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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC17FF it is the complementary color #53E800. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC17FF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC17FF shade: #B117FA, #C229FF, #D33BFF, #E44DFF and #F55FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC17FF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC17FF shade: #AC17FF, #9B05EC, #8A00D9, #7900C6 and #6800B3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC17FF shade: #AD1AFF, #EB1AFF, #FF1AD5, #FF1A97 and #FF1A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC17FF shade: #AD1AFF, #6F1AFF, #311AFF and #1A1AFF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC17FF shade matches the following richer shades: #AD1AFF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC17FF shade: #AD1AFF, #A82CEC, #A23FDA, #9D51C7 and #9864B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC17FF shade: #301AFF, #6E1AFF, #AB1AFF, #E81AFF and #FF1AD9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC17FF shade: #7F00C6, #9A00EF, #AD1AFF, #BC43FF and #CA6CFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC17FF shade: #AC17FF, #FF1A40 and #1AFF4F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC17FF shade: #AC17FF, #FFAB1A and #1AFFAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC17FF shade: #AC17FF, #FF1A40, #6EFF1A and #1AFFD9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC17FF shade: #AC17FF, #FF381A, #6EFF1A and #1AE0FF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 91 / 0 / 0

HEX #AC17FF

RGB 172 23 255

HSL 278.53, 1%, 0.55%

LAB 47.76, 84.83, -81.82

 

Complementary color

CMYK 64 / 0 / 100 / 9

HEX #53E800

RGB 83 232 0

HSL 98.53, 1%, 0.45%

LAB 81.59, -71.3, 78.68

 

CMYK 29 / 91 / 0 / 2

HEX #B117FA

RGB 177 23 250

HSL 280.7, 0.96%, 0.54%

LAB 48.09, 84.5, -78.46

 

CMYK 24 / 84 / 0 / 0

HEX #C229FF

RGB 194 41 255

HSL 282.9, 1%, 0.58%

LAB 52.15, 84.33, -74.52

 

CMYK 17 / 77 / 0 / 0

HEX #D33BFF

RGB 211 59 255

HSL 286.53, 1%, 0.62%

LAB 56.28, 82.35, -67.7

 

CMYK 11 / 70 / 0 / 0

HEX #E44DFF

RGB 228 77 255

HSL 290.9, 1%, 0.65%

LAB 60.8, 79.72, -60.31

 

CMYK 4 / 63 / 0 / 0

HEX #F55FFF

RGB 245 95 255

HSL 296.25, 1%, 0.69%

LAB 65.61, 76.69, -52.52

 

CMYK 33 / 91 / 0 / 0

HEX #AC17FF

RGB 172 23 255

HSL 278.53, 1%, 0.55%

LAB 47.76, 84.83, -81.82

 

CMYK 34 / 98 / 0 / 7

HEX #9B05EC

RGB 155 5 236

HSL 278.96, 0.96%, 0.47%

LAB 42.96, 81.34, -79.09

 

CMYK 36 / 100 / 0 / 15

HEX #8A00D9

RGB 138 0 217

HSL 278.16, 1%, 0.43%

LAB 38.57, 76.37, -75.55

 

CMYK 39 / 100 / 0 / 22

HEX #7900C6

RGB 121 0 198

HSL 276.67, 1%, 0.39%

LAB 34.28, 70.83, -71.67

 

CMYK 42 / 100 / 0 / 30

HEX #6800B3

RGB 104 0 179

HSL 274.86, 1%, 0.35%

LAB 29.91, 65.21, -67.72

 

CMYK 32 / 90 / 0 / 0

HEX #AD1AFF

RGB 173 26 255

HSL 278.52, 1%, 0.55%

LAB 48.06, 84.47, -81.31

 

CMYK 8 / 90 / 0 / 0

HEX #EB1AFF

RGB 235 26 255

HSL 294.76, 1%, 0.55%

LAB 57.68, 93.15, -65.27

 

CMYK 0 / 90 / 16 / 0

HEX #FF1AD5

RGB 255 26 213

HSL 311, 1%, 0.55%

LAB 58.79, 90.76, -39.71

 

CMYK 0 / 90 / 41 / 0

HEX #FF1A97

RGB 255 26 151

HSL 327.25, 1%, 0.55%

LAB 56.32, 84.21, -7.54

 

CMYK 0 / 90 / 65 / 0

HEX #FF1A5A

RGB 255 26 90

HSL 343.23, 1%, 0.55%

LAB 54.8, 80.01, 26.79

 

CMYK 32 / 90 / 0 / 0

HEX #AD1AFF

RGB 173 26 255

HSL 278.52, 1%, 0.55%

LAB 48.06, 84.47, -81.31

 

CMYK 56 / 90 / 0 / 0

HEX #6F1AFF

RGB 111 26 255

HSL 262.27, 1%, 0.55%

LAB 40.14, 78.25, -94.63

 

CMYK 81 / 90 / 0 / 0

HEX #311AFF

RGB 49 26 255

HSL 246.03, 1%, 0.55%

LAB 35.23, 75.03, -102.95

 

CMYK 90 / 90 / 0 / 0

HEX #1A1AFF

RGB 26 26 255

HSL 240, 1%, 0.55%

LAB 34.35, 74.53, -104.43

 

CMYK 32 / 90 / 0 / 0

HEX #AD1AFF

RGB 173 26 255

HSL 278.52, 1%, 0.55%

LAB 48.06, 84.47, -81.31

 

CMYK 32 / 90 / 0 / 0

HEX #AD1AFF

RGB 173 26 255

HSL 278.52, 1%, 0.55%

LAB 48.06, 84.47, -81.31

 

