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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC12263F it is the complementary color #53EDD93F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC12263F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC12263F shade: #B112213F, #C224343F, #D336473F, #E4485A3F and #F55A6D3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC12263F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC12263F shade: #AC12263F, #9B00133F, #8A00003F, #7900003F and #6800003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC12263F shade: #AB1226 and #AB1212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC12263F shade: #AB1226, #AB124F, #AB1278, #AB12A1 and #8B12AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC12263F shade matches the following richer shades: #AB1226 and #BA031A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC12263F shade: #AB1226, #9C2131, #8C303C, #7D4048 and #6E4F53

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC12263F shade: #AB1278, #AB124F, #AB1226, #AB2612 and #AB4F12

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC12263F shade: #600A15, #850E1E, #AB1226, #D0162E and #E82740

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC12263F shade: #AC1226, #A1AB12 and #1263AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC12263F shade: #AC1226, #26AB12 and #1226AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC12263F shade: #AC1226, #A1AB12, #12AB96 and #1C12AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC12263F shade: #AC1226, #73AB12, #12AB96 and #4A12AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 19 / 8

HEX #AC12263F

RGBA 172 18 38 0.25

HSLA 352.21, 0.81%, 0.37%, 0.25

LABA 36.64, 57.99, 32.36, 0.25

 

Complementary color

CMYK 16 / 0 / 2 / 2

HEX #53EDD93F

RGBA 83 237 217 0.25

HSLA 172.21, 0.81%, 0.63%, 0.25

LABA 85.71, -44.79, -2.21, 0.25

 

CMYK 0 / 22 / 20 / 8

HEX #B112213F

RGBA 177 18 33 0.25

HSLA 354.34, 0.82%, 0.38%, 0.25

LABA 37.64, 59.18, 36.68, 0.25

 

CMYK 0 / 20 / 18 / 6

HEX #C224343F

RGBA 194 36 52 0.25

HSLA 353.92, 0.69%, 0.45%, 0.25

LABA 42.73, 60.66, 32.03, 0.25

 

CMYK 0 / 19 / 17 / 4

HEX #D336473F

RGBA 211 54 71 0.25

HSLA 353.5, 0.64%, 0.52%, 0.25

LABA 48.19, 61.17, 28.01, 0.25

 

CMYK 0 / 17 / 15 / 3

HEX #E4485A3F

RGBA 228 72 90 0.25

HSLA 353.08, 0.74%, 0.59%, 0.25

LABA 53.89, 61.06, 24.64, 0.25

 

CMYK 0 / 16 / 14 / 1

HEX #F55A6D3F

RGBA 245 90 109 0.25

HSLA 352.65, 0.89%, 0.66%, 0.25

LABA 59.73, 60.56, 21.8, 0.25

 

CMYK 0 / 22 / 19 / 8

HEX #AC12263F

RGBA 172 18 38 0.25

HSLA 352.21, 0.81%, 0.37%, 0.25

LABA 36.64, 57.99, 32.36, 0.25

 

CMYK 0 / 25 / 22 / 10

HEX #9B00133F

RGBA 155 0 19 0.25

HSLA 352.65, 1%, 0.3%, 0.25

LABA 31.84, 55.53, 37.35, 0.25

 

CMYK 0 / 25 / 25 / 11

HEX #8A00003F

RGBA 138 0 0 0.25

HSLA 0, 1%, 0.27%, 0.25

LABA 27.85, 50.74, 41.01, 0.25

 

CMYK 0 / 25 / 25 / 13

HEX #7900003F

RGBA 121 0 0 0.25

HSLA 0, 1%, 0.24%, 0.25

LABA 23.89, 46.15, 35.9, 0.25

 

CMYK 0 / 25 / 25 / 15

HEX #6800003F

RGBA 104 0 0 0.25

HSLA 0, 1%, 0.2%, 0.25

LABA 19.81, 41.44, 30.34, 0.25

 

CMYK 0 / 89 / 78 / 33

HEX #AB1226

RGB 171 18 38

HSL 352.16, 0.81%, 0.37%

LAB 36.42, 57.72, 32.06

 

CMYK 0 / 89 / 89 / 33

HEX #AB1212

RGB 171 18 18

HSL 0, 0.81%, 0.37%

LAB 36.24, 57.2, 42.85

 

CMYK 0 / 89 / 78 / 33

HEX #AB1226

RGB 171 18 38

HSL 352.16, 0.81%, 0.37%

LAB 36.42, 57.72, 32.06

 

CMYK 0 / 89 / 54 / 33

HEX #AB124F

RGB 171 18 79

HSL 336.08, 0.81%, 0.37%

LAB 37.22, 59.98, 6.99

 

CMYK 0 / 89 / 30 / 33

HEX #AB1278

RGB 171 18 120

HSL 320, 0.81%, 0.37%

LAB 38.63, 63.89, -17

 

CMYK 0 / 89 / 6 / 33

HEX #AB12A1

RGB 171 18 161

HSL 303.92, 0.81%, 0.37%

LAB 40.68, 69.27, -38.94

 

CMYK 19 / 89 / 0 / 33

HEX #8B12AB

RGB 139 18 171

HSL 287.45, 0.81%, 0.37%

LAB 35.72, 65.35, -53.21

 

CMYK 0 / 89 / 78 / 33

HEX #AB1226

RGB 171 18 38

HSL 352.16, 0.81%, 0.37%

LAB 36.42, 57.72, 32.06

 

CMYK 0 / 98 / 86 / 27

HEX #BA031A

RGB 186 3 26

HSL 352.46, 0.97%, 0.37%

LAB 38.86, 63.23, 42.35

 

