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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9B0F92 it is the complementary color #64F06D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9B0F92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9B0F92 shade: #A00F8D, #B121A0, #C233B3, #D345C6 and #E457D9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9B0F92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9B0F92 shade: #9B0F92, #8A007F, #79006C, #680059 and #570046

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9B0F92 shade: #990F90, #990F6B, #990F46, #990F21 and #990F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9B0F92 shade: #990F90, #7D0F99, #580F99, #320F99 and #0F0F99

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9B0F92 shade matches the following richer shades: #990F90 and #A7029C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9B0F92 shade: #990F90, #8C1D84, #7E2A79, #70386D and #634661

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9B0F92 shade: #560F99, #7B0F99, #990F92, #990F6D and #990F49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9B0F92 shade: #4E084A, #740B6D, #990F90, #BF13B4 and #E417D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9B0F92 shade: #9B0F92, #99320F and #0F9969

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9B0F92 shade: #9B0F92, #92990F and #0F9299

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9B0F92 shade: #9B0F92, #99320F, #0F9916 and #0F7799

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9B0F92 shade: #9B0F92, #995B0F, #0F9916 and #0F4D99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 6 / 39

HEX #9B0F92

RGB 155 15 146

HSL 303.86, 0.82%, 0.33%

LAB 36.72, 64.49, -36.31

 

Complementary color

CMYK 58 / 0 / 55 / 6

HEX #64F06D

RGB 100 240 109

HSL 123.86, 0.82%, 0.67%

LAB 85.06, -63.52, 51.51

 

CMYK 0 / 91 / 12 / 37

HEX #A00F8D

RGB 160 15 141

HSL 307.86, 0.83%, 0.34%

LAB 37.37, 64.74, -32.15

 

CMYK 0 / 81 / 10 / 31

HEX #B121A0

RGB 177 33 160

HSL 307.08, 0.69%, 0.41%

LAB 42.72, 67.33, -35.03

 

CMYK 0 / 74 / 8 / 24

HEX #C233B3

RGB 194 51 179

HSL 306.29, 0.58%, 0.48%

LAB 48.38, 68.79, -37.19

 

CMYK 0 / 67 / 6 / 17

HEX #D345C6

RGB 211 69 198

HSL 305.49, 0.62%, 0.55%

LAB 54.22, 69.46, -38.83

 

CMYK 0 / 62 / 5 / 11

HEX #E457D9

RGB 228 87 217

HSL 304.68, 0.72%, 0.62%

LAB 60.18, 69.62, -40.1

 

CMYK 0 / 90 / 6 / 39

HEX #9B0F92

RGB 155 15 146

HSL 303.86, 0.82%, 0.33%

LAB 36.72, 64.49, -36.31

 

CMYK 0 / 100 / 8 / 46

HEX #8A007F

RGB 138 0 127

HSL 304.78, 1%, 0.27%

LAB 31.66, 60.58, -32.76

 

CMYK 0 / 100 / 11 / 53

HEX #79006C

RGB 121 0 108

HSL 306.45, 1%, 0.24%

LAB 27.15, 54.61, -28.02

 

CMYK 0 / 100 / 14 / 59

HEX #680059

RGB 104 0 89

HSL 308.65, 1%, 0.2%

LAB 22.53, 48.5, -23.09

 

CMYK 0 / 100 / 20 / 66

HEX #570046

RGB 87 0 70

HSL 311.72, 1%, 0.17%

LAB 17.78, 42.21, -17.9

 

CMYK 0 / 90 / 6 / 40

HEX #990F90

RGB 153 15 144

HSL 303.91, 0.82%, 0.33%

LAB 36.23, 63.81, -35.88

 

CMYK 0 / 90 / 30 / 40

HEX #990F6B

RGB 153 15 107

HSL 320, 0.82%, 0.33%

LAB 34.35, 58.85, -15.67

 

