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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC21A5 it is the complementary color #53DE5A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC21A5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC21A5 shade: #B121A0, #C233B3, #D345C6, #E457D9 and #F569EC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC21A5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC21A5 shade: #AC21A5, #9B0F92, #8A007F, #79006C and #680059

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC21A5 shade: #AB21A4, #AB217F, #AB215A, #AB2134 and #AB2121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC21A5 shade: #AB21A4, #8D21AB, #6821AB, #4221AB and #2121AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC21A5 shade matches the following richer shades: #AB21A4 and #BC10B3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC21A5 shade: #AB21A4, #9B3196, #8A4287, #7A5278 and #696369

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC21A5 shade: #6821AB, #8D21AB, #AB21A4, #AB217F and #AB215A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC21A5 shade: #661362, #891A83, #AB21A4, #CE27C6 and #DB43D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC21A5 shade: #AC21A5, #AB4321 and #21AB7B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC21A5 shade: #AC21A5, #A4AB21 and #21A4AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC21A5 shade: #AC21A5, #AB4321, #21AB28 and #2189AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC21A5 shade: #AC21A5, #AB6D21, #21AB28 and #215FAB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 4 / 33

HEX #AC21A5

RGB 172 33 165

HSL 303.02, 0.68%, 0.4%

LAB 42.12, 67.05, -39.04

 

Complementary color

CMYK 63 / 0 / 59 / 13

HEX #53DE5A

RGB 83 222 90

HSL 123.02, 0.68%, 0.6%

LAB 78.94, -63.07, 52.73

 

CMYK 0 / 81 / 10 / 31

HEX #B121A0

RGB 177 33 160

HSL 307.08, 0.69%, 0.41%

LAB 42.72, 67.33, -35.03

 

CMYK 0 / 74 / 8 / 24

HEX #C233B3

RGB 194 51 179

HSL 306.29, 0.58%, 0.48%

LAB 48.38, 68.79, -37.19

 

CMYK 0 / 67 / 6 / 17

HEX #D345C6

RGB 211 69 198

HSL 305.49, 0.62%, 0.55%

LAB 54.22, 69.46, -38.83

 

CMYK 0 / 62 / 5 / 11

HEX #E457D9

RGB 228 87 217

HSL 304.68, 0.72%, 0.62%

LAB 60.18, 69.62, -40.1

 

CMYK 0 / 57 / 4 / 4

HEX #F569EC

RGB 245 105 236

HSL 303.86, 0.88%, 0.69%

LAB 66.19, 69.45, -41.12

 

CMYK 0 / 81 / 4 / 33

HEX #AC21A5

RGB 172 33 165

HSL 303.02, 0.68%, 0.4%

LAB 42.12, 67.05, -39.04

 

CMYK 0 / 90 / 6 / 39

HEX #9B0F92

RGB 155 15 146

HSL 303.86, 0.82%, 0.33%

LAB 36.72, 64.49, -36.31

 

CMYK 0 / 100 / 8 / 46

HEX #8A007F

RGB 138 0 127

HSL 304.78, 1%, 0.27%

LAB 31.66, 60.58, -32.76

 

CMYK 0 / 100 / 11 / 53

HEX #79006C

RGB 121 0 108

HSL 306.45, 1%, 0.24%

LAB 27.15, 54.61, -28.02

 

CMYK 0 / 100 / 14 / 59

HEX #680059

RGB 104 0 89

HSL 308.65, 1%, 0.2%

LAB 22.53, 48.5, -23.09

 

CMYK 0 / 81 / 4 / 33

HEX #AB21A4

RGB 171 33 164

HSL 303.04, 0.68%, 0.4%

LAB 41.89, 66.7, -38.82

 

CMYK 0 / 81 / 26 / 33

HEX #AB217F

RGB 171 33 127

HSL 319.13, 0.68%, 0.4%

LAB 40.04, 61.51, -19.18

 

