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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 15 / 5 / 0 / 5 it is the complementary color CMYK 0 / 49 / 73 / 81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 15 / 5 / 0 / 5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 15 / 5 / 0 / 5: CMYK 11 / 3 / 0 / 7, CMYK 11 / 3 / 0 / 0, CMYK 4 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 15 / 5 / 0 / 5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 15 / 5 / 0 / 5: CMYK 15 / 5 / 0 / 5, CMYK 15 / 5 / 0 / 13, CMYK 16 / 5 / 0 / 20, CMYK 16 / 5 / 0 / 27 and CMYK 17 / 5 / 0 / 35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 5 / 0 / 5

HEX #CEE6F2

RGB 206 230 242

HSL 200, 0.58%, 0.88%

LAB 89.92, -5.49, -8.51

 

Complementary color

CMYK 0 / 49 / 73 / 81

HEX #31190D

RGB 49 25 13

HSL 20, 0.58%, 0.12%

LAB 11.81, 10.57, 12.38

 

CMYK 11 / 3 / 0 / 7

HEX #D3E6ED

RGB 211 230 237

HSL 196.15, 0.42%, 0.88%

LAB 90.12, -4.91, -5.56

 

CMYK 11 / 3 / 0 / 0

HEX #E4F8FF

RGB 228 248 255

HSL 195.56, 1%, 0.95%

LAB 96.35, -5.17, -5.59

 

CMYK 4 / 0 / 0 / 0

HEX #F5FFFF

RGB 245 255 255

HSL 180, 1%, 0.98%

LAB 99.28, -3.26, -1.15

 

CMYK 15 / 5 / 0 / 5

HEX #CEE6F2

RGB 206 230 242

HSL 200, 0.58%, 0.88%

LAB 89.92, -5.49, -8.51

 

CMYK 15 / 5 / 0 / 13

HEX #BDD4DF

RGB 189 212 223

HSL 199.41, 0.35%, 0.81%

LAB 83.57, -5.43, -8.03

 

CMYK 16 / 5 / 0 / 20

HEX #ACC2CC

RGB 172 194 204

HSL 198.75, 0.24%, 0.74%

LAB 77.11, -5.37, -7.54

 

CMYK 16 / 5 / 0 / 27

HEX #9BB0B9

RGB 155 176 185

HSL 198, 0.18%, 0.67%

LAB 70.54, -5.32, -7.04

 

CMYK 17 / 5 / 0 / 35

HEX #8A9EA6

RGB 138 158 166

HSL 197.14, 0.14%, 0.6%

LAB 63.84, -5.28, -6.54

 

CMYK 15 / 5 / 0 / 5

HEX #CEE6F2

RGB 206 230 242

HSL 200, 0.58%, 0.88%

LAB 89.92, -5.49, -8.51

 

CMYK 15 / 7 / 0 / 5

HEX #CEE0F2

RGB 206 224 242

HSL 210, 0.58%, 0.88%

LAB 88.37, -2.39, -10.8

 

CMYK 15 / 10 / 0 / 5

HEX #CEDAF2

RGB 206 218 242

HSL 220, 0.58%, 0.88%

LAB 86.84, 0.73, -13.09

 

CMYK 15 / 12 / 0 / 5

HEX #CED4F2

RGB 206 212 242

HSL 230, 0.58%, 0.88%

LAB 85.31, 3.88, -15.38

 

CMYK 15 / 15 / 0 / 5

HEX #CECEF2

RGB 206 206 242

HSL 240, 0.58%, 0.88%

LAB 83.8, 7.06, -17.66

 

CMYK 15 / 5 / 0 / 5

HEX #CEE6F2

RGB 206 230 242

HSL 200, 0.58%, 0.88%

LAB 89.92, -5.49, -8.51

 

CMYK 16 / 5 / 0 / 85

HEX #202426

RGB 32 36 38

HSL 200, 0.09%, 0.14%

LAB 13.88, -1.27, -1.95

 

CMYK 15 / 4 / 0 / 65

HEX #4C5559

RGB 76 85 89

HSL 198.46, 0.08%, 0.32%

LAB 35.51, -2.6, -3.54

 

CMYK 15 / 5 / 0 / 45

HEX #77858C

RGB 119 133 140

HSL 200, 0.08%, 0.51%

LAB 54.65, -3.55, -5.5

 

CMYK 15 / 5 / 0 / 25

HEX #A3B6BF

RGB 163 182 191

HSL 199.29, 0.18%, 0.69%

LAB 72.89, -4.65, -6.79

 

CMYK 15 / 5 / 0 / 5

HEX #CEE6F2

RGB 206 230 242

HSL 200, 0.58%, 0.88%

LAB 89.92, -5.49, -8.51

 

CMYK 7 / 15 / 0 / 5

HEX #E1CEF2

RGB 225 206 242

HSL 271.67, 0.58%, 0.88%

LAB 85.28, 13.14, -15.28

 

CMYK 0 / 1 / 15 / 5

HEX #F2EFCE

RGB 242 239 206

HSL 55, 0.58%, 0.88%

LAB 93.91, -4.39, 16.34

 

CMYK 15 / 5 / 0 / 5

HEX #CEE6F2

RGB 206 230 242

HSL 200, 0.58%, 0.88%

LAB 89.92, -5.49, -8.51

 

CMYK 0 / 15 / 5 / 5

HEX #F2CEE6

RGB 242 206 230

HSL 320, 0.58%, 0.88%

LAB 86.37, 16.58, -7.13

 

CMYK 5 / 0 / 15 / 5

HEX #E6F2CE

RGB 230 242 206

HSL 80, 0.58%, 0.88%

LAB 93.79, -10.12, 16.04

 

CMYK 15 / 5 / 0 / 5

HEX #CEE6F2

RGB 206 230 242

HSL 200, 0.58%, 0.88%

LAB 89.92, -5.49, -8.51

 

CMYK 7 / 15 / 0 / 5

HEX #E1CEF2

RGB 225 206 242

HSL 271.67, 0.58%, 0.88%

LAB 85.28, 13.14, -15.28

 

CMYK 0 / 10 / 15 / 5

HEX #F2DACE

RGB 242 218 206

HSL 20, 0.58%, 0.88%

LAB 88.67, 6.36, 8.9

 

CMYK 8 / 0 / 15 / 5

HEX #DFF2CE

RGB 223 242 206

HSL 91.67, 0.58%, 0.88%

LAB 93.3, -12.54, 15.28

 

CMYK 15 / 5 / 0 / 5

HEX #CEE6F2

RGB 206 230 242

HSL 200, 0.58%, 0.88%

LAB 89.92, -5.49, -8.51

 

CMYK 2 / 15 / 0 / 5

HEX #ECCEF2

RGB 236 206 242

HSL 290, 0.58%, 0.88%

LAB 86.2, 16.73, -13.81

 

CMYK 0 / 10 / 15 / 5

HEX #F2DACE

RGB 242 218 206

HSL 20, 0.58%, 0.88%

LAB 88.67, 6.36, 8.9

 

CMYK 12 / 0 / 15 / 5

HEX #D4F2CE

RGB 212 242 206

HSL 110, 0.58%, 0.88%

LAB 92.56, -16.29, 14.13

 

Description

Color code: CMYK 15 / 5 / 0 / 5 | qconv.com Color code: CMYK 15 / 5 / 0 / 5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 230 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 230 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 5 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 5% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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