CMYK 0 / 90 / 54 / 40

HEX #990F46

RGB 153 15 70

HSL 336.09, 0.82%, 0.33%

LAB 33.04, 55.25, 6.42

 

CMYK 0 / 90 / 78 / 40

HEX #990F21

RGB 153 15 33

HSL 352.17, 0.82%, 0.33%

LAB 32.31, 53.17, 29.51

 

CMYK 0 / 90 / 90 / 40

HEX #990F0F

RGB 153 15 15

HSL 0, 0.82%, 0.33%

LAB 32.14, 52.68, 39.43

 

CMYK 0 / 90 / 6 / 40

HEX #990F90

RGB 153 15 144

HSL 303.91, 0.82%, 0.33%

LAB 36.23, 63.81, -35.88

 

CMYK 18 / 90 / 0 / 40

HEX #7D0F99

RGB 125 15 153

HSL 287.83, 0.82%, 0.33%

LAB 31.81, 60.33, -48.76

 

CMYK 42 / 90 / 0 / 40

HEX #580F99

RGB 88 15 153

HSL 271.74, 0.82%, 0.33%

LAB 25.91, 54.96, -58.63

 

CMYK 67 / 90 / 0 / 40

HEX #320F99

RGB 50 15 153

HSL 255.22, 0.82%, 0.33%

LAB 21.28, 51.22, -66.43

 

CMYK 90 / 90 / 0 / 40

HEX #0F0F99

RGB 15 15 153

HSL 240, 0.82%, 0.33%

LAB 18.98, 49.58, -70.32

 

CMYK 0 / 90 / 6 / 40

HEX #990F90

RGB 153 15 144

HSL 303.91, 0.82%, 0.33%

LAB 36.23, 63.81, -35.88

 

CMYK 0 / 99 / 7 / 35

HEX #A7029C

RGB 167 2 156

HSL 304, 0.98%, 0.33%

LAB 39, 69.73, -38.63

 

CMYK 0 / 90 / 6 / 40

HEX #990F90

RGB 153 15 144

HSL 303.91, 0.82%, 0.33%

LAB 36.23, 63.81, -35.88

 

CMYK 0 / 79 / 6 / 45

HEX #8C1D84

RGB 140 29 132

HSL 304.32, 0.66%, 0.33%

LAB 34.23, 56.18, -31.78

 

CMYK 0 / 67 / 4 / 51

HEX #7E2A79

RGB 126 42 121

HSL 303.57, 0.5%, 0.33%

LAB 32.86, 46.25, -27.23

 

CMYK 0 / 50 / 3 / 56

HEX #70386D

RGB 112 56 109

HSL 303.21, 0.33%, 0.33%

LAB 32.65, 32.9, -20.14

 

CMYK 0 / 29 / 2 / 61

HEX #634661

RGB 99 70 97

HSL 304.14, 0.17%, 0.33%

LAB 33.77, 17.48, -10.97

 

CMYK 44 / 90 / 0 / 40

HEX #560F99

RGB 86 15 153

HSL 270.87, 0.82%, 0.33%

LAB 25.62, 54.71, -59.12

 

CMYK 20 / 90 / 0 / 40

HEX #7B0F99

RGB 123 15 153

HSL 286.96, 0.82%, 0.33%

LAB 31.47, 60.01, -49.33

 

CMYK 0 / 90 / 5 / 40

HEX #990F92

RGB 153 15 146

HSL 303.04, 0.82%, 0.33%

LAB 36.35, 64.12, -36.92

 

CMYK 0 / 90 / 29 / 40

HEX #990F6D

RGB 153 15 109

HSL 319.13, 0.82%, 0.33%

LAB 34.43, 59.08, -16.81

 

CMYK 0 / 90 / 52 / 40

HEX #990F49

RGB 153 15 73

HSL 334.78, 0.82%, 0.33%

LAB 33.12, 55.48, 4.56

 

