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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB24C5 it is the complementary color #54DB3A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB24C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB24C5 shade: #B024C0, #C136D3, #D248E6, #E35AF9 and #F46CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB24C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB24C5 shade: #AB24C5, #9A12B2, #89009F, #78008C and #670079

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB24C5 shade: #AC24C6, #C624B5, #C62489, #C6245D and #C62432

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB24C5 shade: #AC24C6, #8024C6, #5524C6, #2924C6 and #2424C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB24C5 shade matches the following richer shades: #AC24C6 and #B911D9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB24C5 shade: #AC24C6, #9F37B3, #924AA0, #865D8D and #79707A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB24C5 shade: #5524C6, #8024C6, #AB24C6, #C624B6 and #C6248B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB24C5 shade: #701881, #8E1EA3, #AC24C6, #C139DB and #CC5CE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB24C5 shade: #AB24C5, #C62A24 and #24C66B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB24C5 shade: #AB24C5, #C6AB24 and #24C6AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB24C5 shade: #AB24C5, #C62A24, #3FC624 and #24C1C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB24C5 shade: #AB24C5, #C65A24, #3FC624 and #2490C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 82 / 0 / 23

HEX #AB24C5

RGB 171 36 197

HSL 290.31, 0.69%, 0.46%

LAB 44.16, 71.39, -54.65

 

Complementary color

CMYK 62 / 0 / 74 / 14

HEX #54DB3A

RGB 84 219 58

HSL 110.31, 0.69%, 0.54%

LAB 77.79, -64.77, 64.15

 

CMYK 8 / 81 / 0 / 25

HEX #B024C0

RGB 176 36 192

HSL 293.85, 0.68%, 0.45%

LAB 44.66, 71.44, -50.89

 

CMYK 9 / 74 / 0 / 17

HEX #C136D3

RGB 193 54 211

HSL 293.12, 0.64%, 0.52%

LAB 50.31, 72.8, -52.67

 

CMYK 9 / 69 / 0 / 10

HEX #D248E6

RGB 210 72 230

HSL 292.41, 0.76%, 0.59%

LAB 56.14, 73.43, -53.99

 

CMYK 9 / 64 / 0 / 2

HEX #E35AF9

RGB 227 90 249

HSL 291.7, 0.93%, 0.66%

LAB 62.07, 73.57, -54.98

 

CMYK 4 / 58 / 0 / 0

HEX #F46CFF

RGB 244 108 255

HSL 295.51, 1%, 0.71%

LAB 67.41, 71.1, -49.67

 

CMYK 13 / 82 / 0 / 23

HEX #AB24C5

RGB 171 36 197

HSL 290.31, 0.69%, 0.46%

LAB 44.16, 71.39, -54.65

 

CMYK 13 / 90 / 0 / 30

HEX #9A12B2

RGB 154 18 178

HSL 291, 0.82%, 0.38%

LAB 38.75, 69.01, -52.34

 

CMYK 14 / 100 / 0 / 38

HEX #89009F

RGB 137 0 159

HSL 291.7, 1%, 0.31%

LAB 33.61, 65.51, -49.4

 

CMYK 14 / 100 / 0 / 45

HEX #78008C

RGB 120 0 140

HSL 291.43, 1%, 0.27%

LAB 29.12, 59.63, -45.14

 

CMYK 15 / 100 / 0 / 53

HEX #670079

RGB 103 0 121

HSL 291.07, 1%, 0.24%

LAB 24.53, 53.59, -40.77

 

CMYK 13 / 82 / 0 / 22

HEX #AC24C6

RGB 172 36 198

HSL 290.37, 0.69%, 0.46%

LAB 44.39, 71.75, -54.85

 

CMYK 0 / 82 / 9 / 22

HEX #C624B5

RGB 198 36 181

HSL 306.3, 0.69%, 0.46%

LAB 47.76, 73.96, -39.29

 

