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Color name
HEX #AC8C35

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC8C35 it is the complementary color #5373CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC8C35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC8C35 shade: #B18C30, #C29E43, #D3B056, #E4C269 and #F5D47C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC8C35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC8C35 shade: #AC8C35, #9B7A22, #8A680F, #795600 and #684400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC8C35 shade: #AC8C35, #AC6C35, #AC4C35 and #AC3535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC8C35 shade: #AC8C35, #ACAC35, #8BAC35, #6BAC35 and #4BAC35

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC8C35 shade matches the following richer shades: #AC8C35, #BE9423 and #D09C10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC8C35 shade: #AC8C35, #9A8347, #877B59, #75736B and #636A7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC8C35 shade: #AC4B35, #AC6A35, #AC8A35, #ACAA35 and #8EAC35

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC8C35 shade: #6D5821, #8C722B, #AC8C35, #C6A344 and #CFB264

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC8C35 shade: #AC8C35, #3FAC35 and #5A35AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC8C35 shade: #AC8C35, #35AC8A and #8A35AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC8C35 shade: #AC8C35, #3FAC35, #3556AC and #A235AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC8C35 shade: #AC8C35, #35AC4F, #3556AC and #AC3592

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 69 / 33

HEX #AC8C35

RGB 172 140 53

HSL 43.87, 0.53%, 0.44%

LAB 59.69, 2.56, 49.23

 

Complementary color

CMYK 59 / 43 / 0 / 21

HEX #5373CA

RGB 83 115 202

HSL 223.87, 0.53%, 0.56%

LAB 49.94, 14.96, -48.77

 

CMYK 0 / 21 / 73 / 31

HEX #B18C30

RGB 177 140 48

HSL 42.79, 0.57%, 0.44%

LAB 60.17, 4.53, 52.05

 

CMYK 0 / 19 / 65 / 24

HEX #C29E43

RGB 194 158 67

HSL 42.99, 0.51%, 0.51%

LAB 66.77, 3.27, 51.13

 

CMYK 0 / 17 / 59 / 17

HEX #D3B056

RGB 211 176 86

HSL 43.2, 0.59%, 0.58%

LAB 73.27, 2.22, 49.98

 

CMYK 0 / 15 / 54 / 11

HEX #E4C269

RGB 228 194 105

HSL 43.41, 0.69%, 0.65%

LAB 79.67, 1.33, 48.75

 

CMYK 0 / 13 / 49 / 4

HEX #F5D47C

RGB 245 212 124

HSL 43.64, 0.86%, 0.72%

LAB 85.98, 0.56, 47.5

 

CMYK 0 / 19 / 69 / 33

HEX #AC8C35

RGB 172 140 53

HSL 43.87, 0.53%, 0.44%

LAB 59.69, 2.56, 49.23

 

CMYK 0 / 21 / 78 / 39

HEX #9B7A22

RGB 155 122 34

HSL 43.64, 0.64%, 0.37%

LAB 52.95, 3.93, 49.88

 

CMYK 0 / 25 / 89 / 46

HEX #8A680F

RGB 138 104 15

HSL 43.41, 0.8%, 0.3%

LAB 46.09, 5.63, 49.51

 

CMYK 0 / 29 / 100 / 53

HEX #795600

RGB 121 86 0

HSL 42.64, 1%, 0.24%

LAB 39.11, 7.7, 47.3

 

CMYK 0 / 35 / 100 / 59

HEX #684400

RGB 104 68 0

HSL 39.23, 1%, 0.2%

LAB 31.98, 10.24, 41.46

 

CMYK 0 / 19 / 69 / 33

HEX #AC8C35

RGB 172 140 53

HSL 43.87, 0.53%, 0.44%

LAB 59.69, 2.56, 49.23

 

CMYK 0 / 37 / 69 / 33

HEX #AC6C35

RGB 172 108 53

HSL 27.73, 0.53%, 0.44%

LAB 51.56, 20.47, 40.51

 

