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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 3 / 60 / 14 it is the complementary color CMYK 78 / 75 / 0 / 35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 3 / 60 / 14. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 3 / 60 / 14: CMYK 0 / 5 / 63 / 12, CMYK 0 / 4 / 58 / 5, CMYK 0 / 2 / 53 / 0, CMYK 0 / 0 / 45 / 0 and CMYK 0 / 0 / 38 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 3 / 60 / 14. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 3 / 60 / 14: CMYK 0 / 3 / 60 / 14, CMYK 0 / 3 / 66 / 21, CMYK 0 / 4 / 73 / 27, CMYK 0 / 5 / 82 / 34 and CMYK 0 / 7 / 92 / 41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 60 / 14

HEX #DBD558

RGB 219 213 88

HSL 57.25, 0.65%, 0.6%

LAB 83.63, -13.36, 60.85

 

Complementary color

CMYK 78 / 75 / 0 / 35

HEX #242AA7

RGB 36 42 167

HSL 237.25, 0.65%, 0.4%

LAB 26.22, 41.89, -66.82

 

CMYK 0 / 5 / 63 / 12

HEX #E0D553

RGB 224 213 83

HSL 55.32, 0.69%, 0.6%

LAB 84, -11.62, 63.48

 

CMYK 0 / 4 / 58 / 5

HEX #F1E766

RGB 241 231 102

HSL 55.68, 0.83%, 0.67%

LAB 90.23, -12.37, 62.6

 

CMYK 0 / 2 / 53 / 0

HEX #FFF979

RGB 255 249 121

HSL 57.31, 1%, 0.74%

LAB 96.16, -14.19, 61.25

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8C

RGB 255 255 140

HSL 60, 1%, 0.77%

LAB 97.9, -15.49, 54.62

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9F

RGB 255 255 159

HSL 60, 1%, 0.81%

LAB 98.15, -13.6, 45.86

 

CMYK 0 / 3 / 60 / 14

HEX #DBD558

RGB 219 213 88

HSL 57.25, 0.65%, 0.6%

LAB 83.63, -13.36, 60.85

 

CMYK 0 / 3 / 66 / 21

HEX #CAC345

RGB 202 195 69

HSL 56.84, 0.56%, 0.53%

LAB 77.29, -12.57, 61.61

 

CMYK 0 / 4 / 73 / 27

HEX #B9B132

RGB 185 177 50

HSL 56.44, 0.57%, 0.46%

LAB 70.86, -11.63, 61.97

 

CMYK 0 / 5 / 82 / 34

HEX #A89F1F

RGB 168 159 31

HSL 56.06, 0.69%, 0.39%

LAB 64.34, -10.48, 61.61

 

CMYK 0 / 7 / 92 / 41

HEX #978D0C

RGB 151 141 12

HSL 55.68, 0.85%, 0.32%

LAB 57.71, -9.08, 59.93

 

CMYK 0 / 3 / 60 / 14

HEX #DBD558

RGB 219 213 88

HSL 57.25, 0.65%, 0.6%

LAB 83.63, -13.36, 60.85

 

CMYK 7 / 0 / 61 / 14

HEX #CBDB56

RGB 203 219 86

HSL 67.22, 0.65%, 0.6%

LAB 83.98, -22.96, 61.73

 

CMYK 17 / 0 / 61 / 14

HEX #B5DB56

RGB 181 219 86

HSL 77.14, 0.65%, 0.6%

LAB 82.46, -31.66, 59.63

 

CMYK 27 / 0 / 61 / 14

HEX #9FDB56

RGB 159 219 86

HSL 87.07, 0.65%, 0.6%

LAB 81.13, -39.92, 57.78

 

CMYK 37 / 0 / 61 / 14

HEX #89DB56

RGB 137 219 86

HSL 96.99, 0.65%, 0.6%

LAB 79.98, -47.57, 56.19

 

