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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2FB39CE it is the complementary color #2D04C6CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2FB39CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D2FB39CE shade: #D7FB34CE, #E8FF47CE, #F9FF5ACE, #FFFF6DCE and #FFFF80CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2FB39CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D2FB39CE shade: #D2FB39CE, #C1E926CE, #B0D713CE, #9FC500CE and #8EB300CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D2FB39CE shade: #D2FB37, #FBEF37, #FBBB37, #FB8637 and #FB5137

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D2FB39CE shade: #D2FB37, #9DFB37, #68FB37, #37FB3B and #37FB70

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D2FB39CE shade matches the following richer shades: #D2FB37

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D2FB39CE shade: #D2FB37, #C8EA48, #BEDA58, #B5C969 and #ABB979

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D2FB39CE shade: #FBBA37, #FBEE37, #D4FB37, #A0FB37 and #6BFB37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D2FB39CE shade: #AEDB04, #C8FA0F, #D2FB37, #DBFC60 and #E4FD88

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D2FB39CE shade: #D2FB39, #37FB85 and #D437FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D2FB39CE shade: #D2FB39, #37D4FB and #FB37D4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D2FB39CE shade: #D2FB39, #37FB85, #5E37FB and #FB37AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D2FB39CE shade: #D2FB39, #37FBC0, #5E37FB and #FB3772

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 63 / 1

HEX #D2FB39CE

RGBA 210 251 57 0.81

HSLA 72.68, 0.96%, 0.6%, 0.81

LABA 93.01, -36.68, 81.04, 0.81

 

Complementary color

CMYK 63 / 79 / 0 / 18

HEX #2D04C6CE

RGBA 45 4 198 0.81

HSLA 252.68, 0.96%, 0.4%, 0.81

LABA 25.93, 65.27, -85.77, 0.81

 

CMYK 12 / 0 / 64 / 1

HEX #D7FB34CE

RGBA 215 251 52 0.81

HSLA 70.85, 0.96%, 0.59%, 0.81

LABA 93.32, -34.91, 82.77, 0.81

 

CMYK 7 / 0 / 58 / 0

HEX #E8FF47CE

RGBA 232 255 71 0.81

HSLA 67.5, 1%, 0.64%, 0.81

LABA 95.64, -29.27, 79.8, 0.81

 

CMYK 2 / 0 / 52 / 0

HEX #F9FF5ACE

RGBA 249 255 90 0.81

HSLA 62.18, 1%, 0.68%, 0.81

LABA 96.98, -21.55, 74.89, 0.81

 

CMYK 0 / 0 / 46 / 0

HEX #FFFF6DCE

RGBA 255 255 109 0.81

HSLA 60, 1%, 0.71%, 0.81

LABA 97.59, -17.98, 68.07, 0.81

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF80CE

RGBA 255 255 128 0.81

HSLA 60, 1%, 0.75%, 0.81

LABA 97.77, -16.54, 59.98, 0.81

 

CMYK 13 / 0 / 63 / 1

HEX #D2FB39CE

RGBA 210 251 57 0.81

HSLA 72.68, 0.96%, 0.6%, 0.81

LABA 93.01, -36.68, 81.04, 0.81

 

CMYK 14 / 0 / 68 / 7

HEX #C1E926CE

RGBA 193 233 38 0.81

HSLA 72.31, 0.82%, 0.53%, 0.81

LABA 86.88, -35.86, 79.95, 0.81

 

CMYK 15 / 0 / 74 / 13

HEX #B0D713CE

RGBA 176 215 19 0.81

HSLA 71.94, 0.84%, 0.46%, 0.81

LABA 80.67, -34.87, 77.79, 0.81

 

CMYK 16 / 0 / 81 / 18

HEX #9FC500CE

RGBA 159 197 0 0.81

HSLA 71.57, 1%, 0.39%, 0.81

LABA 74.38, -33.73, 74.49, 0.81

 

CMYK 17 / 0 / 81 / 24

HEX #8EB300CE

RGBA 142 179 0 0.81

HSLA 72.4, 1%, 0.35%, 0.81

LABA 68.01, -32.33, 69.19, 0.81

 

