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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABD718CE it is the complementary color #5428E7CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABD718CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABD718CE shade: #B0D713CE, #C1E926CE, #D2FB39CE, #E3FF4CCE and #F4FF5FCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABD718CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABD718CE shade: #ABD718CE, #9AC505CE, #89B300CE, #78A100CE and #678F00CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABD718CE shade: #ACD818, #D8D018, #D89C18, #D86918 and #D83518

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABD718CE shade: #ACD818, #78D818, #44D818, #18D820 and #18D853

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABD718CE shade matches the following richer shades: #ACD818 and #B6EB05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABD718CE shade: #ACD818, #A1C42B, #97B13F, #8C9E52 and #828A66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABD718CE shade: #D89B18, #D8CE18, #AED818, #7BD818 and #48D818

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABD718CE shade: #718D10, #8EB314, #ACD818, #BEE831 and #CAEC56

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABD718CE shade: #ABD718, #18D868 and #B518D8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABD718CE shade: #ABD718, #18AED8 and #D818AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABD718CE shade: #ABD718, #18D868, #4218D8 and #D81888

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABD718CE shade: #ABD718, #18D8A1, #4218D8 and #D8184E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 72 / 13

HEX #ABD718CE

RGBA 171 215 24 0.81

HSLA 73.82, 0.8%, 0.47%, 0.81

LABA 80.36, -36.77, 76.65, 0.81

 

Complementary color

CMYK 52 / 67 / 0 / 8

HEX #5428E7CE

RGBA 84 40 231 0.81

HSLA 253.82, 0.8%, 0.53%, 0.81

LABA 36.31, 66.04, -87.51, 0.81

 

CMYK 15 / 0 / 74 / 13

HEX #B0D713CE

RGBA 176 215 19 0.81

HSLA 71.94, 0.84%, 0.46%, 0.81

LABA 80.67, -34.87, 77.79, 0.81

 

CMYK 14 / 0 / 68 / 7

HEX #C1E926CE

RGBA 193 233 38 0.81

HSLA 72.31, 0.82%, 0.53%, 0.81

LABA 86.88, -35.86, 79.95, 0.81

 

CMYK 13 / 0 / 63 / 1

HEX #D2FB39CE

RGBA 210 251 57 0.81

HSLA 72.68, 0.96%, 0.6%, 0.81

LABA 93.01, -36.68, 81.04, 0.81

 

CMYK 9 / 0 / 57 / 0

HEX #E3FF4CCE

RGBA 227 255 76 0.81

HSLA 69.39, 1%, 0.65%, 0.81

LABA 95.32, -31, 77.72, 0.81

 

CMYK 3 / 0 / 51 / 0

HEX #F4FF5FCE

RGBA 244 255 95 0.81

HSLA 64.13, 1%, 0.69%, 0.81

LABA 96.65, -23.24, 72.5, 0.81

 

CMYK 17 / 0 / 72 / 13

HEX #ABD718CE

RGBA 171 215 24 0.81

HSLA 73.82, 0.8%, 0.47%, 0.81

LABA 80.36, -36.77, 76.65, 0.81

 

CMYK 18 / 0 / 79 / 18

HEX #9AC505CE

RGBA 154 197 5 0.81

HSLA 73.44, 0.95%, 0.4%, 0.81

LABA 74.07, -35.68, 73.59, 0.81

 

CMYK 19 / 0 / 81 / 24

HEX #89B300CE

RGBA 137 179 0 0.81

HSLA 74.08, 1%, 0.35%, 0.81

LABA 67.69, -34.37, 68.81, 0.81

 

CMYK 21 / 0 / 81 / 30

HEX #78A100CE

RGBA 120 161 0 0.81

HSLA 75.28, 1%, 0.32%, 0.81

LABA 61.21, -32.97, 63.4, 0.81

 

CMYK 23 / 0 / 81 / 36

HEX #678F00CE

RGBA 103 143 0 0.81

HSLA 76.78, 1%, 0.28%, 0.81

LABA 54.58, -31.56, 57.89, 0.81

 