CMYK 0 / 82 / 31 / 22

HEX #C62489

RGB 198 36 137

HSL 322.59, 0.69%, 0.46%

LAB 45.73, 68.31, -16.16

 

CMYK 0 / 82 / 53 / 22

HEX #C6245D

RGB 198 36 93

HSL 338.89, 0.69%, 0.46%

LAB 44.32, 64.16, 8.9

 

CMYK 0 / 82 / 75 / 22

HEX #C62432

RGB 198 36 50

HSL 354.81, 0.69%, 0.46%

LAB 43.5, 61.71, 34.32

 

CMYK 13 / 82 / 0 / 22

HEX #AC24C6

RGB 172 36 198

HSL 290.37, 0.69%, 0.46%

LAB 44.39, 71.75, -54.85

 

CMYK 35 / 82 / 0 / 22

HEX #8024C6

RGB 128 36 198

HSL 274.07, 0.69%, 0.46%

LAB 37.71, 64.51, -66

 

CMYK 57 / 82 / 0 / 22

HEX #5524C6

RGB 85 36 198

HSL 258.15, 0.69%, 0.46%

LAB 32.41, 58.91, -74.9

 

CMYK 79 / 82 / 0 / 22

HEX #2924C6

RGB 41 36 198

HSL 241.85, 0.69%, 0.46%

LAB 28.93, 55.34, -80.78

 

CMYK 82 / 82 / 0 / 22

HEX #2424C6

RGB 36 36 198

HSL 240, 0.69%, 0.46%

LAB 28.68, 55.08, -81.2

 

CMYK 13 / 82 / 0 / 22

HEX #AC24C6

RGB 172 36 198

HSL 290.37, 0.69%, 0.46%

LAB 44.39, 71.75, -54.85

 

CMYK 15 / 92 / 0 / 15

HEX #B911D9

RGB 185 17 217

HSL 290.4, 0.85%, 0.46%

LAB 46.61, 80.59, -62.12

 

CMYK 13 / 82 / 0 / 22

HEX #AC24C6

RGB 172 36 198

HSL 290.37, 0.69%, 0.46%

LAB 44.39, 71.75, -54.85

 

CMYK 11 / 69 / 0 / 30

HEX #9F37B3

RGB 159 55 179

HSL 290.32, 0.53%, 0.46%

LAB 43.3, 59.56, -45.59

 

CMYK 9 / 54 / 0 / 37

HEX #924AA0

RGB 146 74 160

HSL 290.23, 0.37%, 0.46%

LAB 43.58, 43.78, -34.01

 

CMYK 5 / 34 / 0 / 45

HEX #865D8D

RGB 134 93 141

HSL 291.25, 0.21%, 0.46%

LAB 45.39, 25.45, -19.94

 

CMYK 1 / 8 / 0 / 52

HEX #79707A

RGB 121 112 122

HSL 294, 0.04%, 0.46%

LAB 48.33, 5.47, -4.26

 

CMYK 57 / 82 / 0 / 22

HEX #5524C6

RGB 85 36 198

HSL 258.15, 0.69%, 0.46%

LAB 32.41, 58.91, -74.9

 

CMYK 35 / 82 / 0 / 22

HEX #8024C6

RGB 128 36 198

HSL 274.07, 0.69%, 0.46%

LAB 37.71, 64.51, -66

 

CMYK 14 / 82 / 0 / 22

HEX #AB24C6

RGB 171 36 198

HSL 290, 0.69%, 0.46%

LAB 44.23, 71.57, -55.12

 

CMYK 0 / 82 / 8 / 22

HEX #C624B6

RGB 198 36 182

HSL 305.93, 0.69%, 0.46%

LAB 47.81, 74.11, -39.8

 

CMYK 0 / 82 / 30 / 22

HEX #C6248B

RGB 198 36 139

HSL 321.85, 0.69%, 0.46%

LAB 45.81, 68.53, -17.25

 

