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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC029C it is the complementary color #53FD63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC029C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #AC029C: #B10297, #C214AA, #D326BD, #E438D0 and #F54AE3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC029C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #AC029C: #AC029C, #9B0089, #8A0076, #790063 and #680050

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 99 / 9 / 33

HEX #AC029C

RGB 172 2 156

HSL 305.65, 0.98%, 0.34%

LAB 39.94, 70.62, -37.08

 

Complementary color

CMYK 67 / 0 / 61 / 1

HEX #53FD63

RGB 83 253 99

HSL 125.65, 0.98%, 0.66%

LAB 88.44, -72.56, 59.71

 

CMYK 0 / 99 / 15 / 31

HEX #B10297

RGB 177 2 151

HSL 308.91, 0.98%, 0.35%

LAB 40.61, 70.86, -32.92

 

CMYK 0 / 90 / 12 / 24

HEX #C214AA

RGB 194 20 170

HSL 308.28, 0.81%, 0.42%

LAB 45.46, 74.59, -36.48

 

CMYK 0 / 82 / 10 / 17

HEX #D326BD

RGB 211 38 189

HSL 307.63, 0.69%, 0.49%

LAB 50.58, 77.25, -39.36

 

CMYK 0 / 75 / 9 / 11

HEX #E438D0

RGB 228 56 208

HSL 306.98, 0.76%, 0.56%

LAB 55.96, 78.91, -41.63

 

CMYK 0 / 70 / 7 / 4

HEX #F54AE3

RGB 245 74 227

HSL 306.32, 0.9%, 0.63%

LAB 61.53, 79.86, -43.42

 

CMYK 0 / 99 / 9 / 33

HEX #AC029C

RGB 172 2 156

HSL 305.65, 0.98%, 0.34%

LAB 39.94, 70.62, -37.08

 

CMYK 0 / 100 / 12 / 39

HEX #9B0089

RGB 155 0 137

HSL 306.97, 1%, 0.3%

LAB 35.55, 65.12, -32.62

 

CMYK 0 / 100 / 14 / 46

HEX #8A0076

RGB 138 0 118

HSL 308.7, 1%, 0.27%

LAB 31.14, 59.29, -27.9

 

CMYK 0 / 100 / 18 / 53

HEX #790063

RGB 121 0 99

HSL 310.91, 1%, 0.24%

LAB 26.64, 53.34, -22.98

 

CMYK 0 / 100 / 23 / 59

HEX #680050

RGB 104 0 80

HSL 313.85, 1%, 0.2%

LAB 22.02, 47.24, -17.83

 

CMYK 0 / 99 / 9 / 33

HEX #AC029C

RGB 172 2 156

HSL 305.65, 0.98%, 0.34%

LAB 39.94, 70.62, -37.08

 

CMYK 0 / 99 / 25 / 33

HEX #AB0181

RGB 171 1 129

HSL 314.82, 0.99%, 0.34%

LAB 38.31, 67.04, -23.1

 

CMYK 0 / 99 / 42 / 33

HEX #AB0164

RGB 171 1 100

HSL 325.06, 0.99%, 0.34%

LAB 37.11, 63.95, -6.66

 

CMYK 0 / 99 / 58 / 33

HEX #AB0148

RGB 171 1 72

HSL 334.94, 0.99%, 0.34%

LAB 36.27, 61.71, 10.19

 

CMYK 0 / 99 / 74 / 33

HEX #AB012C

RGB 171 1 44

HSL 344.82, 0.99%, 0.34%

LAB 35.72, 60.23, 27.55

 

CMYK 0 / 99 / 9 / 33

HEX #AC029C

RGB 172 2 156

HSL 305.65, 0.98%, 0.34%

LAB 39.94, 70.62, -37.08

 

CMYK 0 / 99 / 9 / 13

HEX #DF03CA

RGB 223 3 202

HSL 305.73, 0.97%, 0.44%

LAB 51.86, 85.69, -44.73

 

CMYK 0 / 100 / 11 / 93

HEX #130011

RGB 19 0 17

HSL 306.32, 1%, 0.04%

LAB 1.62, 8.18, -5.01

 

CMYK 0 / 99 / 10 / 73

HEX #46013F

RGB 70 1 63

HSL 306.09, 0.97%, 0.14%

LAB 13.73, 37.17, -19.63

 

CMYK 0 / 99 / 9 / 53

HEX #79016E

RGB 121 1 110

HSL 305.5, 0.98%, 0.24%

LAB 27.33, 54.73, -29.03

 

CMYK 0 / 99 / 9 / 33

HEX #AC029C

RGB 172 2 156

HSL 305.65, 0.98%, 0.34%

LAB 39.94, 70.62, -37.08

 

CMYK 0 / 71 / 99 / 33

HEX #AB3101

RGB 171 49 1

HSL 16.94, 0.99%, 0.34%

LAB 39.34, 48.06, 51.14

 

CMYK 99 / 0 / 32 / 33

HEX #01AB75

RGB 1 171 117

HSL 160.94, 0.99%, 0.34%

LAB 62.01, -50.27, 17.57

 

CMYK 0 / 99 / 9 / 33

HEX #AC029C

RGB 172 2 156

HSL 305.65, 0.98%, 0.34%

LAB 39.94, 70.62, -37.08

 

CMYK 8 / 0 / 99 / 33

HEX #9DAB01

RGB 157 171 1

HSL 64.94, 0.99%, 0.34%

LAB 66.75, -22.11, 68.58

 

CMYK 99 / 8 / 0 / 33

HEX #019DAB

RGB 1 157 171

HSL 184.94, 0.99%, 0.34%

LAB 59.03, -28.91, -17.06

 

CMYK 0 / 99 / 9 / 33

HEX #AC029C

RGB 172 2 156

HSL 305.65, 0.98%, 0.34%

LAB 39.94, 70.62, -37.08

 

CMYK 0 / 71 / 99 / 33

HEX #AB3101

RGB 171 49 1

HSL 16.94, 0.99%, 0.34%

LAB 39.34, 48.06, 51.14

 

CMYK 99 / 0 / 91 / 33

HEX #01AB0F

RGB 1 171 15

HSL 124.94, 0.99%, 0.34%

LAB 60.93, -63.43, 59.57

 

CMYK 99 / 28 / 0 / 33

HEX #017BAB

RGB 1 123 171

HSL 196.94, 0.99%, 0.34%

LAB 48.4, -10.76, -33.47

 

CMYK 0 / 99 / 9 / 33

HEX #AC029C

RGB 172 2 156

HSL 305.65, 0.98%, 0.34%

LAB 39.94, 70.62, -37.08

 

CMYK 0 / 42 / 99 / 33

HEX #AB6401

RGB 171 100 1

HSL 34.94, 0.99%, 0.34%

LAB 49.22, 22.85, 56.89

 

CMYK 99 / 0 / 91 / 33

HEX #01AB0F

RGB 1 171 15

HSL 124.94, 0.99%, 0.34%

LAB 60.93, -63.43, 59.57

 

CMYK 99 / 58 / 0 / 33

HEX #0148AB

RGB 1 72 171

HSL 214.94, 0.99%, 0.34%

LAB 33.1, 21.88, -57.97

 

Description

Color code: HEX #AC029C | qconv.com Color code: HEX #AC029C | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 2 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 2 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 99 magenta, 9 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 99% 9% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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