CMYK 0 / 56 / 69 / 33

HEX #AC4C35

RGB 172 76 53

HSL 11.6, 0.53%, 0.44%

LAB 44.51, 37.75, 32.52

 

CMYK 0 / 69 / 69 / 33

HEX #AC3535

RGB 172 53 53

HSL 0, 0.53%, 0.44%

LAB 40.53, 48.32, 27.79

 

CMYK 0 / 19 / 69 / 33

HEX #AC8C35

RGB 172 140 53

HSL 43.87, 0.53%, 0.44%

LAB 59.69, 2.56, 49.23

 

CMYK 0 / 0 / 69 / 33

HEX #ACAC35

RGB 172 172 53

HSL 60, 0.53%, 0.44%

LAB 68.41, -14.53, 58.1

 

CMYK 19 / 0 / 69 / 33

HEX #8BAC35

RGB 139 172 53

HSL 76.64, 0.53%, 0.44%

LAB 65.94, -28.45, 54.81

 

CMYK 38 / 0 / 69 / 33

HEX #6BAC35

RGB 107 172 53

HSL 92.77, 0.53%, 0.44%

LAB 64.07, -40.67, 52.29

 

CMYK 56 / 0 / 69 / 33

HEX #4BAC35

RGB 75 172 53

HSL 108.91, 0.53%, 0.44%

LAB 62.72, -50.63, 50.47

 

CMYK 0 / 19 / 69 / 33

HEX #AC8C35

RGB 172 140 53

HSL 43.87, 0.53%, 0.44%

LAB 59.69, 2.56, 49.23

 

CMYK 0 / 22 / 82 / 25

HEX #BE9423

RGB 190 148 35

HSL 43.74, 0.69%, 0.44%

LAB 63.55, 5.42, 60.53

 

CMYK 0 / 25 / 92 / 18

HEX #D09C10

RGB 208 156 16

HSL 43.75, 0.86%, 0.44%

LAB 67.44, 8.65, 69.17

 

CMYK 0 / 19 / 69 / 33

HEX #AC8C35

RGB 172 140 53

HSL 43.87, 0.53%, 0.44%

LAB 59.69, 2.56, 49.23

 

CMYK 0 / 15 / 54 / 40

HEX #9A8347

RGB 154 131 71

HSL 43.37, 0.37%, 0.44%

LAB 55.64, 0.87, 35.38

 

CMYK 0 / 9 / 34 / 47

HEX #877B59

RGB 135 123 89

HSL 44.35, 0.21%, 0.44%

LAB 51.88, -0.86, 20.29

 

CMYK 0 / 2 / 9 / 54

HEX #75736B

RGB 117 115 107

HSL 48, 0.04%, 0.44%

LAB 48.39, -0.78, 4.69

 

CMYK 21 / 15 / 0 / 51

HEX #636A7D

RGB 99 106 125

HSL 223.85, 0.12%, 0.44%

LAB 44.86, 1.74, -11.45

 

CMYK 0 / 56 / 69 / 33

HEX #AC4B35

RGB 172 75 53

HSL 11.09, 0.53%, 0.44%

LAB 44.32, 38.25, 32.29

 

CMYK 0 / 38 / 69 / 33

HEX #AC6A35

RGB 172 106 53

HSL 26.72, 0.53%, 0.44%

LAB 51.08, 21.59, 39.98

 

CMYK 0 / 20 / 69 / 33

HEX #AC8A35

RGB 172 138 53

HSL 42.86, 0.53%, 0.44%

LAB 59.16, 3.66, 48.68

 

CMYK 0 / 1 / 69 / 33

HEX #ACAA35

RGB 172 170 53

HSL 58.99, 0.53%, 0.44%

LAB 67.86, -13.5, 57.55

 

CMYK 17 / 0 / 69 / 33

HEX #8EAC35

RGB 142 172 53

HSL 75.13, 0.53%, 0.44%

LAB 66.15, -27.23, 55.08

 