CMYK 0 / 81 / 47 / 33

HEX #AB215A

RGB 171 33 90

HSL 335.22, 0.68%, 0.4%

LAB 38.7, 57.53, 2.05

 

CMYK 0 / 81 / 70 / 33

HEX #AB2134

RGB 171 33 52

HSL 351.74, 0.68%, 0.4%

LAB 37.83, 54.88, 25.07

 

CMYK 0 / 81 / 81 / 33

HEX #AB2121

RGB 171 33 33

HSL 0, 0.68%, 0.4%

LAB 37.58, 54.1, 36.21

 

CMYK 0 / 81 / 4 / 33

HEX #AB21A4

RGB 171 33 164

HSL 303.04, 0.68%, 0.4%

LAB 41.89, 66.7, -38.82

 

CMYK 18 / 81 / 0 / 33

HEX #8D21AB

RGB 141 33 171

HSL 286.96, 0.68%, 0.4%

LAB 37.28, 62.07, -50.66

 

CMYK 39 / 81 / 0 / 33

HEX #6821AB

RGB 104 33 171

HSL 270.87, 0.68%, 0.4%

LAB 31.74, 55.76, -59.91

 

CMYK 61 / 81 / 0 / 33

HEX #4221AB

RGB 66 33 171

HSL 254.35, 0.68%, 0.4%

LAB 27.26, 50.69, -67.45

 

CMYK 81 / 81 / 0 / 33

HEX #2121AB

RGB 33 33 171

HSL 240, 0.68%, 0.4%

LAB 24.8, 47.92, -71.59

 

CMYK 0 / 81 / 4 / 33

HEX #AB21A4

RGB 171 33 164

HSL 303.04, 0.68%, 0.4%

LAB 41.89, 66.7, -38.82

 

CMYK 0 / 91 / 5 / 26

HEX #BC10B3

RGB 188 16 179

HSL 303.14, 0.84%, 0.4%

LAB 44.68, 75.28, -43.1

 

CMYK 0 / 81 / 4 / 33

HEX #AB21A4

RGB 171 33 164

HSL 303.04, 0.68%, 0.4%

LAB 41.89, 66.7, -38.82

 

CMYK 0 / 68 / 3 / 39

HEX #9B3196

RGB 155 49 150

HSL 302.83, 0.52%, 0.4%

LAB 40.19, 55.79, -33.24

 

CMYK 0 / 52 / 2 / 46

HEX #8A4287

RGB 138 66 135

HSL 302.5, 0.35%, 0.4%

LAB 39.66, 40.69, -25.13

 

CMYK 0 / 33 / 2 / 52

HEX #7A5278

RGB 122 82 120

HSL 303, 0.2%, 0.4%

LAB 40.46, 23.41, -14.88

 

CMYK 0 / 6 / 0 / 59

HEX #696369

RGB 105 99 105

HSL 300, 0.03%, 0.4%

LAB 42.68, 3.59, -2.54

 

CMYK 39 / 81 / 0 / 33

HEX #6821AB

RGB 104 33 171

HSL 270.87, 0.68%, 0.4%

LAB 31.74, 55.76, -59.91

 

CMYK 18 / 81 / 0 / 33

HEX #8D21AB

RGB 141 33 171

HSL 286.96, 0.68%, 0.4%

LAB 37.28, 62.07, -50.66

 

CMYK 0 / 81 / 4 / 33

HEX #AB21A4

RGB 171 33 164

HSL 303.04, 0.68%, 0.4%

LAB 41.89, 66.7, -38.82

 

CMYK 0 / 81 / 26 / 33

HEX #AB217F

RGB 171 33 127

HSL 319.13, 0.68%, 0.4%

LAB 40.04, 61.51, -19.18

 

CMYK 0 / 81 / 47 / 33

HEX #AB215A

RGB 171 33 90

HSL 335.22, 0.68%, 0.4%

LAB 38.7, 57.53, 2.05

 

