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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABA615CE it is the complementary color #5459EACE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABA615CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABA615CE shade: #B0A610CE, #C1B823CE, #D2CA36CE, #E3DC49CE and #F4EE5CCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABA615CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABA615CE shade: #ABA615CE, #9A9402CE, #898200CE, #787000CE and #675E00CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABA615CE shade: #ACA715, #AC7F15, #AC5615, #AC2D15 and #AC1515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABA615CE shade: #ACA715, #89AC15, #60AC15, #37AC15 and #15AC1C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABA615CE shade matches the following richer shades: #ACA715 and #BCB606

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABA615CE shade: #ACA715, #9D9925, #8D8A35, #7D7C44 and #6E6D54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABA615CE shade: #AC5715, #AC7F15, #ACA715, #89AC15 and #61AC15

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABA615CE shade: #63600C, #888411, #ACA715, #D1CB1A and #E5DF2F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABA615CE shade: #ABA615, #15AC2F and #6B15AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABA615CE shade: #ABA615, #15ACA7 and #A715AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABA615CE shade: #ABA615, #15AC2F, #151AAC and #AC1593

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABA615CE shade: #ABA615, #15AC5C, #151AAC and #AC1566

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 71 / 27

HEX #ABA615CE

RGBA 171 166 21 0.81

HSLA 58, 0.78%, 0.38%, 0.81

LABA 66.51, -13.08, 65.96, 0.81

 

Complementary color

CMYK 52 / 50 / 0 / 7

HEX #5459EACE

RGBA 84 89 234 0.81

HSLA 238, 0.78%, 0.62%, 0.81

LABA 45.59, 41.88, -73.95, 0.81

 

CMYK 0 / 5 / 74 / 25

HEX #B0A610CE

RGBA 176 166 16 0.81

HSLA 56.25, 0.83%, 0.38%, 0.81

LABA 66.93, -10.95, 67.4, 0.81

 

CMYK 0 / 4 / 66 / 20

HEX #C1B823CE

RGBA 193 184 35 0.81

HSLA 56.58, 0.69%, 0.45%, 0.81

LABA 73.38, -12.32, 69.16, 0.81

 

CMYK 0 / 3 / 60 / 14

HEX #D2CA36CE

RGBA 210 202 54 0.81

HSLA 56.92, 0.63%, 0.52%, 0.81

LABA 79.73, -13.46, 69.73, 0.81

 

CMYK 0 / 2 / 55 / 9

HEX #E3DC49CE

RGBA 227 220 73 0.81

HSLA 57.27, 0.73%, 0.59%, 0.81

LABA 86.01, -14.43, 69.58, 0.81

 

CMYK 0 / 2 / 50 / 3

HEX #F4EE5CCE

RGBA 244 238 92 0.81

HSLA 57.63, 0.87%, 0.66%, 0.81

LABA 92.2, -15.25, 69, 0.81

 

CMYK 0 / 2 / 71 / 27

HEX #ABA615CE

RGBA 171 166 21 0.81

HSLA 58, 0.78%, 0.38%, 0.81

LABA 66.51, -13.08, 65.96, 0.81

 

CMYK 0 / 3 / 80 / 32

HEX #9A9402CE

RGBA 154 148 2 0.81

HSLA 57.63, 0.97%, 0.31%, 0.81

LABA 59.94, -11.61, 63.29, 0.81

 

CMYK 0 / 4 / 81 / 37

HEX #898200CE

RGBA 137 130 0 0.81

HSLA 56.93, 1%, 0.27%, 0.81

LABA 53.26, -9.81, 58.06, 0.81

 

CMYK 0 / 5 / 81 / 43

HEX #787000CE

RGBA 120 112 0 0.81

HSLA 56, 1%, 0.24%, 0.81

LABA 46.42, -7.92, 52.38, 0.81

 

CMYK 0 / 7 / 81 / 48

HEX #675E00CE

RGBA 103 94 0 0.81

HSLA 54.76, 1%, 0.2%, 0.81

LABA 39.39, -5.94, 46.56, 0.81

 

