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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB8819 it is the complementary color #5477E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB8819. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #AB8819: #B08814, #C19A27, #D2AC3A, #E3BE4D and #F4D060

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB8819. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #AB8819: #AB8819, #9A7606, #896400, #785200 and #674000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 85 / 33

HEX #AB8819

RGB 171 136 25

HSL 45.62, 0.74%, 0.38%

LAB 58.36, 3.14, 58.32

 

Complementary color

CMYK 63 / 48 / 0 / 10

HEX #5477E6

RGB 84 119 230

HSL 225.62, 0.74%, 0.62%

LAB 52.72, 22.15, -60.15

 

CMYK 0 / 23 / 89 / 31

HEX #B08814

RGB 176 136 20

HSL 44.62, 0.8%, 0.38%

LAB 58.87, 5.29, 60.26

 

CMYK 0 / 20 / 80 / 24

HEX #C19A27

RGB 193 154 39

HSL 44.81, 0.66%, 0.45%

LAB 65.43, 3.64, 61.01

 

CMYK 0 / 18 / 72 / 18

HEX #D2AC3A

RGB 210 172 58

HSL 45, 0.63%, 0.53%

LAB 71.9, 2.24, 60.77

 

CMYK 0 / 16 / 66 / 11

HEX #E3BE4D

RGB 227 190 77

HSL 45.2, 0.73%, 0.6%

LAB 78.28, 1.05, 60.02

 

CMYK 0 / 15 / 61 / 4

HEX #F4D060

RGB 244 208 96

HSL 45.41, 0.87%, 0.67%

LAB 84.58, 0.03, 59.01

 

CMYK 0 / 20 / 85 / 33

HEX #AB8819

RGB 171 136 25

HSL 45.62, 0.74%, 0.38%

LAB 58.36, 3.14, 58.32

 

CMYK 0 / 23 / 96 / 40

HEX #9A7606

RGB 154 118 6

HSL 45.41, 0.93%, 0.31%

LAB 51.66, 4.97, 56.54

 

CMYK 0 / 27 / 100 / 46

HEX #896400

RGB 137 100 0

HSL 43.8, 1%, 0.27%

LAB 44.85, 7.17, 52.12

 

CMYK 0 / 32 / 100 / 53

HEX #785200

RGB 120 82 0

HSL 41, 1%, 0.24%

LAB 37.89, 9.61, 46.42

 

CMYK 0 / 38 / 100 / 60

HEX #674000

RGB 103 64 0

HSL 37.28, 1%, 0.2%

LAB 30.76, 12.21, 40.55

 

CMYK 0 / 20 / 85 / 33

HEX #AB8819

RGB 171 136 25

HSL 45.62, 0.74%, 0.38%

LAB 58.36, 3.14, 58.32

 

CMYK 0 / 7 / 85 / 34

HEX #A89C19

RGB 168 156 25

HSL 54.97, 0.74%, 0.38%

LAB 63.48, -9.07, 62.48

 

CMYK 7 / 0 / 85 / 34

HEX #9CA819

RGB 156 168 25

HSL 65.03, 0.74%, 0.38%

LAB 65.86, -20.6, 64.06

 

CMYK 21 / 0 / 85 / 34

HEX #84A819

RGB 132 168 25

HSL 75.1, 0.74%, 0.38%

LAB 64.15, -30.77, 61.92

 

CMYK 36 / 0 / 85 / 34

HEX #6CA819

RGB 108 168 25

HSL 85.17, 0.74%, 0.38%

LAB 62.73, -40.17, 60.14

 

CMYK 0 / 20 / 85 / 33

HEX #AB8819

RGB 171 136 25

HSL 45.62, 0.74%, 0.38%

LAB 58.36, 3.14, 58.32

 

CMYK 0 / 20 / 86 / 13

HEX #DEB120

RGB 222 177 32

HSL 45.79, 0.75%, 0.5%

LAB 74.24, 3.9, 71.74

 

CMYK 0 / 22 / 83 / 93

HEX #120E03

RGB 18 14 3

HSL 44, 0.71%, 0.04%

LAB 4.06, -0.17, 4.84

 

CMYK 0 / 20 / 86 / 73

HEX #45370A

RGB 69 55 10

HSL 45.76, 0.75%, 0.15%

LAB 23.74, 0.82, 28.64

 

CMYK 0 / 21 / 85 / 53

HEX #785F12

RGB 120 95 18

HSL 45.29, 0.74%, 0.27%

LAB 41.57, 2.34, 43.95

 

CMYK 0 / 20 / 85 / 33

HEX #AB8819

RGB 171 136 25

HSL 45.62, 0.74%, 0.38%

LAB 58.36, 3.14, 58.32

 

CMYK 81 / 0 / 85 / 34

HEX #20A819

RGB 32 168 25

HSL 117.06, 0.74%, 0.38%

LAB 60.23, -59.75, 56.97

 

CMYK 55 / 85 / 0 / 34

HEX #4B19A8

RGB 75 25 168

HSL 260.98, 0.74%, 0.38%

LAB 26.79, 54.09, -66.38

 

CMYK 0 / 20 / 85 / 33

HEX #AB8819

RGB 171 136 25

HSL 45.62, 0.74%, 0.38%

LAB 58.36, 3.14, 58.32

 

CMYK 85 / 0 / 21 / 34

HEX #19A884

RGB 25 168 132

HSL 164.9, 0.74%, 0.38%

LAB 61.55, -44.14, 8.65

 

CMYK 21 / 85 / 0 / 34

HEX #8419A8

RGB 132 25 168

HSL 284.9, 0.74%, 0.38%

LAB 34.86, 62.11, -52.85

 

CMYK 0 / 20 / 85 / 33

HEX #AB8819

RGB 171 136 25

HSL 45.62, 0.74%, 0.38%

LAB 58.36, 3.14, 58.32

 

CMYK 81 / 0 / 85 / 34

HEX #20A819

RGB 32 168 25

HSL 117.06, 0.74%, 0.38%

LAB 60.23, -59.75, 56.97

 

CMYK 85 / 64 / 0 / 34

HEX #193DA8

RGB 25 61 168

HSL 224.9, 0.74%, 0.38%

LAB 30.33, 29.35, -60.68

 

CMYK 4 / 85 / 0 / 34

HEX #A119A8

RGB 161 25 168

HSL 297.06, 0.74%, 0.38%

LAB 39.75, 67.23, -44.72

 

CMYK 0 / 20 / 85 / 33

HEX #AB8819

RGB 171 136 25

HSL 45.62, 0.74%, 0.38%

LAB 58.36, 3.14, 58.32

 

CMYK 85 / 0 / 64 / 34

HEX #19A83D

RGB 25 168 61

HSL 135.1, 0.74%, 0.38%

LAB 60.38, -57.56, 44.18

 

CMYK 85 / 64 / 0 / 34

HEX #193DA8

RGB 25 61 168

HSL 224.9, 0.74%, 0.38%

LAB 30.33, 29.35, -60.68

 

CMYK 0 / 85 / 21 / 34

HEX #A81984

RGB 168 25 132

HSL 315.1, 0.74%, 0.38%

LAB 39.05, 63.37, -23.86

 

Description

Color code: HEX #AB8819 | qconv.com Color code: HEX #AB8819 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 136 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 136 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 85 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 85% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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