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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABD5EB it is the complementary color #542A14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABD5EB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABD5EB shade: #B0D5E6, #C1E7F9, #D2F9FF, #E3FFFF and #F4FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABD5EB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABD5EB shade: #ABD5EB, #9AC3D8, #89B1C5, #789FB2 and #678D9F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABD5EB shade: #ACD6EC, #ACC5EC, #ACB4EC, #B6ACEC and #C7ACEC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABD5EB shade: #ACD6EC, #ACC5EC, #ACB4EC and #ACACEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABD5EB shade matches the following richer shades: #ACD6EC, #A4D8F4 and #9CDBFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABD5EB shade: #ACD6EC, #B5D3E3, #BDD1DB, #C5CED3 and #CDCCCB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABD5EB shade: #ACECDF, #ACE7EC, #ACD7EC, #ACC6EC and #ACB5EC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABD5EB shade: #6AB5DC, #8BC5E4, #ACD6EC, #CEE7F3 and #EFF7FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABD5EB shade: #ABD5EB, #CEACEC and #ECE7AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABD5EB shade: #ABD5EB, #ECACD7 and #D7ECAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABD5EB shade: #ABD5EB, #CEACEC, #ECC1AC and #CAECAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABD5EB shade: #ABD5EB, #E1ACEC, #ECC1AC and #B7ECAC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 9 / 0 / 8

HEX #ABD5EB

RGB 171 213 235

HSL 200.63, 0.62%, 0.8%

LAB 83.04, -8.78, -15.31

 

Complementary color

CMYK 0 / 50 / 76 / 67

HEX #542A14

RGB 84 42 20

HSL 20.63, 0.62%, 0.2%

LAB 22.27, 17.39, 22.59

 

CMYK 23 / 7 / 0 / 10

HEX #B0D5E6

RGB 176 213 230

HSL 198.89, 0.52%, 0.8%

LAB 83.2, -8.45, -12.39

 

CMYK 22 / 7 / 0 / 2

HEX #C1E7F9

RGB 193 231 249

HSL 199.29, 0.82%, 0.87%

LAB 89.55, -8.48, -12.81

 

CMYK 18 / 2 / 0 / 0

HEX #D2F9FF

RGB 210 249 255

HSL 188, 1%, 0.91%

LAB 95.44, -11.24, -7.06

 

CMYK 11 / 0 / 0 / 0

HEX #E3FFFF

RGB 227 255 255

HSL 180, 1%, 0.95%

LAB 98.06, -9, -3.08

 

CMYK 4 / 0 / 0 / 0

HEX #F4FFFF

RGB 244 255 255

HSL 180, 1%, 0.98%

LAB 99.21, -3.59, -1.26

 

CMYK 27 / 9 / 0 / 8

HEX #ABD5EB

RGB 171 213 235

HSL 200.63, 0.62%, 0.8%

LAB 83.04, -8.78, -15.31

 

CMYK 29 / 10 / 0 / 15

HEX #9AC3D8

RGB 154 195 216

HSL 200.32, 0.44%, 0.73%

LAB 76.59, -8.73, -14.92

 

CMYK 30 / 10 / 0 / 23

HEX #89B1C5

RGB 137 177 197

HSL 200, 0.34%, 0.65%

LAB 70.03, -8.67, -14.53

 

CMYK 33 / 11 / 0 / 30

HEX #789FB2

RGB 120 159 178

HSL 199.66, 0.27%, 0.58%

LAB 63.35, -8.61, -14.14

 

CMYK 35 / 11 / 0 / 38

HEX #678D9F

RGB 103 141 159

HSL 199.29, 0.23%, 0.51%

LAB 56.52, -8.53, -13.76

 

CMYK 27 / 9 / 0 / 7

HEX #ACD6EC

RGB 172 214 236

HSL 200.63, 0.63%, 0.8%

LAB 83.4, -8.78, -15.3

 

CMYK 27 / 17 / 0 / 7

HEX #ACC5EC

RGB 172 197 236

HSL 216.56, 0.63%, 0.8%

LAB 78.9, 0.19, -22.09

 