CMYK 0 / 3 / 88 / 33

HEX #ACA715

RGB 172 167 21

HSL 58.01, 0.78%, 0.38%

LAB 66.87, -13.15, 66.29

 

CMYK 0 / 26 / 88 / 33

HEX #AC7F15

RGB 172 127 21

HSL 42.12, 0.78%, 0.38%

LAB 56.09, 8.5, 57.6

 

CMYK 0 / 50 / 88 / 33

HEX #AC5615

RGB 172 86 21

HSL 25.83, 0.78%, 0.38%

LAB 46.29, 31.27, 49.66

 

CMYK 0 / 74 / 88 / 33

HEX #AC2D15

RGB 172 45 21

HSL 9.54, 0.78%, 0.38%

LAB 39.07, 50.21, 43.8

 

CMYK 0 / 88 / 88 / 33

HEX #AC1515

RGB 172 21 21

HSL 0, 0.78%, 0.38%

LAB 36.67, 56.97, 41.84

 

CMYK 0 / 3 / 88 / 33

HEX #ACA715

RGB 172 167 21

HSL 58.01, 0.78%, 0.38%

LAB 66.87, -13.15, 66.29

 

CMYK 20 / 0 / 88 / 33

HEX #89AC15

RGB 137 172 21

HSL 73.91, 0.78%, 0.38%

LAB 65.65, -30.72, 64.2

 

CMYK 44 / 0 / 88 / 33

HEX #60AC15

RGB 96 172 21

HSL 90.2, 0.78%, 0.38%

LAB 63.38, -46.2, 61.37

 

CMYK 68 / 0 / 88 / 33

HEX #37AC15

RGB 55 172 21

HSL 106.49, 0.78%, 0.38%

LAB 61.97, -57.37, 59.6

 

CMYK 88 / 0 / 84 / 33

HEX #15AC1C

RGB 21 172 28

HSL 122.78, 0.78%, 0.38%

LAB 61.44, -61.96, 57.25

 

CMYK 0 / 3 / 88 / 33

HEX #ACA715

RGB 172 167 21

HSL 58.01, 0.78%, 0.38%

LAB 66.87, -13.15, 66.29

 

CMYK 0 / 3 / 97 / 26

HEX #BCB606

RGB 188 182 6

HSL 58.02, 0.94%, 0.38%

LAB 72.34, -14.04, 73.27

 

CMYK 0 / 3 / 88 / 33

HEX #ACA715

RGB 172 167 21

HSL 58.01, 0.78%, 0.38%

LAB 66.87, -13.15, 66.29

 

CMYK 0 / 3 / 76 / 38

HEX #9D9925

RGB 157 153 37

HSL 58, 0.62%, 0.38%

LAB 61.73, -12, 57.04

 

CMYK 0 / 2 / 62 / 45

HEX #8D8A35

RGB 141 138 53

HSL 57.95, 0.45%, 0.38%

LAB 56.18, -10.24, 44.61

 

CMYK 0 / 1 / 46 / 51

HEX #7D7C44

RGB 125 124 68

HSL 58.95, 0.3%, 0.38%

LAB 50.91, -8.32, 30.59

 

CMYK 0 / 1 / 24 / 57

HEX #6E6D54

RGB 110 109 84

HSL 57.69, 0.13%, 0.38%

LAB 45.49, -4.16, 14.15

 

CMYK 0 / 49 / 88 / 33

HEX #AC5715

RGB 172 87 21

HSL 26.23, 0.78%, 0.38%

LAB 46.5, 30.73, 49.84

 

CMYK 0 / 26 / 88 / 33

HEX #AC7F15

RGB 172 127 21

HSL 42.12, 0.78%, 0.38%

LAB 56.09, 8.5, 57.6

 

CMYK 0 / 3 / 88 / 33

HEX #ACA715

RGB 172 167 21

HSL 58.01, 0.78%, 0.38%

LAB 66.87, -13.15, 66.29

 

CMYK 20 / 0 / 88 / 33

HEX #89AC15

RGB 137 172 21

HSL 73.91, 0.78%, 0.38%

LAB 65.65, -30.72, 64.2

 