CMYK 0 / 19 / 70 / 57

HEX #6D5821

RGB 109 88 33

HSL 43.42, 0.54%, 0.28%

LAB 38.45, 1.92, 34.12

 

CMYK 0 / 19 / 69 / 45

HEX #8C722B

RGB 140 114 43

HSL 43.92, 0.53%, 0.36%

LAB 49.23, 2.01, 41.78

 

CMYK 0 / 19 / 69 / 33

HEX #AC8C35

RGB 172 140 53

HSL 43.87, 0.53%, 0.44%

LAB 59.69, 2.56, 49.23

 

CMYK 0 / 18 / 66 / 22

HEX #C6A344

RGB 198 163 68

HSL 43.85, 0.53%, 0.52%

LAB 68.47, 2.38, 52.64

 

CMYK 0 / 14 / 52 / 19

HEX #CFB264

RGB 207 178 100

HSL 43.74, 0.53%, 0.6%

LAB 73.56, 0.61, 43.4

 

CMYK 0 / 19 / 69 / 33

HEX #AC8C35

RGB 172 140 53

HSL 43.87, 0.53%, 0.44%

LAB 59.69, 2.56, 49.23

 

CMYK 63 / 0 / 69 / 33

HEX #3FAC35

RGB 63 172 53

HSL 114.96, 0.53%, 0.44%

LAB 62.35, -53.58, 49.96

 

CMYK 48 / 69 / 0 / 33

HEX #5A35AC

RGB 90 53 172

HSL 258.66, 0.53%, 0.44%

LAB 33.35, 44.49, -57.96

 

CMYK 0 / 19 / 69 / 33

HEX #AC8C35

RGB 172 140 53

HSL 43.87, 0.53%, 0.44%

LAB 59.69, 2.56, 49.23

 

CMYK 69 / 0 / 20 / 33

HEX #35AC8A

RGB 53 172 138

HSL 162.86, 0.53%, 0.44%

LAB 63.42, -40.99, 8.04

 

CMYK 20 / 69 / 0 / 33

HEX #8A35AC

RGB 138 53 172

HSL 282.86, 0.53%, 0.44%

LAB 39.46, 54.33, -47.77

 

CMYK 0 / 19 / 69 / 33

HEX #AC8C35

RGB 172 140 53

HSL 43.87, 0.53%, 0.44%

LAB 59.69, 2.56, 49.23

 

CMYK 63 / 0 / 69 / 33

HEX #3FAC35

RGB 63 172 53

HSL 114.96, 0.53%, 0.44%

LAB 62.35, -53.58, 49.96

 

CMYK 69 / 50 / 0 / 33

HEX #3556AC

RGB 53 86 172

HSL 223.36, 0.53%, 0.44%

LAB 38.54, 17.44, -49.68

 

CMYK 6 / 69 / 0 / 33

HEX #A235AC

RGB 162 53 172

HSL 294.96, 0.53%, 0.44%

LAB 43.07, 59.73, -41.79

 

CMYK 0 / 19 / 69 / 33

HEX #AC8C35

RGB 172 140 53

HSL 43.87, 0.53%, 0.44%

LAB 59.69, 2.56, 49.23

 

CMYK 69 / 0 / 54 / 33

HEX #35AC4F

RGB 53 172 79

HSL 133.11, 0.53%, 0.44%

LAB 62.36, -52.6, 38.12

 

CMYK 69 / 50 / 0 / 33

HEX #3556AC

RGB 53 86 172

HSL 223.36, 0.53%, 0.44%

LAB 38.54, 17.44, -49.68

 

CMYK 0 / 69 / 15 / 33

HEX #AC3592

RGB 172 53 146

HSL 313.11, 0.53%, 0.44%

LAB 43.35, 57.89, -25.67

 

Description

Color code: HEX #AC8C35 | qconv.com Color code: HEX #AC8C35 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 140 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 140 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 69 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 69% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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