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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC1572 it is the complementary color #53EA8D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC1572. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC1572 shade: #B1156D, #C22780, #D33993, #E44BA6 and #F55DB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC1572. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC1572 shade: #AC1572, #9B035F, #8A004C, #790039 and #680026

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC1572 shade: #AC1572, #AC154A, #AC1521 and #AC1515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC1572 shade: #AC1572, #AC159B, #9515AC, #6C15AC and #4315AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC1572 shade matches the following richer shades: #AC1572 and #BC0676

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC1572 shade: #AC1572, #9D256F, #8D356B, #7D4468 and #6E5464

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC1572 shade: #9615AC, #AC159B, #AC1573, #AC154A and #AC1522

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC1572 shade: #630C42, #88115A, #AC1572, #D11A8B and #E52F9F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC1572 shade: #AC1572, #AC6D15 and #15ACAA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC1572 shade: #AC1572, #73AC15 and #1573AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC1572 shade: #AC1572, #AC6D15, #15AC4F and #1554AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC1572 shade: #AC1572, #AC9B15, #15AC4F and #1527AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 34 / 33

HEX #AC1572

RGB 172 21 114

HSL 323.05, 0.78%, 0.38%

LAB 38.76, 62.92, -13.02

 

Complementary color

CMYK 65 / 0 / 40 / 8

HEX #53EA8D

RGB 83 234 141

HSL 143.05, 0.78%, 0.62%

LAB 83.24, -60.05, 33.71

 

CMYK 0 / 88 / 38 / 31

HEX #B1156D

RGB 177 21 109

HSL 326.15, 0.79%, 0.39%

LAB 39.56, 63.56, -8.58

 

CMYK 0 / 80 / 34 / 24

HEX #C22780

RGB 194 39 128

HSL 325.55, 0.67%, 0.46%

LAB 44.91, 65.6, -11.98

 

CMYK 0 / 73 / 30 / 17

HEX #D33993

RGB 211 57 147

HSL 324.94, 0.64%, 0.53%

LAB 50.55, 66.67, -14.64

 

CMYK 0 / 67 / 27 / 11

HEX #E44BA6

RGB 228 75 166

HSL 324.31, 0.74%, 0.59%

LAB 56.37, 67.07, -16.76

 

CMYK 0 / 62 / 24 / 4

HEX #F55DB9

RGB 245 93 185

HSL 323.68, 0.88%, 0.66%

LAB 62.29, 67.05, -18.47

 

CMYK 0 / 88 / 34 / 33

HEX #AC1572

RGB 172 21 114

HSL 323.05, 0.78%, 0.38%

LAB 38.76, 62.92, -13.02

 

CMYK 0 / 98 / 39 / 39

HEX #9B035F

RGB 155 3 95

HSL 323.68, 0.96%, 0.31%

LAB 33.69, 59.67, -8.92

 

CMYK 0 / 100 / 45 / 46

HEX #8A004C

RGB 138 0 76

HSL 326.96, 1%, 0.27%

LAB 29.22, 54.41, -3.5

 

CMYK 0 / 100 / 53 / 53

HEX #790039

RGB 121 0 57

HSL 331.74, 1%, 0.24%

LAB 24.83, 48.69, 2.51

 

CMYK 0 / 100 / 63 / 59

HEX #680026

RGB 104 0 38

HSL 338.08, 1%, 0.2%

LAB 20.37, 42.95, 9

 

CMYK 0 / 88 / 34 / 33

HEX #AC1572

RGB 172 21 114

HSL 323.05, 0.78%, 0.38%

LAB 38.76, 62.92, -13.02

 

CMYK 0 / 88 / 57 / 33

HEX #AC154A

RGB 172 21 74

HSL 338.94, 0.78%, 0.38%

LAB 37.48, 59.32, 10.62

 

CMYK 0 / 88 / 81 / 33

HEX #AC1521

RGB 172 21 33

HSL 355.23, 0.78%, 0.38%

LAB 36.77, 57.27, 35.46

 

CMYK 0 / 88 / 88 / 33

HEX #AC1515

RGB 172 21 21

HSL 0, 0.78%, 0.38%

LAB 36.67, 56.97, 41.84

 

CMYK 0 / 88 / 34 / 33

HEX #AC1572

RGB 172 21 114

HSL 323.05, 0.78%, 0.38%

LAB 38.76, 62.92, -13.02

 

CMYK 0 / 88 / 10 / 33

HEX #AC159B

RGB 172 21 155

HSL 306.75, 0.78%, 0.38%

LAB 40.69, 68.1, -35.28

 

CMYK 13 / 88 / 0 / 33

HEX #9515AC

RGB 149 21 172

HSL 290.86, 0.78%, 0.38%

LAB 37.67, 66.6, -50.56

 

CMYK 37 / 88 / 0 / 33

HEX #6C15AC

RGB 108 21 172

HSL 274.57, 0.78%, 0.38%

LAB 31.12, 60.31, -61.51

 

CMYK 61 / 88 / 0 / 33

HEX #4315AC

RGB 67 21 172

HSL 258.28, 0.78%, 0.38%

LAB 25.89, 55.73, -70.31

 

CMYK 0 / 88 / 34 / 33

HEX #AC1572

RGB 172 21 114

HSL 323.05, 0.78%, 0.38%

LAB 38.76, 62.92, -13.02

 

CMYK 0 / 97 / 37 / 26

HEX #BC0676

RGB 188 6 118

HSL 323.08, 0.94%, 0.38%

LAB 41.42, 68.85, -11.19

 

CMYK 0 / 88 / 34 / 33

HEX #AC1572

RGB 172 21 114

HSL 323.05, 0.78%, 0.38%

LAB 38.76, 62.92, -13.02

 