CMYK 13 / 81 / 0 / 49

HEX #701881

RGB 112 24 129

HSL 290.29, 0.69%, 0.3%

LAB 28.6, 51.22, -39.19

 

CMYK 13 / 82 / 0 / 36

HEX #8E1EA3

RGB 142 30 163

HSL 290.53, 0.69%, 0.38%

LAB 36.6, 61.63, -46.95

 

CMYK 13 / 82 / 0 / 22

HEX #AC24C6

RGB 172 36 198

HSL 290.37, 0.69%, 0.46%

LAB 44.39, 71.75, -54.85

 

CMYK 12 / 74 / 0 / 14

HEX #C139DB

RGB 193 57 219

HSL 290.37, 0.69%, 0.54%

LAB 51.13, 73.23, -55.93

 

CMYK 9 / 59 / 0 / 12

HEX #CC5CE1

RGB 204 92 225

HSL 290.53, 0.69%, 0.62%

LAB 57.97, 62.97, -48.32

 

CMYK 13 / 82 / 0 / 23

HEX #AB24C5

RGB 171 36 197

HSL 290.31, 0.69%, 0.46%

LAB 44.16, 71.39, -54.65

 

CMYK 0 / 79 / 82 / 22

HEX #C62A24

RGB 198 42 36

HSL 2.22, 0.69%, 0.46%

LAB 43.93, 59.61, 42.63

 

CMYK 82 / 0 / 46 / 22

HEX #24C66B

RGB 36 198 107

HSL 146.3, 0.69%, 0.46%

LAB 70.75, -59.77, 34.49

 

CMYK 13 / 82 / 0 / 23

HEX #AB24C5

RGB 171 36 197

HSL 290.31, 0.69%, 0.46%

LAB 44.16, 71.39, -54.65

 

CMYK 0 / 14 / 82 / 22

HEX #C6AB24

RGB 198 171 36

HSL 50, 0.69%, 0.46%

LAB 70.36, -3.34, 66.47

 

CMYK 82 / 0 / 14 / 22

HEX #24C6AB

RGB 36 198 171

HSL 170, 0.69%, 0.46%

LAB 72.03, -45.67, 2.28

 

CMYK 13 / 82 / 0 / 23

HEX #AB24C5

RGB 171 36 197

HSL 290.31, 0.69%, 0.46%

LAB 44.16, 71.39, -54.65

 

CMYK 0 / 79 / 82 / 22

HEX #C62A24

RGB 198 42 36

HSL 2.22, 0.69%, 0.46%

LAB 43.93, 59.61, 42.63

 

CMYK 68 / 0 / 82 / 22

HEX #3FC624

RGB 63 198 36

HSL 110, 0.69%, 0.46%

LAB 70.58, -63.58, 63.78

 

CMYK 82 / 3 / 0 / 22

HEX #24C1C6

RGB 36 193 198

HSL 181.85, 0.69%, 0.46%

LAB 71.28, -35.8, -13.55

 

CMYK 13 / 82 / 0 / 23

HEX #AB24C5

RGB 171 36 197

HSL 290.31, 0.69%, 0.46%

LAB 44.16, 71.39, -54.65

 

CMYK 0 / 55 / 82 / 22

HEX #C65A24

RGB 198 90 36

HSL 20, 0.69%, 0.46%

LAB 51.2, 40.07, 49.46

 

CMYK 68 / 0 / 82 / 22

HEX #3FC624

RGB 63 198 36

HSL 110, 0.69%, 0.46%

LAB 70.58, -63.58, 63.78

 

CMYK 82 / 27 / 0 / 22

HEX #2490C6

RGB 36 144 198

HSL 200, 0.69%, 0.46%

LAB 56.48, -10.67, -36.25

 

Description

Color code: HEX #AB24C5 | qconv.com Color code: HEX #AB24C5 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 36 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 36 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 82 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 82% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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