

LAB 25.99, 36.87, -2.9

 

CMYK 0 / 69 / 38 / 45

HEX #8C2B57

RGB 140 43 87

HSL 332.78, 0.53%, 0.36%

LAB 33.96, 44.86, -3.65

 

CMYK 0 / 69 / 38 / 33

HEX #AC356B

RGB 172 53 107

HSL 332.77, 0.53%, 0.44%

LAB 41.81, 52.8, -4.07

 

CMYK 0 / 66 / 36 / 22

HEX #C6447F

RGB 198 68 127

HSL 332.77, 0.53%, 0.52%

LAB 49.1, 56.74, -5.04

 

CMYK 0 / 52 / 29 / 19

HEX #CF6494

RGB 207 100 148

HSL 333.08, 0.53%, 0.6%

LAB 56.6, 47.59, -6.21

 

CMYK 0 / 69 / 38 / 33

HEX #AC356B

RGB 172 53 107

HSL 332.77, 0.53%, 0.44%

LAB 41.81, 52.8, -4.07

 

CMYK 0 / 19 / 69 / 33

HEX #AC8C35

RGB 172 140 53

HSL 43.87, 0.53%, 0.44%

LAB 59.69, 2.56, 49.23

 

CMYK 69 / 9 / 0 / 33

HEX #359CAC

RGB 53 156 172

HSL 188.07, 0.53%, 0.44%

LAB 59.45, -23.87, -16.93

 

CMYK 0 / 69 / 38 / 33

HEX #AC356B

RGB 172 53 107

HSL 332.77, 0.53%, 0.44%

LAB 41.81, 52.8, -4.07

 

CMYK 37 / 0 / 69 / 33

HEX #6CAC35

RGB 108 172 53

HSL 92.27, 0.53%, 0.44%

LAB 64.12, -40.32, 52.36

 

CMYK 69 / 37 / 0 / 33

HEX #356CAC

RGB 53 108 172

HSL 212.27, 0.53%, 0.44%

LAB 44.89, 3.35, -39.53

 

CMYK 0 / 69 / 38 / 33

HEX #AC356B

RGB 172 53 107

HSL 332.77, 0.53%, 0.44%

LAB 41.81, 52.8, -4.07

 

CMYK 0 / 19 / 69 / 33

HEX #AC8C35

RGB 172 140 53

HSL 43.87, 0.53%, 0.44%

LAB 59.69, 2.56, 49.23

 

CMYK 69 / 0 / 33 / 33

HEX #35AC74

RGB 53 172 116

HSL 151.76, 0.53%, 0.44%

LAB 62.95, -46.03, 19.5

 

CMYK 69 / 51 / 0 / 33

HEX #3554AC

RGB 53 84 172

HSL 224.37, 0.53%, 0.44%

LAB 37.98, 18.76, -50.57

 

CMYK 0 / 69 / 38 / 33

HEX #AC356B

RGB 172 53 107

HSL 332.77, 0.53%, 0.44%

LAB 41.81, 52.8, -4.07

 

CMYK 2 / 0 / 69 / 33

HEX #A8AC35

RGB 168 172 53

HSL 62.02, 0.53%, 0.44%

LAB 68.08, -16.26, 57.67

 

CMYK 69 / 0 / 33 / 33

HEX #35AC74

RGB 53 172 116

HSL 151.76, 0.53%, 0.44%

LAB 62.95, -46.03, 19.5

 

CMYK 67 / 69 / 0 / 33

HEX #3935AC

RGB 57 53 172

HSL 242.02, 0.53%, 0.44%

LAB 30.39, 39.26, -62.92

 

Description

Color code: HEX #AC356B | qconv.com Color code: HEX #AC356B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 53 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 53 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 38 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 38% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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