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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABDEEA it is the complementary color #542115. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABDEEA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABDEEA shade: #B0DEE5, #C1F0F8, #D2FFFF, #E3FFFF and #F4FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABDEEA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABDEEA shade: #ABDEEA, #9ACCD7, #89BAC4, #78A8B1 and #67969E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABDEEA shade: #A9DDEA, #A9CCEA, #A9BBEA, #A9A9EA and #BBA9EA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABDEEA shade: #A9DDEA, #A9CCEA, #A9BBEA and #A9A9EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABDEEA shade matches the following richer shades: #A9DDEA, #A1E3F2 and #98E8FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABDEEA shade: #A9DDEA, #B2D8E1, #BBD3D8, #C3CDD0 and #CCC8C7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABDEEA shade: #A9EAD3, #A9EAE4, #A9DEEA, #A9CDEA and #A9BCEA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABDEEA shade: #67C3D9, #88D0E1, #A9DDEA, #CAEAF2 and #EBF7FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABDEEA shade: #ABDEEA, #C2A9EA and #EADCA9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABDEEA shade: #ABDEEA, #EAA9DE and #DEEAA9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABDEEA shade: #ABDEEA, #C2A9EA, #EAB5A9 and #D1EAA9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABDEEA shade: #ABDEEA, #D5A9EA, #EAB5A9 and #BEEAA9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 5 / 0 / 8

HEX #ABDEEA

RGB 171 222 234

HSL 191.43, 0.6%, 0.79%

LAB 85.42, -13.64, -11.22

 

Complementary color

CMYK 0 / 61 / 75 / 67

HEX #542115

RGB 84 33 21

HSL 11.43, 0.6%, 0.21%

LAB 20.15, 22.83, 19.55

 

CMYK 23 / 3 / 0 / 10

HEX #B0DEE5

RGB 176 222 229

HSL 187.92, 0.5%, 0.79%

LAB 85.57, -13.29, -8.32

 

CMYK 22 / 3 / 0 / 3

HEX #C1F0F8

RGB 193 240 248

HSL 188.73, 0.8%, 0.86%

LAB 91.88, -13.26, -8.82

 

CMYK 18 / 0 / 0 / 0

HEX #D2FFFF

RGB 210 255 255

HSL 180, 1%, 0.91%

LAB 97, -14.22, -4.76

 

CMYK 11 / 0 / 0 / 0

HEX #E3FFFF

RGB 227 255 255

HSL 180, 1%, 0.95%

LAB 98.06, -9, -3.08

 

CMYK 4 / 0 / 0 / 0

HEX #F4FFFF

RGB 244 255 255

HSL 180, 1%, 0.98%

LAB 99.21, -3.59, -1.26

 

CMYK 27 / 5 / 0 / 8

HEX #ABDEEA

RGB 171 222 234

HSL 191.43, 0.6%, 0.79%

LAB 85.42, -13.64, -11.22

 

CMYK 28 / 5 / 0 / 16

HEX #9ACCD7

RGB 154 204 215

HSL 190.82, 0.43%, 0.72%

LAB 79.02, -13.66, -10.75

 

CMYK 30 / 5 / 0 / 23

HEX #89BAC4

RGB 137 186 196

HSL 190.17, 0.33%, 0.65%

LAB 72.51, -13.68, -10.27

 

CMYK 32 / 5 / 0 / 31

HEX #78A8B1

RGB 120 168 177

HSL 189.47, 0.27%, 0.58%

LAB 65.88, -13.71, -9.78

 

CMYK 35 / 5 / 0 / 38

HEX #67969E

RGB 103 150 158

HSL 188.73, 0.22%, 0.51%

LAB 59.13, -13.73, -9.27

 

CMYK 28 / 6 / 0 / 8

HEX #A9DDEA

RGB 169 221 234

HSL 192, 0.61%, 0.79%

LAB 85.04, -13.7, -11.8

 