CMYK 0 / 76 / 29 / 38

HEX #9D256F

RGB 157 37 111

HSL 323, 0.62%, 0.38%

LAB 37.19, 54.85, -13.8

 

CMYK 0 / 62 / 24 / 45

HEX #8D356B

RGB 141 53 107

HSL 323.18, 0.45%, 0.38%

LAB 36.5, 43.38, -12.58

 

CMYK 0 / 46 / 17 / 51

HEX #7D4468

RGB 125 68 104

HSL 322.11, 0.3%, 0.38%

LAB 36.92, 29.67, -10.29

 

CMYK 0 / 24 / 9 / 57

HEX #6E5464

RGB 110 84 100

HSL 323.08, 0.13%, 0.38%

LAB 38.86, 13.69, -5.08

 

CMYK 13 / 88 / 0 / 33

HEX #9615AC

RGB 150 21 172

HSL 291.26, 0.78%, 0.38%

LAB 37.84, 66.77, -50.28

 

CMYK 0 / 88 / 10 / 33

HEX #AC159B

RGB 172 21 155

HSL 306.75, 0.78%, 0.38%

LAB 40.69, 68.1, -35.28

 

CMYK 0 / 88 / 33 / 33

HEX #AC1573

RGB 172 21 115

HSL 322.65, 0.78%, 0.38%

LAB 38.8, 63.03, -13.59

 

CMYK 0 / 88 / 57 / 33

HEX #AC154A

RGB 172 21 74

HSL 338.94, 0.78%, 0.38%

LAB 37.48, 59.32, 10.62

 

CMYK 0 / 88 / 80 / 33

HEX #AC1522

RGB 172 21 34

HSL 354.83, 0.78%, 0.38%

LAB 36.79, 57.3, 34.89

 

CMYK 0 / 88 / 33 / 61

HEX #630C42

RGB 99 12 66

HSL 322.76, 0.78%, 0.22%

LAB 21.24, 41.4, -9.56

 

CMYK 0 / 88 / 34 / 47

HEX #88115A

RGB 136 17 90

HSL 323.19, 0.78%, 0.3%

LAB 30.34, 52.49, -11.12

 

CMYK 0 / 88 / 34 / 33

HEX #AC1572

RGB 172 21 114

HSL 323.05, 0.78%, 0.38%

LAB 38.76, 62.92, -13.02

 

CMYK 0 / 88 / 33 / 18

HEX #D11A8B

RGB 209 26 139

HSL 322.95, 0.78%, 0.46%

LAB 47.18, 73.04, -14.98

 

CMYK 0 / 79 / 31 / 10

HEX #E52F9F

RGB 229 47 159

HSL 323.08, 0.78%, 0.54%

LAB 53.16, 75.29, -17.51

 

CMYK 0 / 88 / 34 / 33

HEX #AC1572

RGB 172 21 114

HSL 323.05, 0.78%, 0.38%

LAB 38.76, 62.92, -13.02

 

CMYK 0 / 37 / 88 / 33

HEX #AC6D15

RGB 172 109 21

HSL 34.97, 0.78%, 0.38%

LAB 51.57, 18.6, 53.94

 

CMYK 88 / 0 / 1 / 33

HEX #15ACAA

RGB 21 172 170

HSL 179.21, 0.78%, 0.38%

LAB 63.81, -35.54, -9.29

 

CMYK 0 / 88 / 34 / 33

HEX #AC1572

RGB 172 21 114

HSL 323.05, 0.78%, 0.38%

LAB 38.76, 62.92, -13.02

 

CMYK 33 / 0 / 88 / 33

HEX #73AC15

RGB 115 172 21

HSL 82.65, 0.78%, 0.38%

LAB 64.33, -39.43, 62.55

 

CMYK 88 / 33 / 0 / 33

HEX #1573AC

RGB 21 115 172

HSL 202.65, 0.78%, 0.38%

LAB 46.18, -4.66, -37.54

 

CMYK 0 / 88 / 34 / 33

HEX #AC1572

RGB 172 21 114

HSL 323.05, 0.78%, 0.38%

LAB 38.76, 62.92, -13.02

 

CMYK 0 / 37 / 88 / 33

HEX #AC6D15

RGB 172 109 21

HSL 34.97, 0.78%, 0.38%

LAB 51.57, 18.6, 53.94

 

CMYK 88 / 0 / 54 / 33

HEX #15AC4F

RGB 21 172 79

HSL 143.05, 0.78%, 0.38%

LAB 61.85, -56.79, 37.38

 

CMYK 88 / 51 / 0 / 33

HEX #1554AC

RGB 21 84 172

HSL 214.97, 0.78%, 0.38%

LAB 36.89, 15.14, -52.39

 

CMYK 0 / 88 / 34 / 33

HEX #AC1572

RGB 172 21 114

HSL 323.05, 0.78%, 0.38%

LAB 38.76, 62.92, -13.02

 

CMYK 0 / 10 / 88 / 33

HEX #AC9B15

RGB 172 155 21

HSL 53.25, 0.78%, 0.38%

LAB 63.56, -6.84, 63.62

 

CMYK 88 / 0 / 54 / 33

HEX #15AC4F

RGB 21 172 79

HSL 143.05, 0.78%, 0.38%

LAB 61.85, -56.79, 37.38

 

CMYK 88 / 77 / 0 / 33

HEX #1527AC

RGB 21 39 172

HSL 232.85, 0.78%, 0.38%

LAB 25.53, 44.42, -71

 

Description

Color code: HEX #AC1572 | qconv.com Color code: HEX #AC1572 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 21 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 21 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 34 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 34% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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