CMYK 0 / 90 / 5 / 69

HEX #4E084A

RGB 78 8 74

HSL 303.43, 0.81%, 0.17%

LAB 16.93, 38.47, -22.12

 

CMYK 0 / 91 / 6 / 55

HEX #740B6D

RGB 116 11 109

HSL 304, 0.83%, 0.25%

LAB 26.9, 51.8, -29.14

 

CMYK 0 / 90 / 6 / 40

HEX #990F90

RGB 153 15 144

HSL 303.91, 0.82%, 0.33%

LAB 36.23, 63.81, -35.88

 

CMYK 0 / 90 / 6 / 25

HEX #BF13B4

RGB 191 19 180

HSL 303.84, 0.82%, 0.41%

LAB 45.41, 75.57, -42.5

 

CMYK 0 / 90 / 6 / 11

HEX #E417D7

RGB 228 23 215

HSL 303.8, 0.82%, 0.49%

LAB 54.04, 86.54, -48.66

 

CMYK 0 / 90 / 6 / 39

HEX #9B0F92

RGB 155 15 146

HSL 303.86, 0.82%, 0.33%

LAB 36.72, 64.49, -36.31

 

CMYK 0 / 67 / 90 / 40

HEX #99320F

RGB 153 50 15

HSL 15.22, 0.82%, 0.33%

LAB 36.15, 41.53, 42.52

 

CMYK 90 / 0 / 31 / 40

HEX #0F9969

RGB 15 153 105

HSL 159.13, 0.82%, 0.33%

LAB 55.99, -45.38, 15.94

 

CMYK 0 / 90 / 6 / 39

HEX #9B0F92

RGB 155 15 146

HSL 303.86, 0.82%, 0.33%

LAB 36.72, 64.49, -36.31

 

CMYK 5 / 0 / 90 / 40

HEX #92990F

RGB 146 153 15

HSL 63.04, 0.82%, 0.33%

LAB 60.72, -17.61, 61.59

 

CMYK 90 / 5 / 0 / 40

HEX #0F9299

RGB 15 146 153

HSL 183.04, 0.82%, 0.33%

LAB 55.03, -28.8, -12.84

 

CMYK 0 / 90 / 6 / 39

HEX #9B0F92

RGB 155 15 146

HSL 303.86, 0.82%, 0.33%

LAB 36.72, 64.49, -36.31

 

CMYK 0 / 67 / 90 / 40

HEX #99320F

RGB 153 50 15

HSL 15.22, 0.82%, 0.33%

LAB 36.15, 41.53, 42.52

 

CMYK 90 / 0 / 86 / 40

HEX #0F9916

RGB 15 153 22

HSL 123.04, 0.82%, 0.33%

LAB 55.01, -57.13, 52.94

 

CMYK 90 / 22 / 0 / 40

HEX #0F7799

RGB 15 119 153

HSL 194.78, 0.82%, 0.33%

LAB 46.44, -14.57, -25.99

 

CMYK 0 / 90 / 6 / 39

HEX #9B0F92

RGB 155 15 146

HSL 303.86, 0.82%, 0.33%

LAB 36.72, 64.49, -36.31

 

CMYK 0 / 41 / 90 / 40

HEX #995B0F

RGB 153 91 15

HSL 33.04, 0.82%, 0.33%

LAB 44.64, 20.12, 49.15

 

CMYK 90 / 0 / 86 / 40

HEX #0F9916

RGB 15 153 22

HSL 123.04, 0.82%, 0.33%

LAB 55.01, -57.13, 52.94

 

CMYK 90 / 50 / 0 / 40

HEX #0F4D99

RGB 15 77 153

HSL 213.04, 0.82%, 0.33%

LAB 33.37, 11.67, -46.69

 

Description

Color code: HEX #9B0F92 | qconv.com Color code: HEX #9B0F92 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 15 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 15 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 6 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 6% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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