CMYK 16 / 0 / 78 / 2

HEX #D2FB37

RGB 210 251 55

HSL 72.55, 0.96%, 0.6%

LAB 93, -36.75, 81.58

 

CMYK 0 / 5 / 78 / 2

HEX #FBEF37

RGB 251 239 55

HSL 56.33, 0.96%, 0.6%

LAB 92.8, -14.58, 82.53

 

CMYK 0 / 25 / 78 / 2

HEX #FBBB37

RGB 251 187 55

HSL 40.41, 0.96%, 0.6%

LAB 79.8, 11.77, 70.86

 

CMYK 0 / 47 / 78 / 2

HEX #FB8637

RGB 251 134 55

HSL 24.18, 0.96%, 0.6%

LAB 67.9, 39.28, 59.73

 

CMYK 0 / 68 / 78 / 2

HEX #FB5137

RGB 251 81 55

HSL 7.96, 0.96%, 0.6%

LAB 58.67, 63.23, 50.68

 

CMYK 16 / 0 / 78 / 2

HEX #D2FB37

RGB 210 251 55

HSL 72.55, 0.96%, 0.6%

LAB 93, -36.75, 81.58

 

CMYK 37 / 0 / 78 / 2

HEX #9DFB37

RGB 157 251 55

HSL 88.78, 0.96%, 0.6%

LAB 90.06, -56, 77.81

 

CMYK 59 / 0 / 78 / 2

HEX #68FB37

RGB 104 251 55

HSL 105, 0.96%, 0.6%

LAB 88.07, -71.11, 75.23

 

CMYK 78 / 0 / 76 / 2

HEX #37FB3B

RGB 55 251 59

HSL 121.22, 0.96%, 0.6%

LAB 87.06, -79.58, 72.74

 

CMYK 78 / 0 / 55 / 2

HEX #37FB70

RGB 55 251 112

HSL 137.45, 0.96%, 0.6%

LAB 87.47, -74.47, 52.79

 

CMYK 16 / 0 / 78 / 2

HEX #D2FB37

RGB 210 251 55

HSL 72.55, 0.96%, 0.6%

LAB 93, -36.75, 81.58

 

CMYK 16 / 0 / 78 / 2

HEX #D2FB37

RGB 210 251 55

HSL 72.55, 0.96%, 0.6%

LAB 93, -36.75, 81.58

 

CMYK 15 / 0 / 69 / 8

HEX #C8EA48

RGB 200 234 72

HSL 72.59, 0.79%, 0.6%

LAB 87.77, -32.13, 71.05

 

CMYK 13 / 0 / 60 / 15

HEX #BEDA58

RGB 190 218 88

HSL 72.92, 0.64%, 0.6%

LAB 82.8, -27.52, 59.33

 

CMYK 10 / 0 / 48 / 21

HEX #B5C969

RGB 181 201 105

HSL 72.5, 0.47%, 0.6%

LAB 77.65, -21.34, 45.4

 

CMYK 8 / 0 / 35 / 27

HEX #ABB979

RGB 171 185 121

HSL 73.13, 0.31%, 0.6%

LAB 72.72, -15.38, 30.92

 

CMYK 0 / 26 / 78 / 2

HEX #FBBA37

RGB 251 186 55

HSL 40.1, 0.96%, 0.6%

LAB 79.56, 12.29, 70.64

 

CMYK 0 / 5 / 78 / 2

HEX #FBEE37

RGB 251 238 55

HSL 56.02, 0.96%, 0.6%

LAB 92.55, -14.09, 82.31

 

CMYK 16 / 0 / 78 / 2

HEX #D4FB37

RGB 212 251 55

HSL 71.94, 0.96%, 0.6%

LAB 93.13, -35.97, 81.74

 

CMYK 36 / 0 / 78 / 2

HEX #A0FB37

RGB 160 251 55

HSL 87.86, 0.96%, 0.6%

LAB 90.2, -55, 77.99

 