CMYK 27 / 24 / 0 / 7

HEX #ACB4EC

RGB 172 180 236

HSL 232.5, 0.63%, 0.8%

LAB 74.49, 9.44, -28.83

 

CMYK 23 / 27 / 0 / 7

HEX #B6ACEC

RGB 182 172 236

HSL 249.38, 0.63%, 0.8%

LAB 73.22, 16.83, -30.72

 

CMYK 16 / 27 / 0 / 7

HEX #C7ACEC

RGB 199 172 236

HSL 265.31, 0.63%, 0.8%

LAB 74.64, 22.02, -28.42

 

CMYK 27 / 9 / 0 / 7

HEX #ACD6EC

RGB 172 214 236

HSL 200.63, 0.63%, 0.8%

LAB 83.4, -8.78, -15.3

 

CMYK 27 / 17 / 0 / 7

HEX #ACC5EC

RGB 172 197 236

HSL 216.56, 0.63%, 0.8%

LAB 78.9, 0.19, -22.09

 

CMYK 27 / 24 / 0 / 7

HEX #ACB4EC

RGB 172 180 236

HSL 232.5, 0.63%, 0.8%

LAB 74.49, 9.44, -28.83

 

CMYK 27 / 27 / 0 / 7

HEX #ACACEC

RGB 172 172 236

HSL 240, 0.63%, 0.8%

LAB 72.45, 13.88, -31.97

 

CMYK 27 / 9 / 0 / 7

HEX #ACD6EC

RGB 172 214 236

HSL 200.63, 0.63%, 0.8%

LAB 83.4, -8.78, -15.3

 

CMYK 33 / 11 / 0 / 4

HEX #A4D8F4

RGB 164 216 244

HSL 201, 0.78%, 0.8%

LAB 83.72, -10.19, -19.1

 

CMYK 38 / 13 / 0 / 1

HEX #9CDBFC

RGB 156 219 252

HSL 200.63, 0.94%, 0.8%

LAB 84.36, -11.89, -22.41

 

CMYK 27 / 9 / 0 / 7

HEX #ACD6EC

RGB 172 214 236

HSL 200.63, 0.63%, 0.8%

LAB 83.4, -8.78, -15.3

 

CMYK 20 / 7 / 0 / 11

HEX #B5D3E3

RGB 181 211 227

HSL 200.87, 0.45%, 0.8%

LAB 82.89, -6.55, -11.22

 

CMYK 14 / 5 / 0 / 14

HEX #BDD1DB

RGB 189 209 219

HSL 200, 0.29%, 0.8%

LAB 82.67, -4.69, -7.23

 

CMYK 7 / 2 / 0 / 17

HEX #C5CED3

RGB 197 206 211

HSL 201.43, 0.14%, 0.8%

LAB 82.23, -2.1, -3.55

 

CMYK 0 / 0 / 1 / 20

HEX #CDCCCB

RGB 205 204 203

HSL 30, 0.02%, 0.8%

LAB 82.1, 0.17, 0.61

 

CMYK 27 / 0 / 6 / 7

HEX #ACECDF

RGB 172 236 223

HSL 167.81, 0.63%, 0.8%

LAB 88.96, -22.74, -0.2

 

CMYK 27 / 2 / 0 / 7

HEX #ACE7EC

RGB 172 231 236

HSL 184.69, 0.63%, 0.8%

LAB 87.96, -17.45, -8.49

 

CMYK 27 / 9 / 0 / 7

HEX #ACD7EC

RGB 172 215 236

HSL 199.69, 0.63%, 0.8%

LAB 83.67, -9.3, -14.9

 

CMYK 27 / 16 / 0 / 7

HEX #ACC6EC

RGB 172 198 236

HSL 215.63, 0.63%, 0.8%

LAB 79.16, -0.35, -21.69

 

CMYK 27 / 23 / 0 / 7

HEX #ACB5EC

RGB 172 181 236

HSL 231.56, 0.63%, 0.8%

LAB 74.75, 8.89, -28.44

 