CMYK 28 / 13 / 0 / 8

HEX #A9CCEA

RGB 169 204 234

HSL 207.69, 0.61%, 0.79%

LAB 80.49, -4.88, -18.63

 

CMYK 28 / 20 / 0 / 8

HEX #A9BBEA

RGB 169 187 234

HSL 223.38, 0.61%, 0.79%

LAB 76.02, 4.25, -25.43

 

CMYK 28 / 28 / 0 / 8

HEX #A9A9EA

RGB 169 169 234

HSL 240, 0.61%, 0.79%

LAB 71.39, 14.19, -32.55

 

CMYK 20 / 28 / 0 / 8

HEX #BBA9EA

RGB 187 169 234

HSL 256.62, 0.61%, 0.79%

LAB 72.81, 19.55, -30.23

 

CMYK 28 / 6 / 0 / 8

HEX #A9DDEA

RGB 169 221 234

HSL 192, 0.61%, 0.79%

LAB 85.04, -13.7, -11.8

 

CMYK 28 / 13 / 0 / 8

HEX #A9CCEA

RGB 169 204 234

HSL 207.69, 0.61%, 0.79%

LAB 80.49, -4.88, -18.63

 

CMYK 28 / 20 / 0 / 8

HEX #A9BBEA

RGB 169 187 234

HSL 223.38, 0.61%, 0.79%

LAB 76.02, 4.25, -25.43

 

CMYK 28 / 28 / 0 / 8

HEX #A9A9EA

RGB 169 169 234

HSL 240, 0.61%, 0.79%

LAB 71.39, 14.19, -32.55

 

CMYK 28 / 6 / 0 / 8

HEX #A9DDEA

RGB 169 221 234

HSL 192, 0.61%, 0.79%

LAB 85.04, -13.7, -11.8

 

CMYK 33 / 6 / 0 / 5

HEX #A1E3F2

RGB 161 227 242

HSL 191.11, 0.76%, 0.79%

LAB 86.47, -17.1, -13.93

 

CMYK 39 / 8 / 0 / 2

HEX #98E8FB

RGB 152 232 251

HSL 191.52, 0.93%, 0.79%

LAB 87.66, -19.75, -16.92

 

CMYK 28 / 6 / 0 / 8

HEX #A9DDEA

RGB 169 221 234

HSL 192, 0.61%, 0.79%

LAB 85.04, -13.7, -11.8

 

CMYK 21 / 4 / 0 / 12

HEX #B2D8E1

RGB 178 216 225

HSL 191.49, 0.44%, 0.79%

LAB 83.97, -10.49, -8.56

 

CMYK 13 / 2 / 0 / 15

HEX #BBD3D8

RGB 187 211 216

HSL 190.34, 0.27%, 0.79%

LAB 82.97, -6.98, -5.19

 

CMYK 6 / 1 / 0 / 18

HEX #C3CDD0

RGB 195 205 208

HSL 193.85, 0.12%, 0.79%

LAB 81.74, -2.82, -2.68

 

CMYK 0 / 2 / 2 / 20

HEX #CCC8C7

RGB 204 200 199

HSL 12, 0.05%, 0.79%

LAB 80.89, 1.21, 0.98

 

CMYK 28 / 0 / 10 / 8

HEX #A9EAD3

RGB 169 234 211

HSL 158.77, 0.61%, 0.79%

LAB 87.96, -25.13, 4.61

 

CMYK 28 / 0 / 3 / 8

HEX #A9EAE4

RGB 169 234 228

HSL 174.46, 0.61%, 0.79%

LAB 88.39, -21.55, -3.67

 

CMYK 28 / 5 / 0 / 8

HEX #A9DEEA

RGB 169 222 234

HSL 191.08, 0.61%, 0.79%

LAB 85.31, -14.21, -11.4

 

CMYK 28 / 12 / 0 / 8

HEX #A9CDEA

RGB 169 205 234

HSL 206.77, 0.61%, 0.79%

LAB 80.76, -5.41, -18.22

 

CMYK 28 / 20 / 0 / 8

HEX #A9BCEA

RGB 169 188 234

HSL 222.46, 0.61%, 0.79%

LAB 76.28, 3.7, -25.03

 