CMYK 0 / 89 / 78 / 33

HEX #AB1226

RGB 171 18 38

HSL 352.16, 0.81%, 0.37%

LAB 36.42, 57.72, 32.06

 

CMYK 0 / 79 / 69 / 39

HEX #9C2131

RGB 156 33 49

HSL 352.2, 0.65%, 0.37%

LAB 34.76, 50.27, 22.49

 

CMYK 0 / 66 / 57 / 45

HEX #8C303C

RGB 140 48 60

HSL 352.17, 0.49%, 0.37%

LAB 34.02, 39.95, 13.89

 

CMYK 0 / 49 / 42 / 51

HEX #7D4048

RGB 125 64 72

HSL 352.13, 0.32%, 0.37%

LAB 34.99, 27.22, 7.17

 

CMYK 0 / 28 / 25 / 57

HEX #6E4F53

RGB 110 79 83

HSL 352.26, 0.16%, 0.37%

LAB 36.99, 13.69, 2.79

 

CMYK 0 / 89 / 30 / 33

HEX #AB1278

RGB 171 18 120

HSL 320, 0.81%, 0.37%

LAB 38.63, 63.89, -17

 

CMYK 0 / 89 / 54 / 33

HEX #AB124F

RGB 171 18 79

HSL 336.08, 0.81%, 0.37%

LAB 37.22, 59.98, 6.99

 

CMYK 0 / 89 / 78 / 33

HEX #AB1226

RGB 171 18 38

HSL 352.16, 0.81%, 0.37%

LAB 36.42, 57.72, 32.06

 

CMYK 0 / 78 / 89 / 33

HEX #AB2612

RGB 171 38 18

HSL 7.84, 0.81%, 0.37%

LAB 38, 52.22, 44.2

 

CMYK 0 / 54 / 89 / 33

HEX #AB4F12

RGB 171 79 18

HSL 23.92, 0.81%, 0.37%

LAB 44.65, 34.47, 49.34

 

CMYK 0 / 90 / 78 / 62

HEX #600A15

RGB 96 10 21

HSL 352.33, 0.81%, 0.21%

LAB 19.05, 37.12, 18.9

 

CMYK 0 / 89 / 77 / 48

HEX #850E1E

RGB 133 14 30

HSL 351.93, 0.81%, 0.29%

LAB 27.83, 47.62, 25.2

 

CMYK 0 / 89 / 78 / 33

HEX #AB1226

RGB 171 18 38

HSL 352.16, 0.81%, 0.37%

LAB 36.42, 57.72, 32.06

 

CMYK 0 / 89 / 78 / 18

HEX #D0162E

RGB 208 22 46

HSL 352.26, 0.81%, 0.45%

LAB 44.49, 67.1, 38.31

 

CMYK 0 / 83 / 72 / 9

HEX #E82740

RGB 232 39 64

HSL 352.23, 0.81%, 0.53%

LAB 50.66, 70.81, 36.08

 

CMYK 0 / 90 / 78 / 33

HEX #AC1226

RGB 172 18 38

HSL 352.21, 0.81%, 0.37%

LAB 36.64, 57.99, 32.36

 

CMYK 6 / 0 / 89 / 33

HEX #A1AB12

RGB 161 171 18

HSL 63.92, 0.81%, 0.37%

LAB 67.09, -20.1, 66.65

 

CMYK 89 / 42 / 0 / 33

HEX #1263AB

RGB 18 99 171

HSL 208.24, 0.81%, 0.37%

LAB 41.2, 4.69, -44.86

 

CMYK 0 / 90 / 78 / 33

HEX #AC1226

RGB 172 18 38

HSL 352.21, 0.81%, 0.37%

LAB 36.64, 57.99, 32.36

 

CMYK 78 / 0 / 89 / 33

HEX #26AB12

RGB 38 171 18

HSL 112.16, 0.81%, 0.37%

LAB 61.29, -60.15, 59.48

 

CMYK 89 / 78 / 0 / 33

HEX #1226AB

RGB 18 38 171

HSL 232.16, 0.81%, 0.37%

LAB 25.12, 44.52, -71.08

 

CMYK 0 / 90 / 78 / 33

HEX #AC1226

RGB 172 18 38

HSL 352.21, 0.81%, 0.37%

LAB 36.64, 57.99, 32.36

 

CMYK 6 / 0 / 89 / 33

HEX #A1AB12

RGB 161 171 18

HSL 63.92, 0.81%, 0.37%

LAB 67.09, -20.1, 66.65

 

CMYK 89 / 0 / 12 / 33

HEX #12AB96

RGB 18 171 150

HSL 171.76, 0.81%, 0.37%

LAB 62.89, -41.09, 0.53

 

CMYK 84 / 89 / 0 / 33

HEX #1C12AB

RGB 28 18 171

HSL 243.92, 0.81%, 0.37%

LAB 22.37, 54.14, -75.64

 

CMYK 0 / 90 / 78 / 33

HEX #AC1226

RGB 172 18 38

HSL 352.21, 0.81%, 0.37%

LAB 36.64, 57.99, 32.36

 

CMYK 33 / 0 / 89 / 33

HEX #73AB12

RGB 115 171 18

HSL 81.96, 0.81%, 0.37%

LAB 64.01, -39.08, 62.87

 

CMYK 89 / 0 / 12 / 33

HEX #12AB96

RGB 18 171 150

HSL 171.76, 0.81%, 0.37%

LAB 62.89, -41.09, 0.53

 

CMYK 57 / 89 / 0 / 33

HEX #4A12AB

RGB 74 18 171

HSL 261.96, 0.81%, 0.37%

LAB 26.24, 57.01, -69.1

 

Description

Color code: HEX #AC12263F | qconv.com Color code: HEX #AC12263F | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 18 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 18 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 19 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 19% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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