CMYK 20 / 0 / 89 / 15

HEX #ACD818

RGB 172 216 24

HSL 73.75, 0.8%, 0.47%

LAB 80.71, -36.82, 76.96

 

CMYK 0 / 4 / 89 / 15

HEX #D8D018

RGB 216 208 24

HSL 57.5, 0.8%, 0.47%

LAB 81.72, -14.79, 79.12

 

CMYK 0 / 28 / 89 / 15

HEX #D89C18

RGB 216 156 24

HSL 41.25, 0.8%, 0.47%

LAB 68.34, 12.3, 68.66

 

CMYK 0 / 51 / 89 / 15

HEX #D86918

RGB 216 105 24

HSL 25.31, 0.8%, 0.47%

LAB 56.85, 39.31, 59.8

 

CMYK 0 / 75 / 89 / 15

HEX #D83518

RGB 216 53 24

HSL 9.06, 0.8%, 0.47%

LAB 48.52, 61.39, 53.53

 

CMYK 20 / 0 / 89 / 15

HEX #ACD818

RGB 172 216 24

HSL 73.75, 0.8%, 0.47%

LAB 80.71, -36.82, 76.96

 

CMYK 44 / 0 / 89 / 15

HEX #78D818

RGB 120 216 24

HSL 90, 0.8%, 0.47%

LAB 77.98, -55.55, 73.58

 

CMYK 69 / 0 / 89 / 15

HEX #44D818

RGB 68 216 24

HSL 106.25, 0.8%, 0.47%

LAB 76.32, -68.82, 71.52

 

CMYK 89 / 0 / 85 / 15

HEX #18D820

RGB 24 216 32

HSL 122.5, 0.8%, 0.47%

LAB 75.71, -74.1, 69.17

 

CMYK 89 / 0 / 62 / 15

HEX #18D853

RGB 24 216 83

HSL 138.44, 0.8%, 0.47%

LAB 76.03, -70.05, 52.2

 

CMYK 20 / 0 / 89 / 15

HEX #ACD818

RGB 172 216 24

HSL 73.75, 0.8%, 0.47%

LAB 80.71, -36.82, 76.96

 

CMYK 23 / 0 / 98 / 8

HEX #B6EB05

RGB 182 235 5

HSL 73.83, 0.96%, 0.47%

LAB 86.69, -41.63, 84.04

 

CMYK 20 / 0 / 89 / 15

HEX #ACD818

RGB 172 216 24

HSL 73.75, 0.8%, 0.47%

LAB 80.71, -36.82, 76.96

 

CMYK 18 / 0 / 78 / 23

HEX #A1C42B

RGB 161 196 43

HSL 73.73, 0.64%, 0.47%

LAB 74.34, -31.43, 66.85

 

CMYK 15 / 0 / 64 / 31

HEX #97B13F

RGB 151 177 63

HSL 73.68, 0.48%, 0.47%

LAB 68.3, -25.29, 53.45

 

CMYK 11 / 0 / 48 / 38

HEX #8C9E52

RGB 140 158 82

HSL 74.21, 0.32%, 0.47%

LAB 62.2, -18.58, 37.36

 

CMYK 6 / 0 / 26 / 46

HEX #828A66

RGB 130 138 102

HSL 73.33, 0.15%, 0.47%

LAB 55.97, -9.42, 18.35

 

CMYK 0 / 28 / 89 / 15

HEX #D89B18

RGB 216 155 24

HSL 40.94, 0.8%, 0.47%

LAB 68.1, 12.83, 68.47

 

CMYK 0 / 5 / 89 / 15

HEX #D8CE18

RGB 216 206 24

HSL 56.88, 0.8%, 0.47%

LAB 81.19, -13.79, 78.7

 

CMYK 19 / 0 / 89 / 15

HEX #AED818

RGB 174 216 24

HSL 73.13, 0.8%, 0.47%

LAB 80.84, -36.03, 77.12

 

CMYK 43 / 0 / 89 / 15

HEX #7BD818

RGB 123 216 24

HSL 89.06, 0.8%, 0.47%

LAB 78.1, -54.59, 73.74

 