CMYK 52 / 18 / 0 / 14

HEX #6AB5DC

RGB 106 181 220

HSL 200.53, 0.62%, 0.64%

LAB 70.37, -12.59, -26.78

 

CMYK 39 / 14 / 0 / 11

HEX #8BC5E4

RGB 139 197 228

HSL 200.9, 0.62%, 0.72%

LAB 76.69, -10.95, -21.33

 

CMYK 27 / 9 / 0 / 7

HEX #ACD6EC

RGB 172 214 236

HSL 200.63, 0.63%, 0.8%

LAB 83.4, -8.78, -15.3

 

CMYK 15 / 5 / 0 / 5

HEX #CEE7F3

RGB 206 231 243

HSL 199.46, 0.61%, 0.88%

LAB 90.2, -5.8, -8.61

 

CMYK 5 / 2 / 0 / 2

HEX #EFF7FB

RGB 239 247 251

HSL 200, 0.6%, 0.96%

LAB 96.75, -1.9, -2.84

 

CMYK 27 / 9 / 0 / 8

HEX #ABD5EB

RGB 171 213 235

HSL 200.63, 0.62%, 0.8%

LAB 83.04, -8.78, -15.31

 

CMYK 13 / 27 / 0 / 7

HEX #CEACEC

RGB 206 172 236

HSL 271.88, 0.63%, 0.8%

LAB 75.25, 24.19, -27.42

 

CMYK 0 / 2 / 27 / 7

HEX #ECE7AC

RGB 236 231 172

HSL 55.31, 0.63%, 0.8%

LAB 90.76, -7.34, 29.41

 

CMYK 27 / 9 / 0 / 8

HEX #ABD5EB

RGB 171 213 235

HSL 200.63, 0.62%, 0.8%

LAB 83.04, -8.78, -15.31

 

CMYK 0 / 27 / 9 / 7

HEX #ECACD7

RGB 236 172 215

HSL 319.69, 0.63%, 0.8%

LAB 77.43, 30.02, -12.45

 

CMYK 9 / 0 / 27 / 7

HEX #D7ECAC

RGB 215 236 172

HSL 79.69, 0.63%, 0.8%

LAB 90.51, -17.54, 28.81

 

CMYK 27 / 9 / 0 / 8

HEX #ABD5EB

RGB 171 213 235

HSL 200.63, 0.62%, 0.8%

LAB 83.04, -8.78, -15.31

 

CMYK 13 / 27 / 0 / 7

HEX #CEACEC

RGB 206 172 236

HSL 271.88, 0.63%, 0.8%

LAB 75.25, 24.19, -27.42

 

CMYK 0 / 18 / 27 / 7

HEX #ECC1AC

RGB 236 193 172

HSL 19.69, 0.63%, 0.8%

LAB 81.26, 12.3, 16.35

 

CMYK 14 / 0 / 27 / 7

HEX #CAECAC

RGB 202 236 172

HSL 91.88, 0.63%, 0.8%

LAB 89.64, -22.18, 27.48

 

CMYK 27 / 9 / 0 / 8

HEX #ABD5EB

RGB 171 213 235

HSL 200.63, 0.62%, 0.8%

LAB 83.04, -8.78, -15.31

 

CMYK 5 / 27 / 0 / 7

HEX #E1ACEC

RGB 225 172 236

HSL 289.69, 0.63%, 0.8%

LAB 77.02, 30.2, -24.56

 

CMYK 0 / 18 / 27 / 7

HEX #ECC1AC

RGB 236 193 172

HSL 19.69, 0.63%, 0.8%

LAB 81.26, 12.3, 16.35

 

CMYK 22 / 0 / 27 / 7

HEX #B7ECAC

RGB 183 236 172

HSL 109.69, 0.63%, 0.8%

LAB 88.47, -28.71, 25.68

 

Description

Color code: HEX #ABD5EB | qconv.com Color code: HEX #ABD5EB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 213 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 213 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 9 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 9% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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