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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB2D8F it is the complementary color #54D270. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB2D8F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #AB2D8F: #B02D8A, #C13F9D, #D251B0, #E363C3 and #F475D6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB2D8F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #AB2D8F: #AB2D8F, #9A1B7C, #890969, #780056 and #670043

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 16 / 33

HEX #AB2D8F

RGB 171 45 143

HSL 313.33, 0.58%, 0.42%

LAB 42.03, 60.06, -25.92

 

Complementary color

CMYK 60 / 0 / 47 / 18

HEX #54D270

RGB 84 210 112

HSL 133.33, 0.58%, 0.58%

LAB 75.54, -55.57, 38.28

 

CMYK 0 / 74 / 22 / 31

HEX #B02D8A

RGB 176 45 138

HSL 317.4, 0.59%, 0.43%

LAB 42.68, 60.6, -21.8

 

CMYK 0 / 67 / 19 / 24

HEX #C13F9D

RGB 193 63 157

HSL 316.62, 0.51%, 0.5%

LAB 48.67, 61.14, -23.75

 

CMYK 0 / 61 / 16 / 18

HEX #D251B0

RGB 210 81 176

HSL 315.81, 0.59%, 0.57%

LAB 54.78, 61.15, -25.25

 

CMYK 0 / 56 / 14 / 11

HEX #E363C3

RGB 227 99 195

HSL 315, 0.7%, 0.64%

LAB 60.95, 60.84, -26.45

 

CMYK 0 / 52 / 12 / 4

HEX #F475D6

RGB 244 117 214

HSL 314.17, 0.85%, 0.71%

LAB 67.13, 60.35, -27.44

 

CMYK 0 / 74 / 16 / 33

HEX #AB2D8F

RGB 171 45 143

HSL 313.33, 0.58%, 0.42%

LAB 42.03, 60.06, -25.92

 

CMYK 0 / 82 / 19 / 40

HEX #9A1B7C

RGB 154 27 124

HSL 314.17, 0.7%, 0.35%

LAB 36.19, 58.7, -23.53

 

CMYK 0 / 93 / 23 / 46

HEX #890969

RGB 137 9 105

HSL 315, 0.88%, 0.29%

LAB 30.72, 55.99, -20.25

 

CMYK 0 / 100 / 28 / 53

HEX #780056

RGB 120 0 86

HSL 317, 1%, 0.24%

LAB 25.76, 51.44, -15.79

 

CMYK 0 / 100 / 35 / 60

HEX #670043

RGB 103 0 67

HSL 320.97, 1%, 0.2%

LAB 21.17, 45.39, -10.28

 

CMYK 0 / 74 / 16 / 33

HEX #AB2D8F

RGB 171 45 143

HSL 313.33, 0.58%, 0.42%

LAB 42.03, 60.06, -25.92

 

CMYK 0 / 74 / 28 / 34

HEX #A92C79

RGB 169 44 121

HSL 323.04, 0.59%, 0.42%

LAB 40.6, 56.93, -14.64

 

CMYK 0 / 74 / 41 / 34

HEX #A92C64

RGB 169 44 100

HSL 333.12, 0.59%, 0.42%

LAB 39.84, 54.51, -2.65

 

CMYK 0 / 74 / 53 / 34

HEX #A92C50

RGB 169 44 80

HSL 342.72, 0.59%, 0.42%

LAB 39.27, 52.64, 9.18

 

CMYK 0 / 74 / 65 / 34

HEX #A92C3B

RGB 169 44 59

HSL 352.8, 0.59%, 0.42%

LAB 38.82, 51.14, 21.84

 

CMYK 0 / 74 / 16 / 33

HEX #AB2D8F

RGB 171 45 143

HSL 313.33, 0.58%, 0.42%

LAB 42.03, 60.06, -25.92

 

CMYK 0 / 74 / 16 / 13

HEX #DE3ABA

RGB 222 58 186

HSL 313.17, 0.71%, 0.55%

LAB 54.13, 73.95, -31.91

 

CMYK 0 / 72 / 17 / 93

HEX #12050F

RGB 18 5 15

HSL 313.85, 0.57%, 0.05%

LAB 2.45, 5.4, -2.69

 

CMYK 0 / 74 / 16 / 73

HEX #45123A

RGB 69 18 58

HSL 312.94, 0.59%, 0.17%

LAB 15.5, 29.5, -13.3

 

CMYK 0 / 73 / 17 / 53

HEX #782064

RGB 120 32 100

HSL 313.64, 0.58%, 0.3%

LAB 29.28, 45.23, -19.52

 

CMYK 0 / 74 / 16 / 33

HEX #AB2D8F

RGB 171 45 143

HSL 313.33, 0.58%, 0.42%

LAB 42.03, 60.06, -25.92

 

CMYK 0 / 43 / 74 / 34

HEX #A9602C

RGB 169 96 44

HSL 24.96, 0.59%, 0.42%

LAB 48.24, 25.38, 41.33

 

CMYK 74 / 0 / 14 / 34

HEX #2CA992

RGB 44 169 146

HSL 168.96, 0.59%, 0.42%

LAB 62.5, -38.91, 2.23

 

CMYK 0 / 74 / 16 / 33

HEX #AB2D8F

RGB 171 45 143

HSL 313.33, 0.58%, 0.42%

LAB 42.03, 60.06, -25.92

 

CMYK 16 / 0 / 74 / 34

HEX #8EA92C

RGB 142 169 44

HSL 72.96, 0.59%, 0.42%

LAB 65.21, -26.3, 57.5

 

CMYK 74 / 16 / 0 / 34

HEX #2C8EA9

RGB 44 142 169

HSL 192.96, 0.59%, 0.42%

LAB 54.81, -18.76, -22.32

 

CMYK 0 / 74 / 16 / 33

HEX #AB2D8F

RGB 171 45 143

HSL 313.33, 0.58%, 0.42%

LAB 42.03, 60.06, -25.92

 

CMYK 0 / 43 / 74 / 34

HEX #A9602C

RGB 169 96 44

HSL 24.96, 0.59%, 0.42%

LAB 48.24, 25.38, 41.33

 

CMYK 74 / 0 / 58 / 34

HEX #2CA947

RGB 44 169 71

HSL 132.96, 0.59%, 0.42%

LAB 61.1, -54.19, 40.45

 

CMYK 74 / 31 / 0 / 34

HEX #2C75A9

RGB 44 117 169

HSL 204.96, 0.59%, 0.42%

LAB 47.13, -4.59, -34.24

 

CMYK 0 / 74 / 16 / 33

HEX #AB2D8F

RGB 171 45 143

HSL 313.33, 0.58%, 0.42%

LAB 42.03, 60.06, -25.92

 

CMYK 0 / 21 / 74 / 34

HEX #A9862C

RGB 169 134 44

HSL 43.2, 0.59%, 0.42%

LAB 57.72, 4.06, 50.99

 

CMYK 74 / 0 / 58 / 34

HEX #2CA947

RGB 44 169 71

HSL 132.96, 0.59%, 0.42%

LAB 61.1, -54.19, 40.45

 

CMYK 74 / 53 / 0 / 34

HEX #2C50A9

RGB 44 80 169

HSL 222.72, 0.59%, 0.42%

LAB 36.25, 18.96, -51.61

 

Description

Color code: HEX #AB2D8F | qconv.com Color code: HEX #AB2D8F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 45 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 45 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 16 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 16% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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