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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABDCC5 it is the complementary color #54233A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABDCC5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #ABDCC5: #B0DCC0, #C1EED3, #D2FFE6, #E3FFF9 and #F4FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABDCC5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #ABDCC5: #ABDCC5, #9ACAB2, #89B89F, #78A68C and #679479

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 10 / 14

HEX #ABDCC5

RGB 171 220 197

HSL 151.84, 0.41%, 0.77%

LAB 83.9, -20.45, 6.13

 

Complementary color

CMYK 0 / 58 / 31 / 67

HEX #54233A

RGB 84 35 58

HSL 331.84, 0.41%, 0.23%

LAB 21.55, 25.75, -3.85

 

CMYK 20 / 0 / 13 / 14

HEX #B0DCC0

RGB 176 220 192

HSL 141.82, 0.39%, 0.78%

LAB 84.08, -19.81, 9.07

 

CMYK 19 / 0 / 11 / 7

HEX #C1EED3

RGB 193 238 211

HSL 144, 0.57%, 0.85%

LAB 90.41, -19.67, 8.31

 

CMYK 18 / 0 / 10 / 0

HEX #D2FFE6

RGB 210 255 230

HSL 146.67, 1%, 0.91%

LAB 96.38, -19.07, 7.2

 

CMYK 11 / 0 / 2 / 0

HEX #E3FFF9

RGB 227 255 249

HSL 167.14, 1%, 0.95%

LAB 97.91, -10.14, -0.22

 

CMYK 4 / 0 / 0 / 0

HEX #F4FFFF

RGB 244 255 255

HSL 180, 1%, 0.98%

LAB 99.21, -3.59, -1.26

 

CMYK 22 / 0 / 10 / 14

HEX #ABDCC5

RGB 171 220 197

HSL 151.84, 0.41%, 0.77%

LAB 83.9, -20.45, 6.13

 

CMYK 24 / 0 / 12 / 21

HEX #9ACAB2

RGB 154 202 178

HSL 150, 0.31%, 0.7%

LAB 77.48, -20.62, 6.88

 

CMYK 26 / 0 / 14 / 28

HEX #89B89F

RGB 137 184 159

HSL 148.09, 0.25%, 0.63%

LAB 70.94, -20.81, 7.68

 

CMYK 28 / 0 / 16 / 35

HEX #78A68C

RGB 120 166 140

HSL 146.09, 0.21%, 0.56%

LAB 64.29, -21.02, 8.53

 

CMYK 30 / 0 / 18 / 42

HEX #679479

RGB 103 148 121

HSL 144, 0.18%, 0.49%

LAB 57.51, -21.26, 9.44

 

CMYK 22 / 0 / 10 / 14

HEX #ABDCC5

RGB 171 220 197

HSL 151.84, 0.41%, 0.77%

LAB 83.9, -20.45, 6.13

 

CMYK 22 / 0 / 7 / 14

HEX #ACDCCD

RGB 172 220 205

HSL 161.25, 0.41%, 0.77%

LAB 84.16, -18.55, 2.27

 

CMYK 22 / 0 / 3 / 14

HEX #ACDCD5

RGB 172 220 213

HSL 171.25, 0.41%, 0.77%

LAB 84.36, -16.9, -1.67

 

CMYK 22 / 0 / 0 / 14

HEX #ACDBDC

RGB 172 219 220

HSL 181.25, 0.41%, 0.77%

LAB 84.28, -14.91, -5.5

 

CMYK 22 / 4 / 0 / 14

HEX #ACD3DC

RGB 172 211 220

HSL 191.25, 0.41%, 0.77%

LAB 82.12, -10.82, -8.69

 

CMYK 22 / 0 / 10 / 14

HEX #ABDCC5

RGB 171 220 197

HSL 151.84, 0.41%, 0.77%

LAB 83.9, -20.45, 6.13

 

CMYK 25 / 0 / 13 / 94

HEX #0C100E

RGB 12 16 14

HSL 150, 0.14%, 0.05%

LAB 4.34, -1.66, 0.53

 

CMYK 22 / 0 / 10 / 74

HEX #34433C

RGB 52 67 60

HSL 152, 0.13%, 0.23%

LAB 26.94, -7.75, 2.26

 

CMYK 22 / 0 / 10 / 54

HEX #5C766A

RGB 92 118 106

HSL 152.31, 0.12%, 0.41%

LAB 47.33, -12.14, 3.51

 

CMYK 22 / 0 / 11 / 34

HEX #83A997

RGB 131 169 151

HSL 151.58, 0.18%, 0.59%

LAB 66.09, -16.7, 5.07

 

CMYK 22 / 0 / 10 / 14

HEX #ABDCC5

RGB 171 220 197

HSL 151.84, 0.41%, 0.77%

LAB 83.9, -20.45, 6.13

 

CMYK 22 / 16 / 0 / 14

HEX #ACB9DC

RGB 172 185 220

HSL 223.75, 0.41%, 0.77%

LAB 75.22, 2.96, -19.04

 

CMYK 0 / 20 / 22 / 14

HEX #DCB1AC

RGB 220 177 172

HSL 6.25, 0.41%, 0.77%

LAB 75.85, 14.83, 8.47

 

CMYK 22 / 0 / 10 / 14

HEX #ABDCC5

RGB 171 220 197

HSL 151.84, 0.41%, 0.77%

LAB 83.9, -20.45, 6.13

 

CMYK 10 / 22 / 0 / 14

HEX #C5ACDC

RGB 197 172 220

HSL 271.25, 0.41%, 0.77%

LAB 73.9, 18.01, -20.86

 

CMYK 0 / 10 / 22 / 14

HEX #DCC5AC

RGB 220 197 172

HSL 31.25, 0.41%, 0.77%

LAB 80.81, 4.19, 15.5

 

CMYK 22 / 0 / 10 / 14

HEX #ABDCC5

RGB 171 220 197

HSL 151.84, 0.41%, 0.77%

LAB 83.9, -20.45, 6.13

 

CMYK 22 / 16 / 0 / 14

HEX #ACB9DC

RGB 172 185 220

HSL 223.75, 0.41%, 0.77%

LAB 75.22, 2.96, -19.04

 

CMYK 0 / 22 / 11 / 14

HEX #DCACC3

RGB 220 172 195

HSL 331.25, 0.41%, 0.77%

LAB 75.24, 21.14, -4.97

 

CMYK 0 / 6 / 22 / 14

HEX #DCCEAC

RGB 220 206 172

HSL 42.5, 0.41%, 0.77%

LAB 83.09, -0.52, 18.69

 

CMYK 22 / 0 / 10 / 14

HEX #ABDCC5

RGB 171 220 197

HSL 151.84, 0.41%, 0.77%

LAB 83.9, -20.45, 6.13

 

CMYK 21 / 22 / 0 / 14

HEX #ADACDC

RGB 173 172 220

HSL 241.25, 0.41%, 0.77%

LAB 71.93, 10.41, -24.04

 

CMYK 0 / 22 / 11 / 14

HEX #DCACC3

RGB 220 172 195

HSL 331.25, 0.41%, 0.77%

LAB 75.24, 21.14, -4.97

 

CMYK 0 / 0 / 22 / 14

HEX #DBDCAC

RGB 219 220 172

HSL 61.25, 0.41%, 0.77%

LAB 86.62, -8.09, 23.54

 

Description

Color code: HEX #ABDCC5 | qconv.com Color code: HEX #ABDCC5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 220 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 220 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 10 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 10% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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