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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 23 / 3 / 0 / 10 it is the complementary color CMYK 0 / 59 / 68 / 69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 23 / 3 / 0 / 10. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 23 / 3 / 0 / 10: CMYK 19 / 1 / 0 / 12, CMYK 18 / 1 / 0 / 4, CMYK 15 / 0 / 0 / 0, CMYK 9 / 0 / 0 / 0 and CMYK 2 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 23 / 3 / 0 / 10. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 23 / 3 / 0 / 10: CMYK 23 / 3 / 0 / 10, CMYK 24 / 3 / 0 / 17, CMYK 26 / 3 / 0 / 25, CMYK 27 / 2 / 0 / 32 and CMYK 29 / 2 / 0 / 40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 3 / 0 / 10

HEX #B1DFE6

RGB 177 223 230

HSL 187.92, 0.51%, 0.8%

LAB 85.92, -13.28, -8.32

 

Complementary color

CMYK 0 / 59 / 68 / 69

HEX #4E2019

RGB 78 32 25

HSL 7.92, 0.51%, 0.2%

LAB 18.9, 21.05, 15.13

 

CMYK 19 / 1 / 0 / 12

HEX #B6DFE1

RGB 182 223 225

HSL 182.79, 0.42%, 0.8%

LAB 86.08, -12.85, -5.41

 

CMYK 18 / 1 / 0 / 4

HEX #C7F1F4

RGB 199 241 244

HSL 184, 0.67%, 0.87%

LAB 92.39, -12.81, -5.94

 

CMYK 15 / 0 / 0 / 0

HEX #D8FFFF

RGB 216 255 255

HSL 180, 1%, 0.92%

LAB 97.36, -12.41, -4.18

 

CMYK 9 / 0 / 0 / 0

HEX #E9FFFF

RGB 233 255 255

HSL 180, 1%, 0.96%

LAB 98.46, -7.11, -2.45

 

CMYK 2 / 0 / 0 / 0

HEX #FAFFFF

RGB 250 255 255

HSL 180, 1%, 0.99%

LAB 99.64, -1.63, -0.58

 

CMYK 23 / 3 / 0 / 10

HEX #B1DFE6

RGB 177 223 230

HSL 187.92, 0.51%, 0.8%

LAB 85.92, -13.28, -8.32

 

CMYK 24 / 3 / 0 / 17

HEX #A0CDD3

RGB 160 205 211

HSL 187.06, 0.37%, 0.73%

LAB 79.52, -13.32, -7.81

 

CMYK 26 / 3 / 0 / 25

HEX #8FBBC0

RGB 143 187 192

HSL 186.12, 0.28%, 0.66%

LAB 73.01, -13.37, -7.3

 

CMYK 27 / 2 / 0 / 32

HEX #7EA9AD

RGB 126 169 173

HSL 185.11, 0.22%, 0.59%

LAB 66.39, -13.43, -6.76

 

CMYK 29 / 2 / 0 / 40

HEX #6D979A

RGB 109 151 154

HSL 184, 0.18%, 0.52%

LAB 59.63, -13.5, -6.21

 

CMYK 23 / 3 / 0 / 10

HEX #B1DFE6

RGB 177 223 230

HSL 187.92, 0.51%, 0.8%

LAB 85.92, -13.28, -8.32

 

CMYK 23 / 7 / 0 / 10

HEX #B1D7E6

RGB 177 215 230

HSL 196.98, 0.51%, 0.8%

LAB 83.79, -9.18, -11.5

 

CMYK 23 / 10 / 0 / 10

HEX #B1CEE6

RGB 177 206 230

HSL 207.17, 0.51%, 0.8%

LAB 81.4, -4.49, -15.07

 

CMYK 23 / 14 / 0 / 10

HEX #B1C5E6

RGB 177 197 230

HSL 217.36, 0.51%, 0.8%

LAB 79.04, 0.29, -18.63

 

CMYK 23 / 18 / 0 / 10

HEX #B1BDE6

RGB 177 189 230

HSL 226.42, 0.51%, 0.8%

LAB 76.95, 4.6, -21.79

 