CMYK 0 / 3 / 60 / 14

HEX #DBD558

RGB 219 213 88

HSL 57.25, 0.65%, 0.6%

LAB 83.63, -13.36, 60.85

 

CMYK 0 / 0 / 60 / 94

HEX #0F0F06

RGB 15 15 6

HSL 60, 0.43%, 0.04%

LAB 4.12, -1.35, 3.68

 

CMYK 0 / 3 / 59 / 74

HEX #42401B

RGB 66 64 27

HSL 56.92, 0.42%, 0.18%

LAB 26.46, -5.16, 22.66

 

CMYK 0 / 3 / 60 / 54

HEX #75722F

RGB 117 114 47

HSL 57.43, 0.43%, 0.32%

LAB 47, -8.35, 36.76

 

CMYK 0 / 3 / 60 / 34

HEX #A8A344

RGB 168 163 68

HSL 57, 0.42%, 0.46%

LAB 65.7, -10.63, 48.81

 

CMYK 0 / 3 / 60 / 14

HEX #DBD558

RGB 219 213 88

HSL 57.25, 0.65%, 0.6%

LAB 83.63, -13.36, 60.85

 

CMYK 61 / 0 / 52 / 14

HEX #56DB6A

RGB 86 219 106

HSL 129.02, 0.65%, 0.6%

LAB 78.28, -59.36, 44.61

 

CMYK 27 / 61 / 0 / 14

HEX #9F56DB

RGB 159 86 219

HSL 272.93, 0.65%, 0.6%

LAB 50.85, 53.83, -56.62

 

CMYK 0 / 3 / 60 / 14

HEX #DBD558

RGB 219 213 88

HSL 57.25, 0.65%, 0.6%

LAB 83.63, -13.36, 60.85

 

CMYK 61 / 0 / 3 / 14

HEX #56DBD4

RGB 86 219 212

HSL 176.84, 0.65%, 0.6%

LAB 80.4, -37.57, -7.39

 

CMYK 3 / 61 / 0 / 14

HEX #D456DB

RGB 212 86 219

HSL 296.84, 0.65%, 0.6%

LAB 57.82, 66.46, -45.11

 

CMYK 0 / 3 / 60 / 14

HEX #DBD558

RGB 219 213 88

HSL 57.25, 0.65%, 0.6%

LAB 83.63, -13.36, 60.85

 

CMYK 61 / 0 / 52 / 14

HEX #56DB6A

RGB 86 219 106

HSL 129.02, 0.65%, 0.6%

LAB 78.28, -59.36, 44.61

 

CMYK 61 / 58 / 0 / 14

HEX #565DDB

RGB 86 93 219

HSL 236.84, 0.65%, 0.6%

LAB 45.53, 34.84, -65.55

 

CMYK 0 / 61 / 9 / 14

HEX #DB56C7

RGB 219 86 199

HSL 309.02, 0.65%, 0.6%

LAB 57.88, 64.92, -33.58

 

CMYK 0 / 3 / 60 / 14

HEX #DBD558

RGB 219 213 88

HSL 57.25, 0.65%, 0.6%

LAB 83.63, -13.36, 60.85

 

CMYK 61 / 0 / 33 / 14

HEX #56DB92

RGB 86 219 146

HSL 147.07, 0.65%, 0.6%

LAB 78.88, -52.78, 25.36

 

CMYK 61 / 58 / 0 / 14

HEX #565DDB

RGB 86 93 219

HSL 236.84, 0.65%, 0.6%

LAB 45.53, 34.84, -65.55

 

CMYK 0 / 61 / 27 / 14

HEX #DB569F

RGB 219 86 159

HSL 327.07, 0.65%, 0.6%

LAB 56.31, 59.24, -12.9

 

Description

Color code: CMYK 0 / 3 / 60 / 14 | qconv.com Color code: CMYK 0 / 3 / 60 / 14 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 213 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 213 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 60 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 60% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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