CMYK 44 / 0 / 88 / 33

HEX #61AC15

RGB 97 172 21

HSL 89.8, 0.78%, 0.38%

LAB 63.43, -45.86, 61.43

 

CMYK 0 / 3 / 88 / 61

HEX #63600C

RGB 99 96 12

HSL 57.93, 0.78%, 0.22%

LAB 39.66, -8.72, 43.32

 

CMYK 0 / 3 / 88 / 47

HEX #888411

RGB 136 132 17

HSL 57.98, 0.78%, 0.3%

LAB 53.79, -11.02, 55.21

 

CMYK 0 / 3 / 88 / 33

HEX #ACA715

RGB 172 167 21

HSL 58.01, 0.78%, 0.38%

LAB 66.87, -13.15, 66.29

 

CMYK 0 / 3 / 88 / 18

HEX #D1CB1A

RGB 209 203 26

HSL 58.03, 0.78%, 0.46%

LAB 79.81, -15.24, 77.01

 

CMYK 0 / 3 / 79 / 10

HEX #E5DF2F

RGB 229 223 47

HSL 58.02, 0.78%, 0.54%

LAB 86.82, -16.15, 78.77

 

CMYK 0 / 3 / 88 / 33

HEX #ABA615

RGB 171 166 21

HSL 58, 0.78%, 0.38%

LAB 66.51, -13.08, 65.96

 

CMYK 88 / 0 / 73 / 33

HEX #15AC2F

RGB 21 172 47

HSL 130.33, 0.78%, 0.38%

LAB 61.54, -60.62, 51.22

 

CMYK 38 / 88 / 0 / 33

HEX #6B15AC

RGB 107 21 172

HSL 274.17, 0.78%, 0.38%

LAB 30.97, 60.18, -61.75

 

CMYK 0 / 3 / 88 / 33

HEX #ABA615

RGB 171 166 21

HSL 58, 0.78%, 0.38%

LAB 66.51, -13.08, 65.96

 

CMYK 88 / 0 / 3 / 33

HEX #15ACA7

RGB 21 172 167

HSL 178.01, 0.78%, 0.38%

LAB 63.72, -36.44, -7.75

 

CMYK 3 / 88 / 0 / 33

HEX #A715AC

RGB 167 21 172

HSL 298.01, 0.78%, 0.38%

LAB 40.78, 69.73, -45.39

 

CMYK 0 / 3 / 88 / 33

HEX #ABA615

RGB 171 166 21

HSL 58, 0.78%, 0.38%

LAB 66.51, -13.08, 65.96

 

CMYK 88 / 0 / 73 / 33

HEX #15AC2F

RGB 21 172 47

HSL 130.33, 0.78%, 0.38%

LAB 61.54, -60.62, 51.22

 

CMYK 88 / 85 / 0 / 33

HEX #151AAC

RGB 21 26 172

HSL 238.01, 0.78%, 0.38%

LAB 23.26, 51.04, -74.77

 

CMYK 0 / 88 / 15 / 33

HEX #AC1593

RGB 172 21 147

HSL 309.93, 0.78%, 0.38%

LAB 40.27, 66.99, -31.1

 

CMYK 0 / 3 / 88 / 33

HEX #ABA615

RGB 171 166 21

HSL 58, 0.78%, 0.38%

LAB 66.51, -13.08, 65.96

 

CMYK 88 / 0 / 47 / 33

HEX #15AC5C

RGB 21 172 92

HSL 148.21, 0.78%, 0.38%

LAB 62.03, -54.66, 31

 

CMYK 88 / 85 / 0 / 33

HEX #151AAC

RGB 21 26 172

HSL 238.01, 0.78%, 0.38%

LAB 23.26, 51.04, -74.77

 

CMYK 0 / 88 / 41 / 33

HEX #AC1566

RGB 172 21 102

HSL 327.81, 0.78%, 0.38%

LAB 38.32, 61.68, -6.12

 

Description

Color code: HEX #ABA615CE | qconv.com Color code: HEX #ABA615CE | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 166 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 166 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 71 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 71% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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