CMYK 23 / 3 / 0 / 10

HEX #B1DFE6

RGB 177 223 230

HSL 187.92, 0.51%, 0.8%

LAB 85.92, -13.28, -8.32

 

CMYK 23 / 4 / 0 / 90

HEX #14191A

RGB 20 25 26

HSL 190, 0.13%, 0.09%

LAB 8.29, -2.05, -1.5

 

CMYK 23 / 3 / 0 / 70

HEX #3B4B4D

RGB 59 75 77

HSL 186.67, 0.13%, 0.27%

LAB 30.64, -5.77, -3.28

 

CMYK 23 / 3 / 0 / 50

HEX #637C80

RGB 99 124 128

HSL 188.28, 0.13%, 0.45%

LAB 50.25, -8.04, -5.17

 

CMYK 23 / 3 / 0 / 30

HEX #8AAEB3

RGB 138 174 179

HSL 187.32, 0.21%, 0.62%

LAB 68.7, -11.01, -6.58

 

CMYK 23 / 3 / 0 / 10

HEX #B1DFE6

RGB 177 223 230

HSL 187.92, 0.51%, 0.8%

LAB 85.92, -13.28, -8.32

 

CMYK 16 / 23 / 0 / 10

HEX #C2B1E6

RGB 194 177 230

HSL 259.25, 0.51%, 0.8%

LAB 75.22, 16.42, -24.31

 

CMYK 0 / 7 / 23 / 10

HEX #E6D7B1

RGB 230 215 177

HSL 43.02, 0.51%, 0.8%

LAB 86.3, -0.75, 20.64

 

CMYK 23 / 3 / 0 / 10

HEX #B1DFE6

RGB 177 223 230

HSL 187.92, 0.51%, 0.8%

LAB 85.92, -13.28, -8.32

 

CMYK 0 / 23 / 3 / 10

HEX #E6B1DF

RGB 230 177 223

HSL 307.92, 0.51%, 0.8%

LAB 78.22, 26.73, -15.66

 

CMYK 3 / 0 / 23 / 10

HEX #DFE6B1

RGB 223 230 177

HSL 67.92, 0.51%, 0.8%

LAB 89.61, -10.96, 25.1

 

CMYK 23 / 3 / 0 / 10

HEX #B1DFE6

RGB 177 223 230

HSL 187.92, 0.51%, 0.8%

LAB 85.92, -13.28, -8.32

 

CMYK 16 / 23 / 0 / 10

HEX #C2B1E6

RGB 194 177 230

HSL 259.25, 0.51%, 0.8%

LAB 75.22, 16.42, -24.31

 

CMYK 0 / 20 / 23 / 10

HEX #E6B8B1

RGB 230 184 177

HSL 7.92, 0.51%, 0.8%

LAB 78.62, 15.53, 9.85

 

CMYK 7 / 0 / 23 / 10

HEX #D5E6B1

RGB 213 230 177

HSL 79.25, 0.51%, 0.8%

LAB 88.88, -14.58, 23.99

 

CMYK 23 / 3 / 0 / 10

HEX #B1DFE6

RGB 177 223 230

HSL 187.92, 0.51%, 0.8%

LAB 85.92, -13.28, -8.32

 

CMYK 9 / 23 / 0 / 10

HEX #D2B1E6

RGB 210 177 230

HSL 277.36, 0.51%, 0.8%

LAB 76.59, 21.51, -22.09

 

CMYK 0 / 20 / 23 / 10

HEX #E6B8B1

RGB 230 184 177

HSL 7.92, 0.51%, 0.8%

LAB 78.62, 15.53, 9.85

 

CMYK 14 / 0 / 23 / 10

HEX #C5E6B1

RGB 197 230 177

HSL 97.36, 0.51%, 0.8%

LAB 87.79, -20.24, 22.33

 

Description

Color code: CMYK 23 / 3 / 0 / 10 | qconv.com Color code: CMYK 23 / 3 / 0 / 10 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 223 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 223 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 3 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 3% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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