CMYK 0 / 81 / 4 / 60

HEX #661362

RGB 102 19 98

HSL 302.89, 0.69%, 0.24%

LAB 24.23, 44.94, -26.37

 

CMYK 0 / 81 / 4 / 46

HEX #891A83

RGB 137 26 131

HSL 303.24, 0.68%, 0.32%

LAB 33.34, 56.21, -32.61

 

CMYK 0 / 81 / 4 / 33

HEX #AB21A4

RGB 171 33 164

HSL 303.04, 0.68%, 0.4%

LAB 41.89, 66.7, -38.82

 

CMYK 0 / 81 / 4 / 19

HEX #CE27C6

RGB 206 39 198

HSL 302.87, 0.68%, 0.48%

LAB 50.28, 77.34, -45.12

 

CMYK 0 / 69 / 3 / 14

HEX #DB43D4

RGB 219 67 212

HSL 302.76, 0.68%, 0.56%

LAB 55.92, 74.17, -44.08

 

CMYK 0 / 81 / 4 / 33

HEX #AC21A5

RGB 172 33 165

HSL 303.02, 0.68%, 0.4%

LAB 42.12, 67.05, -39.04

 

CMYK 0 / 61 / 81 / 33

HEX #AB4321

RGB 171 67 33

HSL 14.78, 0.68%, 0.4%

LAB 42.43, 40.88, 41.01

 

CMYK 81 / 0 / 28 / 33

HEX #21AB7B

RGB 33 171 123

HSL 159.13, 0.68%, 0.4%

LAB 62.41, -46.81, 14.86

 

CMYK 0 / 81 / 4 / 33

HEX #AC21A5

RGB 172 33 165

HSL 303.02, 0.68%, 0.4%

LAB 42.12, 67.05, -39.04

 

CMYK 4 / 0 / 81 / 33

HEX #A4AB21

RGB 164 171 33

HSL 63.04, 0.68%, 0.4%

LAB 67.37, -18.38, 63.56

 

CMYK 81 / 4 / 0 / 33

HEX #21A4AB

RGB 33 164 171

HSL 183.04, 0.68%, 0.4%

LAB 61.49, -30.54, -13.31

 

CMYK 0 / 81 / 4 / 33

HEX #AC21A5

RGB 172 33 165

HSL 303.02, 0.68%, 0.4%

LAB 42.12, 67.05, -39.04

 

CMYK 0 / 61 / 81 / 33

HEX #AB4321

RGB 171 67 33

HSL 14.78, 0.68%, 0.4%

LAB 42.43, 40.88, 41.01

 

CMYK 81 / 0 / 77 / 33

HEX #21AB28

RGB 33 171 40

HSL 123.04, 0.68%, 0.4%

LAB 61.31, -59.63, 53.55

 

CMYK 81 / 20 / 0 / 33

HEX #2189AB

RGB 33 137 171

HSL 194.78, 0.68%, 0.4%

LAB 53.12, -16.64, -26.09

 

CMYK 0 / 81 / 4 / 33

HEX #AC21A5

RGB 172 33 165

HSL 303.02, 0.68%, 0.4%

LAB 42.12, 67.05, -39.04

 

CMYK 0 / 36 / 81 / 33

HEX #AB6D21

RGB 171 109 33

HSL 33.04, 0.68%, 0.4%

LAB 51.5, 18.52, 49.6

 

CMYK 81 / 0 / 77 / 33

HEX #21AB28

RGB 33 171 40

HSL 123.04, 0.68%, 0.4%

LAB 61.31, -59.63, 53.55

 

CMYK 81 / 44 / 0 / 33

HEX #215FAB

RGB 33 95 171

HSL 213.04, 0.68%, 0.4%

LAB 40.33, 8.54, -46.25

 

Description

Color code: HEX #AC21A5 | qconv.com Color code: HEX #AC21A5 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 33 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 33 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 4 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 4% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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