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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB882B it is the complementary color #5477D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB882B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #AB882B: #B08826, #C19A39, #D2AC4C, #E3BE5F and #F4D072

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB882B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #AB882B: #AB882B, #9A7618, #896405, #785200 and #674000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 75 / 33

HEX #AB882B

RGB 171 136 43

HSL 43.59, 0.6%, 0.42%

LAB 58.45, 3.8, 52.19

 

Complementary color

CMYK 60 / 44 / 0 / 17

HEX #5477D4

RGB 84 119 212

HSL 223.59, 0.6%, 0.58%

LAB 51.65, 16.05, -51.73

 

CMYK 0 / 23 / 78 / 31

HEX #B08826

RGB 176 136 38

HSL 42.61, 0.64%, 0.42%

LAB 58.95, 5.84, 54.79

 

CMYK 0 / 20 / 70 / 24

HEX #C19A39

RGB 193 154 57

HSL 42.79, 0.54%, 0.49%

LAB 65.55, 4.43, 54.23

 

CMYK 0 / 18 / 64 / 18

HEX #D2AC4C

RGB 210 172 76

HSL 42.99, 0.6%, 0.56%

LAB 72.05, 3.24, 53.24

 

CMYK 0 / 16 / 58 / 11

HEX #E3BE5F

RGB 227 190 95

HSL 43.18, 0.7%, 0.63%

LAB 78.45, 2.23, 52.08

 

CMYK 0 / 15 / 53 / 4

HEX #F4D072

RGB 244 208 114

HSL 43.38, 0.86%, 0.7%

LAB 84.77, 1.36, 50.85

 

CMYK 0 / 20 / 75 / 33

HEX #AB882B

RGB 171 136 43

HSL 43.59, 0.6%, 0.42%

LAB 58.45, 3.8, 52.19

 

CMYK 0 / 23 / 84 / 40

HEX #9A7618

RGB 154 118 24

HSL 43.38, 0.73%, 0.35%

LAB 51.72, 5.37, 52.26

 

CMYK 0 / 27 / 96 / 46

HEX #896405

RGB 137 100 5

HSL 43.18, 0.93%, 0.28%

LAB 44.86, 7.27, 50.91

 

CMYK 0 / 32 / 100 / 53

HEX #785200

RGB 120 82 0

HSL 41, 1%, 0.24%

LAB 37.89, 9.61, 46.42

 

CMYK 0 / 38 / 100 / 60

HEX #674000

RGB 103 64 0

HSL 37.28, 1%, 0.2%

LAB 30.76, 12.21, 40.55

 

CMYK 0 / 20 / 75 / 33

HEX #AB882B

RGB 171 136 43

HSL 43.59, 0.6%, 0.42%

LAB 58.45, 3.8, 52.19

 

CMYK 0 / 9 / 75 / 33

HEX #AB9C2A

RGB 171 156 42

HSL 53.02, 0.61%, 0.42%

LAB 63.84, -7.13, 57.72

 

CMYK 4 / 0 / 75 / 33

HEX #A4AB2A

RGB 164 171 42

HSL 63.26, 0.61%, 0.42%

LAB 67.42, -18.02, 60.86

 

CMYK 16 / 0 / 75 / 33

HEX #8FAB2A

RGB 143 171 42

HSL 73.02, 0.61%, 0.42%

LAB 65.85, -26.96, 58.83

 

CMYK 29 / 0 / 75 / 33

HEX #7AAB2A

RGB 122 171 42

HSL 82.79, 0.61%, 0.42%

LAB 64.51, -35.41, 57.08

 

CMYK 0 / 20 / 75 / 33

HEX #AB882B

RGB 171 136 43

HSL 43.59, 0.6%, 0.42%

LAB 58.45, 3.8, 52.19

 

CMYK 0 / 20 / 75 / 13

HEX #DEB138

RGB 222 177 56

HSL 43.73, 0.72%, 0.55%

LAB 74.36, 4.69, 64.33

 

CMYK 0 / 22 / 72 / 93

HEX #120E05

RGB 18 14 5

HSL 41.54, 0.57%, 0.05%

LAB 4.1, 0.11, 4.09

 

CMYK 0 / 20 / 75 / 73

HEX #453711

RGB 69 55 17

HSL 43.85, 0.6%, 0.17%

LAB 23.8, 1.24, 25.34

 

CMYK 0 / 21 / 75 / 53

HEX #785F1E

RGB 120 95 30

HSL 43.33, 0.6%, 0.29%

LAB 41.64, 2.87, 39.25

 

CMYK 0 / 20 / 75 / 33

HEX #AB882B

RGB 171 136 43

HSL 43.59, 0.6%, 0.42%

LAB 58.45, 3.8, 52.19

 

CMYK 69 / 0 / 75 / 33

HEX #35AB2A

RGB 53 171 42

HSL 114.88, 0.61%, 0.42%

LAB 61.7, -56.27, 53.37

 

CMYK 51 / 75 / 0 / 33

HEX #532AAB

RGB 83 42 171

HSL 259.07, 0.61%, 0.42%

LAB 30.48, 48.68, -62.07

 

CMYK 0 / 20 / 75 / 33

HEX #AB882B

RGB 171 136 43

HSL 43.59, 0.6%, 0.42%

LAB 58.45, 3.8, 52.19

 

CMYK 75 / 0 / 22 / 33

HEX #2AAB86

RGB 42 171 134

HSL 162.79, 0.61%, 0.42%

LAB 62.79, -43.12, 9.34

 

CMYK 22 / 75 / 0 / 33

HEX #862AAB

RGB 134 42 171

HSL 282.79, 0.61%, 0.42%

LAB 37.23, 57.73, -50.79

 

CMYK 0 / 20 / 75 / 33

HEX #AB882B

RGB 171 136 43

HSL 43.59, 0.6%, 0.42%

LAB 58.45, 3.8, 52.19

 

CMYK 69 / 0 / 75 / 33

HEX #35AB2A

RGB 53 171 42

HSL 114.88, 0.61%, 0.42%

LAB 61.7, -56.27, 53.37

 

CMYK 75 / 54 / 0 / 33

HEX #2A4FAB

RGB 42 79 171

HSL 222.79, 0.61%, 0.42%

LAB 36.03, 20.14, -53.15

 

CMYK 6 / 75 / 0 / 33

HEX #A02AAB

RGB 160 42 171

HSL 294.88, 0.61%, 0.42%

LAB 41.33, 63.01, -44

 

CMYK 0 / 20 / 75 / 33

HEX #AB882B

RGB 171 136 43

HSL 43.59, 0.6%, 0.42%

LAB 58.45, 3.8, 52.19

 

CMYK 75 / 0 / 59 / 33

HEX #2AAB46

RGB 42 171 70

HSL 133.02, 0.61%, 0.42%

LAB 61.71, -55.32, 41.62

 

CMYK 75 / 54 / 0 / 33

HEX #2A4FAB

RGB 42 79 171

HSL 222.79, 0.61%, 0.42%

LAB 36.03, 20.14, -53.15

 

CMYK 0 / 75 / 16 / 33

HEX #AB2A8F

RGB 171 42 143

HSL 313.02, 0.61%, 0.42%

LAB 41.68, 61.03, -26.46

 

Description

Color code: HEX #AB882B | qconv.com Color code: HEX #AB882B | qconv.com - big



The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 136 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 136 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 75 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 75% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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