CMYK 57 / 0 / 78 / 2

HEX #6BFB37

RGB 107 251 55

HSL 104.08, 0.96%, 0.6%

LAB 88.16, -70.4, 75.35

 

CMYK 21 / 0 / 98 / 14

HEX #AEDB04

RGB 174 219 4

HSL 72.56, 0.96%, 0.44%

LAB 81.66, -37.68, 80.06

 

CMYK 20 / 0 / 94 / 2

HEX #C8FA0F

RGB 200 250 15

HSL 72.77, 0.96%, 0.52%

LAB 91.99, -41.16, 87.8

 

CMYK 16 / 0 / 78 / 2

HEX #D2FB37

RGB 210 251 55

HSL 72.55, 0.96%, 0.6%

LAB 93, -36.75, 81.58

 

CMYK 13 / 0 / 62 / 1

HEX #DBFC60

RGB 219 252 96

HSL 72.69, 0.96%, 0.68%

LAB 94.11, -31.54, 68.88

 

CMYK 10 / 0 / 46 / 1

HEX #E4FD88

RGB 228 253 136

HSL 72.82, 0.97%, 0.76%

LAB 95.38, -25.22, 52.97

 

CMYK 16 / 0 / 77 / 2

HEX #D2FB39

RGB 210 251 57

HSL 72.68, 0.96%, 0.6%

LAB 93.01, -36.68, 81.04

 

CMYK 78 / 0 / 47 / 2

HEX #37FB85

RGB 55 251 133

HSL 143.88, 0.96%, 0.6%

LAB 87.73, -71.45, 43.33

 

CMYK 16 / 78 / 0 / 2

HEX #D437FB

RGB 212 55 251

HSL 288.06, 0.96%, 0.6%

LAB 55.78, 82.97, -66.29

 

CMYK 16 / 0 / 77 / 2

HEX #D2FB39

RGB 210 251 57

HSL 72.68, 0.96%, 0.6%

LAB 93.01, -36.68, 81.04

 

CMYK 78 / 16 / 0 / 2

HEX #37D4FB

RGB 55 212 251

HSL 191.94, 0.96%, 0.6%

LAB 78.96, -26.89, -30.43

 

CMYK 0 / 78 / 16 / 2

HEX #FB37D4

RGB 251 55 212

HSL 311.94, 0.96%, 0.6%

LAB 59.88, 84.54, -37.48

 

CMYK 16 / 0 / 77 / 2

HEX #D2FB39

RGB 210 251 57

HSL 72.68, 0.96%, 0.6%

LAB 93.01, -36.68, 81.04

 

CMYK 78 / 0 / 47 / 2

HEX #37FB85

RGB 55 251 133

HSL 143.88, 0.96%, 0.6%

LAB 87.73, -71.45, 43.33

 

CMYK 63 / 78 / 0 / 2

HEX #5E37FB

RGB 94 55 251

HSL 251.94, 0.96%, 0.6%

LAB 41.34, 66.2, -90.47

 

CMYK 0 / 78 / 31 / 2

HEX #FB37AD

RGB 251 55 173

HSL 323.88, 0.96%, 0.6%

LAB 58.28, 79.9, -17.56

 

CMYK 16 / 0 / 77 / 2

HEX #D2FB39

RGB 210 251 57

HSL 72.68, 0.96%, 0.6%

LAB 93.01, -36.68, 81.04

 

CMYK 78 / 0 / 24 / 2

HEX #37FBC0

RGB 55 251 192

HSL 161.94, 0.96%, 0.6%

LAB 88.74, -60.08, 15.1

 

CMYK 63 / 78 / 0 / 2

HEX #5E37FB

RGB 94 55 251

HSL 251.94, 0.96%, 0.6%

LAB 41.34, 66.2, -90.47

 

CMYK 0 / 78 / 55 / 2

HEX #FB3772

RGB 251 55 114

HSL 341.94, 0.96%, 0.6%

LAB 56.54, 74.66, 14.68

 

Description

Color code: HEX #D2FB39CE | qconv.com Color code: HEX #D2FB39CE | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 251 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 251 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 63 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 63% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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