CMYK 67 / 0 / 89 / 15

HEX #48D818

RGB 72 216 24

HSL 105, 0.8%, 0.47%

LAB 76.41, -68.04, 71.63

 

CMYK 20 / 0 / 89 / 45

HEX #718D10

RGB 113 141 16

HSL 73.44, 0.8%, 0.31%

LAB 54.66, -26.03, 55.41

 

CMYK 21 / 0 / 89 / 30

HEX #8EB314

RGB 142 179 20

HSL 73.96, 0.8%, 0.39%

LAB 68.05, -31.98, 66.51

 

CMYK 20 / 0 / 89 / 15

HEX #ACD818

RGB 172 216 24

HSL 73.75, 0.8%, 0.47%

LAB 80.71, -36.82, 76.96

 

CMYK 18 / 0 / 79 / 9

HEX #BEE831

RGB 190 232 49

HSL 73.77, 0.8%, 0.55%

LAB 86.45, -36.22, 76.82

 

CMYK 14 / 0 / 64 / 7

HEX #CAEC56

RGB 202 236 86

HSL 73.6, 0.8%, 0.63%

LAB 88.55, -31.41, 66.6

 

CMYK 20 / 0 / 89 / 16

HEX #ABD718

RGB 171 215 24

HSL 73.82, 0.8%, 0.47%

LAB 80.36, -36.77, 76.65

 

CMYK 89 / 0 / 52 / 15

HEX #18D868

RGB 24 216 104

HSL 145, 0.8%, 0.47%

LAB 76.26, -67.23, 42.85

 

CMYK 16 / 89 / 0 / 15

HEX #B518D8

RGB 181 24 216

HSL 289.06, 0.8%, 0.47%

LAB 46.22, 78.82, -62.21

 

CMYK 20 / 0 / 89 / 16

HEX #ABD718

RGB 171 215 24

HSL 73.82, 0.8%, 0.47%

LAB 80.36, -36.77, 76.65

 

CMYK 89 / 19 / 0 / 15

HEX #18AED8

RGB 24 174 216

HSL 193.13, 0.8%, 0.47%

LAB 66.08, -21.46, -31.37

 

CMYK 0 / 89 / 19 / 15

HEX #D818AE

RGB 216 24 174

HSL 313.13, 0.8%, 0.47%

LAB 49.87, 78.8, -31.64

 

CMYK 20 / 0 / 89 / 16

HEX #ABD718

RGB 171 215 24

HSL 73.82, 0.8%, 0.47%

LAB 80.36, -36.77, 76.65

 

CMYK 89 / 0 / 52 / 15

HEX #18D868

RGB 24 216 104

HSL 145, 0.8%, 0.47%

LAB 76.26, -67.23, 42.85

 

CMYK 69 / 89 / 0 / 15

HEX #4218D8

RGB 66 24 216

HSL 253.13, 0.8%, 0.47%

LAB 31.28, 66.23, -87.31

 

CMYK 0 / 89 / 37 / 15

HEX #D81888

RGB 216 24 136

HSL 325, 0.8%, 0.47%

LAB 48.3, 74.59, -11.34

 

CMYK 20 / 0 / 89 / 16

HEX #ABD718

RGB 171 215 24

HSL 73.82, 0.8%, 0.47%

LAB 80.36, -36.77, 76.65

 

CMYK 89 / 0 / 25 / 15

HEX #18D8A1

RGB 24 216 161

HSL 162.81, 0.8%, 0.47%

LAB 77.21, -56.24, 15.03

 

CMYK 69 / 89 / 0 / 15

HEX #4218D8

RGB 66 24 216

HSL 253.13, 0.8%, 0.47%

LAB 31.28, 66.23, -87.31

 

CMYK 0 / 89 / 64 / 15

HEX #D8184E

RGB 216 24 78

HSL 343.13, 0.8%, 0.47%

LAB 46.71, 70.19, 22.07

 

Description

Color code: HEX #ABD718CE | qconv.com Color code: HEX #ABD718CE | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 215 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 215 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 72 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 72% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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