CMYK 29 / 81 / 0 / 7

HEX #A82CEC

RGB 168 44 236

HSL 278.75, 0.83%, 0.55%

LAB 47.21, 76.05, -72.07

 

CMYK 26 / 71 / 0 / 15

HEX #A23FDA

RGB 162 63 218

HSL 278.32, 0.68%, 0.55%

LAB 47.36, 64.77, -61.65

 

CMYK 21 / 59 / 0 / 22

HEX #9D51C7

RGB 157 81 199

HSL 278.64, 0.51%, 0.55%

LAB 48.48, 51.38, -48.99

 

CMYK 16 / 45 / 0 / 29

HEX #9864B5

RGB 152 100 181

HSL 278.52, 0.35%, 0.55%

LAB 50.83, 35.86, -34.89

 

CMYK 81 / 90 / 0 / 0

HEX #301AFF

RGB 48 26 255

HSL 245.76, 1%, 0.55%

LAB 35.18, 75, -103.03

 

CMYK 57 / 90 / 0 / 0

HEX #6E1AFF

RGB 110 26 255

HSL 262.01, 1%, 0.55%

LAB 40.04, 78.17, -94.81

 

CMYK 33 / 90 / 0 / 0

HEX #AB1AFF

RGB 171 26 255

HSL 277.99, 1%, 0.55%

LAB 47.77, 84.23, -81.8

 

CMYK 9 / 90 / 0 / 0

HEX #E81AFF

RGB 232 26 255

HSL 293.97, 1%, 0.55%

LAB 57.19, 92.69, -66.08

 

CMYK 0 / 90 / 15 / 0

HEX #FF1AD9

RGB 255 26 217

HSL 309.96, 1%, 0.55%

LAB 58.98, 91.26, -41.68

 

CMYK 36 / 100 / 0 / 22

HEX #7F00C6

RGB 127 0 198

HSL 278.48, 1%, 0.39%

LAB 35.18, 71.47, -70.15

 

CMYK 36 / 100 / 0 / 6

HEX #9A00EF

RGB 154 0 239

HSL 278.66, 1%, 0.47%

LAB 42.92, 82.29, -80.87

 

CMYK 32 / 90 / 0 / 0

HEX #AD1AFF

RGB 173 26 255

HSL 278.52, 1%, 0.55%

LAB 48.06, 84.47, -81.31

 

CMYK 26 / 74 / 0 / 0

HEX #BC43FF

RGB 188 67 255

HSL 278.62, 1%, 0.63%

LAB 53.95, 75.66, -71.64

 

CMYK 21 / 58 / 0 / 0

HEX #CA6CFF

RGB 202 108 255

HSL 278.37, 1%, 0.71%

LAB 62.08, 60.96, -58.46

 

CMYK 33 / 91 / 0 / 0

HEX #AC17FF

RGB 172 23 255

HSL 278.53, 1%, 0.55%

LAB 47.76, 84.83, -81.82

 

CMYK 0 / 90 / 75 / 0

HEX #FF1A40

RGB 255 26 64

HSL 350.04, 1%, 0.55%

LAB 54.42, 78.93, 41.57

 

CMYK 90 / 0 / 69 / 0

HEX #1AFF4F

RGB 26 255 79

HSL 133.89, 1%, 0.55%

LAB 88.11, -81.73, 67.02

 

CMYK 33 / 91 / 0 / 0

HEX #AC17FF

RGB 172 23 255

HSL 278.53, 1%, 0.55%

LAB 47.76, 84.83, -81.82

 

CMYK 0 / 33 / 90 / 0

HEX #FFAB1A

RGB 255 171 26

HSL 37.99, 1%, 0.55%

LAB 76.35, 21.08, 76.28

 

CMYK 90 / 0 / 33 / 0

HEX #1AFFAB

RGB 26 255 171

HSL 157.99, 1%, 0.55%

LAB 89.24, -68.21, 26.49

 

CMYK 33 / 91 / 0 / 0

HEX #AC17FF

RGB 172 23 255

HSL 278.53, 1%, 0.55%

LAB 47.76, 84.83, -81.82

 

CMYK 0 / 90 / 75 / 0

HEX #FF1A40

RGB 255 26 64

HSL 350.04, 1%, 0.55%

LAB 54.42, 78.93, 41.57

 

CMYK 57 / 0 / 90 / 0

HEX #6EFF1A

RGB 110 255 26

HSL 97.99, 1%, 0.55%

LAB 89.35, -72.12, 82.65

 

CMYK 90 / 0 / 15 / 0

HEX #1AFFD9

RGB 26 255 217

HSL 170.04, 1%, 0.55%

LAB 90.21, -57.66, 4.24

 

CMYK 33 / 91 / 0 / 0

HEX #AC17FF

RGB 172 23 255

HSL 278.53, 1%, 0.55%

LAB 47.76, 84.83, -81.82

 

CMYK 0 / 78 / 90 / 0

HEX #FF381A

RGB 255 56 26

HSL 7.86, 1%, 0.55%

LAB 56.25, 71.94, 61.69

 

CMYK 57 / 0 / 90 / 0

HEX #6EFF1A

RGB 110 255 26

HSL 97.99, 1%, 0.55%

LAB 89.35, -72.12, 82.65

 

CMYK 90 / 12 / 0 / 0

HEX #1AE0FF

RGB 26 224 255

HSL 188.12, 1%, 0.55%

LAB 82.24, -33.39, -27.55

 

Description

Color code: HEX #AC17FF | qconv.com Color code: HEX #AC17FF | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 23 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 23 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 91 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 91% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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