CMYK 53 / 10 / 0 / 15

HEX #67C3D9

RGB 103 195 217

HSL 191.58, 0.6%, 0.63%

LAB 74.14, -21.39, -19.41

 

CMYK 40 / 8 / 0 / 12

HEX #88D0E1

RGB 136 208 225

HSL 191.46, 0.6%, 0.71%

LAB 79.49, -18.18, -15.5

 

CMYK 28 / 6 / 0 / 8

HEX #A9DDEA

RGB 169 221 234

HSL 192, 0.61%, 0.79%

LAB 85.04, -13.7, -11.8

 

CMYK 17 / 3 / 0 / 5

HEX #CAEAF2

RGB 202 234 242

HSL 192, 0.61%, 0.87%

LAB 90.69, -8.77, -7.39

 

CMYK 6 / 1 / 0 / 2

HEX #EBF7FA

RGB 235 247 250

HSL 192, 0.6%, 0.95%

LAB 96.45, -3.38, -2.81

 

CMYK 27 / 5 / 0 / 8

HEX #ABDEEA

RGB 171 222 234

HSL 191.43, 0.6%, 0.79%

LAB 85.42, -13.64, -11.22

 

CMYK 17 / 28 / 0 / 8

HEX #C2A9EA

RGB 194 169 234

HSL 263.08, 0.61%, 0.79%

LAB 73.41, 21.69, -29.26

 

CMYK 0 / 6 / 28 / 8

HEX #EADCA9

RGB 234 220 169

HSL 47.08, 0.61%, 0.79%

LAB 87.75, -2.9, 26.84

 

CMYK 27 / 5 / 0 / 8

HEX #ABDEEA

RGB 171 222 234

HSL 191.43, 0.6%, 0.79%

LAB 85.42, -13.64, -11.22

 

CMYK 0 / 28 / 5 / 8

HEX #EAA9DE

RGB 234 169 222

HSL 311.08, 0.61%, 0.79%

LAB 76.77, 32.15, -17.27

 

CMYK 5 / 0 / 28 / 8

HEX #DEEAA9

RGB 222 234 169

HSL 71.08, 0.61%, 0.79%

LAB 90.43, -14.42, 30.31

 

CMYK 27 / 5 / 0 / 8

HEX #ABDEEA

RGB 171 222 234

HSL 191.43, 0.6%, 0.79%

LAB 85.42, -13.64, -11.22

 

CMYK 17 / 28 / 0 / 8

HEX #C2A9EA

RGB 194 169 234

HSL 263.08, 0.61%, 0.79%

LAB 73.41, 21.69, -29.26

 

CMYK 0 / 23 / 28 / 8

HEX #EAB5A9

RGB 234 181 169

HSL 11.08, 0.61%, 0.79%

LAB 78.11, 17.5, 13.5

 

CMYK 11 / 0 / 28 / 8

HEX #D1EAA9

RGB 209 234 169

HSL 83.08, 0.61%, 0.79%

LAB 89.52, -19.14, 28.92

 

CMYK 27 / 5 / 0 / 8

HEX #ABDEEA

RGB 171 222 234

HSL 191.43, 0.6%, 0.79%

LAB 85.42, -13.64, -11.22

 

CMYK 9 / 28 / 0 / 8

HEX #D5A9EA

RGB 213 169 234

HSL 280.62, 0.61%, 0.79%

LAB 75.12, 27.62, -26.49

 

CMYK 0 / 23 / 28 / 8

HEX #EAB5A9

RGB 234 181 169

HSL 11.08, 0.61%, 0.79%

LAB 78.11, 17.5, 13.5

 

CMYK 19 / 0 / 28 / 8

HEX #BEEAA9

RGB 190 234 169

HSL 100.62, 0.61%, 0.79%

LAB 88.28, -25.84, 27.04

 

Description

Color code: HEX #ABDEEA | qconv.com Color code: HEX #ABDEEA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 222 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 222 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 5 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 5% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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