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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB9383 it is the complementary color #546C7C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB9383. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #AB9383: #B0937E, #C1A591, #D2B7A4, #E3C9B7 and #F4DBCA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB9383. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #AB9383: #AB9383, #9A8170, #896F5D, #785D4A and #674B37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 23 / 33

HEX #AB9383

RGB 171 147 131

HSL 24, 0.19%, 0.59%

LAB 62.65, 6.38, 11.78

Complementary color

CMYK 32 / 13 / 0 / 51

HEX #546C7C

RGB 84 108 124

HSL 204, 0.19%, 0.41%

LAB 44.33, -4.7, -11.76

 

CMYK 0 / 16 / 28 / 31

HEX #B0937E

RGB 176 147 126

HSL 25.2, 0.24%, 0.59%

LAB 63.01, 7.63, 15.17

 

CMYK 0 / 15 / 25 / 24

HEX #C1A591

RGB 193 165 145

HSL 25, 0.28%, 0.66%

LAB 69.68, 7.13, 14.16

 

CMYK 0 / 13 / 22 / 18

HEX #D2B7A4

RGB 210 183 164

HSL 24.78, 0.34%, 0.73%

LAB 76.22, 6.69, 13.21

 

CMYK 0 / 11 / 19 / 11

HEX #E3C9B7

RGB 227 201 183

HSL 24.55, 0.44%, 0.8%

LAB 82.66, 6.3, 12.33

 

CMYK 0 / 10 / 17 / 4

HEX #F4DBCA

RGB 244 219 202

HSL 24.29, 0.66%, 0.87%

LAB 89, 5.94, 11.49

 

CMYK 0 / 14 / 23 / 33

HEX #AB9383

RGB 171 147 131

HSL 24, 0.19%, 0.59%

LAB 62.65, 6.38, 11.78

NCS® S4010-Y50R

CMYK 0 / 16 / 27 / 40

HEX #9A8170

RGB 154 129 112

HSL 24.29, 0.17%, 0.52%

LAB 55.83, 6.87, 12.79

 

CMYK 0 / 19 / 32 / 46

HEX #896F5D

RGB 137 111 93

HSL 24.55, 0.19%, 0.45%

LAB 48.86, 7.46, 13.89

 

CMYK 0 / 23 / 38 / 53

HEX #785D4A

RGB 120 93 74

HSL 24.78, 0.24%, 0.38%

LAB 41.71, 8.16, 15.13

 

CMYK 0 / 27 / 47 / 60

HEX #674B37

RGB 103 75 55

HSL 25, 0.3%, 0.31%

LAB 34.38, 9.04, 16.54

 

CMYK 0 / 14 / 23 / 33

HEX #AB9383

RGB 171 147 131

HSL 24, 0.19%, 0.59%

LAB 62.65, 6.38, 11.78

NCS® S4010-Y50R

CMYK 0 / 10 / 24 / 33

HEX #AA9982

RGB 170 153 130

HSL 34.5, 0.19%, 0.59%

LAB 64.11, 2.52, 14.38

 

CMYK 0 / 6 / 24 / 33

HEX #AA9F82

RGB 170 159 130

HSL 43.5, 0.19%, 0.59%

LAB 65.71, -0.77, 16.6

 

CMYK 0 / 2 / 24 / 33

HEX #AAA682

RGB 170 166 130

HSL 54, 0.19%, 0.59%

LAB 67.6, -4.56, 19.2

 

CMYK 2 / 0 / 24 / 33

HEX #A7AA82

RGB 167 170 130

HSL 64.5, 0.19%, 0.59%

LAB 68.44, -7.86, 20.32

 

CMYK 0 / 14 / 23 / 33

HEX #AB9383

RGB 171 147 131

HSL 24, 0.19%, 0.59%

LAB 62.65, 6.38, 11.78

NCS® S4010-Y50R

CMYK 0 / 14 / 23 / 13

HEX #DEBFAA

RGB 222 191 170

HSL 24.23, 0.44%, 0.77%

LAB 79.44, 7.82, 14.67

 

CMYK 0 / 17 / 22 / 93

HEX #120F0E

RGB 18 15 14

HSL 15, 0.13%, 0.06%

LAB 4.53, 0.92, 0.87

 

CMYK 0 / 14 / 23 / 73

HEX #453B35

RGB 69 59 53

HSL 22.5, 0.13%, 0.24%

LAB 25.71, 3.21, 5.32

 

CMYK 0 / 14 / 23 / 53

HEX #78675C

RGB 120 103 92

HSL 23.57, 0.13%, 0.42%

LAB 44.89, 4.86, 8.7

 

CMYK 0 / 14 / 23 / 33

HEX #AB9383

RGB 171 147 131

HSL 24, 0.19%, 0.59%

LAB 62.65, 6.38, 11.78

NCS® S4010-Y50R

CMYK 14 / 0 / 24 / 33

HEX #92AA82

RGB 146 170 130

HSL 96, 0.19%, 0.59%

LAB 66.88, -15.83, 17.92

 

CMYK 24 / 24 / 0 / 33

HEX #8282AA

RGB 130 130 170

HSL 240, 0.19%, 0.59%

LAB 55.7, 8.92, -21.16

 

CMYK 0 / 14 / 23 / 33

HEX #AB9383

RGB 171 147 131

HSL 24, 0.19%, 0.59%

LAB 62.65, 6.38, 11.78

NCS® S4010-Y50R

CMYK 24 / 0 / 14 / 33

HEX #82AA92

RGB 130 170 146

HSL 144, 0.19%, 0.59%

LAB 66.19, -18.56, 7.99

 

CMYK 14 / 24 / 0 / 33

HEX #9282AA

RGB 146 130 170

HSL 264, 0.19%, 0.59%

LAB 57.05, 14.17, -18.96

 

CMYK 0 / 14 / 23 / 33

HEX #AB9383

RGB 171 147 131

HSL 24, 0.19%, 0.59%

LAB 62.65, 6.38, 11.78

NCS® S4010-Y50R

CMYK 14 / 0 / 24 / 33

HEX #92AA82

RGB 146 170 130

HSL 96, 0.19%, 0.59%

LAB 66.88, -15.83, 17.92

 

CMYK 24 / 9 / 0 / 33

HEX #829AAA

RGB 130 154 170

HSL 204, 0.19%, 0.59%

LAB 62.3, -4.76, -11.15

 

CMYK 9 / 24 / 0 / 33

HEX #9A82AA

RGB 154 130 170

HSL 276, 0.19%, 0.59%

LAB 57.79, 16.87, -17.78

 

CMYK 0 / 14 / 23 / 33

HEX #AB9383

RGB 171 147 131

HSL 24, 0.19%, 0.59%

LAB 62.65, 6.38, 11.78

NCS® S4010-Y50R

CMYK 21 / 0 / 24 / 33

HEX #86AA82

RGB 134 170 130

HSL 114, 0.19%, 0.59%

LAB 66.08, -20.18, 16.7

 

CMYK 24 / 9 / 0 / 33

HEX #829AAA

RGB 130 154 170

HSL 204, 0.19%, 0.59%

LAB 62.3, -4.76, -11.15

 

CMYK 2 / 24 / 0 / 33

HEX #A682AA

RGB 166 130 170

HSL 294, 0.19%, 0.59%

LAB 58.95, 20.98, -15.9

 

Description

Color code: HEX #AB9383 | qconv.com Color code: HEX #AB9383 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 147 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 147 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 23 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 23% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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